The Godfather: Part III (1990)

User Rating:

7.6/10   

Director:

Francis Ford Coppola

Writers (WGA):

Mario Puzo (written by) &
Francis Ford Coppola (written by)

Release Date:

25 December 1990 (USA)

Genre:

Action | Crime | Drama | Mystery | Thriller

Tagline:

All the power on earth can't change destiny.

Plot:

In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don Michael Corleone seeks to vow for his sins while taking a young protégé under his wing.

Plot Keywords:

Mafia | Mafia Don | Gangster | Vatican | Epic

Awards:

Nominated for 7 Oscars. Another 3 wins & 10 nominations

US TV Schedule:

Sun. Nov. 8

12:30 AM

AMC

Cast

Al Pacino	...	Don Michael Corleone
Diane Keaton	...	Kay Adams Michelson
Talia Shire	...	Connie Corleone Rizzi
Andy Garcia	...	Vincent Mancini
Eli Wallach	...	Don Altobello
Joe Mantegna	...	Joey Zasa
George Hamilton	...	B.J. Harrison
Bridget Fonda	...	Grace Hamilton
Sofia Coppola	...	Mary Corleone
Raf Vallone	...	Cardinal Lamberto
Franc D'Ambrosio	...	Anthony Vito Corleone
Donal Donnelly	...	Archbishop Gilday
Richard Bright	...	Al Neri
Helmut Berger	...	Frederick Keinszig
Don Novello	...	Dominic Abbandando

Also Known As:

Mario Puzo's The Godfather: Part III (USA) (complete title)
The Death of Michael Corleone (USA) (working title)

MPAA:

Rated R for violence and language.

Runtime:

162 min | USA:169 min (video version)

Country:

USA

Language:

English | Italian | German | Latin

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints)

Certification:

Canada:AA (Ontario) | Canada:PA (Manitoba) | Canada:R (Nova Scotia) | Iceland:16 | Canada:14A | USA:R (certificate #30195) | Brazil:14 | South Korea:18 | Philippines:R-18 | Portugal:M/12 | New Zealand:M | Argentina:16 | Australia:M | Canada:13+ (Quebec) | Chile:18 | Finland:K-16 | France:U | Germany:16 | Hong Kong:IIB | Ireland:15 | Israel:PG | Japan:PG-12 | Norway:15 | Peru:18 | Singapore:PG | Spain:18 | Sweden:15 | UK:15 | Poland:15

Filming Locations:

Atlantic City, New Jersey, USA

Company:

Paramount Pictures

Trivia:

Michael Corleone's funeral was written and rehearsed, but not shot.

Goofs:

Continuity: At the end of the opera, Anthony Corleone comes out while flowers are being thrown on the stage. When he re-enters with the other opera singers, the flowers are all gone.

Quotes:

[first lines]
Michael Corleone: [voiceover] My dear children: It is now better than several years since I moved to New York, and I haven't seen you as much as I would like to. I hope you will come to the ceremony of papal honors given for my charitable work. The only wealth in this world is children; more than all the money, power on earth, you are my treasure.

Movie Connections:

Referenced in Scenes from a Mall (1991)

Soundtrack:

MIRACLE MAN

Unjustily Criticized

I stayed away from this film for a long time, doing a dumb thing: listening to the well-known film critics.

When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.

Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"

Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.

Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.