Nightwalking (2008) User Reviews

Paranoia of the Big City

[claudio_carvalho · 7/10 · 23 December 2011]

A woman takes a shortcut and is followed by a stranger. She is scared and is thinking whether she should run or not. Out of the blue, she decides to turn around and she sees nothing but a cell phone on the floor.

In flashback, we see the stranger embarrassed for the reaction of the woman. He is aware that she believes that he might be a rapist following her, and he decides to call his mother to talk loudly on the phone and calm down the woman. However, something happens and the stranger vanishes.

"Nightwalking" is another short by Daniel Cormack about the paranoia of persons that live in big cities. The screenplay is witty and concise and the conclusion is ironic and open. The fate of the stranger could have been shown: dead, for a dark end; or he stands up and dates the woman, for a heartwarming conclusion. Or maybe this is a good starting point for a sequel. My vote is seven.

Title (Brazil): "Nightwalking"

It turned out not so right, for one of these strangers in the night.

[Galina_movie_fan · 8/10 · 19 May 2008]

Like many reviewers of this micro-short, I received an invitation from the film's director to watch the film online on Virgin Media Shorts and to comment on it. It took me couple of weeks to get to the site and I am glad that I finally did. I like it a lot - scary, funny, and uses short running time effectively, combining comedy, thriller, drama, and noir. The story is simple and believable, many of us can relate to it. Each of two characters has exactly one minute for their inner monologue. First, we see the situation from the perspective of a young attractive woman who walks home alone at night, and then, from the perspective of a young man who walks behind her. Who is he? Should she be scared? What is on his mind? The ending is surprising and darkly funny. It really makes you want to know what's next. I'd like to thank Daniel for giving me the opportunity to see his film and to wish him good luck with the following projects.

An enjoyable little short

[theowinthrop · 8/10 · 5 May 2008]

Only about three minutes long, NIGHTWALKING is an exercise in mutual social fears that are groundless. A young woman is walking home late at night, and uses a short cut. A young man is walking home late at night along the same route in back of her. Both are strangers, but both might conceivably (if they were introduced in normal circumstances) be friends of each other. But here they have never met - they are only aware of each other in the circumstances that are popularly considered potentially dangerous for the woman and criminal for the man (that is, if the man is a rapist).

There is no shared dialog in the entire short - only the thoughts of both characters are heard, with the woman getting first comments out. Her fears are understandable. In fact, the young man can comprehend them to the point that he starts thinking of counter-actions to prove he is not a rapist (until he realizes he doesn't have to do that).

The final events of the incident are shown twice, so that we don't quite grasp them the first time, and then we see the total picture at the end. Ironically the young lady is left wondering if it was all her imagination - while staring at an object that is the center of modern communication: the key to the characters' failure to connect to each other.

Director Daniel Cormac is a young and rising talent in British film and (I believe) has only made a handful (three or four) movies of various lengths. He is not afraid to experiment or make a film that is short even for a short subject, as long as he gets his effect across. He does so very well here. His two leads are perfectly paired by their ironic appearances: the woman (Raquel Cassidy) - who is full of mental dread at a potential physical attack - actually looks more formidable than Lloyd Woolf, who looks pleasant and sweet and actually is more considerate than the woman would believe. In fact, the final "catastrophe" is due to his considering contacting his mother.

A wonderful brief use of irony to puncture the walls we build around ourselves daily.

Three minutes

[not_from_here · 22 February 2008]

This is a short film. Very short. Its even short compared to other short films. So what can we expect to see in just 2 - 3 minutes? Well I'm not going to describe the plot as the previous reviewer has done that. I am also not going to describe the ending because that is a lot of what the film is about. Plus if you go see the film then you will not have long to wait to find out how it ends. Because it is a very short film.

What can be said is that the story is effectively told by just the thoughts of the cast and the use of the camera. Not a word is spoken by either actor. We hear them talking about the situation to themselves in their heads and each gets the situation wrong. Both have fears about the situation, both know the right thing to do, but neither of them does it and then.....

Under Daniel Cormack's direction all the fears, thoughts and tension of the situation are communicated and when the end comes then...well go find out yourself.

Particular points which stand out are the way the camera cuts from one character to the other with perfect timing and doesn't dwell on either one for too long. It can't anyway because there's only three minutes to play with, but its still impressive. Also the scene is well chosen and it really feels like late at night in a deserted part of town (this might be helped by the fact that apparently it was filmed at 2 a.m. as Cormack used equipment hired for another project to cut costs!).

