10. Akira (1988)
It’s quite telling that even after WWII and the invention of the atomic bomb, we’re still scared how there can be a Wwiii, isn’t it? In Akira, Japan is rebuilding after a disastrous conflict — and it’s turned into a technologically advanced tyranny with experiments on humans and total control. Meanwhile, the people await their savior…
You can watch Akira on Netflix.
9. Logan's Run (1976)
Here’s another post-wwiii dystopia masquerading as a utopia. In the 23rd century, the remains of humankind live in a peaceful picture-perfect society that worships youth and pleasure. The life cycle of its inhabitants is only 30 years, but it worries no one until one man uncovers the terrifying truth behind the promised “rebirth.”
You can watch Logan's Run on Apple TV and Prime Video.
8. The Omega Man (1971)
Guess what: a massive war wiped out most of humanity and left others mutated and...
It’s quite telling that even after WWII and the invention of the atomic bomb, we’re still scared how there can be a Wwiii, isn’t it? In Akira, Japan is rebuilding after a disastrous conflict — and it’s turned into a technologically advanced tyranny with experiments on humans and total control. Meanwhile, the people await their savior…
You can watch Akira on Netflix.
9. Logan's Run (1976)
Here’s another post-wwiii dystopia masquerading as a utopia. In the 23rd century, the remains of humankind live in a peaceful picture-perfect society that worships youth and pleasure. The life cycle of its inhabitants is only 30 years, but it worries no one until one man uncovers the terrifying truth behind the promised “rebirth.”
You can watch Logan's Run on Apple TV and Prime Video.
8. The Omega Man (1971)
Guess what: a massive war wiped out most of humanity and left others mutated and...
- 5/6/2024
- by dean-black@startefacts.com (Dean Black)
- STartefacts.com
Francis Lawrence's 2007 post-apocalyptic drama "I Am Legend" is based loosely on the celebrated 1954 novel by Richard Matheson. The original novel is set in the near future of 1976 when a destructive war has ravaged the Earth, and a horrible virus has infected the survivors. The virus transforms its victims into pale-skinned, nocturnal ghouls with an appetite for human blood, more or less making them vampires. The novel follows Robert Neville, seemingly the last human alive, as he tries to survive in a ravaged Los Angeles and study the virus during the daylight hours. The title comes from the novel's famous twist ending.
"I Am Legend" was adapted to film in 1964 as "The Last Man on Earth," and in 1971 as "The Omega Man," before Lawrence's 2007 version. Lawrence's version transposes the action to New York and makes Neville (Will Smith) into a surviving virologist attempting to come up with a cure for the vampire virus.
"I Am Legend" was adapted to film in 1964 as "The Last Man on Earth," and in 1971 as "The Omega Man," before Lawrence's 2007 version. Lawrence's version transposes the action to New York and makes Neville (Will Smith) into a surviving virologist attempting to come up with a cure for the vampire virus.
- 5/4/2024
- by Witney Seibold
- Slash Film
When Gene Roddenberry began developing the screenplay for "Star Trek: The Motion Picture" in 1975, expectations for how a science fiction film could look and feel were rapidly shifting. "2001: A Space Odyssey" offered moviegoers a 70mm trip to outer space, while "The Omega Man," "Soylent Green," and the "Planet of the Apes" series fed off the sociopolitical tumult of the times to thrust audiences into dystopian futures of our own foolish making.
Where did a show that was, at its core, a dream of racially and ethnically inclusive space exploration fit in an era of consciousness-raising spectacle and pessimistic earthbound forecasting? Though the series had failed to enthrall a sizable enough viewership to survive more than three seasons during its initial run on NBC in the late 1960s, "Star Trek" had become popular in syndication with 1970s couch potatoes. There was clearly a hunger for more, and there weren't any...
Where did a show that was, at its core, a dream of racially and ethnically inclusive space exploration fit in an era of consciousness-raising spectacle and pessimistic earthbound forecasting? Though the series had failed to enthrall a sizable enough viewership to survive more than three seasons during its initial run on NBC in the late 1960s, "Star Trek" had become popular in syndication with 1970s couch potatoes. There was clearly a hunger for more, and there weren't any...
- 3/3/2024
- by Jeremy Smith
- Slash Film
Ready to jump to another solar system, navigate a dystopian future, or battle a beast from beyond the stars? Science-fiction movies often combine cutting-edge special effects with sneaky morality tales. They’re also a heck of a lot of fun to watch. Rolling Stone just published its list of the 150 Greatest Sci-Fi Movies of All Time. Because we love a good list, we pulled together all your streaming options for this impressive collection.
Nearly every streaming service offers at least one of these gems. Though these movies may shift from one service to another, this page will automatically update with the current streaming options for each film, so add this one to your bookmarks and come back when you want to work your way through the list!
150-141
140-131
130-121
120-111
110-101
100-91
90-81
80-71
70-61
60-51
50-41
40-31
30-21
20-11
10-1
150-141 Tank Girl March 31, 1995
After a comet disrupts the rain cycle of Earth,...
Nearly every streaming service offers at least one of these gems. Though these movies may shift from one service to another, this page will automatically update with the current streaming options for each film, so add this one to your bookmarks and come back when you want to work your way through the list!
150-141
140-131
130-121
120-111
110-101
100-91
90-81
80-71
70-61
60-51
50-41
40-31
30-21
20-11
10-1
150-141 Tank Girl March 31, 1995
After a comet disrupts the rain cycle of Earth,...
- 1/2/2024
- by Ben Bowman
- The Streamable
When it comes to costume changes in horror movies, the term is a little more elastic than merely an actor obtaining a different wardrobe. A "costume" in a horror movie might refer to full-body latex or an animatronic suit to completely transform an actor's physicality. It could mean a character goes from being an actor in an outfit to a CG creation. Or it may address the fact that, in adapting non-filmic source material, changes had to be made for the camera, or were made by editorial decision.
Whether it be between installments of a franchise, or from original to remake, or from costume to special effect and vice versa, audiences do not embrace every change. And in some cases, even if most people like a change, purists remain unconvinced. Horror movies, novels, and comics leave indelible images in our minds, so when a newer version "re-skins" them, so to speak,...
Whether it be between installments of a franchise, or from original to remake, or from costume to special effect and vice versa, audiences do not embrace every change. And in some cases, even if most people like a change, purists remain unconvinced. Horror movies, novels, and comics leave indelible images in our minds, so when a newer version "re-skins" them, so to speak,...
- 12/10/2023
- by Luke Y. Thompson
- Slash Film
Warner Bros. and producer Akiva Goldsman‘s company Weed Road are working on a sequel to director Francis Lawrence’s 2007 Richard Matheson adaptation I Am Legend (watch it Here), which will see Will Smith reprising the role of Dr. Robert Neville, now joined in the cast by an unspecified character played by Michael B. Jordan. Lawrence has said he would “love to” return to the direct the sequel… which is made possible because there were two different endings filmed for I Am Legend. The version of I Am Legend that reached theatres ended with Neville sacrificing himself (using a grenade to blow up himself and the attacking “Darkseeker” creatures) to protect other characters. But that ending was actually a reshoot. The original ending was more low-key, with Neville making peace with the Darkseekers after realizing that he was the monster in the eyes of these creatures. That alternate ending was...
- 11/14/2023
- by Cody Hamman
- JoBlo.com
If you saw "The Fabelmans" — and judging from the film's underwhelming box office, you probably didn't — you might think you know exactly how Steven Spielberg broke into show business. Snap Wexley hired him to work on the hit TV sitcom "Hogan's Heroes," he got great advice from an ornery John Ford, and the rest was history.
Except Steven Spielberg didn't really work on "Hogan's Heroes," and he didn't get advice from John Ford when he was actually starting out in the industry. Instead, he met the legendary director of "How Green Was My Valley" and "The Searchers" when he was only 15 years old. It turns out that Steven Spielberg isn't really above smudging the truth a bit in his movies, if he thinks the truth gets in the way of a good story.
And like all good stories, "The Fabelmans" had to end somewhere. It didn't take "Sammy Fabelman" into his actual,...
Except Steven Spielberg didn't really work on "Hogan's Heroes," and he didn't get advice from John Ford when he was actually starting out in the industry. Instead, he met the legendary director of "How Green Was My Valley" and "The Searchers" when he was only 15 years old. It turns out that Steven Spielberg isn't really above smudging the truth a bit in his movies, if he thinks the truth gets in the way of a good story.
And like all good stories, "The Fabelmans" had to end somewhere. It didn't take "Sammy Fabelman" into his actual,...
