As the format continues to slowly gain traction – here’s our regularly-updated list of upcoming 4K UK disc releases.
Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.
We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.
Without further ado, here are the titles we know about…
Out now
22nd April: The Demoniacs
22nd April: Kind Hearts & Coronets
22nd April: The Lavender Hill Mob
22nd April:...
Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.
We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.
Without further ado, here are the titles we know about…
Out now
22nd April: The Demoniacs
22nd April: Kind Hearts & Coronets
22nd April: The Lavender Hill Mob
22nd April:...
- 5/1/2024
- by Simon Brew
- Film Stories
The episode of Wtf Happened to This Horror Movie? covering Raising Cain was Written and Narrated by Mike Holtz, Edited by Joseph Wilson, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
There’s a lot to miss about the ’90s. Video stores. Arcades. Music Television. On and on. One of the many things I miss is the slew of original thrillers that used to grace the big screen. Each one with varying amounts of horror, cheesiness, and sex. Richard Gere and Michael Douglas were involved in more sex and danger in the ’90s than Maureen Prescott’s ghost. But today isn’t about watching the guy from Falling Down rip his expensive and pleated slacks off in a fever of passion. It’s about directing legend Brian De Palma returning to the genre with his very own fever dream Fight Club. A story of split personalities,...
There’s a lot to miss about the ’90s. Video stores. Arcades. Music Television. On and on. One of the many things I miss is the slew of original thrillers that used to grace the big screen. Each one with varying amounts of horror, cheesiness, and sex. Richard Gere and Michael Douglas were involved in more sex and danger in the ’90s than Maureen Prescott’s ghost. But today isn’t about watching the guy from Falling Down rip his expensive and pleated slacks off in a fever of passion. It’s about directing legend Brian De Palma returning to the genre with his very own fever dream Fight Club. A story of split personalities,...
- 4/29/2024
- by Cody Hamman
- JoBlo.com
Brian De Palma has often been called the second incarnation of Alfred Hitchcock in cinema. During his long career in Hollywood, he earned a reputation as one of the most provocative and versatile directors, equally at home directing gory horror films, brutal gangster dramas, and commercial hits.
His works became a reference not only for the creation of other movies and music videos, but also for musical careers; for example, Al Pacino's scream from Carlito's Way opened Jay-Z's second platinum album. And another of De Palma's cult films was the inspiration for Quentin Tarantino to create the best character in one of his most famous flicks, Pulp Fiction.
Tarantino’s Choice for The Role of Vincent Vega Was a Surprise to Many
Tarantino likes to choose actors at his own discretion and gets very upset when one of his chosen stars is not available to participate in his movies.
His works became a reference not only for the creation of other movies and music videos, but also for musical careers; for example, Al Pacino's scream from Carlito's Way opened Jay-Z's second platinum album. And another of De Palma's cult films was the inspiration for Quentin Tarantino to create the best character in one of his most famous flicks, Pulp Fiction.
Tarantino’s Choice for The Role of Vincent Vega Was a Surprise to Many
Tarantino likes to choose actors at his own discretion and gets very upset when one of his chosen stars is not available to participate in his movies.
- 4/19/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Two years after he leapt to the forefront of the New Hollywood with The Godfather, and just months before he picked up the threads of that operatic crime saga with the magnificent sequel/prequel The Godfather Part II, Francis Ford Coppola released a quiet movie, one in which sound itself — and, more specifically, its surreptitious recording — is the narrative engine. Arriving during a particularly fertile era for American film, The Conversation was not a hit, but it is one of the period’s most subtle and shattering features. Half a century later, it resounds as hauntingly as ever, not merely as a cautionary tale but as a searing portrait of where we are now.
The movie took its New York bow on Coppola’s 35th birthday, April 7, 1974, a few weeks before its Palme d’Or triumph in Cannes. Today the octogenarian writer-director is again preparing to compete on the Croisette,...
The movie took its New York bow on Coppola’s 35th birthday, April 7, 1974, a few weeks before its Palme d’Or triumph in Cannes. Today the octogenarian writer-director is again preparing to compete on the Croisette,...
- 4/17/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
Calling all Latino filmmakers, John Travolta wants to work with you. Swinging by Panama to present his 1978 musical rom-com “Grease” at the 12th Panama International Film Festival (Iff Panama), Travolta professed his great love for “Mexico, Central America, South America, all of its parts.”
“There is an incredible humanity that prevails and is different from anywhere else in the world,” he told Variety.
Surprised to hear that Robert de Niro had starred in the Argentine series “Nada,” Travolta exclaimed: “I would have loved that, I would have enjoyed being lured to South America to play a part for a while.”
The closest he’s come to working with a Latino director was with Alfonso Cuarón, who produced the short film streaming on Disney+ “The Shepherd,” based on Frederick Forsyth’s 1975 novella, which follows a young Royal Air Force pilot flying home for Christmas across the North Sea. When the pilot...
“There is an incredible humanity that prevails and is different from anywhere else in the world,” he told Variety.
Surprised to hear that Robert de Niro had starred in the Argentine series “Nada,” Travolta exclaimed: “I would have loved that, I would have enjoyed being lured to South America to play a part for a while.”
The closest he’s come to working with a Latino director was with Alfonso Cuarón, who produced the short film streaming on Disney+ “The Shepherd,” based on Frederick Forsyth’s 1975 novella, which follows a young Royal Air Force pilot flying home for Christmas across the North Sea. When the pilot...
- 4/8/2024
- by Anna Marie de la Fuente
- Variety Film + TV
[Editor’s note: this list was originally published in July 2023 and has since been updated].
America. The land of the free, and the home of buck wild political thrillers. That’s not to take anything away from the ample international political thrillers in existence. But there is something about the United States that seems to make it an ideal setting for suspense built around corruption and conspiracy. Maybe it’s the country’s (misguided) sense of triumph and greatness: when a country is founded on ideals of democracy and liberty, a great yarn about the darkness behind its government is harder to resist. Whatever the case, the country has a great history of political thrillers, some of which stand as all time greats.
As a genre, political thrillers unquestionably hit their peak in the mid-‘70s, thanks to a combination of the JFK assassination, renewed cynicism against the federal government against the backdrop of the Vietnam War, and an honest-to-god conspiracy theory in the form of Watergate.
America. The land of the free, and the home of buck wild political thrillers. That’s not to take anything away from the ample international political thrillers in existence. But there is something about the United States that seems to make it an ideal setting for suspense built around corruption and conspiracy. Maybe it’s the country’s (misguided) sense of triumph and greatness: when a country is founded on ideals of democracy and liberty, a great yarn about the darkness behind its government is harder to resist. Whatever the case, the country has a great history of political thrillers, some of which stand as all time greats.
As a genre, political thrillers unquestionably hit their peak in the mid-‘70s, thanks to a combination of the JFK assassination, renewed cynicism against the federal government against the backdrop of the Vietnam War, and an honest-to-god conspiracy theory in the form of Watergate.
- 3/15/2024
- by Wilson Chapman, Alison Foreman and Christian Zilko
- Indiewire
A generally accepted truth amongst filmmakers is that making a horror movie is typically a light-hearted affair behind the scenes, given all the gore and traumatic mayhem happening while cameras are rolling. While that may be true, there's no doubt that making horror happen in front of those cameras requires a lot of blood, sweat and tears — and not always of the special-effects variety. Some of those substances can end up being very real, even unintentionally so.
Star Skeet Ulrich, director Wes Craven, and the rest of the cast and crew of 1996's "Scream" discovered this the hard way during the filming of one of the climactic scenes of the movie. When Ulrich's character, Billy Loomis (one half of the murderous duo known as Ghostface) is stabbed twice with an umbrella wielded by his girlfriend and the film's Final Girl, Sidney Prescott (Neve Campbell), one of the stabbings didn't quite hit the proper mark,...