This is the third of Cormack's fictional films which I have seen and some strong themes come through each of them. Firstly there's the excellent camera work both technically and creatively which make the films stand out and communicate the story well. The pace and timing of the direction is also excellent with a great deal of information put across in the short space of time. Each story has twists and turns enough to make them complex pieces of work. This stimulates the viewer to think there is something else about the characters which we are not told. His casting is also excellent. For instance here he uses an actress (Raquel Cassidy) known for her strong feminine roles to play the part of the vulnerable commuter.

Based on the evidence shown in these three shorts Cormack is an emerging talent from whom we should be able to look forward to producing more excellent work. Lets hope that it longer than three minutes next time. Because this is a very short film:)

A Walk On The Tame Side

[writers_reign · 7/10 · 5 May 2008]

I was invited to view and comment on this movie by the makers and I'm happy to oblige. The idea of showing a situation from two points of view is not, of course, new, but then what is. The most recent example that springs to mind is A la folie ... pas du tout, Audrey Tatou's follow-up to Amelie but that of course was a full-length drama which changed perspective half way through. In Nightwalking the premise couldn't be simpler; a woman walking alone late (presumably) at night finds a man walking behind her. Both fear the worst; she that he is a violent criminal and/or rapist, he, that she will THINK he is one or both of these things when he knows he is a pussycat. So far so good but the question that arises of course is WHAT, in this day and age, would persuade a lone female - who is not a hooker - to walk alone down an extremely quiet/lonely thoroughfare - for that matter what would induce a harmless lone male to do the same thing. At under three minutes there is little climax possible so perhaps the cop-out ending was the only game in town.

This is extremely well made, shot and acted.

Who Goes There?

[rmax304823 · 7/10 · 28 December 2011]

A two-and-a-half-minute slice of urban life. A woman walks quickly through a bleak and empty neighborhood, listening to the footsteps behind her. Her voice over tells us that she's worried that it may be one of those urban terrorists we've all come to fear. Is he speeding up his pace? It seems so. Maybe she should hurry along. Finally she stops and whirls to face him -- but he's gone. Only his cell phone remains on the wet pavement.

Switch to the young man as he follows her, a geeky-looking young fellow with a reedy voice. His thoughts are models of innocence. He's worried that she may be worried. He might stop and let her proceed alone. Or perhaps he should speed up and overtake her like any self-respecting man. Oh, now he has it. He'll call his Mum on the cell phone and the woman will realize she's in no danger.

He stops and produces his phone. There is an ambiguous thump and crash. And he's gone, with only his cell phone left. The viewer can make of it whatever he wants.

It can't be described as a comedy or drama, or even a combination of both. It's just there, sui generis, a sort of question mark that isn't preceded by any sentence.

Graphics are well done and the photography is crisp and evocative. I leave the message, if there is one, to someone else.

Neat little picture

[JoeytheBrit · 7/10 · 9 May 2008]

This is quite an amusing ultra-short film that exploits a situation that most of us has been in at some time or another. At this length, the main thrust of the narrative is, like a joke, simply a lead up to the punch line, but it is handled adroitly and the twist is both well-concealed and entirely believable.

I suppose these kind of films serve mainly as a platform from which the makers can advertise their talents in the hope of securing funding for more substantial works, and on the evidence of this short piece both director and writer deserve the opportunity to go on to bigger things. The director, Daniel McCormack appears to have contacted most of this site's prolific reviewers in order to heighten his film's profile - so the guy obviously has some pretty astute marketing skills as well as film-making talent.

Walking in front or behind a stranger

[UnchartedFilms · 8/10 · 17 February 2008]

This is a really clever little gem of a short film. It's a humorous tale about human behaviour. It's late at night, you want to get home fast so you take the shortcut. Now, if you are a woman walking a dark street at night and you realise that someone is walking behind you, you probably think it's a rapist. If you are a man walking behind a woman in a dark street at night you will worry she thinks you are a rapist. So what to do? We've all been there... Watch this short film, it's a simple idea, very funny and very well realised. It proves that a good idea goes a long way, with a small budget, two actors and just a few minutes of film in the can you can make a seriously good short.

