"The Godfather III" is a beautiful film, visually wonderful, and of great importance, completing the tragic saga of the Corleone family... They are so tempting these Byzantine intrigues: Alliances betrayed with violence; assassins dressing up as priests; knives and poison invading the opera house; someone, in the deepest shadows, always whispering devious means...
Coppola's intention was clearly aimed at offering a story of redemption... Nominated for 7 Academy Awards, the motion picture reflects Coppola's masterful film-making...
Fascinating threads of continuity support this illusion: The bridesmaid (Jeannie Linero) who had a hurried meeting with Sonny in the first film, now makes a significant appearance as the mother of a vibrant new character, a suitable successor of Michael, the Godfather of the future Vincent Mancini (Andy Garcia).
Vincent, strong, focused and loyal, shares his father's hot temper... He is the most suitable heir to the family business... His desire for a life of crime is driven by his greater desire to destroy a vile thug named Joey Zasa beautifully played by Joe Mantegna...
Connie (Talia Shire), tries to push her brother to take Vincent under his tutelage... Eventually Michaela man haunted by the death of Fredo, his separation from his wife, his estrangement from his childrenrealizes that he can never truly leave his life of crime... We feel his frustration when he says, "Just when I think I'm out, they pull me back in."
Worried about his children and the fate of his empire, Michael is torn between two characters: his warm-hearted daughter Mary (Sophia Coppola), whom he loves very much, and Vincent, who sees the death of his enemies as the only answer to every question...
There is also Kay (Diana Keaton), still the woman he loves, and the mother of his dear children... Family is crucial to Michael... His children are his reason for living... In his words: "The only wealth in this word is children... They are my treasure."
Michael wants Anthony to be a lawyer... Kay defends their son's aspiration to be an opera singer... The best scenes in the movie are between this lovely couple, passionately fastened in a struggle that started a time ago at that wedding party where an innocent officer and a gentleman told his non Italian girlfriend, he was not part of his family business...
The film has a great ensemble of supporting actors: Talia Shire, deliciously evil, and always counseling her nephew on how to get in Michael's good graces; Eli Wallach, the talented peacemaker with a stone in his shoe; Raf Vallone, the wise true priest; Franc D'Ambrosio, the artist, the voice in "Cavalleria Rusticana;" Donal Donnelly, the fallen archbishop; George Hamilton, the family attorney; Helmut Berger, the missing God's Banker; Richard Bright who heads to Rome to "light a candle for the archbishop;" Franco Citti, the old bodyguard; Mario Donatone, the "Ace in the hole;" Bridget Fonda, the sexy reporter; Al Martino, the Hollywood singing idol; and John Savage, the priest with an assignment in Italy...
Brilliant shots and unforgettable sequences:
Coppola's first two Godfather-films are a work of art... More famous for their superb acting and deep character studies, beautiful photography and choreography, authentic recreation of the period, and rich score...
"The Godfather III" is a mesmerizing film worthy to be taken on its own terms... It lays the seeds for a complex financial scandal involving the Vatican Bank as well as the mysterious death of Pope John Paul I in 1978...
Coppola's intention was clearly aimed at offering a story of redemption... Nominated for 7 Academy Awards, the motion picture reflects Coppola's masterful film-making...
Fascinating threads of continuity support this illusion: The bridesmaid (Jeannie Linero) who had a hurried meeting with Sonny in the first film, now makes a significant appearance as the mother of a vibrant new character, a suitable successor of Michael, the Godfather of the future Vincent Mancini (Andy Garcia).
Vincent, strong, focused and loyal, shares his father's hot temper... He is the most suitable heir to the family business... His desire for a life of crime is driven by his greater desire to destroy a vile thug named Joey Zasa beautifully played by Joe Mantegna...
Connie (Talia Shire), tries to push her brother to take Vincent under his tutelage... Eventually Michaela man haunted by the death of Fredo, his separation from his wife, his estrangement from his childrenrealizes that he can never truly leave his life of crime... We feel his frustration when he says, "Just when I think I'm out, they pull me back in."
Worried about his children and the fate of his empire, Michael is torn between two characters: his warm-hearted daughter Mary (Sophia Coppola), whom he loves very much, and Vincent, who sees the death of his enemies as the only answer to every question...
There is also Kay (Diana Keaton), still the woman he loves, and the mother of his dear children... Family is crucial to Michael... His children are his reason for living... In his words: "The only wealth in this word is children... They are my treasure."
Michael wants Anthony to be a lawyer... Kay defends their son's aspiration to be an opera singer... The best scenes in the movie are between this lovely couple, passionately fastened in a struggle that started a time ago at that wedding party where an innocent officer and a gentleman told his non Italian girlfriend, he was not part of his family business...
The film has a great ensemble of supporting actors: Talia Shire, deliciously evil, and always counseling her nephew on how to get in Michael's good graces; Eli Wallach, the talented peacemaker with a stone in his shoe; Raf Vallone, the wise true priest; Franc D'Ambrosio, the artist, the voice in "Cavalleria Rusticana;" Donal Donnelly, the fallen archbishop; George Hamilton, the family attorney; Helmut Berger, the missing God's Banker; Richard Bright who heads to Rome to "light a candle for the archbishop;" Franco Citti, the old bodyguard; Mario Donatone, the "Ace in the hole;" Bridget Fonda, the sexy reporter; Al Martino, the Hollywood singing idol; and John Savage, the priest with an assignment in Italy...
Brilliant shots and unforgettable sequences:
- The opening sequence in which the camera travels over the wreckage of the Corleone's vacation house by the lake...
- The helicopter attack upon Michael and a group of old dons through the skylight of a hotel banquet room in Atlantic City, New Jersey..
- The trap and killing of a "small-time enforcer" on the streets of 'Little Italy' by a fake cop...
- The beautiful scene in which a kindly cardinal hears the confession of a penitent, desperate for absolution...
- Anthony dedicating a sweet song to his father ("Brucia La Terra"), and while Michael was listening to the melody, he was remembering his first beautiful and wonderful bride...
- The natural scenery of Sicily...
- The spectacular opera house finale that turns Michael's expectations into an inferno of mob violence...
- The cry that lets out that night on the stairway...
- The penalty... The terrible sentence...
Coppola's first two Godfather-films are a work of art... More famous for their superb acting and deep character studies, beautiful photography and choreography, authentic recreation of the period, and rich score...
"The Godfather III" is a mesmerizing film worthy to be taken on its own terms... It lays the seeds for a complex financial scandal involving the Vatican Bank as well as the mysterious death of Pope John Paul I in 1978...