Star Skeet Ulrich, director Wes Craven, and the rest of the cast and crew of 1996's "Scream" discovered this the hard way during the filming of one of the climactic scenes of the movie. When Ulrich's character, Billy Loomis (one half of the murderous duo known as Ghostface) is stabbed twice with an umbrella wielded by his girlfriend and the film's Final Girl, Sidney Prescott (Neve Campbell), one of the stabbings didn't quite hit the proper mark,...
- 2/11/2024
- by Bill Bria
- Slash Film
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
Contagion 4K Uhd from Warner Bros.
Contagion will infect 4K Ultra HD on February 27 via Warner Bros. The 2011 thriller has been newly restored in 4K from the original camera negative, overseen by director Steven Soderbergh, with High Dynamic Range.
The ensemble cast features Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Kate Winslet, Bryan Cranston, Jennifer Ehle, and Sanaa Lathan. Scott Z. Burns (The Bourne Ultimatum) wrote the script.
Three previously released featurettes are included: “The Reality of Contagion,” “The Contagion Detectives,” and “Contagion: How a Virus Changes the World.”
Body Double Vinyl Soundtrack from Waxwork Records
The soundtrack from Brain De Palma’s Body Double is coming to vinyl for $40 from Waxwork Records.
Here are the coolest horror collectibles unveiled this week!
Contagion 4K Uhd from Warner Bros.
Contagion will infect 4K Ultra HD on February 27 via Warner Bros. The 2011 thriller has been newly restored in 4K from the original camera negative, overseen by director Steven Soderbergh, with High Dynamic Range.
The ensemble cast features Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Kate Winslet, Bryan Cranston, Jennifer Ehle, and Sanaa Lathan. Scott Z. Burns (The Bourne Ultimatum) wrote the script.
Three previously released featurettes are included: “The Reality of Contagion,” “The Contagion Detectives,” and “Contagion: How a Virus Changes the World.”
Body Double Vinyl Soundtrack from Waxwork Records
The soundtrack from Brain De Palma’s Body Double is coming to vinyl for $40 from Waxwork Records.
- 1/12/2024
- by Alex DiVincenzo
- bloody-disgusting.com
A new holiday horror classic emerges with the arrival of Eli Roth‘s Thanksgiving in theaters on November 17.
In Thanksgiving, “After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the infamous holiday.”
Bloody Disgusting spoke with Roth, who wrote the script with Jeff Rendell, about his gory slasher and how it’s evolved since its faux trailer origins. In part one of our chat, the horror filmmaker reflected on the origins of his slasher and his thoughts on modern horror.
Now, in part two, Roth shares the research put into the contemporary slasher and the design behind his killer, John Carver.
While Roth is a lifelong horror study, filmmaker, and fanatic, Thanksgiving alters the cold open kill that’s tradition for the slasher subgenre. When asked if he felt any pressure expanding the fake Grindhouse trailer and its memorable kills in a contemporary slasher,...
In Thanksgiving, “After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the infamous holiday.”
Bloody Disgusting spoke with Roth, who wrote the script with Jeff Rendell, about his gory slasher and how it’s evolved since its faux trailer origins. In part one of our chat, the horror filmmaker reflected on the origins of his slasher and his thoughts on modern horror.
Now, in part two, Roth shares the research put into the contemporary slasher and the design behind his killer, John Carver.
While Roth is a lifelong horror study, filmmaker, and fanatic, Thanksgiving alters the cold open kill that’s tradition for the slasher subgenre. When asked if he felt any pressure expanding the fake Grindhouse trailer and its memorable kills in a contemporary slasher,...
- 11/16/2023
- by Meagan Navarro
- bloody-disgusting.com
Visitors to the bathrooms at the Caesars Forum in Las Vegas this weekend will be greeted with mirrors decorated with classic “Real Housewives” quotes, and stalls featuring trivia questions inspired by the intricate universe of Bravo’s reality TV programming — along with product samples and coupons presented by Clorox, one of almost two dozen sponsors of the network’s annual BravoCon fan extravaganza.
“We have every square inch of this thing sponsored,” Sari Feinberg, NBCUniversal’s SVP of marketing, content partnerships and advertising told TheWrap ahead of the three-day event, which is expected to host 25,000+ people beginning Friday.
BravoCon’s debut in Las Vegas this year, after two years in New York City, follows in the footsteps of Star Wars Celebration and Comic-Con, fan conventions that have monetized male-skewing shows for years. Bravo, the cable network, has found a massive live event revenue stream for a heavily female demographic that...
“We have every square inch of this thing sponsored,” Sari Feinberg, NBCUniversal’s SVP of marketing, content partnerships and advertising told TheWrap ahead of the three-day event, which is expected to host 25,000+ people beginning Friday.
BravoCon’s debut in Las Vegas this year, after two years in New York City, follows in the footsteps of Star Wars Celebration and Comic-Con, fan conventions that have monetized male-skewing shows for years. Bravo, the cable network, has found a massive live event revenue stream for a heavily female demographic that...
- 11/2/2023
- by Jose Alejandro Bastidas
- The Wrap
Brian De Palma’s “play nice” films—in which he shows that he can groove to the strictures of pop cinema while reinvigorating formulaic stories with his formal gifts—often have an acrid aftertaste. While watching The Untouchables or Mission: Impossible, the De Palma acolyte may sense the artist’s resentment at having to impersonally flex his mastery. Carlito’s Way, though, is an exception.
Working from a vivid screenplay by David Koepp, adapted from two novels by Judge Edwin Torres, De Palma embraces the romantic possibilities of mainstream cinema, using his skill to deepen the audience’s engagement with melodrama rather than to interrogate it. The 1993 film is an increasingly endangered bird—an intelligent and beautiful entertainment for adults—that was taken for granted by many at the time.
The opening credits sequence establishes a different De Palma register—a cohesion between the sentimental pull of pop cinema and the...
Working from a vivid screenplay by David Koepp, adapted from two novels by Judge Edwin Torres, De Palma embraces the romantic possibilities of mainstream cinema, using his skill to deepen the audience’s engagement with melodrama rather than to interrogate it. The 1993 film is an increasingly endangered bird—an intelligent and beautiful entertainment for adults—that was taken for granted by many at the time.
The opening credits sequence establishes a different De Palma register—a cohesion between the sentimental pull of pop cinema and the...
- 9/26/2023
- by Chuck Bowen
- Slant Magazine
While his films have ranged from the sublime to the atrocious, there’s no denying the impact Brian De Palma has had on cinema. Let’s take a look back at 20 of his greatest films, ranked worst to best.
De Palma began his filmmaking career directing underground features shot on a shoestring, many of which starred a young Robert De Niro. He came into his own with the Hitchcock-inspired thriller “Sisters” (1973), starring Margot Kidder as a pair of killer Siamese twins. The Master of Suspense would serve as a muse to De Palma throughout his career, influencing such films as “Obsession” (1976), “Dressed to Kill” (1980), “Blow Out” (1980) and “Body Double” (1984) both in style and substance.
He enjoyed his first box office success with “Carrie” (1976), an adaptation of Stephen King’s chilling novel about a shy teenager (Sissy Spacek) with telekinesis. The film brought Oscar nominations to Spacek and Piper Laurie...
De Palma began his filmmaking career directing underground features shot on a shoestring, many of which starred a young Robert De Niro. He came into his own with the Hitchcock-inspired thriller “Sisters” (1973), starring Margot Kidder as a pair of killer Siamese twins. The Master of Suspense would serve as a muse to De Palma throughout his career, influencing such films as “Obsession” (1976), “Dressed to Kill” (1980), “Blow Out” (1980) and “Body Double” (1984) both in style and substance.