- 10/7/2023
- by William Bibbiani
- Slash Film
Earlier this year, Max announced it would be housing over 200 episodes of AMC Networks’ television at no additional cost to subscribers beginning in September.
That two-month window is coming to an end, so you’ll want to catch up on “Anne Rice’s Interview with the Vampire” Season 1; “Dark Winds” Season 1; “Gangs of London” Seasons 1 and 2; “Fear the Walking Dead” Seasons 1-7; “Killing Eve” Seasons 1-4; “A Discovery of Witches” Seasons 1-3; and “Ride with Norman Reedus” Seasons 1-5 while you still can.
A number of great horror titles are leaving at the end of October as well, including: “A Cabin in the Woods,” “Beetlejuice,” “Eight Legged Freaks,” “From Hell,” “It” and “It: Chapter 2,” and several more. They’ll be great to put on while you host your Halloween bash.
Here’s everything leaving Max in October 2023.
October 3
Rx Early Detection: A Cancer Journey with Sandra Lee (2018) (HBO)
October...
That two-month window is coming to an end, so you’ll want to catch up on “Anne Rice’s Interview with the Vampire” Season 1; “Dark Winds” Season 1; “Gangs of London” Seasons 1 and 2; “Fear the Walking Dead” Seasons 1-7; “Killing Eve” Seasons 1-4; “A Discovery of Witches” Seasons 1-3; and “Ride with Norman Reedus” Seasons 1-5 while you still can.
A number of great horror titles are leaving at the end of October as well, including: “A Cabin in the Woods,” “Beetlejuice,” “Eight Legged Freaks,” “From Hell,” “It” and “It: Chapter 2,” and several more. They’ll be great to put on while you host your Halloween bash.
Here’s everything leaving Max in October 2023.
October 3
Rx Early Detection: A Cancer Journey with Sandra Lee (2018) (HBO)
October...
- 9/30/2023
- by Lawrence Yee
- The Wrap
Summer isn’t over yet but HBO and its streaming arm Max are already moving on to fall. With its list of new releases for August 2023, Max is focusing on football! The American kind, mind you, not the actually footy kind.
August 2023 sees the release of two major football documentaries on HBO and Max. The first is the premiere of Hard Knocks on Aug. 10. The new season of long-running NFL training camp docuseries will center on the New York Jets, new employers of legendary quarterback Aaron Rodgers. On Aug. 23, Max will air the aptly named Bs High. The doc tells the stranger-than-fiction story of high school football team Bishop Sycamore, which pulled off one of the more notable sports scams you’re likely to ever hear about.
Not of the football variety but in keeping with the North American sports theme will be season 2 of Winning Time: The Rise of the Lakers Dynasty on Aug.
August 2023 sees the release of two major football documentaries on HBO and Max. The first is the premiere of Hard Knocks on Aug. 10. The new season of long-running NFL training camp docuseries will center on the New York Jets, new employers of legendary quarterback Aaron Rodgers. On Aug. 23, Max will air the aptly named Bs High. The doc tells the stranger-than-fiction story of high school football team Bishop Sycamore, which pulled off one of the more notable sports scams you’re likely to ever hear about.
Not of the football variety but in keeping with the North American sports theme will be season 2 of Winning Time: The Rise of the Lakers Dynasty on Aug.
- 8/1/2023
- by Alec Bojalad
- Den of Geek
DeVaughn Nixon, Quincy Isaiah, and Delante Desouza in ‘Winning Time’ season 2 (Photograph by Warrick Page/HBO)
Hard Knock‘s new season focusing on the New York Jets and the second season of the original drama Winning Time: The Rise of the Lakers Dynasty join Max’s August 2023 lineup, along with Tracy Morgan’s latest comedy special. August’s schedule also includes the season finales of And Just Like That… and Warrior.
Rap Sh!t season two premieres on August 10th, and the new half-hour young adult animated series Adventure Time: Fionna & Cake arrives on August 31st.
Series & Films Arriving On Max In August 2023:
August 1
A Hologram for the King (2016)
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street 2: Freddy’s Revenge (1985)
A Nightmare on Elm Street 3: Dream Warriors (1987)
A Nightmare on Elm Street 4: The Dream Master (1988)
A Nightmare on Elm Street 5: The Dream Child...
Hard Knock‘s new season focusing on the New York Jets and the second season of the original drama Winning Time: The Rise of the Lakers Dynasty join Max’s August 2023 lineup, along with Tracy Morgan’s latest comedy special. August’s schedule also includes the season finales of And Just Like That… and Warrior.
Rap Sh!t season two premieres on August 10th, and the new half-hour young adult animated series Adventure Time: Fionna & Cake arrives on August 31st.
Series & Films Arriving On Max In August 2023:
August 1
A Hologram for the King (2016)
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street 2: Freddy’s Revenge (1985)
A Nightmare on Elm Street 3: Dream Warriors (1987)
A Nightmare on Elm Street 4: The Dream Master (1988)
A Nightmare on Elm Street 5: The Dream Child...
- 7/26/2023
- by Rebecca Murray
- Showbiz Junkies
The I Am Legend episode of Wtf Happened to This Adaptation? was Written and Narrated by Andrew Hatfield, Edited by Mike Conway, Produced by Lance Vlcek and John Fallon, and Executive Produced by Berge Garabedian. Here is the text of Hatfield’s script:
I was able to cover my favorite movie of all time in the first episode with The Thing and now we are going to look at an adaptation, or 3, of my favorite story of all time. While you may not know the work of Richard Matheson by name, I guarantee you know the work and the artist from somewhere. He is one of the most successful writers both on screen and off of the 20th century and many of his works have been adapted multiple times over. Today’s movie, while having 2 adaptations already in the books, was in development hell for what felt like forever, but...
I was able to cover my favorite movie of all time in the first episode with The Thing and now we are going to look at an adaptation, or 3, of my favorite story of all time. While you may not know the work of Richard Matheson by name, I guarantee you know the work and the artist from somewhere. He is one of the most successful writers both on screen and off of the 20th century and many of his works have been adapted multiple times over. Today’s movie, while having 2 adaptations already in the books, was in development hell for what felt like forever, but...
- 6/23/2023
- by Cody Hamman
- JoBlo.com
Sophie Fiennes on Ralph Fiennes starring and staging T.S. Eliot's Four Quartets: “The thing that Ralph does brilliantly is the distribution in the space of the ideas. How he places them.”
In the second instalment with Sophie Fiennes we discuss her superb and faithful capturing of Ralph Fiennes’ stage production of T.S. Eliot’s Four Quartets, Helen Gardner’s The Art Of T.S. Eliot, Grace Jones: Bloodlight And Bami, Samuel Beckett, Andrei Tarkovsky’s Stalker, François Truffaut’s The 400 Blows, Elizabethan and Metaphysical poetry.
Sophie Fiennes with Anne-Katrin Titze on T.S. Eliot’s Four Quartets: “I possibly wouldn’t have been as interested in becoming a filmmaker if I hadn’t had become acquainted with that poem at a very early age.”
Within days of speaking with Sophie, by chance every film I happened to watch contained a quote from the Nobel Prize-winning poet.
In the second instalment with Sophie Fiennes we discuss her superb and faithful capturing of Ralph Fiennes’ stage production of T.S. Eliot’s Four Quartets, Helen Gardner’s The Art Of T.S. Eliot, Grace Jones: Bloodlight And Bami, Samuel Beckett, Andrei Tarkovsky’s Stalker, François Truffaut’s The 400 Blows, Elizabethan and Metaphysical poetry.
Sophie Fiennes with Anne-Katrin Titze on T.S. Eliot’s Four Quartets: “I possibly wouldn’t have been as interested in becoming a filmmaker if I hadn’t had become acquainted with that poem at a very early age.”
Within days of speaking with Sophie, by chance every film I happened to watch contained a quote from the Nobel Prize-winning poet.
- 4/25/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
When looked at from the outside, the premises of the first two "Bill & Ted" movies are baffling. In the first film, the title characters (Alex Winter and Keanu Reeves) are a pair of slacker California dudes who are more interested in their band than in studying high school history. Randomly, a visitor from the future (George Carlin) appears in a high-tech, time-traveling phone booth and announces to Bill and Ted that their band will not only become successful, but that their music will become so profound as to unite humanity and usher in a new utopia. In order to form their band, however, they will have to pass an upcoming history exam and stay in school. The Carlin character gives them the phone booth, and they travel through time, viewing history in person through their particular slacker lens. In the sequel, Bill and Ted die and traverse the afterlife...
