"Look at Me" is a talky but generally interesting French drama about a teenage girl's attempt to earn the love and recognition of her strangely distant father. Lolita is an overweight, aspiring singer who has lived in the shadow of her parent, a self-absorbed but successful novelist, all her life. Even though Etienne seems to care for his very young second wife and five-year-old daughter, he appears to have little interest in Lolita. Indeed, when he isn't completely ignoring her, in public or in private, he is wounding her with deprecating comments about her talent and weight. In the film's other major plot strand, Lolita's voice coach, Sylvia, is also married to an author, Pierre, who has been having trouble getting published of late, until she uses Lolita to secure him an introduction to the young protégé's father.
For the most part, "Look at Me" doesn't go for big flashy dramatic scenes but rather tells its story in a low-keyed way by having its characters interacting in traditionally continental social settings like restaurants, taxicabs and vacation homes in the country. Virtually all the characters suffer from some form of unhappiness or depression caused by their inability to create the lives they want. Lolita spends most of her time brooding over the fact that she can't get her father to acknowledge her existence, let alone support her in her endeavors. One of Lolita's biggest complaints is that people - and that includes boys - tend to befriend her solely as a means of "getting to" her famous father. Even her music teacher uses her for that purpose (though this is one time when Lolita seems unaware of it). So paranoid has Lolita become on this score that she even keeps at arm's length a young man who is obviously genuinely interested in having a relationship with her. The two authors, to varying degrees, have feelings of inadequacy and frustration brought on by either self-doubt about their talent or the fear that have begun to "dry up" as a writer.
For the most part, this is a compelling tale about people who feed off one another and compromise their values to get what they want. Etienne is, in many ways, the most interesting character because he seems genuinely unaware of the callous way he treats others, but he is also the most frustrating in that some of his most boorish actions in regards to his daughter don't always ring totally true. For instance, it is highly unlikely that even he would get up and leave in the middle of his daughter's concert performance to take a stroll outside, then completely ignore her at a party he throws for her afterwards. Too often, we feel as if he is being mean and thoughtless more as a plot device than as a genuine reflection of his character. The film's other intriguing secondary character is Sylvia, the music teacher, who really seems to be the voice of conscience in the story.
Despite that flaw, "Look at Me" succeeds more often than not at weaving a complex tapestry out of a variety of interesting and colorful characters. To that end, the film features fine ensemble work by Marilou Berry, Jean-Pierre Bacri and Agnes Jaoui, who also co-wrote and directed the movie.
For the most part, "Look at Me" doesn't go for big flashy dramatic scenes but rather tells its story in a low-keyed way by having its characters interacting in traditionally continental social settings like restaurants, taxicabs and vacation homes in the country. Virtually all the characters suffer from some form of unhappiness or depression caused by their inability to create the lives they want. Lolita spends most of her time brooding over the fact that she can't get her father to acknowledge her existence, let alone support her in her endeavors. One of Lolita's biggest complaints is that people - and that includes boys - tend to befriend her solely as a means of "getting to" her famous father. Even her music teacher uses her for that purpose (though this is one time when Lolita seems unaware of it). So paranoid has Lolita become on this score that she even keeps at arm's length a young man who is obviously genuinely interested in having a relationship with her. The two authors, to varying degrees, have feelings of inadequacy and frustration brought on by either self-doubt about their talent or the fear that have begun to "dry up" as a writer.
For the most part, this is a compelling tale about people who feed off one another and compromise their values to get what they want. Etienne is, in many ways, the most interesting character because he seems genuinely unaware of the callous way he treats others, but he is also the most frustrating in that some of his most boorish actions in regards to his daughter don't always ring totally true. For instance, it is highly unlikely that even he would get up and leave in the middle of his daughter's concert performance to take a stroll outside, then completely ignore her at a party he throws for her afterwards. Too often, we feel as if he is being mean and thoughtless more as a plot device than as a genuine reflection of his character. The film's other intriguing secondary character is Sylvia, the music teacher, who really seems to be the voice of conscience in the story.
Despite that flaw, "Look at Me" succeeds more often than not at weaving a complex tapestry out of a variety of interesting and colorful characters. To that end, the film features fine ensemble work by Marilou Berry, Jean-Pierre Bacri and Agnes Jaoui, who also co-wrote and directed the movie.