We are now less than one month away from the release of Lionsgate’s The Strangers: Chapter 1, the first film in a brand new reboot trilogy from director Renny Harlin (A Nightmare on Elm Street: The Dream Master, Deep Blue Sea). It’s coming to theaters May 17, 2024.
The Strangers: Chapter 1 has officially been rated “R” this week for…
“Horror violence, language and brief drug use.”
For the sake of comparison, Bryan Bertino’s original home invasion film was rated “R” for “violence/terror,” while Prey at Night was rated “R” for “horror violence and terror throughout.”
Madelaine Petsch (“Riverdale”), Froy Gutierrez (Hocus Pocus 2), Rachel Shenton (The Silent Child), Ema Horvath (“Rings of Power”) and Gabe Basso (Hillbilly Elegy) star.
Based on the original 2008 cult horror franchise, the project features Petsch, who drives cross-country with her longtime boyfriend (Gutierrez) to begin a new life in the Pacific Northwest. When...
The Strangers: Chapter 1 has officially been rated “R” this week for…
“Horror violence, language and brief drug use.”
For the sake of comparison, Bryan Bertino’s original home invasion film was rated “R” for “violence/terror,” while Prey at Night was rated “R” for “horror violence and terror throughout.”
Madelaine Petsch (“Riverdale”), Froy Gutierrez (Hocus Pocus 2), Rachel Shenton (The Silent Child), Ema Horvath (“Rings of Power”) and Gabe Basso (Hillbilly Elegy) star.
Based on the original 2008 cult horror franchise, the project features Petsch, who drives cross-country with her longtime boyfriend (Gutierrez) to begin a new life in the Pacific Northwest. When...
- 4/24/2024
- by John Squires
- bloody-disgusting.com
Fantasporto, the Oporto Intl. Film Festival, kicked off Friday in Portugal’s Porto — a city famed for its elegant Romanesque cathedral, a bookstore that inspired “Harry Potter,” and the heady alcoholic drink — with an eclectic mix of titles but an emphasis on fantasy films.
Typifying the broad tastes of the festival chiefs, film critics Beatriz Pacheco Pereira and Mário Dorminsky, Canadian filmmaker Denys Arcand’s satire “Testament” opened the event’s 44th edition at Batalha Centro de Cinema, and Chinese fantasy epic “Creation of Gods I: Kingdom of Storms,” directed by Wuershan, closes it.
Although Pacheco Pereira and Dorminsky, who compete with the Brussels Intl. Fantastic Film Festival and Sitges for fantasy films in Europe, know they can’t please everyone in Porto with their selection “what is really important to us is whether the audiences applaud the films,” Dorminsky says. “This is not a job for us. It is a pleasure.
Typifying the broad tastes of the festival chiefs, film critics Beatriz Pacheco Pereira and Mário Dorminsky, Canadian filmmaker Denys Arcand’s satire “Testament” opened the event’s 44th edition at Batalha Centro de Cinema, and Chinese fantasy epic “Creation of Gods I: Kingdom of Storms,” directed by Wuershan, closes it.
Although Pacheco Pereira and Dorminsky, who compete with the Brussels Intl. Fantastic Film Festival and Sitges for fantasy films in Europe, know they can’t please everyone in Porto with their selection “what is really important to us is whether the audiences applaud the films,” Dorminsky says. “This is not a job for us. It is a pleasure.
- 3/2/2024
- by Leo Barraclough
- Variety Film + TV
What made the original television run of "The Twilight Zone" (from 1959-1964) so special was the way individual episodes could function on multiple levels. Since the show was an anthology, and every episode had its own premise, it was free to explore whatever it wanted to. The first level of a given episode was the superficially exciting one that put you in the shoes of a protagonist faced with an unnerving science-fiction premise. But the other level went deeper, studying human nature at extremes. Host and show creator Rod Serling would show up to deliver the moral, but the twists, unhappy endings, and central ironies continue to be surprising and disturbing.