- 3/24/2023
- by Witney Seibold
- Slash Film
This story is part of The Hollywood Reporter’s 2023 Sustainability Issue (click here to read more).
In 1970, 20 million Americans participated in the first Earth Day. One of the more alarming predictions that day was from Stanford biologist Paul Ehrlich, who foresaw a future in which “population will inevitably and completely outstrip whatever small increases in food supplies we make,” resulting in the starvation death of hundreds of millions.
Hollywood took notice and released a string of eco-disaster films in the years to follow.
In 1972’s Silent Running, a science fiction film starring Bruce Dern — and directed by 2001: A Space Odyssey effects master Douglas Trumbull — all plant life on Earth has gone extinct. And 1973’s Soylent Green, with Charlton Heston (who had starred in two other sci-fi hits, 1968’s Planet of the Apes and 1971’s The Omega Man), took Ehrlich’s ideas to scary, if campy, extremes.
Helmed by Richard Fleischer...
In 1970, 20 million Americans participated in the first Earth Day. One of the more alarming predictions that day was from Stanford biologist Paul Ehrlich, who foresaw a future in which “population will inevitably and completely outstrip whatever small increases in food supplies we make,” resulting in the starvation death of hundreds of millions.
Hollywood took notice and released a string of eco-disaster films in the years to follow.
In 1972’s Silent Running, a science fiction film starring Bruce Dern — and directed by 2001: A Space Odyssey effects master Douglas Trumbull — all plant life on Earth has gone extinct. And 1973’s Soylent Green, with Charlton Heston (who had starred in two other sci-fi hits, 1968’s Planet of the Apes and 1971’s The Omega Man), took Ehrlich’s ideas to scary, if campy, extremes.
Helmed by Richard Fleischer...
- 3/22/2023
- by Seth Abramovitch
- The Hollywood Reporter - Movie News
If you want to attract a younger audience, you have to watch what they watch. Not what you think they are watching, says producer Dean Devlin, best known for “Independence Day” and “Stargate.” But he never designs his shows for one market.
“It’s no longer all about gender or age demographic. If you go to a sci-fi convention, they are not just kids, they are not just older people. It’s everybody!”
At Berlinale Series Market Selects, which runs as part of the European Film Market in Berlin, with his latest show, sci-fi series “The Ark,” Devlin continues to pay homage to the kind of stories he loved as a child, from Douglas Trumbull’s “Silent Running” to “The Omega Man.”
“I don’t pay any attention to trends. When we did ‘Stargate,’ every studio in Hollywood said that science fiction was dead. And then we had a hit,...
“It’s no longer all about gender or age demographic. If you go to a sci-fi convention, they are not just kids, they are not just older people. It’s everybody!”
At Berlinale Series Market Selects, which runs as part of the European Film Market in Berlin, with his latest show, sci-fi series “The Ark,” Devlin continues to pay homage to the kind of stories he loved as a child, from Douglas Trumbull’s “Silent Running” to “The Omega Man.”
“I don’t pay any attention to trends. When we did ‘Stargate,’ every studio in Hollywood said that science fiction was dead. And then we had a hit,...
- 2/23/2023
- by Marta Balaga
- Variety Film + TV
The upcoming “I Am Legend” sequel will be based on the alternate ending of the first film, in which Will Smith’s character lives, producer and screenwriter Akiva Goldsman told Deadline this week.
In the theatrical version released in 2007, Dr. Robert Neville (Smith) sacrifices himself, but ensures the survival of the human race against the tide of bloodthirsty mutants. The alternative coda, in which Neville lives, was filmed and released on a special 2008 DVD.
Both Smith and Michael B. Jordan’s casting was announced last year, but how Smith’s character could return was left up in the air until now.
Also Read:
Who Dies in ‘The Last of Us’? A Complete Guide to the HBO Show’s Heartbreaking Deaths
As Goldsman explained, he’s going back to the original ending in Richard Matheson’s much-filmed 1954 novel. “We trace back to the original Matheson book, and the alternate ending as...
In the theatrical version released in 2007, Dr. Robert Neville (Smith) sacrifices himself, but ensures the survival of the human race against the tide of bloodthirsty mutants. The alternative coda, in which Neville lives, was filmed and released on a special 2008 DVD.
Both Smith and Michael B. Jordan’s casting was announced last year, but how Smith’s character could return was left up in the air until now.
Also Read:
Who Dies in ‘The Last of Us’? A Complete Guide to the HBO Show’s Heartbreaking Deaths
As Goldsman explained, he’s going back to the original ending in Richard Matheson’s much-filmed 1954 novel. “We trace back to the original Matheson book, and the alternate ending as...
- 2/17/2023
- by Sharon Knolle
- The Wrap
Akiva Goldsman’s production company Weed Road recently had film and TV deals at MGM, but now that MGM executives Michael De Luca and Pam Abdy have moved over to Warner Bros., intending to give the studio’s theatrical franchise output a boost, Weed Road has followed them. Deadline reports that Weed Road has signed a multi-year first look deal with Warner Bros… and since Goldsman has already done a lot of work for the studio over the decades, he sees this deal as a bit of a homecoming. With Weed Road now calling Warner Bros. home, the top priority for the companies are a pair of projects they were already working on together: sequels to the 2005 comic book adaptation Constantine (which Goldsman produced) and the 2007 Richard Matheson adaptation I Am Legend (which Goldsman produced and co-wrote).
Goldsman told Deadline, “We’re starting with two projects that are fun and...
Goldsman told Deadline, “We’re starting with two projects that are fun and...
- 2/15/2023
- by Cody Hamman
- JoBlo.com
Digital effects can be an amazing resource for creating fantasy worlds and creatures, but like any tool, they can be misused. Early CGI in projects like "The Abyss," "Young Sherlock Holmes," and, of course, "Jurassic Park" blew people's minds, and studios that had previously relied on miniatures and stop-motion animation all of a sudden wanted their own computerized creations.
But making digital characters isn't that simple, and the results are often less than stunning. This is rarely the fault of the modelers, animators, or other professionals who work tirelessly to bring these creatures to life. Sometimes, the time and money just isn't there. Sometimes, puppets simply work better. Even if the CGI is well done, it can destroy the characters' charm and undermine what the movie was going for in the first place.
The misbegotten CGI effects that follow fall into all of those categories. Plenty of them are bad,...
But making digital characters isn't that simple, and the results are often less than stunning. This is rarely the fault of the modelers, animators, or other professionals who work tirelessly to bring these creatures to life. Sometimes, the time and money just isn't there. Sometimes, puppets simply work better. Even if the CGI is well done, it can destroy the characters' charm and undermine what the movie was going for in the first place.
The misbegotten CGI effects that follow fall into all of those categories. Plenty of them are bad,...
- 11/2/2022
- by Luke Y. Thompson
- Slash Film
Francis Lawrence's feature adaptation of Richard Matheson's 1954 novel of the same name was a remarkable success, grossing over 585 million total worldwide (not adjusted for inflation). Will Smith was at the apex of his action star career, coasting on the well-earned coattails he cemented in the 1990s with the likes of "Men in Black" and "Independence Day." All things considered, it was a serendipitous merging of creative forces. Matheson's novel is well-regarded as one of the century's greatest science fiction achievements, and Smith is tailor-made for this kind of weighty, grim science fiction.
Unfortunately for some, "I Am Legend" only occasionally flirted with the greatness it was so close to achieving. Adapting any novel is a difficult prospect; the act of cutting and preserving, the hard choices made to tailor the written word to a visual medium. "I Am Legend," for its part, struggled considerably, sacrificing the heady themes...
Unfortunately for some, "I Am Legend" only occasionally flirted with the greatness it was so close to achieving. Adapting any novel is a difficult prospect; the act of cutting and preserving, the hard choices made to tailor the written word to a visual medium. "I Am Legend," for its part, struggled considerably, sacrificing the heady themes...
- 9/20/2022
- by Chad Collins
- Slash Film
If you’ve been waiting to watch Christopher Nolan’s confounding sci-fi thriller “Tenet,” now is the time to finally get to it on your HBO Max watchlist. Nolan’s latest film is one of many movies leaving HBO Max in July, the full list of which you can read below.
Also leaving HBO and HBO Max this month is another Nolan classic, “Inception,” Baz Luhrmann’s “The Great Gatsby,” as well as two rom-com favorites “Bridget Jones’s Diary” and “You’ve Got Mail.”
If you’re looking to prioritize some selections, “American Gigolo” was Richard Gere’s break-out role — and it would be a good time to watch ahead of the upcoming TV series starring Jon Bernthal.