He enjoyed his first box office success with “Carrie” (1976), an adaptation of Stephen King’s chilling novel about a shy teenager (Sissy Spacek) with telekinesis. The film brought Oscar nominations to Spacek and Piper Laurie...
- 9/8/2023
- by Zach Laws and Chris Beachum
- Gold Derby
“Golda” looks to do the unthinkable – to portray Golda Meir, the fourth Prime Minister of Israel from 1969 to 1974, not as a historical figure but as a flesh-and-blood person. And what’s more, the movie hinges on the Yom Kippur War, an armed conflict between Israel and a coalition of Arab states (including Egypt), which puts Golda (played elegantly by Helen Mirren) in a pressure cooker. It’s incredible just how much you learn about her given the movie’s strict parameters.
As directed by Guy Nattiv, it’s a tense and unnerving history lesson, one that keeps you riveted throughout. And with Mirren as Golda, who at the time was secretly ailing, the conflict has a very human face. Nattiv gives the movie immediacy and draws parallels to what’s going on today.
TheWrap spoke to Nattiv about the influence of 1970’s Cold War thrillers and Oliver Stone’s “JFK...
As directed by Guy Nattiv, it’s a tense and unnerving history lesson, one that keeps you riveted throughout. And with Mirren as Golda, who at the time was secretly ailing, the conflict has a very human face. Nattiv gives the movie immediacy and draws parallels to what’s going on today.
TheWrap spoke to Nattiv about the influence of 1970’s Cold War thrillers and Oliver Stone’s “JFK...
- 8/28/2023
- by Drew Taylor
- The Wrap
When Guy Nattiv came on board to direct Golda — centered on the first and only female Prime Minister of Israel Golda Meir — he knew he didn’t want to make a war movie, despite the film being set during the 1973 Yom Kippur war. “We’ve seen war movies before,” he figured, and what audiences hadn’t seen before was Meir’s story.
With Golda, Nattiv, who broke out with his short film and subsequent feature Skin, hopes to bring more understanding to Meir’s leadership during the conflict, which was seen both inside and outside her country as a failure and preceded her eventual resignation. “A lot of the film watches on as Meir and the generals listen in to the sound of men dying on the battlefield as they play cat and mouse with the Egyptians and Syrians. There’s no blood on display but the agony and pain...
With Golda, Nattiv, who broke out with his short film and subsequent feature Skin, hopes to bring more understanding to Meir’s leadership during the conflict, which was seen both inside and outside her country as a failure and preceded her eventual resignation. “A lot of the film watches on as Meir and the generals listen in to the sound of men dying on the battlefield as they play cat and mouse with the Egyptians and Syrians. There’s no blood on display but the agony and pain...
- 8/26/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
We understand — theoretically, at least — that movies have more oomph when it’s an immersive experience. But though we all have familiarity with the various director cuts of films floating around, we tend to think less of how films play differently thanks to specialized equipment. But Manhattan cinephiles are about to get a big lesson in just that with the launch of the Paris Theater’s “Big and Loud” series.
A hothouse combination of classic cinema and popcorn entertainment, the series hopes to marry a nostalgic, historic setting with Dolby Atmos to make even beloved films a new discovery. Dolby Atmos allows filmmakers and sound designers the opportunity to strategically position specific sounds to come from anywhere in a film auditorium; the newly renovated Paris Theater has accepted that challenge and created the largest Atmos cinema in Manhattan. The Netflix theater’s team spent four months working with Dolby, an acoustician,...
A hothouse combination of classic cinema and popcorn entertainment, the series hopes to marry a nostalgic, historic setting with Dolby Atmos to make even beloved films a new discovery. Dolby Atmos allows filmmakers and sound designers the opportunity to strategically position specific sounds to come from anywhere in a film auditorium; the newly renovated Paris Theater has accepted that challenge and created the largest Atmos cinema in Manhattan. The Netflix theater’s team spent four months working with Dolby, an acoustician,...
- 8/22/2023
- by Sarah Shachat
- Indiewire
Netflix is bringing the prized Paris Theater back online after major upgrades, including installing a new Dolby Atmos sound system and the technology needed to play 70mm film for the first time in over 15 years, the streamer announced Wednesday.
New York’s iconic art house cinema at 4 W. 58th Street will celebrate the occasion by hosting “Big & Loud,” a program showcasing classics from across the decades, as well as films for the sonically-obsessed. It runs Sept. 1-7.
The 70mm lineup includes 2001: A Space Odyssey, Baraka, Lawrence of Arabia, Once Upon a Time in Hollywood, Playtime, Roma and Top Gun.
Dolby Atmos Dcp movies being screened in the “Big & Loud” program include Apocalypse Now: Final Cut, Blade Runner: Final Cut, Da 5 Bloods, Mad Max: Fury Road, The Matrix, Memoria — which has never before screened in Atmos — and A Quiet Place. Other offerings include Blow Out, La Ciénaga, The Conversation...
New York’s iconic art house cinema at 4 W. 58th Street will celebrate the occasion by hosting “Big & Loud,” a program showcasing classics from across the decades, as well as films for the sonically-obsessed. It runs Sept. 1-7.
The 70mm lineup includes 2001: A Space Odyssey, Baraka, Lawrence of Arabia, Once Upon a Time in Hollywood, Playtime, Roma and Top Gun.
Dolby Atmos Dcp movies being screened in the “Big & Loud” program include Apocalypse Now: Final Cut, Blade Runner: Final Cut, Da 5 Bloods, Mad Max: Fury Road, The Matrix, Memoria — which has never before screened in Atmos — and A Quiet Place. Other offerings include Blow Out, La Ciénaga, The Conversation...
- 8/9/2023
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Raising Cain, Brian De Palma’s maddening dissociative identity disorder thriller, remains one of the director’s most inscrutable films three decades later.
“Does Carter know what he did?”
“Carter didn’t do anything. Cain did all the killing.”
Brian De Palma is an absolute master visual storyteller and his movies are always cinematically stunning even when they don’t fully work as films. For every Carrie and Blow Out there’s a Snake Eyes and The Black Dahlia, but Snake Eyes still kicks off with a twelve-and-a-half minute unbroken tracking shot and Black Dahlia turns the camera into an airborne omniscient spectator during its dynamic gangland shootout and simultaneous corpse discovery. 1992’s Raising Cain comes at an important period of transition for De Palma. Sandwiched between The Bonfire of the Vanities and Carlito’s Way–ostensibly the two extremes of De Palma’s career–it’s easy for Raising Cain...
“Does Carter know what he did?”
“Carter didn’t do anything. Cain did all the killing.”
Brian De Palma is an absolute master visual storyteller and his movies are always cinematically stunning even when they don’t fully work as films. For every Carrie and Blow Out there’s a Snake Eyes and The Black Dahlia, but Snake Eyes still kicks off with a twelve-and-a-half minute unbroken tracking shot and Black Dahlia turns the camera into an airborne omniscient spectator during its dynamic gangland shootout and simultaneous corpse discovery. 1992’s Raising Cain comes at an important period of transition for De Palma. Sandwiched between The Bonfire of the Vanities and Carlito’s Way–ostensibly the two extremes of De Palma’s career–it’s easy for Raising Cain...
- 8/7/2023
- by Daniel Kurland
- bloody-disgusting.com
Prince William and Prince Harry’s private rifts became public knowledge when the Duke of Sussex admitted to them during the documentary Harry & Meghan: An African Journey and an interview with Oprah Winfrey. Harry then gave an account in his memoir Spare of a blowout with William over Meghan that he alleged turned physical.
A royal biographer has claimed that there was another major dustup between the princes over something the duchess did that resulted in Harry and his wife pulling out of a summer trip with the royal family.