The series typically explored prejudice in the form of racism or anti-intellectualism, or in one of its most famous episodes, the idea of beauty standards. But it also explored nostalgia, whether for a bygone way of life or for the one that got away.
The series typically explored prejudice in the form of racism or anti-intellectualism, or in one of its most famous episodes, the idea of beauty standards. But it also explored nostalgia, whether for a bygone way of life or for the one that got away.
- 12/3/2023
- by Anthony Crislip
- Slash Film
The Spanish director will receive the European achievement to world cinema award.
The European Film Academy will honour Spanish director Isabel Coixet with the award in European achievement to world cinema at the European Film Awards.
The director will be the guest of honour at the ceremony on December 9 in Berlin.
Coixet made her debut in 1989 with Demasiado Viejo Para Morir Joven, which was nominated for best new director at Spain’s Goya awards.
She went on to become the most decorated female filmmaker at the Goyas with nine wins for films including 2003’s My Life Without Me, 2017’s The Bookshop...
The European Film Academy will honour Spanish director Isabel Coixet with the award in European achievement to world cinema at the European Film Awards.
The director will be the guest of honour at the ceremony on December 9 in Berlin.
Coixet made her debut in 1989 with Demasiado Viejo Para Morir Joven, which was nominated for best new director at Spain’s Goya awards.
She went on to become the most decorated female filmmaker at the Goyas with nine wins for films including 2003’s My Life Without Me, 2017’s The Bookshop...
- 11/15/2023
- by Ellie Calnan
- ScreenDaily
Isabel Coixet, the Spanish director of My Life Without Me, Things I Never Told You, The Bookshop and It Snows in Benidorm, will be honored by the European Film Academy with this year’s European Achievement in World Cinema award for her life’s work.
Coixet has carved out an impressive career in what could be called pan-Atlantic cinema, making mainly English-language features with international casts but with a strongly European sensibility. She followed up her promising 1989 debut Demasiado viejo para morir joven (which won the best new director prize at Spain’s Goya awards) with the U.S.-shot drama Things I Never Told You, starring Andrew McCarthy and Lili Taylor. The film premiered in Berlin, a favorite launching pad for Coixet, who returned the German festival in 2003 with My Life Without Me, a romantic drama starring Sarah Polley as a young mother diagnosed with terminal cancer who decides...
Coixet has carved out an impressive career in what could be called pan-Atlantic cinema, making mainly English-language features with international casts but with a strongly European sensibility. She followed up her promising 1989 debut Demasiado viejo para morir joven (which won the best new director prize at Spain’s Goya awards) with the U.S.-shot drama Things I Never Told You, starring Andrew McCarthy and Lili Taylor. The film premiered in Berlin, a favorite launching pad for Coixet, who returned the German festival in 2003 with My Life Without Me, a romantic drama starring Sarah Polley as a young mother diagnosed with terminal cancer who decides...
- 11/15/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Streaming
“Sherlock” Seasons 1-4, “Death in Paradise” Seasons 1-11, “Unforgotten” Seasons 1-4 and “Life Below Zero” Seasons 1-9 are among the series that will be available as part of BBC Studios‘ new content agreement with Lemino, a Japanese video-on-demand streaming service operated by Ntt DoCoMo. The deal, which comes into effect Nov. 15 will also see Lemino subscribers gain access to long-running British dramas like “Call The Midwife” Seasons 1-11 and “Father Brown” Seasons 1-10, period dramas “The Pursuit of Love” and “Sanditon,” as well as documentary series “Greta Thunberg: A Year to Change The World.”
Cheryl Png, VP of distribution for Southeast Asia, South Korea and Japan of BBC Studios Asia, said: “BBC Studios is known for our premium content, powerful storytelling and the ability to connect with a global audience. We look forward to working closely with Ntt DoCoMo to showcase the depth and breadth of our programmes that...