Also Read:
The Best Movies on HBO Max Right Now
July 9:
Horrible Bosses 2, 2014
The New Mutants, 2020 (HBO)
July 11:
Black Mass, 2015
July 13:
Blue Exorcist (Subtitled), 2016
July 23:
Human Capital, 2020 (HBO)
July 26:
The Accountant,...
Also leaving HBO and HBO Max this month is another Nolan classic, “Inception,” Baz Luhrmann’s “The Great Gatsby,” as well as two rom-com favorites “Bridget Jones’s Diary” and “You’ve Got Mail.”
If you’re looking to prioritize some selections, “American Gigolo” was Richard Gere’s break-out role — and it would be a good time to watch ahead of the upcoming TV series starring Jon Bernthal.
Also Read:
The Best Movies on HBO Max Right Now
July 9:
Horrible Bosses 2, 2014
The New Mutants, 2020 (HBO)
July 11:
Black Mass, 2015
July 13:
Blue Exorcist (Subtitled), 2016
July 23:
Human Capital, 2020 (HBO)
July 26:
The Accountant,...
- 7/1/2022
- by Charna Flam
- The Wrap
Never underestimate the power of the movie flashback. In the case of 2007's "I Am Legend," a key flashback sequence was one of the most expensive in the entire film. That's saying something for a movie that takes place in a desolate, post-apocalyptic New York City.
Based on the 1954 novel of the same name by Richard Matheson and the 1971 cinematic reimagining "The Omega Man," the Will Smith horror/action movie from director Francis Lawrence was filmed over several months in various locations in Manhattan. But there was one specific scene that producers easily considered the most complex of the entire production. The film largely...
The post I Am Legend's Brooklyn Bridge Scene Was a Multi-Million Dollar Pain to Shoot appeared first on /Film.
Based on the 1954 novel of the same name by Richard Matheson and the 1971 cinematic reimagining "The Omega Man," the Will Smith horror/action movie from director Francis Lawrence was filmed over several months in various locations in Manhattan. But there was one specific scene that producers easily considered the most complex of the entire production. The film largely...
The post I Am Legend's Brooklyn Bridge Scene Was a Multi-Million Dollar Pain to Shoot appeared first on /Film.
- 4/21/2022
- by Travis Yates
- Slash Film
Producer Charles Band discusses a few of his favorite films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Re-Animator (1985) – Charlie Largent’s Blu-ray review
Citizen Kane (1941) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Puppet Master (1989)
Dollman (1991)
Trancers (1984)
Corona Zombies (2020)
Cannibal Women In The Avocado Jungle of Death (1989)
Frankenstein (1931) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review
The Sixth Sense (1999)
The Wolf Man (1941) – Glenn Erickson’s Blu-ray review, Alex Kirschenbaum’s Wolf Man power rankings
I Bury The Living (1958) – Joe Dante’s trailer commentary, Charlie Largent’s Blu-ray review
Face of Fire (1959)
Hercules (1958)
The 7th Voyage Of Sinbad (1958) – Brian Trenchard-Smith’s trailer commentary
Jason And The Argonauts (1963) – Ernest Dickerson’s trailer commentary
King Kong (1933)
King Kong (1976) – Glenn Erickson’s Blu-ray review
The Exorcist (1973) – Oren Peli’s trailer commentary
Star Wars (1977)
The Omega Man (1971)
Castle Freak (1995)
Tourist Trap (1979) – David DeCoteau’s trailer commentary
Laserblast (1978)
Crash!
Show Notes: Movies Referenced In This Episode
Re-Animator (1985) – Charlie Largent’s Blu-ray review
Citizen Kane (1941) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Puppet Master (1989)
Dollman (1991)
Trancers (1984)
Corona Zombies (2020)
Cannibal Women In The Avocado Jungle of Death (1989)
Frankenstein (1931) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review
The Sixth Sense (1999)
The Wolf Man (1941) – Glenn Erickson’s Blu-ray review, Alex Kirschenbaum’s Wolf Man power rankings
I Bury The Living (1958) – Joe Dante’s trailer commentary, Charlie Largent’s Blu-ray review
Face of Fire (1959)
Hercules (1958)
The 7th Voyage Of Sinbad (1958) – Brian Trenchard-Smith’s trailer commentary
Jason And The Argonauts (1963) – Ernest Dickerson’s trailer commentary
King Kong (1933)
King Kong (1976) – Glenn Erickson’s Blu-ray review
The Exorcist (1973) – Oren Peli’s trailer commentary
Star Wars (1977)
The Omega Man (1971)
Castle Freak (1995)
Tourist Trap (1979) – David DeCoteau’s trailer commentary
Laserblast (1978)
Crash!
- 3/22/2022
- by Kris Millsap
- Trailers from Hell
Why settle for tacos when Tuesday can be Soylent Green Day? Far more nutritious than Soylent Red or Yellow, the green stuff is made with a secret ingredient that makes it a real delicacy. Of course the line “Soylent Green is people” is now an insta-spoiler meme and trope. But when Charlton Heston first uttered that anguished warning, it might as well have been a supermarket can-can sale promotion. Store shops in the 1973 science fiction classic Soylent Green were so mobbed on Tuesdays that riots started every week in this dystopian vision of 2022.
The historical montage which opens Soylent Green, based on real photographs from the 20th century, shows how industry and population colluded to form a dystopian future where too many people struggle for too little food, gag at the air, and wear masks on a daily basis. The face covering in the montage actually increases exponentially as the...
The historical montage which opens Soylent Green, based on real photographs from the 20th century, shows how industry and population colluded to form a dystopian future where too many people struggle for too little food, gag at the air, and wear masks on a daily basis. The face covering in the montage actually increases exponentially as the...
- 1/7/2022
- by David Crow
- Den of Geek
Zack Snyder has come home. After spending a large portion of the past decade immersed in the DC film universe—even more if you count the development and production of Watchmen, his third film, a few years before that—Snyder has returned to the genre that launched his career as a feature film director.
That genre is horror, more specifically the subgenre of zombie movies, and the film is called Army of the Dead. Premiering on Netflix after a brief theatrical run, Army of the Dead is only the second movie of Snyder’s career not produced and distributed through Warner Bros. Pictures. The other one was his first feature, the 2004 remake of George A. Romero’s Dawn of the Dead, which came out through Universal and was the movie that put Snyder on the map.
Coming back to horror—or in this case, a hybrid of the zombie movie...
That genre is horror, more specifically the subgenre of zombie movies, and the film is called Army of the Dead. Premiering on Netflix after a brief theatrical run, Army of the Dead is only the second movie of Snyder’s career not produced and distributed through Warner Bros. Pictures. The other one was his first feature, the 2004 remake of George A. Romero’s Dawn of the Dead, which came out through Universal and was the movie that put Snyder on the map.
Coming back to horror—or in this case, a hybrid of the zombie movie...
- 5/21/2021
- by Don Kaye
- Den of Geek
You’ve asked questions. Prepare for the answers.
Show Notes: Movies Referenced In This Episode
Sweet Smell Of Success (1957)
The Beguiled (1971)
Tenet (2021? Maybe?)
Smokey Is The Bandit (1983)
Robin Hood (2010)
Hollywood Boulevard (1976)
The Devils (1971)
Song of the South (1946)
Gremlins (1984)
Dillinger (1973)
Marcello I’m So Bored (1966)
Jeremiah Johnson (1972)
Big Wednesday (1978)
Swamp Thing (1982)
Forrest Gump (1994)
Payback (1999)
Bell, Book And Candle (1958)
Blowup (1966)
The Big Lebowski (1998)
Medium Cool (1969)
25th Hour (2002)
Apocalypse Now (1979)
Palm Springs (2020)
Groundhog Day (1993)
Mandy (2018)
The Sadist (1963)
Spider Baby (1968)
Night Tide (1960)
Stark Fear
Carnival of Souls (1962)
The Devil’s Messenger (1961)
Ms. 45 (1981)
Léolo (1992)
The Howling (1981)
Showgirls (1995)
Green Book (2018)
The Last Hurrah (1958)
The Best Man (1964)
Advise and Consent (1962)
The Candidate (1972)
The Manchurian Candidate (1962)
Seven Days In May (1964)
The Seduction of Joe Tynan (1979)
The Man (1972)
Investigation of a Citizen Above Suspicion (1970)
Four Lions (2010)
Pump Up The Volume (1990)
Nightmare In The Sun (1965)
The Wild Angels (1966)
The Omega Man (1971)
The Nanny (1965)
Hush… Hush, Sweet Charlotte (1964)
Live Like A Cop, Die Like A Man...
