A Nightmare on Elm Street (1984)

Director:

Wes Craven

Writer:

Wes Craven (written by)

Release Date:

16 November 1984 (USA)

Genre:

Fantasy | Horror | Mystery | Thriller

Tagline:

She is the only one who can stop it... if she fails, no one survives.

Plot:

In the dreams of his victims, a specteral child murderer stalks the children of the members of the lynch mob that killed him.

Plot Keywords:

Teenage Girl | Sergeant | Slasher Flick | Headphones | Good Versus Evil

Awards:

2 wins & 3 nominations

Cast

John Saxon	...	Lt. Thompson
Ronee Blakley	...	Marge Thompson
Heather Langenkamp	...	Nancy Thompson
Amanda Wyss	...	Tina Gray
Jsu Garcia	...	Rod Lane (as Nick Corri)
Johnny Depp	...	Glen Lantz
Charles Fleischer	...	Dr. King
Joseph Whipp	...	Sgt. Parker
Robert Englund	...	Fred Krueger
Lin Shaye	...	Teacher
Joe Unger	...	Sgt. Garcia
Mimi Craven	...	Nurse (as Mimi Meyer-Craven)
Jack Shea	...	Minister
Ed Call	...	Mr. Lantz
Sandy Lipton	...	Mrs. Lantz

Runtime:

91 min

Country:

USA

Language:

English

Color:

Color (DeLuxe)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

New Zealand:R (DVD rating) | Netherlands:16 | Iceland:16 | Australia:MA (2005 re-rating) | Germany:16 (re-rating) (2007) | West Germany:18 (original rating) (1984) | Singapore:PG (heavily cut) | Portugal:M/18 | Argentina:18 | Australia:R (original rating) | Canada:R | Finland:K-18 | France:-12 | Ireland:18 | Italy:VM14 | Mexico:C | Peru:18 | Sweden:15 | UK:18 | USA:R | Canada:18+ (Quebec) | Norway:18 (video premiere) (1987) (cut)

Filming Locations:

1428 N. Genesee Avenue, Hollywood, Los Angeles, California, USA

Company:

New Line Cinema

Trivia:

Director Wes Craven claims to have named Freddy Krueger after a kid who bullied him in school and to have based his appearance on a disfigured hobo who scared him as a youth.

Goofs:

Revealing mistakes: Obvious stunt dummy used when Nancy's mother is pulled through the window in the door at the end.

Quotes:

Nancy: [At the police station] Ya know Tina, she dreamed this was gonna happen.
Donald: What?
Nancy: She had a nightmare, that someone was trying to kill her.
[to her mother, sobbing]
Nancy: That's why we were there mom. She just didn't wanna sleep alone.

Movie Connections:

Referenced in "Roseanne: Nightmare on Oak Street (#1.15)" (1989)

Soundtrack:

Nightmare

Dated and very genre but still an effective low budget horror

When a group of friends all have similar dreams with a weird man in a dirty red and black jumper they just think it's a bit weird. However when one of them is brutally murdered by an unseen force while she sleeps, her boyfriend Rod is arrested for the murder. Meanwhile, Nancy falls asleep in class, only to find herself chased through her dream by the same disfigured man. When it becomes apparent that this is more than a dream, more of Tina's friends start to die

With seven or eight (who can keep track?) sequels under its belt, Freddy merchandising and the fact that the 'monster' has become almost a hero, it is hard to look back at this film with fresh eyes. This film is not the gory spectacle that teenagers with video recorders in their bedroom will have come familiar with over several flashy sequels; rather this is a low budget horror movie that is quite gory, quite scary and pretty effective. The plot is interesting enough and is better than the 'gore for gore's sake' that the sequels fell into – it's still not the most intelligent thing you'll ever see but it is still interesting enough. Of course it is about 20 years old now and it looks dated, an effect not helped by the way recent horrors have made fun of the things in here that have become genre cliché over the years. The downside of watching it now is that you expect it to be as 'big', 'gory' etc as the 7 or 8 sequels have progressively become – but it isn't, it's a lot more straightforward a horror than that.

Despite this though it is still a good horror movie – low budget but yet with effective effects and a monster that has grown larger than the series itself. The cast all fit into the requirements of low budget horror, that is to say they can't really act and just scream lots. Langenkamp is a good example and, accordingly, she has done little since this film of any high caliber. Wyss, Garcia and even Depp are all pretty wooden and just fit in with the genre. Saxon puts in a better performance but even then it is only comparable. Englund is actually in the film a lot less than you would expect and, as a result, makes more of an impact. He would later take his Freddy to the level of cartoon character or celebrity (as shown in the New Nightmare) but here he gets his horror character just right – a monster.

Overall this is a good low budget horror but it is one that is difficult to view now without looking back and seeing it as the start of a long horror series that producing a character that has even moved beyond the constraints of his own film. The best way to enjoy this is on its own terms – it is not a massive horror series, it is a single low budget horror movie from the mid-eighties; as such it suffers from the usual genre flaws from the period but it also delivers the goods in terms of scares and gore. It may not be as gory or as knowing as some of the later sequels but it does what it originally intended to do – scare and thrill.