Prince William, Prince Harry, and Meghan Markle arrive at Windsor Castle to view tributes to Queen Elizabeth | Chris Jackson/Getty Images Other blowout over Meghan that caused Sussexes to cancel trip
According to the Sussexes’ biography Finding Freedom, Harry and his older sibling argued when the now-Prince of Wales tried to have a frank discussion with him about not...
A royal biographer has claimed that there was another major dustup between the princes over something the duchess did that resulted in Harry and his wife pulling out of a summer trip with the royal family.
Prince William, Prince Harry, and Meghan Markle arrive at Windsor Castle to view tributes to Queen Elizabeth | Chris Jackson/Getty Images Other blowout over Meghan that caused Sussexes to cancel trip
According to the Sussexes’ biography Finding Freedom, Harry and his older sibling argued when the now-Prince of Wales tried to have a frank discussion with him about not...
- 8/2/2023
- by Michelle Kapusta
- Showbiz Cheat Sheet
One of independent film’s key players, Ray Price, died July 16 at the age of 75 from heart failure after a long battle with cancer, his long-term partner Meg Madison confirmed.
Talking to Price about movies, past and present, was an exhilarating sport that could take a while. He knew his stuff — no one loved movies more — but more than anyone during the great indie decades of the ’70s, ’80s, and ’90s, he was a respected innovator who thought outside the box. He began as an exhibitor in San Francisco and moved on to marketing, releasing, and distributing movies, leaning toward the outrageous in how he lured audiences to sample challenging fare.
“Ray, while being a defiantly singular individual, was also emblematic of a bygone age of independent film,” Magnolia Pictures co-ceo Eamonn Bowles wrote me in an email. “From theatre chain owner to distributor, exquisite marketer, and production exec, he...
Talking to Price about movies, past and present, was an exhilarating sport that could take a while. He knew his stuff — no one loved movies more — but more than anyone during the great indie decades of the ’70s, ’80s, and ’90s, he was a respected innovator who thought outside the box. He began as an exhibitor in San Francisco and moved on to marketing, releasing, and distributing movies, leaning toward the outrageous in how he lured audiences to sample challenging fare.
“Ray, while being a defiantly singular individual, was also emblematic of a bygone age of independent film,” Magnolia Pictures co-ceo Eamonn Bowles wrote me in an email. “From theatre chain owner to distributor, exquisite marketer, and production exec, he...
- 7/21/2023
- by Anne Thompson
- Indiewire
Ray Price, a respected producer of indie filmmaking, died July 16 from heart failure after a long battle with cancer. The news was confirmed by his long-term partner Meg Madison. He was 75 years old.
Price launched his film career in 1972, managing the Berkeley storefront theater the Rialto, and went on to build with Allen Michaan Renaissance Theaters, an independent art film chain that became one of the largest (33 at its peak) in the Bay Area and was later sold to the Landmark Theatre circuit.
A tough negotiator and exacting exhibitor, under Price’s stewardship, Renaissance Theaters were renowned for redesigning marketing materials, from posters to press books — designs that fledgling distributors often adopted when the films hadn’t found success in other markets.
At a time when most top arthouse distributors focused on established auteurs from Europe and Asia, Renaissance Theaters exploded those norms by programming new American directors like Martin Scorsese and John Cassavetes.
Price launched his film career in 1972, managing the Berkeley storefront theater the Rialto, and went on to build with Allen Michaan Renaissance Theaters, an independent art film chain that became one of the largest (33 at its peak) in the Bay Area and was later sold to the Landmark Theatre circuit.
A tough negotiator and exacting exhibitor, under Price’s stewardship, Renaissance Theaters were renowned for redesigning marketing materials, from posters to press books — designs that fledgling distributors often adopted when the films hadn’t found success in other markets.
At a time when most top arthouse distributors focused on established auteurs from Europe and Asia, Renaissance Theaters exploded those norms by programming new American directors like Martin Scorsese and John Cassavetes.
- 7/21/2023
- The Wrap
Ray Price, an indie film producer and marketing veteran, died on July 16 of heart failure after battling cancer, his longterm partner Meg Madison confirmed. He was 75.
During his career in film, Price was president of Francis Ford Coppola’s production company American Zoetrope and First Look Pictures and a marketing and distribution exec for Landmark Theatres, Trimark Pictures and 2929 Entertainment. He also supported up-and-coming filmmakers like Tran Anh Hung (“The Scent of Green Papaya”), Gurinder Chadha (“Bhaji on The Beach”), Carl Franklin (“One False Move”), Allison Anders (“Gas Food Lodging”) and John Sayles (“The Secret of Roan Inish”).
“Ray, while being a defiantly singular individual, was also emblematic of a bygone age of independent film,” said Magnolia Pictures co-ceo Eamonn Bowles in a statement. “From theatre chain owner to distributor, exquisite marketer, and production exec, he always sought out novel ways of approaching things. He truly was a rebel...
During his career in film, Price was president of Francis Ford Coppola’s production company American Zoetrope and First Look Pictures and a marketing and distribution exec for Landmark Theatres, Trimark Pictures and 2929 Entertainment. He also supported up-and-coming filmmakers like Tran Anh Hung (“The Scent of Green Papaya”), Gurinder Chadha (“Bhaji on The Beach”), Carl Franklin (“One False Move”), Allison Anders (“Gas Food Lodging”) and John Sayles (“The Secret of Roan Inish”).
“Ray, while being a defiantly singular individual, was also emblematic of a bygone age of independent film,” said Magnolia Pictures co-ceo Eamonn Bowles in a statement. “From theatre chain owner to distributor, exquisite marketer, and production exec, he always sought out novel ways of approaching things. He truly was a rebel...
- 7/21/2023
- by Jordan Moreau
- Variety Film + TV
Ray Price, the respected indie film innovator who served as president of American Zoetrope and First Look Pictures and as a marketing and distribution executive for companies including Landmark Theatres and Trimark Pictures, has died. He was 75.
Price died Sunday at Whittier Hospital Medical Center from heart failure after a long battle with cancer, his longtime partner, Meg Madison, said.
Throughout his career, Price displayed an encyclopedic knowledge of film, mentored generations of executives and leaned toward the outrageous in the ways he lured audiences to sample challenging movies.
Along the way, he championed filmmakers including Carl Franklin (1992’s One False Move), Allison Anders (1992’s Gas Food Lodging), Tran Anh Hung (1993’s The Scent of Green Papaya), Gurinder Chadha (1993’s Bhaji on the Beach) and John Sayles (1994’s The Secret of Roan Inish).
“Ray, while being a defiantly singular individual, was also emblematic of a bygone age of independent film,...
Price died Sunday at Whittier Hospital Medical Center from heart failure after a long battle with cancer, his longtime partner, Meg Madison, said.
Throughout his career, Price displayed an encyclopedic knowledge of film, mentored generations of executives and leaned toward the outrageous in the ways he lured audiences to sample challenging movies.
Along the way, he championed filmmakers including Carl Franklin (1992’s One False Move), Allison Anders (1992’s Gas Food Lodging), Tran Anh Hung (1993’s The Scent of Green Papaya), Gurinder Chadha (1993’s Bhaji on the Beach) and John Sayles (1994’s The Secret of Roan Inish).
“Ray, while being a defiantly singular individual, was also emblematic of a bygone age of independent film,...
- 7/21/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Love him or hate him, what Quentin Tarantino has achieved over his more than 30 years of filmmaking is inarguably impressive. Not only is the “Reservoir Dogs” writer/director a renowned auteur — nominated three times for the Best Director Oscar with two Best Original Screenplay wins for “Pulp Fiction” and “Django Unchained” — Tarantino is also a well-versed film critic whose encyclopedic knowledge of other artists’ filmographies precedes him.