Show Notes: Movies Referenced In This Episode
Sweet Smell Of Success (1957)
The Beguiled (1971)
Tenet (2021? Maybe?)
Smokey Is The Bandit (1983)
Robin Hood (2010)
Hollywood Boulevard (1976)
The Devils (1971)
Song of the South (1946)
Gremlins (1984)
Dillinger (1973)
Marcello I’m So Bored (1966)
Jeremiah Johnson (1972)
Big Wednesday (1978)
Swamp Thing (1982)
Forrest Gump (1994)
Payback (1999)
Bell, Book And Candle (1958)
Blowup (1966)
The Big Lebowski (1998)
Medium Cool (1969)
25th Hour (2002)
Apocalypse Now (1979)
Palm Springs (2020)
Groundhog Day (1993)
Mandy (2018)
The Sadist (1963)
Spider Baby (1968)
Night Tide (1960)
Stark Fear
Carnival of Souls (1962)
The Devil’s Messenger (1961)
Ms. 45 (1981)
Léolo (1992)
The Howling (1981)
Showgirls (1995)
Green Book (2018)
The Last Hurrah (1958)
The Best Man (1964)
Advise and Consent (1962)
The Candidate (1972)
The Manchurian Candidate (1962)
Seven Days In May (1964)
The Seduction of Joe Tynan (1979)
The Man (1972)
Investigation of a Citizen Above Suspicion (1970)
Four Lions (2010)
Pump Up The Volume (1990)
Nightmare In The Sun (1965)
The Wild Angels (1966)
The Omega Man (1971)
The Nanny (1965)
Hush… Hush, Sweet Charlotte (1964)
Live Like A Cop, Die Like A Man...
- 7/24/2020
- by Kris Millsap
- Trailers from Hell
From the people that brought you Pandemic Parade chapters 1-8, comes yet another thrilling episode featuring Jesse V. Johnson, Casper Kelly, Fred Dekker, Don Coscarelli, Daniel Noah, Elijah Wood and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
The Wondrous Story of Birth a.k.a. The Birth of Triplets (1950)
Contagion (2011)
The Omega Man (1971)
Panic In The Streets (1950)
The Last Man On Earth (1964)
Night of the Living Dead (1968)
Fantastic Voyage (1966)
Innerspace (1987)
The Howling (1981)
The Invisible Man (2020)
The Sand Pebbles (1966)
Where Eagles Dare (1969)
Planet of the Apes (1968)
Goldfinger (1964)
The Spy Who Came In From The Cold (1965)
Murder On The Orient Express (1974)
Dr. No (1962)
From Russia With Love (1963)
Bellman and True (1987)
Brimstone and Treacle (1982)
Richard III (1995)
Titanic (1997)
Catch 22 (1970)
Who’s Afraid of Virginia Woolf (1966)
The Graduate (1967)
1941 (1979)
Dr. Strangelove (1964)
Jaws (1975)
The Fortune (1975)
Carnal Knowledge (1970)
Manhattan...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
The Wondrous Story of Birth a.k.a. The Birth of Triplets (1950)
Contagion (2011)
The Omega Man (1971)
Panic In The Streets (1950)
The Last Man On Earth (1964)
Night of the Living Dead (1968)
Fantastic Voyage (1966)
Innerspace (1987)
The Howling (1981)
The Invisible Man (2020)
The Sand Pebbles (1966)
Where Eagles Dare (1969)
Planet of the Apes (1968)
Goldfinger (1964)
The Spy Who Came In From The Cold (1965)
Murder On The Orient Express (1974)
Dr. No (1962)
From Russia With Love (1963)
Bellman and True (1987)
Brimstone and Treacle (1982)
Richard III (1995)
Titanic (1997)
Catch 22 (1970)
Who’s Afraid of Virginia Woolf (1966)
The Graduate (1967)
1941 (1979)
Dr. Strangelove (1964)
Jaws (1975)
The Fortune (1975)
Carnal Knowledge (1970)
Manhattan...
- 5/29/2020
- by Kris Millsap
- Trailers from Hell
Right now, in this galaxy… featuring Lloyd Kaufman, Brad Simpson, Gilbert Hernandez, Grant Moninger and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
- 5/15/2020
- by Kris Millsap
- Trailers from Hell
Every night I dream about going out to hear music. The bands in my sleep are terrible, but I’m always sorry when I wake up and it’s over. The other night I dreamed I stood in a Brooklyn basement watching a god-awful punk band called “Bestie.” The singer pogo’d on the floor and read the words off her phone. Actual lyric: “Fetchin Bones sang Cabin Flounder/Wish I lost her but I found her/Now I want a quarter pounder.” How humiliating to think that this is...
- 5/7/2020
- by Rob Sheffield
- Rollingstone.com
The saga continues, featuring Adam Rifkin, Robert D. Krzykowski, John Sayles, Maggie Renzi, Mick Garris and Larry Wilmore with special guest star Blaire Bercy from the Hollywood Food Coalition.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Key Largo (1948)
I Don’t Want to Talk About It (1993)
Camila (1984)
I, the Worst of All (1990)
The Wages of Fear (1953)
Le Corbeau (1943)
Diabolique (1955)
Red Beard (1965)
Seven Samurai (1954)
Ikiru (1952)
General Della Rovere (1959)
The Gold of Naples (1959)
Bitter Rice (1949)
Pickup On South Street (1953)
My Darling Clementine (1946)
Viva Zapata! (1952)
Panic In The Streets (1950)
Yellow Sky (1948)
Ace In The Hole (1951)
Wall Street (1987)
Women’s Prison (1955)
True Love (1989)
Mean Streets (1973)
Close Encounters of the Third Kind (1977)
The Abyss (1989)
The China Syndrome (1979)
Big (1988)
Splash (1984)
The ’Burbs (1989)
Long Strange Trip (2017)
Little Women (2019)
Learning To Skateboard In A War Zone (If You’re A Girl) (2019)
The Guns of Navarone...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Key Largo (1948)
I Don’t Want to Talk About It (1993)
Camila (1984)
I, the Worst of All (1990)
The Wages of Fear (1953)
Le Corbeau (1943)
Diabolique (1955)
Red Beard (1965)
Seven Samurai (1954)
Ikiru (1952)
General Della Rovere (1959)
The Gold of Naples (1959)
Bitter Rice (1949)
Pickup On South Street (1953)
My Darling Clementine (1946)
Viva Zapata! (1952)
Panic In The Streets (1950)
Yellow Sky (1948)
Ace In The Hole (1951)
Wall Street (1987)
Women’s Prison (1955)
True Love (1989)
Mean Streets (1973)
Close Encounters of the Third Kind (1977)
The Abyss (1989)
The China Syndrome (1979)
Big (1988)
Splash (1984)
The ’Burbs (1989)
Long Strange Trip (2017)
Little Women (2019)
Learning To Skateboard In A War Zone (If You’re A Girl) (2019)
The Guns of Navarone...
- 4/17/2020
- by Kris Millsap
- Trailers from Hell
Movies to watch when you’re staying in for a while, featuring recommendations from Dana Gould, Daniel Waters, Scott Alexander, and Allison Anders.
Show Notes: Movies Referenced In This Episode
Destroy All Monsters (1969)
Planet Of The Apes (1968)
Beneath The Planet of the Apes (1970)
Escape From The Planet Of The Apes (1971)
Conquest Of The Planet Of The Apes (1972)
Battle For The Planet Of The Apes (1973)
Suparpie
The Wizard Of Oz (1939)
Hello Down There (1969)
Koyaanisqatsi (1982)
Thirteen Days (2000)
Stalker (1979)
Last Year At Marienbad (1961)
No Exit (1962)
The Exterminating Angel (1962)
Sleeper (1973)
The Tenant (1976)
Final Cut: Ladies And Gentlemen (2012)
The Adventures of Ford Fairlane (1990)
La classe américaine (1993)
The Sex Adventures of a Single Man a.k.a. The 24 Hour Lover (1968)
The Omega Man (1971)
Soylent Green (1973)
Knives Out (2019)
The Hunt (2020)
Banana Split (2020)
The Cocoanuts (1929)
Animal Crackers (1930)
Monkey Business (1931)
Horse Feathers (1932)
Duck Soup (1933)
A Night At The Opera (1935)
The Incredible Two-Headed Transplant (1971)
Susan Slade (1961)
My Blood Runs Cold...