"Rapists don't call their mums"

[bkoganbing · 7/10 · 6 January 2012]

Nightwalking is a film of about 2 minutes duration and it has some interesting and universal points to make. I don't think that there is anyone who hasn't had some trepidation about being in a deserted place and then having said trepidation multiply exponentially when you realize there is someone else on the street and what could that person's intentions be?

Those vibrations are also felt by the other party and if you are completely innocent one doesn't like the idea of someone else thinking you have evil on your mind.

No dialog comes from the mouths of the two players. But we do here their thoughts cross-cutting in narration. An interesting bit of psychological probing on film.

It packs a lot into less than 3 minutes--but what happened to the guy?!

[planktonrules · 8/10 · 4 May 2008]

I love short films and have reviewed a ton of them. Oddly, the makers of this short film sent me a message to my IMDb account asking me to watch their newest short (NIGHTWALKING) and I am glad I did. While it's not the greatest film I have ever seen, what film of this length is? After all, it's very hard to be profound or make much impact given this length--so for a 2:30 film, it's quite impressive.

A lady is shown walking alone down some city streets at night. You can hear her thoughts using a voice-over and she begins to be concerned about a possible attacker following her. Then, abruptly, the scene begins again, but with the man's perspective. It gave a whole new angle on the same exact situation and was quite clever. However, when you see it you might be left wondering exactly what happened to the guy when he lost his cell phone--was he okay?! I'd like to think so.

Given its modest premise, the film has good production values and I look forward to seeing additional films from them at the Virgin Media Shorts website.

Simple and effective

[Polaris_DiB · 7/10 · 22 March 2009]

The great thing about short films is that they can be like those jokes your coworker tells, but in cinematic form. Daniel Cormack's Nightwalking is one of those cinematic jokes that plays on the awkward social dilemma of essentially existing in the same space as each other. A woman walking home feels the presence of a stranger behind her, and getting more and more worried, picks up the pace in order to get away from him, but isn't prepared for….

Meanwhile, a young man walking home finds himself behind a woman, thinking to himself, "Just great, now she probably thinks I'm a rapist."

It could use the slightest of paring down. The first half uses jump cuts and digital editing to build a sort of supernatural thriller style horror, whereas the second half is more straight-forward, as per the characters' perspectives. I think the guy walking behind the girl is creepy enough without the aural fizzles and video jumps, though. Still, nonetheless an entertaining two and a half minutes.

--PolarisDiB

Another great short film from Daniel Cormack

[TheLittleSongbird · 9/10 · 28 December 2011]

Having loved Amelia and Michael and A Fitting Tribute, I was invited to watch and review Nightwalking, which I did with no hesitation. And while the very end was a little rushed and abrupt, there is a highly atmospheric, thoughtful and even humorous short. It is very well made and directed, with some great lighting and never-too-static camera work. The story is very engaging and well-paced, there is a very frightening atmosphere that added to the realism and it is presented in a thoughtful manner. There is the odd humorous touch without it feeling misplaced. The acting across the board is strong and never overdone or otherwise. Overall, great if in need of a stronger end. 9/10 Bethany Cox

Paranoia with a twist.

[Boba_Fett1138 · 7/10 · 7 January 2012]

With a movie this short, it's always hard to either really love or hate it, unless it's something completely horrible, or brilliantly clever, funny, or whatever. But this movie is neither of those things really. It's about as good and enjoyable as an 3 minutes short can get but it's not a movie that will leave a terribly big impression on you.

It's a rather good take on paranoia, which gets made amusing by showing and telling the same story twice, told from the female and male character's perspective.

The movie does a good job confusing you at first. You have no idea what direction the movie will be heading to. It seems to become an horror the one moment, while the next it's clearly taking a different turn, by switching things around, while telling the same story from a different character's perspective. But yet here also begins the biggest problem I have with this short movie; its ending.

The ending, in my opinion, doesn't live up to the expectations the movie builds up during its first minutes. It was a bit of a let down and perhaps even a cop out, since the ending really didn't seemed to be in tone with the rest of the movie. You could call it unexpected but I just rather call it misplaced. It's a bit too quirky and unlikely, for my taste.

But technically there obviously is nothing wrong with this movie. It builds up a good atmosphere with its camera-work and lighting. There is good quick pace to it, with some snappy dialog. Really, visually and technically this movie couldn't be much better. Especially when you consider it's such a small, short movie, with also of course a minimal budget behind it.

Definitely worth checking out and why shouldn't you? It's only 3 minutes long!

