Looking back at the world of film in the '80s you will notice that overall it was a fairly disastrous and disappointing time for cinema. It was a time where focus was spent on money, fame and fortune, rather than talent and a decade that introduced the rise of the sequel. It was also a very popular decade for horror films, particularly slasher films and yet there are very few exceptional horror achievements from the '80s. I've never been too fond of horror as a genre. I find it a clichéd and unproductive genre; although it is a genre that has so much going for it and when done accurately you might be lucky enough to have the pleasure a skin-crawling masterpiece. You see, horror needs imagination and originality to work; it has to blend genre elements together to craft something genuinely unique. Horror is a genre that has so much to offer. Alas, it is a sad fact when you acknowledge just how little is accomplished due to focus on spawning money-laundering, gore-filled sequels. Yet, there is something so appealing about Wes Craven's triumphant '80s classic
A Nightmare on Elm Street is crafted around the now infamous "bogeyman" story, which has become somewhat globalising by marketing sequels and Halloween costumes. The film follows the story of a group of suburban American teens who are being stalked in their dreams by a murdered, superficial serial-killer named Freddy Krueger. So the teens decide to fight against the creature inside their dreams. The film is centred on a heroine (a popular Wes Craven trend, e.g. Scream) and oddly reminisces specific elements of John Carpenter's masterpiece Halloween.
A Nightmare on Elm Street undoubtedly has its flaws, although these are flaws that are disguised by some of the truly brilliant factors that the film holds. Yes, it has become somewhat dated, yes, the young actors/actresses hold nothing special performance wise, yes, the film is at times cheesy and yes the script is extremely bland. But when you have the brilliance of a film where the editing manages to create a parallel universe, thereby the dimension of reality and dream-state are fused together (the viewer notes the film's dimension through subtleties in the direction) creating a horribly surreal and literal nightmare. A Nightmare on Elm Street is extremely intelligent in the way it wants to attack your sub-conscious. This is another method at creating a lasting fear for viewers unnerved by the actual viewing of the film and rather will be thinking about it when they are ready to fall asleep. Fact is, everyone can relate to A Nightmare on Elm Street due to the fact that everybody has had nightmares and this is the reason for it being considered (for some) a terrifying film.
Filmed on a low-budget and using a mixture of dizzying camera techniques A Nightmare on Elm Street does not stop at being unique. The use of a few set-pieces and masterful props are perfect at creating the atmosphere for a horror film. There is a strong use of poignant lighting and shadow techniques scattered throughout the film. These take wonderful focus on the grotesque make-up for the iconic villain Freddy Krueger. Wes Craven uses sly editing processes and music to delve inside the film's story. The narrative has been paced at a steady speed, never feeling rushed and unnecessary meaning that you are inside the tension throughout the entire running-time. There is an amusing touch of dark comedy littered throughout the film, primarily gained from Krueger's insane antics. It really is a shame that Hollywood is obsessed with making unnecessary sequels to solid films which get away with unexpected climaxes and open endings. The American film industry seems to be obsessed by the idea of having everything wrapped up in a tight package for today's audiences.
If you want a highly entertaining, influential, iconic and productive horror film then look no further than A Nightmare on Elm Street. It remains fantasy horror at the top of its game and a respectful ode to '80s cinema.
A Nightmare on Elm Street is crafted around the now infamous "bogeyman" story, which has become somewhat globalising by marketing sequels and Halloween costumes. The film follows the story of a group of suburban American teens who are being stalked in their dreams by a murdered, superficial serial-killer named Freddy Krueger. So the teens decide to fight against the creature inside their dreams. The film is centred on a heroine (a popular Wes Craven trend, e.g. Scream) and oddly reminisces specific elements of John Carpenter's masterpiece Halloween.
A Nightmare on Elm Street undoubtedly has its flaws, although these are flaws that are disguised by some of the truly brilliant factors that the film holds. Yes, it has become somewhat dated, yes, the young actors/actresses hold nothing special performance wise, yes, the film is at times cheesy and yes the script is extremely bland. But when you have the brilliance of a film where the editing manages to create a parallel universe, thereby the dimension of reality and dream-state are fused together (the viewer notes the film's dimension through subtleties in the direction) creating a horribly surreal and literal nightmare. A Nightmare on Elm Street is extremely intelligent in the way it wants to attack your sub-conscious. This is another method at creating a lasting fear for viewers unnerved by the actual viewing of the film and rather will be thinking about it when they are ready to fall asleep. Fact is, everyone can relate to A Nightmare on Elm Street due to the fact that everybody has had nightmares and this is the reason for it being considered (for some) a terrifying film.
Filmed on a low-budget and using a mixture of dizzying camera techniques A Nightmare on Elm Street does not stop at being unique. The use of a few set-pieces and masterful props are perfect at creating the atmosphere for a horror film. There is a strong use of poignant lighting and shadow techniques scattered throughout the film. These take wonderful focus on the grotesque make-up for the iconic villain Freddy Krueger. Wes Craven uses sly editing processes and music to delve inside the film's story. The narrative has been paced at a steady speed, never feeling rushed and unnecessary meaning that you are inside the tension throughout the entire running-time. There is an amusing touch of dark comedy littered throughout the film, primarily gained from Krueger's insane antics. It really is a shame that Hollywood is obsessed with making unnecessary sequels to solid films which get away with unexpected climaxes and open endings. The American film industry seems to be obsessed by the idea of having everything wrapped up in a tight package for today's audiences.
If you want a highly entertaining, influential, iconic and productive horror film then look no further than A Nightmare on Elm Street. It remains fantasy horror at the top of its game and a respectful ode to '80s cinema.