Show Notes: Movies Referenced In This Episode
Destroy All Monsters (1969)
Planet Of The Apes (1968)
Beneath The Planet of the Apes (1970)
Escape From The Planet Of The Apes (1971)
Conquest Of The Planet Of The Apes (1972)
Battle For The Planet Of The Apes (1973)
Suparpie
The Wizard Of Oz (1939)
Hello Down There (1969)
Koyaanisqatsi (1982)
Thirteen Days (2000)
Stalker (1979)
Last Year At Marienbad (1961)
No Exit (1962)
The Exterminating Angel (1962)
Sleeper (1973)
The Tenant (1976)
Final Cut: Ladies And Gentlemen (2012)
The Adventures of Ford Fairlane (1990)
La classe américaine (1993)
The Sex Adventures of a Single Man a.k.a. The 24 Hour Lover (1968)
The Omega Man (1971)
Soylent Green (1973)
Knives Out (2019)
The Hunt (2020)
Banana Split (2020)
The Cocoanuts (1929)
Animal Crackers (1930)
Monkey Business (1931)
Horse Feathers (1932)
Duck Soup (1933)
A Night At The Opera (1935)
The Incredible Two-Headed Transplant (1971)
Susan Slade (1961)
My Blood Runs Cold...
- 3/27/2020
- by Kris Millsap
- Trailers from Hell
Beginning with The Andromeda Strain in 1971, disease movies quickly established themselves as a commonplace cinematic subgenre, usually within the science fiction umbrella. In the years that followed, we got the likes of Outbreak, Contagion, Virus, The Stand, 12 Monkeys, The Crazies, 28 Days Later, most post-Night of the Living Dead zombie movies, The Omega Man, Winds of Terror, and dozens of others.
It only made sense. Despite antibiotics and advances in medical research, new dread diseases continued to crop up on an annual basis, each one threatening (for a while there anyway) to become a pandemic that could wipe out millions. In recent decades, none of them had killed more than a few thousand people, but the threat and the fear were a constant presence. There was swine flu, various incarnations of bird flu, Sars, West Nile Virus, mad cow disease, Hantavirus ,superbugs, and Ebola. Add to that the...
It only made sense. Despite antibiotics and advances in medical research, new dread diseases continued to crop up on an annual basis, each one threatening (for a while there anyway) to become a pandemic that could wipe out millions. In recent decades, none of them had killed more than a few thousand people, but the threat and the fear were a constant presence. There was swine flu, various incarnations of bird flu, Sars, West Nile Virus, mad cow disease, Hantavirus ,superbugs, and Ebola. Add to that the...
- 3/10/2020
- by Mike Cecchini
- Den of Geek
We’re not saying this is inspired by recent events that fill us with terror and insomnia, but we are saying that if you happen to relate to that feeling, here’s a list of very cathartic movies about virus outbreaks to get you through it. Whether you want realism, fantasy, horror, or maybe computer stuff, we have you covered. Feel free to take a personal day and not leave the house while you watch.
And, before you ask: This whole gallery could have been nothing but zombie movies, so we decided to limit things to just Zombie movies that make the disease aspect front and center.
“Cabin Fever” (2002) – Eli Roth’s directorial debut follows a group of recent college graduates who become infected with a flesh eating virus during a camping trip. It was remade in 2016 but neither version makes camping look any more appealing.
“Outbreak” (1995) – When a new...
And, before you ask: This whole gallery could have been nothing but zombie movies, so we decided to limit things to just Zombie movies that make the disease aspect front and center.
“Cabin Fever” (2002) – Eli Roth’s directorial debut follows a group of recent college graduates who become infected with a flesh eating virus during a camping trip. It was remade in 2016 but neither version makes camping look any more appealing.
“Outbreak” (1995) – When a new...
- 2/29/2020
- by Ross A. Lincoln
- The Wrap
Ahead of the release of It: Chapter Two, director Andy Muschietti has hand-selected a batch of horror films to play as part of ArcLight’s “Prepare to Scare” film series, now playing in all ArcLight theaters nationwide. Films selected include Poltergeist, The Fearless Vampire Killers, Fright Night,The Thing, An American Werewolf in London, and The Omega Man. The series […]...
- 7/31/2019
- by John Squires
- bloody-disgusting.com
Jim Knipfel Mar 4, 2019
We look at some of the lesser-remembered but influential evil artificial intelligence computer movies, Colossus and Demon Seed.
The ugly turns taken by assorted historical vectors in the late 1960s and early ‘70s—a string of high-profile assassinations, race riots, Manson, the Weather Underground, Vietnam, Nixon, a broader awareness of impending environmental collapse—made the 1970s a particular golden era for dystopian cinema. All the above mentioned forces and more gave us the likes of Soylent Green, No Blade of Grass, Thx-1138, Frogs, The Omega Man, and countless other visions of our doomed future. In and amongst all our other inescapable anxieties and paranoias was an increasing awareness of the role computers were playing in our daily lives.
Technoparanoid fears of dehumanization and power-mad machines can of course be traced back to the silent era in cinema, and much earlier than that in literature and legend, but...
We look at some of the lesser-remembered but influential evil artificial intelligence computer movies, Colossus and Demon Seed.
The ugly turns taken by assorted historical vectors in the late 1960s and early ‘70s—a string of high-profile assassinations, race riots, Manson, the Weather Underground, Vietnam, Nixon, a broader awareness of impending environmental collapse—made the 1970s a particular golden era for dystopian cinema. All the above mentioned forces and more gave us the likes of Soylent Green, No Blade of Grass, Thx-1138, Frogs, The Omega Man, and countless other visions of our doomed future. In and amongst all our other inescapable anxieties and paranoias was an increasing awareness of the role computers were playing in our daily lives.
Technoparanoid fears of dehumanization and power-mad machines can of course be traced back to the silent era in cinema, and much earlier than that in literature and legend, but...
- 2/14/2019
- Den of Geek
Paul Koslo, a character actor who played the heavy in such films as The Omega Man, Rooster Cogburn and The Stone Killer, has died. He was 74.
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
- 1/15/2019
- The Hollywood Reporter - Movie News
Paul Koslo, a character actor who played the heavy in such films as The Omega Man, Rooster Cogburn and The Stone Killer, has died. He was 74.
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
Koslo died Wednesday of pancreatic cancer at his home in Lake Hughes, Calif., his wife, actress Allaire Paterson Koslo, told The Hollywood Reporter.
Koslo also portrayed a Nevada patrolman in Vanishing Point (1971), a bounty hunter in Joe Kidd (1972) and a gang member in Cleopatra Jones (1973) and the True Grit sequel Rooster Cogburn (1975). He appeared in other notable films like Voyage of the Damned (1976) and Heaven's Gate (1980) as ...
- 1/15/2019
- The Hollywood Reporter - Film + TV
Veteran character actor Paul Koslo, known for his work in films such as The Omega Man and Vanishing Point, has died. Koslo died January 9 of pancreatic cancer surrounded by family at his home in Lake Hughes, California, his family said in a statement. He was 74.
Koslo, born in Germany and raised in Canada, began his career in his early 20s with a role in Little White Crimes, a short, in 1966. In the 1970s, he established a foothold as an actor in cult films such as Nam’s Angels aka The Losers, referenced in Quentin Tarantino’s Pulp Fiction, along with Vanishing Point and The Stone Killer. While he became known for more villainous roles, he appeared in an unusually
sympathetic co-starring role opposite Charlton Heston in sci-fi cult classic The Omega Man.
His more villainous roles included films Joe Kidd in 1972, opposite Clint Eastwood, Charles Bronson-starrer Mr. Majestyk in...
Koslo, born in Germany and raised in Canada, began his career in his early 20s with a role in Little White Crimes, a short, in 1966. In the 1970s, he established a foothold as an actor in cult films such as Nam’s Angels aka The Losers, referenced in Quentin Tarantino’s Pulp Fiction, along with Vanishing Point and The Stone Killer. While he became known for more villainous roles, he appeared in an unusually
sympathetic co-starring role opposite Charlton Heston in sci-fi cult classic The Omega Man.
His more villainous roles included films Joe Kidd in 1972, opposite Clint Eastwood, Charles Bronson-starrer Mr. Majestyk in...
- 1/14/2019
- by Denise Petski
- Deadline Film + TV
Photo credit: Paramount Pictures © 2018 Paramount Pictures. All Rights Reserved.
There’s nothing scarier than the sight of a Zombie Horde!
From 1964’s Vincent Price disconcerting The Last Man On Earth and the 1971 Charlton Heston’s apocalyptic The Omega Man to George Romero’s Night Of The Living Dead, movie geeks have been fascinated with the undead feeding on the living.
