From Hell (2001)

Directors:

Albert Hughes
Allen Hughes

Writers (WGA):

Alan Moore (graphic novel) and
Eddie Campbell (graphic novel) ...

Release Date:

19 October 2001 (USA)

Genre:

Biography | Crime | Horror | Mystery | Thriller

Tagline:

Evil has a new address...

Plot:

In Victorian Era London, a troubled clairvoyant police detective investigates the murders by Jack The Ripper.

Plot Keywords:

Jack The Ripper | Murder | Prostitute | Inspector | Police

Awards:

8 nominations

Cast

Johnny Depp	...	Inspector Frederick Abberline
Heather Graham	...	Mary Kelly
Ian Holm	...	Sir William Gull
Robbie Coltrane	...	Sergeant Peter Godley
Ian Richardson	...	Sir Charles Warren
Jason Flemyng	...	Netley, the Coachman
Katrin Cartlidge	...	Dark Annie Chapman
Terence Harvey	...	Benjamin 'Ben' Kidney
Susan Lynch	...	Liz Stride
Paul Rhys	...	Dr. Ferral
Lesley Sharp	...	Kate Eddowes
Estelle Skornik	...	Ada
Nicholas McGaughey	...	Officer Bolt
Annabelle Apsion	...	Polly Nichols
Joanna Page	...	Ann Crook

Also Known As:

Jack (USA) (working title)

MPAA:

Rated R for strong violence/gore, sexuality, language and drug content.

Runtime:

122 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Iceland:16 | Malaysia:18SG | South Korea:18 | Brazil:16 (re-rating) | Argentina:13 | Australia:MA | Brazil:18 | Canada:18A | Finland:K-18 | France:-12 | Germany:16 | Hong Kong:III | Japan:R-15 | Mexico:C | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:18 | Philippines:R-18 | Portugal:M/16 | Singapore:M18 | Singapore:PG (cut) | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R (certificate #38515)

Filming Locations:

Barrandov Studios, Krizeneckeho namesti, Prague, Czech Republic

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The first person who signed on to the film was composer Trevor Jones, who stuck with the project since its conception in 1998 and finally composed and recorded his score for the film in early 2001.

Goofs:

Continuity: When Ferrall is performing the lobotomy on Anne, on the last tap we cut to Gull talking. In the glass we see the reflection of Ferall performing the tap, but there's no sound. In the following shot of Ferrall he repeats the tap this time with sound.

Quotes:

Mary Kelly: We were starving. But we were starving in fresh air.

Movie Connections:

Referenced in Assembling the League (2003) (V)

Soundtrack:

Duke Street

Darkly stylish--not based on reality.

The best thing about an enduring mystery is that people can feel free to take all sorts of liberties with the facts and create interesting "what if" scenarios. FROM HELL is a perfect example. For the record, the theory behind the killings is pretty much right out of JACK THE RIPPER: THE FINAL SOLUTION by Stephen Knight, and it's been pretty well discredited since it first came out twenty years ago, even though it makes a hell of an entertaining piece of fiction.

I completely discount any criticisms of the movie where people say "it didn't happen that way". Of course it didn't; that's why this is a fictional film and not a documentary. It's very loosely based on the Alan Moore graphic novel, and about all it retains of it is the Duke of Clarence theory and the stylish look of the architecture. It's enough to make the film beautiful to watch.

Yes, I know that four of the five victims of Jack the Ripper were women in their late 40's, which on the streets of Victorian London would mean that they would resemble crones in their late 60's or early 70's. Just try to make that fly past a Hollywood studio boss; the casting at least had women who looked fairly human rather than like fallen glamour girls. I've read a couple of comments disparaging the accents. Actually, Cockney accents were the norm in the street because people tried to blend in and often weren't eager to advertise Scottish or Irish origins.

I call special attention to the performance of Jason Flemyng in the role of Netley, the coachman, arguably the most fascinating and believable character in the whole production. Most of his best scenes ended up on the cutting room floor, unfortunately, and yet he still manages to pull the movie together into a cohesive whole just by his presence. (It must have been a heck of a fun role to play!) As well, Sir Ian Holm deserves special mention for stepping in when the original choice for his role, Sir Nigel Hawthorne, tragically became ill and died just before the film went into production. I have never seen Sir Ian in any role that I didn't find completely believable, and that ranges all the way from KING LEAR to his role in ALIEN, for heaven's sake.

My interest in the whole Jack the Ripper case has been reawakened thanks to this movie, and I'm trying to hunt down a copy of Alan Moore's graphic novel (which is very difficult to find). No, it's not even close to an approximation of what really happened; nobody will ever know the truth, Patricia Cornwell's arrogant claims notwithstanding. It's still worth renting, if only for the beautifully ominous score and the fascinating transformation of Prague into Victorian London. I thoroughly enjoyed it.