“Sherlock” Seasons 1-4, “Death in Paradise” Seasons 1-11, “Unforgotten” Seasons 1-4 and “Life Below Zero” Seasons 1-9 are among the series that will be available as part of BBC Studios‘ new content agreement with Lemino, a Japanese video-on-demand streaming service operated by Ntt DoCoMo. The deal, which comes into effect Nov. 15 will also see Lemino subscribers gain access to long-running British dramas like “Call The Midwife” Seasons 1-11 and “Father Brown” Seasons 1-10, period dramas “The Pursuit of Love” and “Sanditon,” as well as documentary series “Greta Thunberg: A Year to Change The World.”
Cheryl Png, VP of distribution for Southeast Asia, South Korea and Japan of BBC Studios Asia, said: “BBC Studios is known for our premium content, powerful storytelling and the ability to connect with a global audience. We look forward to working closely with Ntt DoCoMo to showcase the depth and breadth of our programmes that...
- 11/15/2023
- by Naman Ramachandran
- Variety Film + TV
"The Twilight Zone" has been revived three times on three different networks, it's been adapted into a feature film, a TV movie, a long-running radio drama, a series of comics, novels, amusement park rides, and even more. But I bet when you see that title you think of the black-and-white series hosted by Rod Serling, don't you?
Really, how could you not? It's no knock on any of the variations that followed; the original run of episodes that spanned from 1959 to 1963 is just that excellent. Sure, there are a few duds, but "The Twilight Zone" was simply paradigm-shifting, zeitgeist-seizing, landmark television, in its time and now. Of course we wouldn't have "American Horror Story", but filmmakers from David Cronenberg to Martin Scorsese to Karyn Kusama have all professed to be inspired by the series, some even to kickstart their careers. That kind of influence is hard to even tabulate.
For...
Really, how could you not? It's no knock on any of the variations that followed; the original run of episodes that spanned from 1959 to 1963 is just that excellent. Sure, there are a few duds, but "The Twilight Zone" was simply paradigm-shifting, zeitgeist-seizing, landmark television, in its time and now. Of course we wouldn't have "American Horror Story", but filmmakers from David Cronenberg to Martin Scorsese to Karyn Kusama have all professed to be inspired by the series, some even to kickstart their careers. That kind of influence is hard to even tabulate.
For...
- 10/29/2023
- by Ryan Coleman
- Slash Film
You're traveling through another dimension, a dimension not only of imagination but of cinematic imperfections. It is the middle ground between reality and illusion, between what is intended and what is captured on film. This is the dimension of mistakes and oversights. It is an area which we call "The Production Zone." In it, mirrors reflect mistakes, film equipment appears at the periphery of vision, continuity wavers, editing stumbles, and stock footage mismatches.
As you journey through this realm, you'll uncover imperfections often overlooked in the iconic series "The Twilight Zone." Known for thought-provoking tales, the series wasn't immune to production hiccups, gaffes, and glitches.
Question the facade of the extraordinary as we explore elusive mistakes -- 14 in total -- across beloved episodes in this "land of shadow and substance." Will you emerge unscathed from this journey into cinematic blunders? Or, like its characters, be forever changed by what you see?...
As you journey through this realm, you'll uncover imperfections often overlooked in the iconic series "The Twilight Zone." Known for thought-provoking tales, the series wasn't immune to production hiccups, gaffes, and glitches.
Question the facade of the extraordinary as we explore elusive mistakes -- 14 in total -- across beloved episodes in this "land of shadow and substance." Will you emerge unscathed from this journey into cinematic blunders? Or, like its characters, be forever changed by what you see?...
- 9/17/2023
- by Maurice Molyneaux
- Slash Film
Penélope Cruz is taking on an Elena Ferrante adaptation.
IndieWire can confirm the “Ferrari” actress is reuniting with “Elegy” director Isabel Coixet for the adaptation of Ferrante’s 2002 “The Days of Abandonment,” which followed Olga, an Italian woman, who loses her grasp on reality after her husband of 15 years abruptly leaves her for another woman.