With TV’s wildly successful “The Walking Dead” now in the middle of season nine, along with its partner series “Fear The Walking Dead,” fans looking for their weekly zombie fix need look no further than Paramount Pictures’ Overlord, opening in theatres and IMAX on November 9.
With only hours until D-Day, a team of American paratroopers drop into Nazi-occupied France to carry out a mission that’s crucial to the invasion’s success. Tasked with destroying a radio transmitter atop a fortified church, the desperate soldiers join forces with...
There’s nothing scarier than the sight of a Zombie Horde!
From 1964’s Vincent Price disconcerting The Last Man On Earth and the 1971 Charlton Heston’s apocalyptic The Omega Man to George Romero’s Night Of The Living Dead, movie geeks have been fascinated with the undead feeding on the living.
With TV’s wildly successful “The Walking Dead” now in the middle of season nine, along with its partner series “Fear The Walking Dead,” fans looking for their weekly zombie fix need look no further than Paramount Pictures’ Overlord, opening in theatres and IMAX on November 9.
With only hours until D-Day, a team of American paratroopers drop into Nazi-occupied France to carry out a mission that’s crucial to the invasion’s success. Tasked with destroying a radio transmitter atop a fortified church, the desperate soldiers join forces with...
- 11/6/2018
- by Movie Geeks
- WeAreMovieGeeks.com
When I was a wee one, we used to live right behind a valley that skirted our town. In the summer my friends and I would be out after dark running around the neighborhood, on one condition: we had to take tennis rackets with us. Why you ask? Well, because of the bats, you see; swooping around the street lights with the occasional dive towards an unsuspecting victim, we were forever on the lookout for the winged mammals. Now, we never had to try out our serves; but I’ve always been leery of the buggers (even at the movies) and the interesting sci-fi/horror hybrid Chosen Survivors (1974) does not change my opinion one little bit.
Released by Columbia Pictures in late May and made for under a million, Chosen Survivors did not set the box office on fire nor endear itself to critics at the time, referring to it...
Released by Columbia Pictures in late May and made for under a million, Chosen Survivors did not set the box office on fire nor endear itself to critics at the time, referring to it...
- 7/7/2018
- by Scott Drebit
- DailyDead
By Darren Allison
Normal 0 false false false En-gb X-none X-none
After some 47 years there is still something about Ron Grainer’s score for The Omega Man (1971) (SILLP1561) that continues to withstand the test of time. Whilst the film might arguably appear to be a little dated these days, Grainer’s music lives on to uphold and support its continuing cult status. It’s perhaps no surprise then that Silva Screen Records have decided to release its first ever double vinyl pressing exclusively in time for Record Store Day UK, which is 21 April 2018.
The Omega Man is an eclectic mix of styles ranging from mellow jazz, traditional lounge, and romantic mood setters to excellent dramatic action themes that feature contemporary, modern instrumentation including synthesisers and haunting water chimes. Everything is here. It remains a defining example of just how good film music used to be, full of strong melody and executed with perfect orchestration.
Normal 0 false false false En-gb X-none X-none
After some 47 years there is still something about Ron Grainer’s score for The Omega Man (1971) (SILLP1561) that continues to withstand the test of time. Whilst the film might arguably appear to be a little dated these days, Grainer’s music lives on to uphold and support its continuing cult status. It’s perhaps no surprise then that Silva Screen Records have decided to release its first ever double vinyl pressing exclusively in time for Record Store Day UK, which is 21 April 2018.
The Omega Man is an eclectic mix of styles ranging from mellow jazz, traditional lounge, and romantic mood setters to excellent dramatic action themes that feature contemporary, modern instrumentation including synthesisers and haunting water chimes. Everything is here. It remains a defining example of just how good film music used to be, full of strong melody and executed with perfect orchestration.
- 4/18/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
In the near future world of Brock Humphrey's Mind and Machine, androids exist to help humankind, but they can also be programmed to kill... We have a look at the trailer for Humphrey's new sci-fi thriller in today's Horror Highlights, which also includes details on The Miskatonic Institute of Horror Studies' exciting new class "The Legacy of Richard Matheson's I Am Legend," as well as details on Lionsgate's home media release of The Manor.
Mind and Machine: "Written and directed by Brock Humphrey, Mind and Machine is a sci-fi crime thriller set in the near future where humanoid robots are common in society. The mob reprograms one of these androids to think and feel in order to use it as a contract killer. However, this has dangerous consequences as she begins to develop a relationship with her creator while also slowly becoming a murderous psychopath."
Following its premiere...
Mind and Machine: "Written and directed by Brock Humphrey, Mind and Machine is a sci-fi crime thriller set in the near future where humanoid robots are common in society. The mob reprograms one of these androids to think and feel in order to use it as a contract killer. However, this has dangerous consequences as she begins to develop a relationship with her creator while also slowly becoming a murderous psychopath."
Following its premiere...
- 3/14/2018
- by Derek Anderson
- DailyDead
It’s going on 11 years since I Am Legend sunk its fangs into the global box office, collecting more than $580 million worldwide and scores of mixed reviews.
Because make no mistake, Francis Lawrence’s rendition of the Richard Matheson literary classic, one that had been adapted for Hollywood twice before in The Last Man on Earth and The Omega Man, split audiences right down the middle, even resulting in an alternate ending being filmed at the 11th hour.
For the record, it’s one in which Neville (Will Smith) allows Ben Cortman and his flock of vampires to leave unharmed. No grenades. No silly tricks. Just a silent handshake between two species.
History tells us that Warner Bros. decided to shelve the pacifist ending, but it turns out the studio was still pretty keen on launching a sequel to I Am Legend, as Lawrence recalled on a recent episode of...
Because make no mistake, Francis Lawrence’s rendition of the Richard Matheson literary classic, one that had been adapted for Hollywood twice before in The Last Man on Earth and The Omega Man, split audiences right down the middle, even resulting in an alternate ending being filmed at the 11th hour.
For the record, it’s one in which Neville (Will Smith) allows Ben Cortman and his flock of vampires to leave unharmed. No grenades. No silly tricks. Just a silent handshake between two species.
History tells us that Warner Bros. decided to shelve the pacifist ending, but it turns out the studio was still pretty keen on launching a sequel to I Am Legend, as Lawrence recalled on a recent episode of...
- 2/7/2018
- by Michael Briers
- We Got This Covered
If you consider yourself a horror fan and haven’t read Richard Matheson’s I Am Legend, the book on which Warner’s post-apocalyptic thriller was based, stop what you’re doing immediately and pick up one of the most influential classics of the 20th century. And that’s not a phrase we use lightly.
Since hitting bookshelves in 1954, Matheson’s vampire hit has been adapted three times – namely The Last Man on Earth, The Omega Man and I Am Legend – to varying degrees of success. But more than 10 years after its initial release, it is the latter movie that continues to be a point of contention among viewers.
Why, you ask? Because Francis Lawrence deviated from the source material to create a hopeful, fairly upbeat ending to an otherwise dark and scary adaptation. Such a weak reception led to the release of an alternate finale, in which Neville (Will Smith...
Since hitting bookshelves in 1954, Matheson’s vampire hit has been adapted three times – namely The Last Man on Earth, The Omega Man and I Am Legend – to varying degrees of success. But more than 10 years after its initial release, it is the latter movie that continues to be a point of contention among viewers.
Why, you ask? Because Francis Lawrence deviated from the source material to create a hopeful, fairly upbeat ending to an otherwise dark and scary adaptation. Such a weak reception led to the release of an alternate finale, in which Neville (Will Smith...
- 1/22/2018
- by Michael Briers
- We Got This Covered
Presented by Deadhouse Films, the 11th annual A Night of Horror International Film Festival and Fantastic Planet, Sydney Sci-Fi and Fantasy Film Festival announce the first wave of programming for the 2017 event today. Both festivals will run concurrently at Dendy Cinemas Newtown, from November 29th to December 3rd 2017. Says programming director Dean Bertram:
The festivals’ programmers are delighted to announce a stunning array of frightening, bloody, and awe-inspiring cinema from around the world. This first wave is an international cinematic buffet. It includes the freshest and best of this season’s fantastic genre fare: incredible films from Australia, Europe, North and South America, and Africa.
The first eight feature films announced by the two festivals – all of which are Sydney, Australian, or international premieres – are below. More program details and guest announcements will be revealed at the end of the month when tickets also go on sale.
Bad Black (dir: Nabwana I.G.G.,...
The festivals’ programmers are delighted to announce a stunning array of frightening, bloody, and awe-inspiring cinema from around the world. This first wave is an international cinematic buffet. It includes the freshest and best of this season’s fantastic genre fare: incredible films from Australia, Europe, North and South America, and Africa.