Living in Los Angeles, the “Pulp Fiction” director famously began his journey to cinematic rock star status as an employee at the Video Archives rental store in Manhattan Beach: since closed, rebuilt in Tarantino’s basement, and turned into a podcast he hosts with longtime friend and collaborator Roger Avary. It was in the bygone era of rewindable tapes that Tarantino cut his critical teeth: combing through the store’s collection, full of everything from black-and-white classics to straight-to-tv sci-fi specials.
A famed borrower,...
Living in Los Angeles, the “Pulp Fiction” director famously began his journey to cinematic rock star status as an employee at the Video Archives rental store in Manhattan Beach: since closed, rebuilt in Tarantino’s basement, and turned into a podcast he hosts with longtime friend and collaborator Roger Avary. It was in the bygone era of rewindable tapes that Tarantino cut his critical teeth: combing through the store’s collection, full of everything from black-and-white classics to straight-to-tv sci-fi specials.
A famed borrower,...
- 7/6/2023
- by Alison Foreman and Wilson Chapman
- Indiewire
As the smell of freshly grilled hotdogs fills the air and fireworks light up the night sky, it’s time to celebrate Independence Day with a chilling twist – a bunch of 4th of July horror movies! While everyone else is reveling in the patriotic festivities, horror enthusiasts like us know that there’s a particular delight in indulging in spine-tingling scares with an Americana flavor.
So, grab your favorite red, white, and blue snacks, ignite your sense of dread, and get ready for an All-American horror movie marathon! From small-town secrets to monstrous creatures lurking beneath the surface, these 4th of July horror movies will add an extra thrill to your Independence Day. Let the frights begin!
Universal The Purge (2013)
What better way to explore the dark side of American society than with The Purge? Set in a dystopian version of the United States, this film introduces an annual night of lawlessness and violence.
So, grab your favorite red, white, and blue snacks, ignite your sense of dread, and get ready for an All-American horror movie marathon! From small-town secrets to monstrous creatures lurking beneath the surface, these 4th of July horror movies will add an extra thrill to your Independence Day. Let the frights begin!
Universal The Purge (2013)
What better way to explore the dark side of American society than with The Purge? Set in a dystopian version of the United States, this film introduces an annual night of lawlessness and violence.
- 7/2/2023
- by Kimberley Elizabeth
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
The Mother and the Whore begins a run in its 4K restoration; Scratch plays for free Friday night in Damrosch Park.
Museum of the Moving Image
E.T., The Green Ray, Risky Business, and Blow Out play on 35mm in a summer movie series; The Beast from 20,000 Fathoms, The Great Muppet Caper, and Querelle also screen.
Bam
Juliet Berto’s superb directorial debut Neige begins playing in a long-overdue restoration.
Film Forum
A celebration of Ozu’s 120th birthday continues with a massive series; It’s a Mad, Mad, Mad, Mad World plays this Sunday.
Roxy Cinema
35mm prints of Portrait of Jason and The Rocky Horror Picture Show screen, while Happy Together plays; “City Dudes” plays on Saturday.
Anthology Film Archives
Buster Keaton and Ken Jacobs screen in Essential Cinema.
IFC Center
The David Lynch...
Film at Lincoln Center
The Mother and the Whore begins a run in its 4K restoration; Scratch plays for free Friday night in Damrosch Park.
Museum of the Moving Image
E.T., The Green Ray, Risky Business, and Blow Out play on 35mm in a summer movie series; The Beast from 20,000 Fathoms, The Great Muppet Caper, and Querelle also screen.
Bam
Juliet Berto’s superb directorial debut Neige begins playing in a long-overdue restoration.
Film Forum
A celebration of Ozu’s 120th birthday continues with a massive series; It’s a Mad, Mad, Mad, Mad World plays this Sunday.
Roxy Cinema
35mm prints of Portrait of Jason and The Rocky Horror Picture Show screen, while Happy Together plays; “City Dudes” plays on Saturday.
Anthology Film Archives
Buster Keaton and Ken Jacobs screen in Essential Cinema.
IFC Center
The David Lynch...
- 6/22/2023
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
Béla Tarr’s Werckmeister Harmonies begins showing in a long-overdue restoration.
Roxy Cinema
A new 35mm print of Philippe Garrel’s Nico-scored The Inner Scar screens this weekend, as does a print of Cocteau’s Beauty and the Beast; The Heartbreak Kid and 4K restoration of Dogville play, while “City Dudes” returns on Saturday.
Museum of the Moving Image
A 35mm print of Blow Out leads the pack on “See It Big: Summer Movies,” while Morocco and The Fly play in a queer cinema series.
Anthology Film Archives
An Udo Kier retrospective continues; Dreyer plays in Essential Cinema.
IFC Center
The David Lynch retrospective continues; Party Girl plays in new 4K restorations, while A Clockwork Orange, They Live, and Aliens have late showings; João Pedro Rodrigues’ O Fantasma plays on Saturday.
Film Forum
A retrospective on New York movies is underway,...
Film at Lincoln Center
Béla Tarr’s Werckmeister Harmonies begins showing in a long-overdue restoration.
Roxy Cinema
A new 35mm print of Philippe Garrel’s Nico-scored The Inner Scar screens this weekend, as does a print of Cocteau’s Beauty and the Beast; The Heartbreak Kid and 4K restoration of Dogville play, while “City Dudes” returns on Saturday.
Museum of the Moving Image
A 35mm print of Blow Out leads the pack on “See It Big: Summer Movies,” while Morocco and The Fly play in a queer cinema series.
Anthology Film Archives
An Udo Kier retrospective continues; Dreyer plays in Essential Cinema.
IFC Center
The David Lynch retrospective continues; Party Girl plays in new 4K restorations, while A Clockwork Orange, They Live, and Aliens have late showings; João Pedro Rodrigues’ O Fantasma plays on Saturday.
Film Forum
A retrospective on New York movies is underway,...
- 5/25/2023
- by Nick Newman
- The Film Stage
(Welcome to Best Action Scene Ever, a column dedicated to breaking down the best, most effective action sequences throughout the genre. In this edition, we're winding back the clocks to show some love to the Ethan Hunt adventure that started it all: Brian De Palma's "Mission: Impossible" and its climactic bullet train sequence.)
You know what? I get it. After all the incredible feats and widely-marketed stunts that director Christopher McQuarrie and star Tom Cruise have pulled off in the latter "Mission: Impossible" sequels, it's probably easy to become a little jaded and cynical about the franchise as a whole. The overwhelming emphasis on buzzy set pieces and practical, death-defying antics can come at the expense of a memorable story. The formula of the series may sometimes act against it, as there are only so many instances where Hunt's Impossible Mission Force can go rogue and become disavowed by...
You know what? I get it. After all the incredible feats and widely-marketed stunts that director Christopher McQuarrie and star Tom Cruise have pulled off in the latter "Mission: Impossible" sequels, it's probably easy to become a little jaded and cynical about the franchise as a whole. The overwhelming emphasis on buzzy set pieces and practical, death-defying antics can come at the expense of a memorable story. The formula of the series may sometimes act against it, as there are only so many instances where Hunt's Impossible Mission Force can go rogue and become disavowed by...
- 5/22/2023
- by Jeremy Mathai
- Slash Film
Exclusive: Suzy Eddie Izzard, Antonia Thomas and John Hannah have joined Emile Hirsch in the psychological thriller Past Life, from director and Grimmfest head Simeon Halligan.
Written by Dean Lines and Ray Bogdanovich, the pic follows Jason Frey (Hirsch), an investigative reporter who reluctantly agrees to attend a hypnotism event with his pregnant wife Claira (Thomas). Under hypnosis, Jason witnesses a murder through the eyes of a killer. Haunted by what he has seen, Jason uses past live regression techniques to investigate a series of unsolved murders from the 1980s while unwittingly reawakening a psychopath’s killer tendencies.
