Comme une image (2004)

User Rating:

7.0/10   

Director:

Agnès Jaoui

Writers:

Jean-Pierre Bacri (scenario)
Agnès Jaoui (scenario)

Release Date:

22 September 2004 (Belgium)

Genre:

Drama | Comedy | Romance

Plot:

A french girl gifted with a great voice, has a complex about her weight and her appearance.

Plot Keywords:

Writer | Choir | Bestseller Writer | Singing | Paris France

Awards:

8 wins & 7 nominations

Cast

Marilou Berry	...	Lolita Cassard
Jean-Pierre Bacri	...	Étienne Cassard
Agnès Jaoui	...	Sylvia Millet
Laurent Grévill	...	Pierre Millet
Virginie Desarnauts	...	Karine Cassard
Keine Bouhiza	...	Sébastien
Grégoire Oestermann	...	Vincent
Serge Riaboukine	...	Félix
Michèle Moretti	...	Édith
Jean-Pierre Lazzerini	...	Taxi Driver
Jacques Boko	...	Bouncer
Yves Verhoeven	...	Onlooker #1
Samir Guesmi	...	Onlooker #2
Bob Zaremba	...	Guy Seen Everywhere
Roberte Kiehl	...	Conservatoire Pianist

Also Known As:

Look at Me (International: English title) (USA)
Così fan tutti (Italy)
Like an Image (International: English title)

MPAA:

Rated PG-13 for brief language and a sexual reference.

Runtime:

110 min

Country:

France | Italy

Language:

French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Taiwan:GP | Switzerland:14 (canton of Zurich) | Hungary:14 | Iceland:L | South Korea:15 | Argentina:Atp | Australia:PG | Brazil:14 | Finland:S | France:U | Germany:o.Al. | Hong Kong:IIA | Netherlands:AL | Singapore:PG | Spain:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12A | USA:PG-13

Filming Locations:

Menades, Yonne, France

Company:

Les Films A4

Trivia:

This film contains a clip from Blood on the Moon (1948).

Quotes:

Étienne Cassard: There's cyanide in the bathroom.
Sébastien: Why do you say that?
Étienne Cassard: Just to cut the tension.

Movie Connections:

Features Blood on the Moon (1948)

A skillful, subtle movie

The film begins with a character speaking on her cellphone but unable to be heard because the taxi driver is playing his radio at such a loud volume -- which is a fitting preface to the rest of the film, in which characters try desperately not only to be seen (as in the title, translated only approximately from the French "Comme Une Image"), but to be heard. At the heart of the story is a daughter's inability to be heard, quite literally, by her father -- who will rarely acknowledge his daughter and refuses to listen to his daughter's cassette of her singing classical music. Aside from the main father/daughter relationship, the film is full of types that are at once fresh and recognizable (the unctuous friend of the celebrity, the slightly defeated wife of an author, who has subsumed her own passions for music to his passion to be a famous author). This will come as no surprise to those familiar with Jaoui's other work. Though not groundbreaking cinema, Look At Me is two hours very well spent in a theater.