The first eight feature films announced by the two festivals – all of which are Sydney, Australian, or international premieres – are below. More program details and guest announcements will be revealed at the end of the month when tickets also go on sale.
Bad Black (dir: Nabwana I.G.G.,...
- 10/12/2017
- by Phil Wheat
- Nerdly
David Crow Sep 27, 2017
David Simon's The Deuce arrived last night in the UK. Spoilers ahead in our Us chums' review of episode 1...
This review contains spoilers.
See related Philip K. Dick’s Electric Dreams episode 2 review: Impossible Planet Philip K. Dick’s Electric Dreams episode 2 review: Impossible Planet Visiting the set of Philip K. Dick’s Electric Dreams
1.1 The Pilot
The New York City of 1971, the New York City of The Deuce, is before my time. The days of fabled sleaze and seduction, vibrancy and violence, which piled onto the sidewalks like so many ripped garbage bags, have long passed… albeit, the garbage stacks remain. Even upon first visiting the Big Apple nearly 20 years ago, Giuliani Time was deep in the rearview, for better or worse. The crime rate is still way down, and you could walk through Times Square without being bombarded by trash, porno theaters, and rented...
David Simon's The Deuce arrived last night in the UK. Spoilers ahead in our Us chums' review of episode 1...
This review contains spoilers.
See related Philip K. Dick’s Electric Dreams episode 2 review: Impossible Planet Philip K. Dick’s Electric Dreams episode 2 review: Impossible Planet Visiting the set of Philip K. Dick’s Electric Dreams
1.1 The Pilot
The New York City of 1971, the New York City of The Deuce, is before my time. The days of fabled sleaze and seduction, vibrancy and violence, which piled onto the sidewalks like so many ripped garbage bags, have long passed… albeit, the garbage stacks remain. Even upon first visiting the Big Apple nearly 20 years ago, Giuliani Time was deep in the rearview, for better or worse. The crime rate is still way down, and you could walk through Times Square without being bombarded by trash, porno theaters, and rented...
- 9/11/2017
- Den of Geek
Matt Edwards Sep 5, 2017
Ahead of thee release of the new take on Stephen King's It, we chatted to its director, Andy Muschietti...
It’s not often that you get to describe your afternoon's work as ‘top secret clown business’. On an angrily sunny bank holiday Monday I pulled my curtains shut, bundled the door closed and prepared to interview director Andy Muschietti about his new film, an adaptation of Stephen King’s horror tale It. It was spooky clown business of the creepiest order, and embargoed clown business to boot.
In spite of our phone connection, which ran between the UK and La, being tormented by an evil entity (the signal must have passed through Derry, Maine), it was great fun chatting with the director about watching horror movies, unpredictable clowns and scaring children. Here’s how we got on.
Congratulations on the film.
Thank you very much. Did you enjoy it?...
Ahead of thee release of the new take on Stephen King's It, we chatted to its director, Andy Muschietti...
It’s not often that you get to describe your afternoon's work as ‘top secret clown business’. On an angrily sunny bank holiday Monday I pulled my curtains shut, bundled the door closed and prepared to interview director Andy Muschietti about his new film, an adaptation of Stephen King’s horror tale It. It was spooky clown business of the creepiest order, and embargoed clown business to boot.
In spite of our phone connection, which ran between the UK and La, being tormented by an evil entity (the signal must have passed through Derry, Maine), it was great fun chatting with the director about watching horror movies, unpredictable clowns and scaring children. Here’s how we got on.
Congratulations on the film.
Thank you very much. Did you enjoy it?...
- 9/4/2017
- Den of Geek
And just a week after the highly entertaining reboot of the web-slinger, here comes another franchise reboot, but rather than a first entry, here’s the third chapter, the rumored final one (only the grosses will tell) of a trilogy launched six years ago. But its roots go back nearly 50 years (we’re getting into Bond territory). Oh, and this is really the second reboot (first one didn’t…take). That original ancestor is that 1968 classic Planet Of The Apes, the movie that gave Charlton Heston an iconic role not from biblical times, rather it established him as a science fiction star (mainly in dour futures as with The Omega Man and Soylent Green). Sure Chuck brought the adults in and made it “respectable”, but for the younger set, the flick was all about the fabulous simian make-ups enveloping some great character actors. Those John Chambers designed prosthetics continued on...
- 7/14/2017
- by Jim Batts
- WeAreMovieGeeks.com
Author: Cai Ross
The original Planet of The Apes movies occupied a curious netherworld of critical opinion. With each film, the budget was sawn in half, leading to a successive pattern of diminishing returns that led to a cheapening of its esteem. The spin-off TV show was quickly cancelled, further dulling the lustre and few people even remember the animated series that finally put the Apes to bed until a rude awakening in 2001.
However, for all their child-pleasing capers (the family-friendly G rating was a mandatory stipulation from the studios), the Apes movies deftly juggled important themes and arguments about slavery, free-will, nuclear war, vivisection, racism and oppression, and man’s innate capacity for cruelty. In pure storytelling terms, the circuitous plot links the first five movies (and the new post-Rise cycle) into a pleasing, if relentlessly pessimistic, self-perpetuating full-circle.
Enormous box office successes in their early stages, they spawned...
The original Planet of The Apes movies occupied a curious netherworld of critical opinion. With each film, the budget was sawn in half, leading to a successive pattern of diminishing returns that led to a cheapening of its esteem. The spin-off TV show was quickly cancelled, further dulling the lustre and few people even remember the animated series that finally put the Apes to bed until a rude awakening in 2001.
However, for all their child-pleasing capers (the family-friendly G rating was a mandatory stipulation from the studios), the Apes movies deftly juggled important themes and arguments about slavery, free-will, nuclear war, vivisection, racism and oppression, and man’s innate capacity for cruelty. In pure storytelling terms, the circuitous plot links the first five movies (and the new post-Rise cycle) into a pleasing, if relentlessly pessimistic, self-perpetuating full-circle.
Enormous box office successes in their early stages, they spawned...
- 7/12/2017
- by Cai Ross
- HeyUGuys.co.uk
Post-apocalyptic films were a dime a dozen in the early ‘80s. They were almost always done on the cheap – a small cast of a few survivors, a barren desert and some rags for wardrobe, and voila! Throw it on HBO for a few years and call it a day. But sometimes ambition seeps in, and Night of the Comet (1984) is one of the best examples of low budget ingenuity, smart, sharply drawn characters, and a whole lot of heart. When the aliens return to take back the earth (do you want to claim responsibility for this freak show?) and wish to be shown a film indicative of the ‘80s, show them this – it represents all the best qualities of the decade’s filmmaking.
Distributed by Atlantic Releasing Corporation in mid-November, Night of the Comet brought in over $14 million against a $700,000 budget, making it an indie success with audiences and critics alike.
Distributed by Atlantic Releasing Corporation in mid-November, Night of the Comet brought in over $14 million against a $700,000 budget, making it an indie success with audiences and critics alike.
- 4/22/2017
- by Scott Drebit
- DailyDead
Author: Cai Ross
Earth’s future has always proved a playground of possibility for scriptwriters and directors. Artists are rarely content to make do within the confines of what is merely possible. Setting a movie years in the future is a way of letting their minds off the leash, while usually offering an allegorical reflection of the times in which we currently live. As one fictional time-travel expert once said, “The future is not set. There is no fate but what we make for ourselves.”
Snow White & The Huntsman director Rupert Sanders is the latest in a long line of visual soothsayers who has made his own fate in the form of Ghost In The Shell, which offers us a metropolitan futureworld full of gymnastic augmented cybernetic agents, colossal 3D advertisements and the increasingly regular sight of Juliette Binoche in a lab-coat.
Like many futuristic sci-fi movies, Ghost In The Shell...
Earth’s future has always proved a playground of possibility for scriptwriters and directors. Artists are rarely content to make do within the confines of what is merely possible. Setting a movie years in the future is a way of letting their minds off the leash, while usually offering an allegorical reflection of the times in which we currently live. As one fictional time-travel expert once said, “The future is not set. There is no fate but what we make for ourselves.”
Snow White & The Huntsman director Rupert Sanders is the latest in a long line of visual soothsayers who has made his own fate in the form of Ghost In The Shell, which offers us a metropolitan futureworld full of gymnastic augmented cybernetic agents, colossal 3D advertisements and the increasingly regular sight of Juliette Binoche in a lab-coat.
Like many futuristic sci-fi movies, Ghost In The Shell...
- 3/30/2017
- by Cai Ross
- HeyUGuys.co.uk
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.