The Hustler (1961)

User Rating:

8.2/10   

Director:

Robert Rossen

Writers:

Sidney Carroll (screenplay) and
Robert Rossen (screenplay) ...

Release Date:

25 September 1961 (USA)

Genre:

Drama | Romance | Sport

Tagline:

They Called Him "Fast Eddie"

Plot:

An up-and-coming pool player plays a long-time champion in a single high-stakes match.

Plot Keywords:

Hustler | Pool Hustler | Pool Hall | Train | Beautiful Woman

Awards:

Won 2 Oscars. Another 12 wins & 13 nominations

Cast

Paul Newman	...	Eddie Felson
Jackie Gleason	...	Minnesota Fats
Piper Laurie	...	Sarah Packard
George C. Scott	...	Bert Gordon
Myron McCormick	...	Charlie Burns
Murray Hamilton	...	Findley
Michael Constantine	...	Big John
Stefan Gierasch	...	Preacher
Clifford A. Pellow	...	Turk (as Cliff Pellow)
Jake LaMotta	...	Bartender
Gordon B. Clarke	...	Cashier
Alexander Rose	...	Score Keeper
Carolyn Coates	...	Waitress
Carl York	...	Young Hustler
Vincent Gardenia	...	Bartender

Also Known As:

Robert Rossen's The Hustler (USA) (complete title)

Runtime:

134 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:PG | Iceland:L | Canada:14+ (Ontario) | South Korea:15 | USA:Approved (certificate #20068) | Brazil:12 | Ireland:12 | Finland:K-16 | Norway:16 | Sweden:15 | UK:15 | West Germany:16 | UK:X (original rating)

Filming Locations:

Downtown, Los Angeles, California, USA

Company:

Rossen Films

Trivia:

Filmed over six weeks entirely on location in New York City.

Goofs:

Continuity: Eddie's hands change position on his cue after his first shot against Minnesota Fats.

Quotes:

[in their $3,000 game, after Minnesota Fats breaks, it's Eddie's shot]
Fast Eddie: How should I play that one, Bert? Play it safe? That's the way you always told me to play it: safe... play the percentage. Well, here we go: fast and loose. One ball, corner pocket. Yeah, percentage players die broke, too, don't they, Bert?
[he makes the shot and the spectators applaud]
Fast Eddie: How can I lose?

Movie Connections:

Referenced in Hvid nat (2007)

Soundtrack:

Louisville

A Talented Loser

It's an intriguing idea. If a person is talented, that person should be a winner. And, we would expect a loser to be someone who is not talented. But the idea that someone could be a talented loser is a paradox, a contradiction that doesn't fit into the conventional mindset of American culture, and is the basis for "The Hustler", a character study of an ace pool player who can't seem to win respect from his peers.

The pool player is (Fast) Eddie Felson (Paul Newman). The plot moves along by means of four secondary characters with whom Fast Eddie interacts: (1) his manager, Charlie; (2) the veteran pool player, Minnesota Fats; (3) Eddie's girlfriend, Sarah; and (4) the money man, Bert Gordon.

"The Hustler" is very much a product of the late 50's and early 60's, when progressive filmmakers were trying to buck the staid post WWII era, with its reactionary Cold War mentality that resulted in strict conformity to established American values. In this film, Bert Gordon and Minnesota Fats represent the establishment. Eddie Felson is the loner, up against the establishment; he's the renegade kid, out to beat the system. Yet, at every turn, the establishment beats Eddie, one way or another. His idealism is useless. He must conform to the establishment's rules, expressed in the film as "character", or give up his dreams.

The film is therefore very cynical and incredibly cold. From start to finish, there's not an ounce of humor. It depresses the spirit. But the film is a very good metaphor for a terrible era wherein societal repression was the norm.

While the story's main character may be a loser, the film itself is a talented winner. The excellent B&W lighting, together with a jazzy score, create an effectively somber and downbeat tone, consistent with the oppressive political atmosphere of that era. The dialogue is sparse and incisive. And the acting is persuasive. Paul Newman is convincing, as are the secondary characters. I especially liked the performance of Jackie Gleason, who comes across as suave, serious, and in total control, a great contrast to his comedic side, in "The Honeymooners".

"The Hustler" is depressing and grim. But the film is very well made. It entertains in ways that are obvious, and educates in ways that are subtle.