The Sound of Music (1965)

Director:

Robert Wise

Writers:

Howard Lindsay (book) &
Russel Crouse (book) ...

Release Date:

29 March 1965 (UK)

Genre:

Biography | Drama | Family | Musical

Tagline:

...the more you see it, the more it becomes one of your favorite things!

Plot:

A woman leaves an Austrian convent to become a governess to a Naval officer widower.

Plot Keywords:

Children | Governess | Austria | Convent | Nun

Awards:

Won 5 Oscars. Another 10 wins & 10 nominations

Cast

Julie Andrews	...	Maria
Christopher Plummer	...	Captain Von Trapp
Eleanor Parker	...	The Baroness
Richard Haydn	...	Max Detweiler
Peggy Wood	...	Mother Abbess
Charmian Carr	...	Liesl
Heather Menzies	...	Louisa
Nicholas Hammond	...	Friedrich
Duane Chase	...	Kurt
Angela Cartwright	...	Brigitta
Debbie Turner	...	Marta
Kym Karath	...	Gretl
Anna Lee	...	Sister Margaretta
Portia Nelson	...	Sister Berthe
Ben Wright	...	Herr Zeller

Also Known As:

Rodgers and Hammerstein's The Sound of Music (UK) (complete title) (USA) (complete title)

Runtime:

174 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Mono (Westrex Recording System) (35 mm prints) | Stereo (some 35 mm prints) | DTS 70 mm (70mm re-release)

Certification:

Canada:F (Ontario) | Canada:G (Manitoba/Nova Scotia/Quebec) | Iceland:L | Ireland:G | Spain:T | Germany:6 | West Germany:6 | Malaysia:U (DVD) | USA:Approved (certificate #20734) (original rating) | Canada:G (video rating) | Brazil:Livre | Argentina:Atp | Australia:G | Chile:TE | Finland:S | Norway:7 (original rating) | Norway:A (DVD rating) | Peru:PT | Singapore:G | South Korea:All | Sweden:11 | Sweden:Btl (re-release) | UK:U | USA:G (re-rating) (1969)

Filming Locations:

20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA

Company:

Robert Wise Productions

Trivia:

The film sets its story "in the last golden days of the thirties", when in actual fact Maria became governess to the Von Trapp family in 1927 and married the Captain in November of that year

Goofs:

Audio/visual unsynchronized: Before Maria teaches the children how to sing "Do Re Mi," she tunes the guitar. She turns the peg which tunes the high "E" string, but a lower pitch being tuned is heard against the high "E."

Quotes:

[first lines]
Maria: [singing] The hills are alive with the sound of music / With songs they have sung for a thousand years. / The hills fill my heart with the sound of music. / My heart wants to sing every song it hears.

Movie Connections:

Referenced in "Father of the Pride: Stage Fright (#1.12)" (2005)

Soundtrack:

I Have Confidence

The perfect film musical......

This film is a triumph in all departments. Every aspect, from the cinematography to the acting, the sets to the costumes, the music, choreography, script, is top notch. While the film is family friendly and has a sweet story, it is constantly amazing the way people attack it as saccharine and sugary. This can certainly be said of the stage show, but the movie version has been carefully produced to provide a more well-rounded vision. Ernest Lehman worked wonders with the underdeveloped and unremarkable dialogue of the play. He inserted so many moments of wit, humor, romance and poignancy that are nowhere in sight in the original. the art directors purposefully chose muted settings and colors. Each of the actors bent over backwards to provide a brilliant performance. Andrews is already down in history for the performance of a lifetime (and a voice to match), but Plummer is not to be forgotten. Not only is he regal and handsome, but his decision to play the Captain as a complex, sophisticated man with a sly dose of sarcasm was wonderful. His steely, stern persona is eventually melted down by the irrepressible Andrews to great effect. Every supporting performance is also delivered with the right amount of appeal, humor or menace as called for in the script. However, the one that takes the cake....that amazes each time, is the slinky, catty, toweringly glamorous Parker as Baroness Schraeder. Wisely, her songs were cut, further separating her from all the glee around her, so that she could whip out such zingers as "Why didn't you tell me....to bring along my harmonica?" or when she's told that Andrews may not make a great nun, "If you need anything, I'd be happy to help you." The character is given a much more polished and integral position in the film versus the stage and virtually every line of her dialogue (unlike in the play) is a howler. Though Wood was lovely in her role as the Mother Abbess, it was Parker who should have gotten an Oscar nod....and WON! Every expression, every syllable, every glance belies the decades of experience Parker gained as a leading lady during the 40's and 50's. Her clothes by Dorothy Jeakins are awe-inspiring. This type of film-making is GONE. The location photography, the simplicity of story and design, the sheer good-spiritedness of it all...they just can't do this anymore. Thankfully, there's this flawless gem to turn to when one just want to feel good. But saccharine? No..... Compare this to other beloved musicals with their garish colors and sugary story lines ("Seven Brides...", "Singin' in the Rain", "...Molly Brown", "The Music Man", to name just a few...) They are all highly enjoyable, but are hardly less sweet than this! Just one word.....Nazis!! Though virtually everyone knows the outcome, there is still genuine suspense at the climax of "The Sound of Music". The film has it all.