The Shining (1980)

User Rating:

8.5/10   

Director:

Stanley Kubrick

Writers:

Stephen King (novel)
Stanley Kubrick (screenplay) ...

Release Date:

23 May 1980 (USA)

Genre:

Horror | Thriller

Tagline:

The tide of terror that swept America IS HERE[UK Poster]

Plot:

A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

Plot Keywords:

Hotel | Caretaker | Ghost | Colorado | Insanity

Awards:

1 win & 5 nominations

Cast

Jack Nicholson	...	Jack Torrance
Shelley Duvall	...	Wendy Torrance
Danny Lloyd	...	Danny Torrance
Scatman Crothers	...	Dick Hallorann
Barry Nelson	...	Stuart Ullman
Philip Stone	...	Delbert Grady
Joe Turkel	...	Lloyd the Bartender
Anne Jackson	...	Doctor (scenes deleted)
Tony Burton	...	Larry Durkin
Lia Beldam	...	Young Woman in Bath
Billie Gibson	...	Old Woman in Bath
Barry Dennen	...	Bill Watson
David Baxt	...	Forest Ranger #1
Manning Redwood	...	Forest Ranger #2
Lisa Burns	...	Grady Twin Daughter

Also Known As:

Stanley Kubrick's 'The Shining'

Runtime:

142 min (cut) | 119 min (cut) (European version) | 146 min (original version)

Country:

UK | USA

Language:

English

Color:

Color

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

New Zealand:R16 | Spain:13 | Italy:VM14 (re-rating) | Italy:VM18 (original rating) | Finland:K-15 (DVD rating) | Iceland:16 | Portugal:M/16 | Canada:14A (Manitoba/Nova Scotia/Ontario) (re-rating) (2007) | Canada:R (Manitoba/Nova Scotia/Ontario) (original rating) | Brazil:14 | Ireland:15 (re-rating) (2007) | UK:15 (re-rating) (2007) | Denmark:15 (DVD rating) | Denmark:16 (video rating) | Malaysia:U | UK:18 (video rating) (1986) | Argentina:18 | Australia:MA (DVD rating) | Australia:M | Canada:18+ (Québec) | Denmark:15 | Finland:K-18 | France:U | Hong Kong:III | Ireland:18 | Netherlands:16 | Norway:18 | Singapore:M18 | South Korea:(Banned) (original rating) | South Korea:18 (DVD rating) (2004) (uncut) | UK:X (original rating) | West Germany:16 | Philippines:X | Japan:R-15 | USA:R | Sweden:15

Filming Locations:

Colorado, USA

Company:

Hawk Films

Trivia:

All of the interior rooms of The Overlook Hotel were filmed at Elstree Studios in England, including The Colorado Lounge, where Jack does his typing. Because of the intense heat generated from the lighting used to recreate window sunlight (the room took 700,000 watts of light per window to make it look like a snowy day outside), the lounge set caught fire. Fortunately all of the scenes had been completed there, so the set was rebuilt with a higher ceiling, and the same area was eventually used by Steven Spielberg as the snake-filled Well of the Souls tomb in Raiders of the Lost Ark (1981).

Goofs:

Factual errors: The credits list the music for the movie as 'Bela Bartok''s "Music for Strings, Percussion and Celeste", recorded by 'Herbert Von Karajan' and the Berlin Philharmonic. The conductor and the orchestra are correct. But the piece was in fact a movement from Hector Berlioz's "Symphonie Fantastique".

Quotes:

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.

Movie Connections:

Spoofed in "Daria: I Don't (#2.4)" (1998)

Soundtrack:

Lontano

A deeply unsettling horror movie whose eeriness is only surpassed by its class

Sometimes it takes a film-making master like Kubrick to bring that extra little something, that unique, untractable and elusive ingredient that transforms a great movie or a great script into a masterpiece, one for the ages.

It's not just that Stephen King's story has enough meat and potatoes making it difficult for even the most workmanlike of directors to miss. Heck, even King himself didn't fare so bad. It's how Kubrick perceives King's universe, how he transforms the page into screen time, that renders THE SHINING both a visual feast and a compacted masterclass in directing.

Kubrick's miss-en-scene is, as usually, terrific. The movie progresses with a brisk, sharp, lively pace, even though it's neither fast nor heavily edited and it clocks at no less than 160 minutes. The camera prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing the impeccably decorated interiors in all their grandeur. There's a symmetry and geometrical approach in how Kubrick perceives space that reminds me very much of how Japanese directors worked in the sixties. As if what is depicted is inconsequential to how all the different elements are balanced inside the frame.

Certain images definitely stand out. The first shot of Jack's typewriter, accompanied off screen from the thumps of a ball, like drums of doom coming from some other floor or produced by the typewriter itself as though it is an instrument of doom all by itself, later on proving to be nothing short of just that. A red river flowing through the hotel's elevators in slow motion. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens instead of remaining static, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face thrusting us inside his head before we see the two dead girls from his POV. And of course, the bathroom scene.

Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever had. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of fragility and emotional distress. A terrific and very underrated actress.