Related: Cannes Film Festival Full Coverage
As Deadline previously reported, the film is produced by Rachel Richardson-Jones of Grimmfest Films (Habit), Pierre Romain and Susan Michels of Swe (Son of the South), and Michael Laundon of M2 Productions (Endless). Executive producers are Michael Bassick (Hacksaw Ridge), Sarada McDermott (Bridgerton...
Written by Dean Lines and Ray Bogdanovich, the pic follows Jason Frey (Hirsch), an investigative reporter who reluctantly agrees to attend a hypnotism event with his pregnant wife Claira (Thomas). Under hypnosis, Jason witnesses a murder through the eyes of a killer. Haunted by what he has seen, Jason uses past live regression techniques to investigate a series of unsolved murders from the 1980s while unwittingly reawakening a psychopath’s killer tendencies.
Related: Cannes Film Festival Full Coverage
As Deadline previously reported, the film is produced by Rachel Richardson-Jones of Grimmfest Films (Habit), Pierre Romain and Susan Michels of Swe (Son of the South), and Michael Laundon of M2 Productions (Endless). Executive producers are Michael Bassick (Hacksaw Ridge), Sarada McDermott (Bridgerton...
- 5/16/2023
- by Zac Ntim
- Deadline Film + TV
With Now Showing, your Halloweenies gather each month for a review on something new and something old in horror. This month, co-hosts Justin Gerber and McKenzie Gerber are joined by Specter Cinema Club co-host DeVaughn Taylor to discuss Knock at the Cabin, Unwelcome, Spoonful of Sugar, [Rec]3 Genesis, Blow Out, and Waxwork 2: Lost in Time.
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, and The Evil Dead. This year? It’s Chucky!
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries, one-off deep dives on your favorite rentals, and even topical spinoffs like their ensuing Fortune & Glory: An Indiana Jones Podcast.
Facebook | Instagram | Twitter | Patreon | Store...
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, and The Evil Dead. This year? It’s Chucky!
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries, one-off deep dives on your favorite rentals, and even topical spinoffs like their ensuing Fortune & Glory: An Indiana Jones Podcast.
Facebook | Instagram | Twitter | Patreon | Store...
- 5/1/2023
- by Michael Roffman
- bloody-disgusting.com
Over 100 popular films are leaving HBO Max at the end of the month, but luckily you have the whole month to stream them.
They include cinema classics like “Ben Hur,” the winningest film in Oscars history
Leaving April 5
The Inside Story, 1948
Reminiscence, 2021 (HBO)
Leaving April 11
Adult Swim Yule Log (aka The Fireplace)
Leaving April 12
About Face: Supermodels Then and Now, 2012 (HBO)
Leaving April 13
The Last Duel, 2021
Game Theory With Bomani Jones, Season 1
Leaving April 18
The Lego Batman Movie, 2017
Leaving April 24
Tom and Jerry Cowboy Up!, 2022
Leaving April 27
Malignant, 2021 (HBO)
Leaving April 30
47 Ronin, 2013 (HBO)
3 Godfathers, 1948
Accepted, 2006 (HBO)
The Adventures of Robin Hood, 1938
A Private War, 2018 (HBO)
An American in Paris, 1951
The American President, 1995
Any Given Sunday, 1999
Australia, 2008 (HBO)
Before I Fall, 2017 (HBO)
Ben-Hur, 1959
Black Legion, 1937
Blade, 1998
Blood Diamond, 2006
Blow Out, 1981 (HBO)
The Bodyguard, 1992
Boogie Nights, 1997
The Book of Eli, 2010
The Bourne Identity, 2002 (HBO)
The Bourne Supremacy, 2004 (HBO)
Bringing up Baby,...
They include cinema classics like “Ben Hur,” the winningest film in Oscars history
Leaving April 5
The Inside Story, 1948
Reminiscence, 2021 (HBO)
Leaving April 11
Adult Swim Yule Log (aka The Fireplace)
Leaving April 12
About Face: Supermodels Then and Now, 2012 (HBO)
Leaving April 13
The Last Duel, 2021
Game Theory With Bomani Jones, Season 1
Leaving April 18
The Lego Batman Movie, 2017
Leaving April 24
Tom and Jerry Cowboy Up!, 2022
Leaving April 27
Malignant, 2021 (HBO)
Leaving April 30
47 Ronin, 2013 (HBO)
3 Godfathers, 1948
Accepted, 2006 (HBO)
The Adventures of Robin Hood, 1938
A Private War, 2018 (HBO)
An American in Paris, 1951
The American President, 1995
Any Given Sunday, 1999
Australia, 2008 (HBO)
Before I Fall, 2017 (HBO)
Ben-Hur, 1959
Black Legion, 1937
Blade, 1998
Blood Diamond, 2006
Blow Out, 1981 (HBO)
The Bodyguard, 1992
Boogie Nights, 1997
The Book of Eli, 2010
The Bourne Identity, 2002 (HBO)
The Bourne Supremacy, 2004 (HBO)
Bringing up Baby,...
- 4/4/2023
- by Lawrence Yee
- The Wrap
There are so many different streaming services in play that it’s impossible to keep track of them all, but we find it’s good to at least be aware of what’s *leaving* the ones you’re subscribing to. This way you can make sure to knock things off your list before they’re gone.
On that note, a couple hundred movies will be leaving HBO Max in April 2023, including several that horror fans may want to watch before they can no longer be found on there.
That list of horror movies leaving HBO Max next month includes James Wan’s Malignant, as well as last year’s holiday horror movie Adult Swim Yule Log (don’t miss that one!).
Here’s all the horror leaving HBO Max in April 2023…
April 11
Adult Swim Yule Log (aka The Fireplace)
April 27
Malignant, 2021 (HBO)
April 30
Blade, 1998 Blow Out, 1981 (HBO) Deep Blue Sea,...
On that note, a couple hundred movies will be leaving HBO Max in April 2023, including several that horror fans may want to watch before they can no longer be found on there.
That list of horror movies leaving HBO Max next month includes James Wan’s Malignant, as well as last year’s holiday horror movie Adult Swim Yule Log (don’t miss that one!).
Here’s all the horror leaving HBO Max in April 2023…
April 11
Adult Swim Yule Log (aka The Fireplace)
April 27
Malignant, 2021 (HBO)
April 30
Blade, 1998 Blow Out, 1981 (HBO) Deep Blue Sea,...
- 3/27/2023
- by John Squires
- bloody-disgusting.com
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
Eight years ago, Conor Oberst’s Desaparecidos played the sweatiest, rowdiest show ever at Brooklyn’s Shea Stadium with the local punk bank the So So Glos. It was a simpler time in some respects; Obama was president, the DIY scene in New York was thriving, and no one batted an eye at attending a show so packed to the gills that folks were watching through the window on the rickety fire escape balcony. Nearly 10 years — two presidents, one pandemic, and the death of Shea Stadium — later, Oberst and the...
- 3/3/2023
- by Brenna Ehrlich
- Rollingstone.com
From The Video Archives Podcast, writer/director Roger Avary and writer/producer Gala Avary discuss a few of their favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Taxi Driver (1976)
Star Wars (1977)
Matinee (1993)
Dune (1984)
Terror On A Train a.k.a. Time Bomb (1953)
Licorice Pizza (2021)
Batman (1989)
Yentl (1983)
Nuts (1987)
Spaceballs (1987)
Die Hard (1988)
Top Gun (1986)
Cocksucker Blues (1972)
Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)
Straw Dogs (1971)
The Godfather (1972)
A History Of Violence (2005)
Day Of The Dolphin (1973)
Babylon (2022)
Puss In Boots: The Last Wish (2022)
Sonic The Hedgehog 2 (2022)
Top Gun: Maverick (2022)
Rock ‘n’ Roll High School (1979)
Carrie (1976)
Indictment: The McMartin Trial (1995)
Blow Out (1981)
The Matrix (1999)
Pulp Fiction (1994)
Killing Zoe (1993)
A Clockwork Orange (1971)
The Tenant (1976)
Dr. Strangelove (1964)
Bugsy Malone (1976)
Phantom Of The Paradise (1974)
The Muppet Movie (1979)
The Rules Of Attraction (2002)
The Sound Of Music (1965)
Willy Wonka And The Chocolate Factory (1971)
Giant (1956)
The Andromeda Strain (1971)
Babe (1995)
Time Bandits...