7/10

http://bobafett1138.blogspot.com/

Don't blink, or you'll miss it.

[F Gwynplaine MacIntyre · 5/10 · 16 March 2009]

'Nightwalking' is a very short film; it's really more of an anecdote than a full-fledged story. We see an attractive young woman walking down a dark street while we hear her worried thoughts in voice-over. Then we see a slightly scruffy young man walking behind her. His voice-overed thoughts indicate his concern that she might think he's stalking her, so he decides to ring his mother on his mobile while he's walking, in the hope that the young woman will realise that stalkers don't ring their mums in mid-stalk.

Something suddenly happens to the man; we witness this first from the woman's viewpoint, and then from a viewpoint slightly removed from the man himself. Unfortunately, what happens to him isn't immediately clear: I had to screen this short movie three times before I twigged.

Director Dan Cormack (who shows signs of great talent) stages the action on a dark street, so some confusion is due to the darkness. Still, he should have staged the climactic event much more clearly and unambiguously ... which might have required the services of a professional stuntman. Once I finally understood what had happened to the young man, I couldn't be certain as to whether I was meant to laugh at his fate or sympathise with him.

I was intrigued by the screenwriter's decision to show the same action from two different viewpoints. Still, that final confusion seriously impaired my enjoyment of this film, and for that reason I'll rate it only 5 out of 10.

If you can spare two-and-a-half minutes, give it a whirl.

[BA_Harrison · 9 May 2008]

Two-and-a-half minutes isn't long to tell a story—hell, most films have credits that run for longer than that—but director Daniel Cormack somehow manages to squeeze his impressive short Nightwalking—an ironic, witty and insightful tale about paranoia and presumptuousness—into exactly that running time. And he does a pretty damn good job, too.

Featuring a cast of two, Nightwalking opens with a woman taking a shortcut down a dark street, aware that a man is following close behind. A voice-over allows us to hear her thoughts, and, naturally, she is concerned that the person behind her is a possible attacker. Eventually, she turns to confront her pursuer only to discover that there is no-one there. And, even stranger, when she backtracks a little, she finds a mobile phone abandoned on the pavement.

The film then shows the same short journey, this time seen from the man's point of view. He is equally tense—worried that the woman in front might think him to be a rapist. Finally, he decides to broadcast his innocence by calling his mum on his mobile and speaking loudly, assuming that when the woman hears his conversation, she will feel less intimidated. Unfortunately, whilst dialling, the man falls headfirst into a deep hole, dropping his mobile in the process.

What makes Nightwalking such a clever and resonant piece of film-making is that it not only tackles an awkward situation with which most people can sympathise, and carries a nifty twist ending, but it also makes a wry comment on our society, where fear and suspicion is rife. All that in less than three minutes—quite an achievement.

My only complaint (and it's something that other reviewers also seem to have a problem with) is that you might have to watch the ending a couple of times in order to fully understand what has happened.

Anecdotes

[boblipton · 6/10 · 23 December 2011]

Actaeon Films has put their short subjects online and this example is an interesting one. At two and a half minutes, it doesn't tell a story, but it qualifies as an amusing anecdote, It also is one of the few cases in which a piece is clearly and properly told in voice-over, since the humor comes from the contrasting thoughts of the two characters: a young woman taking a shortcut through a pedestrian tunnel late at night and the man who is behind her, just out of sight.

Actaeon's catalogue is a short one at the moment and seems to be student films -- as are so many shorts these days. This piece has very good camera-work -- overly dramatic perhaps, but certainly not inappropriate -- actors competent to the simple movements and emotions and editors with a good sense of pacing. What they seem to lack here is a writer who can structure a story, and so need to depend on the impact of individual incident rather than character. Ah, well. So many Hollywood movies seem to lack that, even with budgets in the hundreds of millions of dollars. At least the incident here is a believable one.

Could be funny?

[funkyfry · 7/10 · 27 May 2008]

I didn't laugh, but I suppose any film that's so heavy on irony as this short film by UK director Dan Cormack, who's contacted myself and other frequent commenters at the IMDb to solicits reviews of this work, could potentially lead to that outcome.

The film is all about potential outcomes and guessed outcomes. Is it about paranoia? No, paranoia is a state of belief where the object of that belief is produced by fear and not rationalism. There's nothing irrational on the other hand about the woman's fear of being stalked or raped -- these things do happen in major cities around the world thousands of times each day. And so it's not irrational for the man to be afraid that the woman is running from him too. I've been in this exact situation, in fact.