The big screen adaptation will instead be set in America, as Variety reported, with the script penned by Laurence Coriat (“Summer in Genoa”). “The Days of Abandonment” will be produced by Lotus, a unit of Raffaella and Andrea Leone’s Leone Film Group, and Cruz’s production banner Moonlyon. Cruz’s brother Edu Cruz will also produce along with Marco Perego through their Nimoa Entertainment company.
Director Coixet has recently helmed “Un Amor,” “My Life Without Me,” and “The Secret Life of Words.”
Author Ferrante’s novels have been adapted for the big and small screens,...
IndieWire can confirm the “Ferrari” actress is reuniting with “Elegy” director Isabel Coixet for the adaptation of Ferrante’s 2002 “The Days of Abandonment,” which followed Olga, an Italian woman, who loses her grasp on reality after her husband of 15 years abruptly leaves her for another woman.
The big screen adaptation will instead be set in America, as Variety reported, with the script penned by Laurence Coriat (“Summer in Genoa”). “The Days of Abandonment” will be produced by Lotus, a unit of Raffaella and Andrea Leone’s Leone Film Group, and Cruz’s production banner Moonlyon. Cruz’s brother Edu Cruz will also produce along with Marco Perego through their Nimoa Entertainment company.
Director Coixet has recently helmed “Un Amor,” “My Life Without Me,” and “The Secret Life of Words.”
Author Ferrante’s novels have been adapted for the big and small screens,...
- 9/6/2023
- by Samantha Bergeson
- Indiewire
Penélope Cruz is set to star as Olga, a writer forced to give up her artistic ambitions when her husband suddenly leaves her and their two young daughters, in Isabel Coixet’s English-language adaptation of Italian author Elena Ferrante’s “The Days of Abandonment.”
The deal to make the film, which is now in development, was signed before the SAG-AFTRA strike. While Cruz did not attend the Venice Film Festival, she elicited raves from critics on the Lido for her performance in Michael Mann’s “Ferrari” as the angry, lonely, grief-ravaged Laura Ferrari, emotionally estranged from her husband Enzo Ferrari (Adam Driver).
“The Days of Abandonment,” which will transpose the novel’s original Italian setting to America, reunites the two top Spanish talents following their collaboration on another U.S.-set film, the 2008 drama “Elegy” an adaptation of Philip Roth’s novella “The Dying Animal,” about an affair between a...
The deal to make the film, which is now in development, was signed before the SAG-AFTRA strike. While Cruz did not attend the Venice Film Festival, she elicited raves from critics on the Lido for her performance in Michael Mann’s “Ferrari” as the angry, lonely, grief-ravaged Laura Ferrari, emotionally estranged from her husband Enzo Ferrari (Adam Driver).
“The Days of Abandonment,” which will transpose the novel’s original Italian setting to America, reunites the two top Spanish talents following their collaboration on another U.S.-set film, the 2008 drama “Elegy” an adaptation of Philip Roth’s novella “The Dying Animal,” about an affair between a...
- 9/6/2023
- by Nick Vivarelli and Elsa Keslassy
- Variety Film + TV
Penélope Cruz Depositphotos
Penélope Cruz Sánchez, born on April 28, 1974, is a renowned Spanish actress. She has made a name for herself in various film genres, particularly in Spanish-language films, and has received numerous awards and nominations for her exceptional performances. These accolades include an Academy Award, a British Academy Film Award, a Primetime Emmy Award nomination, four Golden Globe Award nominations, and five Screen Actors Guild Award nominations.
Cruz embarked on her acting career at a young age, signing with an agent at 15. She made her television debut at 16 and her first appearance in a feature film the following year in Jamón Jamón (1992). Her notable roles include Belle Époque (1992), Open Your Eyes (1997), Don Juan (1998), The Hi-Lo Country (1999), The Girl of Your Dreams (2000), and Woman on Top (2000). She is particularly recognized for her collaborations with acclaimed Spanish director Pedro Almodóvar in films such as Live Flesh (1997), All About My Mother (1999), Volver...