Show Notes: Movies Referenced In This Episode
Taxi Driver (1976)
Star Wars (1977)
Matinee (1993)
Dune (1984)
Terror On A Train a.k.a. Time Bomb (1953)
Licorice Pizza (2021)
Batman (1989)
Yentl (1983)
Nuts (1987)
Spaceballs (1987)
Die Hard (1988)
Top Gun (1986)
Cocksucker Blues (1972)
Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)
Straw Dogs (1971)
The Godfather (1972)
A History Of Violence (2005)
Day Of The Dolphin (1973)
Babylon (2022)
Puss In Boots: The Last Wish (2022)
Sonic The Hedgehog 2 (2022)
Top Gun: Maverick (2022)
Rock ‘n’ Roll High School (1979)
Carrie (1976)
Indictment: The McMartin Trial (1995)
Blow Out (1981)
The Matrix (1999)
Pulp Fiction (1994)
Killing Zoe (1993)
A Clockwork Orange (1971)
The Tenant (1976)
Dr. Strangelove (1964)
Bugsy Malone (1976)
Phantom Of The Paradise (1974)
The Muppet Movie (1979)
The Rules Of Attraction (2002)
The Sound Of Music (1965)
Willy Wonka And The Chocolate Factory (1971)
Giant (1956)
The Andromeda Strain (1971)
Babe (1995)
Time Bandits...
- 2/28/2023
- by Kris Millsap
- Trailers from Hell
It might sound obvious, but getting nominated for an Oscar doesn’t automatically make a film good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
- 2/5/2023
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but getting nominated for an Oscar doesn’t automatically make a film good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
While it’s easy to assume that certain films don’t get nominated because they’re not what voters of the Oscars would usually go for, there have been a lot of surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but will still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as The Good, the Bad and...
- 2/4/2023
- by Jacob Stolworthy
- The Independent - Film
The holiday season is here and that means there are lots of new releases coming out just in time to make the season bright. Below are some of the picks coming out sure to make the movie fan in your life smile. Whether it is an upgrade to a 4K edition, a reliable Blu-ray, or a special edition Box Set, this list has something for everyone!
One disclaimer: Deals as good as these can be fickle, so there’s no telling if and when a money-saving opportunity might end or if the price may change. So if you want something – snap that shit up quick! Don’t wait, only to have Festivus roll around and discover you’ve nothing to give or the price suddenly changed and you no longer have the bread. And remember that if you want to support JoBlo.com, please make all your purchases by initially clicking through our links,...
One disclaimer: Deals as good as these can be fickle, so there’s no telling if and when a money-saving opportunity might end or if the price may change. So if you want something – snap that shit up quick! Don’t wait, only to have Festivus roll around and discover you’ve nothing to give or the price suddenly changed and you no longer have the bread. And remember that if you want to support JoBlo.com, please make all your purchases by initially clicking through our links,...
- 12/5/2022
- by Alex Maidy
- JoBlo.com
It’s been more than 30 years since the Pogues kicked the shit out of Christmas with their sleazy holiday classic, “Fairytale of New York.” Now, former member Peter Richard “Spider” Stacy has teamed up with New York punk stalwarts the So So Glos for a new tongue-in-cheek Christmas carol: “This Could Be Christmas.”
“We wrote this Christmas song during a time of isolation and total uncertainty,” So So Glos frontman Alex Levine tells Rolling Stone. “It illustrates the disconnect between holiday cheer and a darker reality.”
The Glos met the...
“We wrote this Christmas song during a time of isolation and total uncertainty,” So So Glos frontman Alex Levine tells Rolling Stone. “It illustrates the disconnect between holiday cheer and a darker reality.”
The Glos met the...
- 12/2/2022
- by Brenna Ehrlich
- Rollingstone.com
Brian De Palma's career has had its ups and downs, but he's often cited as one of the leading figures of the New Hollywood era, that period from roughly 1967 to 1982 when a new breed of iconoclastic young filmmakers, "the movie brats," began to exercise more creative control within the studio system. The Stephen King adaptation "Carrie" provided De Palma with his first box-office hit in 1976, and from there, he would go on to achieve other critical and commercial successes in the 1980s with "Scarface" and "The Untouchables." Even lesser-known De Palma films like "Blow Out" have their admirers, with Quentin Tarantino casting John Travolta in "Pulp Fiction" on the strength of his performance in that 1981 classic.
While Tarantino was coming into his own as the 1990s equivalent of a movie brat, De Palma was also enjoying what he would later consider to be the peak of his filmography. In...
While Tarantino was coming into his own as the 1990s equivalent of a movie brat, De Palma was also enjoying what he would later consider to be the peak of his filmography. In...
- 11/19/2022
- by Joshua Meyer
- Slash Film
From Shelley Duvall’s traumatic experience shooting Stanley Kubrick’s The Shining to the infamous “curse” on the crew of The Exorcist, cinema is littered with behind-the-scenes horror stories, many of which haunt the best scary movies out there. But while truth can often be scarier than fiction, some truly unsettling horror movies have been based around the concept of making horror movies themselves. Mise en abyme (French for “placed into an abyss”) is a concept about images within images that dates all the way back to the early-modern period. But in terms of movie parlance, this means a film-within-a-film.
Movies of this kind are inherently meta, exploring the conventions of the genre or reimagining previous works from a different perspective. They may be works of fiction, but films of this kind provide fans with what is seen as a raw and unfiltered look at how the sausage is made.
Movies of this kind are inherently meta, exploring the conventions of the genre or reimagining previous works from a different perspective. They may be works of fiction, but films of this kind provide fans with what is seen as a raw and unfiltered look at how the sausage is made.
- 10/30/2022
- by John Saavedra
- Den of Geek
Black Christmas (1974) and Carrie (1976) Coming to 4K Uhd: "Your stocking stuffers are sorted! At long last, two of the most iconic horror films of all time, Black Christmas and Carrie, come to 4K Uhd this December from Scream™ Factory, looking better than ever before, and packaged with exciting new bonus features. Black Christmas (1974) (Collector's Edition) (4K Uhd) will be available December 6 and Carrie (1976) (Collector's Edition) (4K Uhd) arrives on December 13. Customers ordering these titles from shoutfactory.com will receive a free exclusive 18”x24” rolled poster featuring the original theatrical artwork while supplies last.
In Black Christmas (1974) (Collector's Edition) (4K Uhd), the college town of Bedford is receiving an unwelcome guest this Christmas. As the residents of sorority house Pi Kappa Sigma prepare for the festive season, a stranger begins to stalk the house. A series of obscene phone calls start to plague the sorority and it becomes clear that a...
In Black Christmas (1974) (Collector's Edition) (4K Uhd), the college town of Bedford is receiving an unwelcome guest this Christmas. As the residents of sorority house Pi Kappa Sigma prepare for the festive season, a stranger begins to stalk the house. A series of obscene phone calls start to plague the sorority and it becomes clear that a...
- 10/21/2022
- by Derek Anderson
- DailyDead
Long before Brian De Palma's "Scarface" became a pop cultural obsession for the hip-hop community, it was considered a commercial misfire and an artistic failure for its director. The modernized riff on Howard Hawks 1932 gangster classic was an epic of wretched excess. It was crass, bloated, and unremittingly gruesome. De Palma's most fervent critical defender, The New Yorker's Pauline Kael, titled her review "A De Palma Movie for People Who Don't Like De Palma Movies," and she had a point. The sprawling 170-minute film lacked the formal/thematic cohesion of his best work. It was more of a showcase for Al Pacino, who delved so deep into the role of Cuban gang lord Tony Montana that he never fully shed the character's verbal tics.