The very ending, with the woman picking up the phone, is interesting because he got a busy signal from his mother. If she had answered, perhaps the woman would have figured out what it was all about. But since it just rings busy, we have to imagine this poor guy is trapped at the bottom of some kind of construction ditch as well.

A Short Short

[Lechuguilla · 7/10 · 6 January 2013]

An attractive and stylishly dressed young woman and a young man make up the cast in this three-minute film, the thematic basis of which is a common urban fear. The script is clever and at times funny. Thoughts of the two characters are conveyed via V.O.; otherwise, there is no spoken dialogue. The plot takes place entirely at night, presumably in a back alley.

Sound effects consist of amplified footsteps. And the unobtrusive background music is in sync with the terror motif. At various points we can hear what sounds like a heartbeat, which pulsates with the onset of fear. And the juxtaposition of that emotion with a humorous script creates a sense of irony. The film's ending is a bit enigmatic, or open to interpretation, which I like.

Of the several Daniel Cormack films I have watched, this is probably my least favorite, mainly because of its brevity. The ultra short runtime conveys the director's point efficiently. But I would like to have seen more story. Also, in a couple of places, the camera seemed too close-in to the characters; backing away to show some surroundings might have added to the sense of terror.

Overall, "Nightwalking" is a good film and well worth watching, mostly for its clever script and thematic irony.

Subversively clever, darkly funny

[george.schmidt · 8/10 · 5 May 2008]

Although Daniel Cormack's little short is just that...short, the concept is clever and wicked enough to merit a comment. A woman is walking home late one dark, evening and realizes through footsteps behind someone is following her. Her thoughts are heard in the belief she is in grave danger and as she attempts to quicken the pace the sounds suddenly stop. Then we are given the polite thoughts of her 'stalker' who is simply traveling the same route and parallel thinking that she is thinking he is out to harm her and he simply too is afraid and wants to get to his destination but not at the risk of coming across as a threat. Mirroring society's ills of the day this is a nice little fable I'm sure Rod Serling would find amusing.

chilling and blackly funny in equal measure

[didi-5 · 7/10 · 6 May 2008]

Two people. A dark street at night. Roadworks. A mobile phone. Preconceptions and apprehensions.

'Nightwalking' is less than three minutes long but manages to be thought-provoking (taking the viewer on a journey which they may have got wrong, due to their own prejudices), chilling, creepy, and very funny. Black comedy and primeval fears.

A woman walking alone, worrying. Footsteps follow her, speed up as she speeds up. She will not turn around. Whose are the footsteps? That's part two of the film, a challenge to what you might have thought.

Atmospheric, dark tones, keep this film watchable and moving along nicely. The voices - in the head, sotto voce - are effective in keeping the rhythm and keeping the viewer involved.

my introduction into the genre of short films

[disdressed12 · 8/10 · 9 May 2008]

i haven't seen very many short films.in fact,i think this may be the only one i've seen but i liked this one.i could really relate to the man,as i have been in similar situations.i liked the voice over from the two characters.this doesn't always work,but i found it effective here.it gives us a glimpse into the characters.obviously,you won't have a lot of character development in 2.5 minutes,but like i said,the voice over helps.it also conveys the humorous aspect quite well.i also like the camera work.as for the ending,i thought it was OK.maybe it could have been expanded a bit,but i think it works the way it is.i think this is a very good short film and also a good introduction to the genre for me.i give Nightwalking an 8/10

A two-way paranoia...

[moonspinner55 · 6/10 · 23 December 2011]

Woman walking home at night takes a shortcut down an alley and hears footsteps just behind her; always fearful of being followed at a late hour, she picks up her pace, only to have the speedy pedestrian behind her do the same. Very clever short film from talented director Daniel Cormack and writer Ben Clover might have been expanded upon, though even in this brief instance the filmmakers leave us with a lot to ponder. The woman's thoughts (as well as those of the totally innocent man gaining ground behind her) are recognizable and therefore funny, while the circumstance itself is universally relatable. This would make an amusing prologue to a feature about paranoia, either as a dream sequence or as a tale being told. It whets the palate for more of the same.