Penélope Cruz Sánchez, born on April 28, 1974, is a renowned Spanish actress. She has made a name for herself in various film genres, particularly in Spanish-language films, and has received numerous awards and nominations for her exceptional performances. These accolades include an Academy Award, a British Academy Film Award, a Primetime Emmy Award nomination, four Golden Globe Award nominations, and five Screen Actors Guild Award nominations.
Cruz embarked on her acting career at a young age, signing with an agent at 15. She made her television debut at 16 and her first appearance in a feature film the following year in Jamón Jamón (1992). Her notable roles include Belle Époque (1992), Open Your Eyes (1997), Don Juan (1998), The Hi-Lo Country (1999), The Girl of Your Dreams (2000), and Woman on Top (2000). She is particularly recognized for her collaborations with acclaimed Spanish director Pedro Almodóvar in films such as Live Flesh (1997), All About My Mother (1999), Volver...
- 7/29/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Tubi originals for April include “Dead Hot,” co-starring Vanessa Hudgens and Gg Magree. They play witchcraft students who long to connect with the spirit world. But when a ghost hunt goes wrong, they head to Salem, Massachusetts, for a masterclass.
“A Good Man,” another streamer original, lands on April 13. A man enters a new relationship in the aftermath of his wife’s affair. But soon, things go awry when he notices familiar signs of betrayal.
The four movies that comprise “The Scorpion King” arrive April 1. A prequel and spinoff of “The Mummy,” the first movie, in 2002, is a sorcery action-adventure film starring starring Dwayne Johnson, Steven Brand, Kelly Hu, Grant Heslov, and Michael Clarke Duncan. An evil ruler wants to conquer the tribes of the desert.
Jim Carrey fans will want to revisit the two “Ace Ventura” comedies. Carrey shows off his gift for physical comedy, while creating a wacky...
“A Good Man,” another streamer original, lands on April 13. A man enters a new relationship in the aftermath of his wife’s affair. But soon, things go awry when he notices familiar signs of betrayal.
The four movies that comprise “The Scorpion King” arrive April 1. A prequel and spinoff of “The Mummy,” the first movie, in 2002, is a sorcery action-adventure film starring starring Dwayne Johnson, Steven Brand, Kelly Hu, Grant Heslov, and Michael Clarke Duncan. An evil ruler wants to conquer the tribes of the desert.
Jim Carrey fans will want to revisit the two “Ace Ventura” comedies. Carrey shows off his gift for physical comedy, while creating a wacky...
- 3/31/2023
- by Fern Siegel
- The Streamable
George A. Romero is one of my favorite filmmakers and a personal hero of mine, so while we lost the man in 2017, I’ve been glad to see the work the George A. Romero Foundation has done to preserve his legacy. That includes unearthing his long-lost 1973 film The Amusement Park, finding a home for his archive collection (featuring his 1994 short film Jacaranda Joe) at the University of Pittsburgh, and even setting up a podcast sequel to Night of the Living Dead. Now the Foundation has announced that they have located an unfinished short film that Romero shot in Pittsburgh in 1963, and they plan to complete it under the title Romero’s Elegy. They could use the help of Romero’s fans to do so, and are accepting donations at This Link.
It doesn’t sound like this short film was horror, but it was shot by one of our greatest genre directors.
It doesn’t sound like this short film was horror, but it was shot by one of our greatest genre directors.
- 3/8/2023
- by Cody Hamman
- JoBlo.com
In the wake of George A. Romero’s long lost movie The Amusement Park finally seeing release last year, The George A. Romero Foundation is now looking to restore another part of the late filmmaker’s legacy. “With your support, we can finish George A. Romero’s once-lost short film from 1963,” the team says this week, referring to a short film titled Elegy.
The Romero Foundation details, “At 23 years old, George A. Romero implored his uncle for a new Bolex camera. His uncle gave him $5,000 to purchase it. With his new friends, Russ Streiner and Richard Ricci, they shot a series of short films, all thought to have been lost. One of these films, now entitled Romero’s Elegy, was found and is being restored by The Garf.
“Romero’s Elegy is a 21-minute film shot in Pittsburgh in 1963. Shot without sound or dialogue, the original intention was to add music and poetry to it.