39 years later, "Scarface" is still a lot of movie. It's too much. Montana's downfall is uncomfortably distended. His arc is flat: he's a monster from...
39 years later, "Scarface" is still a lot of movie. It's too much. Montana's downfall is uncomfortably distended. His arc is flat: he's a monster from...
- 10/21/2022
- by Jeremy Smith
- Slash Film
Blow Out
4K Ultra HD + Blu-ray + Digital HD
Criterion
1981 / 2.39 : 1 / 108 Min.
Starring John Travolta, Nancy Allen
Written by Brian De Palma
Directed by Brian De Palma
In 1978’s The Films in My Life, Francois Truffaut wrote that all movies should express “the joy of making cinema.” The typical Brian De Palma film delivers that pleasure in spades, but any joy experienced by his characters is usually short-lived, undercut by De Palma’s macabre and merciless humor. The paradigm for that unsparing world view is 1981’s Blow Out, a feature-length sick joke with a devastating punchline.
Blow Out is set in Philadelphia when the leaves are turning and the mood is jubilant—the city is celebrating its founding with a procession of parades, fireworks, and endless speeches, all leading to a self-congratulatory finale called “Liberty Day.” So the town is more raucous than usual—a bad break for Jack Terry whose...
4K Ultra HD + Blu-ray + Digital HD
Criterion
1981 / 2.39 : 1 / 108 Min.
Starring John Travolta, Nancy Allen
Written by Brian De Palma
Directed by Brian De Palma
In 1978’s The Films in My Life, Francois Truffaut wrote that all movies should express “the joy of making cinema.” The typical Brian De Palma film delivers that pleasure in spades, but any joy experienced by his characters is usually short-lived, undercut by De Palma’s macabre and merciless humor. The paradigm for that unsparing world view is 1981’s Blow Out, a feature-length sick joke with a devastating punchline.
Blow Out is set in Philadelphia when the leaves are turning and the mood is jubilant—the city is celebrating its founding with a procession of parades, fireworks, and endless speeches, all leading to a self-congratulatory finale called “Liberty Day.” So the town is more raucous than usual—a bad break for Jack Terry whose...
- 10/4/2022
- by Charlie Largent
- Trailers from Hell
The Criterion Collection: September 2022 DVD, Blu-ray, and 4K Ultra Releases — Many films are being released in September 2022 by The Criterion Collection. Some of these films are appearing within The Criterion Collection for the first time, on The Criterion Collection Blu-ray for the first time, and/or on The Criterion Collection 4K Ultra [...]
Continue reading: The Criterion Collection – September 2022 DVD, Blu-ray, & 4K Ultra Releases: Blow Out, Sound Of Metal, Le Corbeau, & More...
Continue reading: The Criterion Collection – September 2022 DVD, Blu-ray, & 4K Ultra Releases: Blow Out, Sound Of Metal, Le Corbeau, & More...
- 9/2/2022
- by Rollo Tomasi
- Film-Book
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been numerous deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
It might sound obvious, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
In fact, there have been many deserving films over the years that were somehow overlooked by the Academy.
Sure, it’s easy to assume that certain films don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films like DC’s Suicide Squad may have been mauled by the critics, but still get recognised by the Academy (it went on to win), which is ridiculous when you consider classics such as Don’t Look Now or The King of Comedy didn’t even get recognised.
- 8/26/2022
- by Jacob Stolworthy
- The Independent - Film
The dog days of summer are upon us, where it’s impossible to do much besides crank the air condition and plop down on the couch.
This is actually an okay option, especially considering how great the lineup of new movies is on Netflix. While there aren’t any truly terrific Netflix original movies this month (although Jamie Foxx’s vampire-hunting buddy comedy “Day Shift” almost made the list), there is an embarrassment of riches when it comes to new library titles on the streaming service.
In August there’s something for everyone on Netflix, from Keanu Reeves as a paranormal detective (“Constantine”) to a controversial Tom Cruise classic (“Eyes Wide Shut”) to a 1980s favorite that only gets better with age (“Ferris Bueller’s Day Off”). Plus so much!
“Constantine” Warner Bros.
If you’ve watched the new Netflix adaptation of Neil Gaiman’s “The Sandman,” you undoubtedly took...
This is actually an okay option, especially considering how great the lineup of new movies is on Netflix. While there aren’t any truly terrific Netflix original movies this month (although Jamie Foxx’s vampire-hunting buddy comedy “Day Shift” almost made the list), there is an embarrassment of riches when it comes to new library titles on the streaming service.
In August there’s something for everyone on Netflix, from Keanu Reeves as a paranormal detective (“Constantine”) to a controversial Tom Cruise classic (“Eyes Wide Shut”) to a 1980s favorite that only gets better with age (“Ferris Bueller’s Day Off”). Plus so much!
“Constantine” Warner Bros.
If you’ve watched the new Netflix adaptation of Neil Gaiman’s “The Sandman,” you undoubtedly took...
- 8/14/2022
- by Drew Taylor
- The Wrap
August is here, which means summer is winding down and the options at your local multiplex are starting to become a bit slimmer. Not to worry, though, because a bevy of new titles are streaming this month, offering a ton of new movies — both newly streaming films and genuine new releases — to enjoy from the comfort of your own home. Below, we’ve rounded up a list of some of the best new movies to stream in August, which runs the gamut from a new “Predator” prequel to a vampire action comedy to a pair of brand new animated films.
Belle Studio Chizu
August 1, HBO Max
One of last year’s very best animated features, “Belle” hails from Japanese filmmaker Mamoru Hosoda. A 21st century take on “Beauty and the Beast,” “Belle” concerns a young girl who refashions herself as a pop princess in a virtual space known as the U.
Belle Studio Chizu
August 1, HBO Max
One of last year’s very best animated features, “Belle” hails from Japanese filmmaker Mamoru Hosoda. A 21st century take on “Beauty and the Beast,” “Belle” concerns a young girl who refashions herself as a pop princess in a virtual space known as the U.
- 8/5/2022
- by Drew Taylor and Adam Chitwood
- The Wrap
And just like that, winter has come again. HBO Max’s list of new releases for August 2022 is highlighted by the return of the king. Or more accurately: the return of the queen … of the Seven Kingdoms.
Game of Thrones prequel House of the Dragon is set to premiere on HBO and HBO Max on Aug. 21, just over three years after Game of Thrones concluded in controversial fashion with “The Iron Throne.” This new series is a prequel, depicting the civil war known as the Dance of the Dragons from George R.R. Martin’s lore. When dragon fights dragon, the realm will be torn asunder. But the viewer will certainly delight in all the Targaryen action.
Read more TV How House of the Dragon Is Approaching the Game of Thrones Ending Backlash By David Crow TV House of the Dragon: What Rickard Stark Means for the Game of Thrones Spinoff...
Game of Thrones prequel House of the Dragon is set to premiere on HBO and HBO Max on Aug. 21, just over three years after Game of Thrones concluded in controversial fashion with “The Iron Throne.” This new series is a prequel, depicting the civil war known as the Dance of the Dragons from George R.R. Martin’s lore. When dragon fights dragon, the realm will be torn asunder. But the viewer will certainly delight in all the Targaryen action.
Read more TV How House of the Dragon Is Approaching the Game of Thrones Ending Backlash By David Crow TV House of the Dragon: What Rickard Stark Means for the Game of Thrones Spinoff...
- 8/1/2022
- by Alec Bojalad
- Den of Geek
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