Blackly Comical Take On Male And Female Paranoia

[Theo Robertson · 8/10 · 11 May 2008]

Being raped is something that's always at the back of a woman's mind . Unless you're stuck in an American prison the chances of a man being raped are very remote hence we , the male of the species , don't have to worry about rape too much . However we also seem to suffer the fear and paranoia that we'll be accused of something we didn't do or even a woman thinking of us being a sexual predator . I remember being invited along with several others to watch documentaries in the flat of a renowned epistemological film critic . This was a fairly common event at the time and in order to see the TV better the lights would be turned off . Just before the video was turned on the girl sitting beside me decided she'd sit on the floor to get a better view . " What you sitting down there for ? " I asked " Scared ah'm gonna feel you up when the lights go out ? " Cue some embarrassed laughter and many dirty looks . If I recall that was the last time I was invited anywhere

NIGHTWALKING reflects this paranoia of both sexes . We see a woman walking down a dark , lonely street and there's a man walking behind her . The first half of this very economical short by Daniel Cormack and Ben Clover shows us the fear of the woman while the second half shows us the paranoia of the man . In many ways it's structured like a joke except you won't feel like laughing too much when the punchline is revealed

Another solid film by Daniel Cormack

[howard.schumann · 9/10 · 3 January 2012]

In the Est Training which was very popular in the 1970s and early 80s, there was a process which was called the "Danger Process" in which the trainees were asked to lie on the floor and pretend that they were afraid of everyone else in the room. As they began to act it out, the fear became real and they became convinced that, in order to survive, they had to be afraid of everyone in the room. It was only afterwards when they realized that everyone else was just as afraid of them that the joke became obvious and all they could do was laugh.

This sort of jumping to faulty conclusions about people's motives is demonstrated in Daniel Cormack's short film Nightwalking, a work that dramatizes, in the space of two and a half minutes, how irrational fear pervades contemporary life and prevents communication, relationship, and connection. As the film opens, a young woman (Raquel Cassidy), taking a short cut home late at night in an unidentified city, hears the footsteps of a man (Lloyd Woolf) walking behind her and concludes that he is a rapist or killer. In a voice-over, we hear the woman's thoughts as her panic increases with each quickened step.

Finally turning around, she does not see the man but only a cell phone lying on the ground. The focus then shifts back to the beginning and we now hear the thoughts of the young man. Realizing that the woman walking in front of him is afraid, he knows that he presents no danger but is uncertain how to inform her of that. He tries to overtake her but she speeds up to the point where all he can do is follow. He finally decides on the idea to call him mother on his cell phone, an action that she will clearly realize how she has mistaken his identity since no rapist or serial killer would pause in mid-pursuit to call his mom.

Nightwalking is a black comedy, a horror film, and an incisive comment on today's culture that has a surprise twist ending which, if revealed, would spoil your enjoyment of the film. Needless to say, the director Daniel Cormack has chalked up another solid work that follows in the path of his earlier films, A Fitting Tribute and Amelia and Michael, perfect examples of films that have a great deal to say about contemporary life and do so in a brief period of time. Some long-winded directors might derive a lesson from that.

You will seldom find so much in so little time

[TBJCSKCNRRQTreviews · 8/10 · 10 May 2008]

Not only does this contain a lot in the only two and a half minutes(to the very second), it also makes it work marvelously. It has being concise down to an art-form. The plot takes a simple situation, one that anyone can easily imagine, and gets so much material from it, without it ever seeming like it just took the easy way. The writing is excellent. That goes for the progression and the reactions as well as the lines. The delivery of last-mentioned is spot-on, if the accents(at least to those of us who aren't British) can require a small measure of effort, to determine exactly what was said(the meaning never fails to come across), though it should be noted that the enunciation leaves infinitely little to be desired. The acting is magnificent, they both as performers, have few tools in this, but they certainly put them to good use. Lighting is perfect. Cinematography and editing are of immense quality, and the psychological thriller "feel" is achieved flawlessly, and without ever slipping into flashiness or over-stylization. Sound is great throughout, in my book there's really no criticisms to be put forth about the technical aspects of this. I would advise against reading anything on the main page(and if you already have, try to forget or not think about) prior to viewing this. There's no real language or otherwise offensive content(save for maybe a single bit of suggestion) to be found in this, though it is disturbing and is perhaps most suited for adult audiences. I recommend this to... well, you, if you have the minutes to spare(yes, I'm being facetious), and you are into the genres and not averse to watching an unsettling short. 8/10