Two people, are moments away from the worst day of their lives. And in typical Scottish film-making fashion it is clear from the opening scene that this isn't going to be an easy watch. Right from the beginning, we watch them go through some harrowing ordeals that leave them emotionally scarred for most of the movie. The opening scene is so powerful and realistic that anybody who has ever lost a loved one will know all too well how traumatic it can be and the aftermath that follows. But the film doesn't dwell on misery; it is a story about the journey from grief to peace.
Cullen a machinist / part time drug dealer and Kayla a Polish waitress are about to embark on a journey that will take them all over the emotional map. Filled with obligations to an uncaring world, they attempt to rebuild their lives, meanwhile surrounded by a web of denial, guilt, pain and a yearning for peace.
The film's dark setting and intimate cinematography compliment the performances well. The acting is exceptional, even from the supporting roles. Both Bryan Larkin and Anna Kerth in their respective leads capture the emotional heart of the characters in great depth. British legend, Kenneth Cranham, plays a sinister part as the uncle. When the characters crack a smile, which isn't often, Dale Corlett's talent in his directorial debut is reminiscent of Andrea Arnold's. He gives the actors space to perform, which is what makes many World Cinema dramas so memorable.
It is a powerful, honest, yet sad film. But defiantly one you should see. The ending is as uplifting as one might hope, and you almost don't think it will ever come.
Cullen a machinist / part time drug dealer and Kayla a Polish waitress are about to embark on a journey that will take them all over the emotional map. Filled with obligations to an uncaring world, they attempt to rebuild their lives, meanwhile surrounded by a web of denial, guilt, pain and a yearning for peace.
The film's dark setting and intimate cinematography compliment the performances well. The acting is exceptional, even from the supporting roles. Both Bryan Larkin and Anna Kerth in their respective leads capture the emotional heart of the characters in great depth. British legend, Kenneth Cranham, plays a sinister part as the uncle. When the characters crack a smile, which isn't often, Dale Corlett's talent in his directorial debut is reminiscent of Andrea Arnold's. He gives the actors space to perform, which is what makes many World Cinema dramas so memorable.
It is a powerful, honest, yet sad film. But defiantly one you should see. The ending is as uplifting as one might hope, and you almost don't think it will ever come.