The Romero Foundation details, “At 23 years old, George A. Romero implored his uncle for a new Bolex camera. His uncle gave him $5,000 to purchase it. With his new friends, Russ Streiner and Richard Ricci, they shot a series of short films, all thought to have been lost. One of these films, now entitled Romero’s Elegy, was found and is being restored by The Garf.
“Romero’s Elegy is a 21-minute film shot in Pittsburgh in 1963. Shot without sound or dialogue, the original intention was to add music and poetry to it.
- 3/7/2023
- by John Squires
- bloody-disgusting.com
HBO’s latest hit series The Last of Us now officially has a soundtrack for its first season, a massive, 66-song compilation of all the music scoring the post-apocalyptic tale. Check it out below.
After working on the original The Last of Us video game, composer Gustavo Santaolalla returns for the HBO series, joined by fellow artist David Fleming. In an upcoming interview with Consequence, Santaolalla describes his approach to the soundtrack, saying, “The process of adapting, it was more in a way like craftwork than actually a new creation, because the themes were there, those things are there, like the characters, it wasn’t about creating a new job, it wasn’t about finding what is interesting. For example, in seeing how Pascal and Bella, they’re different than the actors that played the voices, but at the same time, they keep the soul of the characters intact.”
While...
After working on the original The Last of Us video game, composer Gustavo Santaolalla returns for the HBO series, joined by fellow artist David Fleming. In an upcoming interview with Consequence, Santaolalla describes his approach to the soundtrack, saying, “The process of adapting, it was more in a way like craftwork than actually a new creation, because the themes were there, those things are there, like the characters, it wasn’t about creating a new job, it wasn’t about finding what is interesting. For example, in seeing how Pascal and Bella, they’re different than the actors that played the voices, but at the same time, they keep the soul of the characters intact.”
While...
- 2/27/2023
- by Carys Anderson
- Consequence - Music
Fatal Attraction has set the standard on what obsession films should be. A sultry potboiler that showcases the slow evolution of a woman slowly losing her mind over a man that she believed loved her. It’s often regarded as one of the best obsession films ever made, though there’s been a few that has topped the quality of the 1973 thriller. One of those few is actually Misery, which is deemed one of Stephen King’s best movie adaptations. After a serious car crash, the former nurse takes in a popular novelist. What at first seems as if Annie is helping
Why Obsession Movies Barely Exist Anymore...
Why Obsession Movies Barely Exist Anymore...
- 5/12/2022
- by Jeffrey Bowie Jr.
- TVovermind.com
First of all, I want to make something clear. I’m not predicting Glenn Close to win the Academy Award. As much as I want to see her finally recognized with the Oscar, I don’t know that this is her year. But I do believe that it will come someday – with the right role in the right film. However, I don’t think that Close should plan to sit back and relax after her recent losses at the Golden Globe and Critics Choice Awards. She should probably get at least one speech ready for this most unpredictable awards season. She’s going to need it. Here are five reasons why Glenn Close will win the SAG Award for Best Supporting Actress in “Hillbilly Elegy.”
1. She’s Glenn Close.
There’s a lot of name-checking at play when SAG members fill out those ballots. And there are few names that...
1. She’s Glenn Close.
There’s a lot of name-checking at play when SAG members fill out those ballots. And there are few names that...
- 3/23/2021
- by Tariq Khan
- Gold Derby
Angelique Kidjo, Yo La Tengo, Bill Frisell, and Grateful Dead’s Mickey Hart are among the artists featuring on a 50th-anniversary musical tribute to beat poet Allen Ginsberg’s The Fall of America: Poems of These States 1965-1971.
Sonic Youth bandmates Thurston Moore and Lee Ranaldo, Andrew Bird, Devendra Banhart, Gavin Friday & Howie B, the Fugs’ Ed Sanders, and more also appear on the album, which boasts musical interpretations of poems from Ginsberg’s 1971 book; some tracks feature the late poet reciting his works accompanied by the new music.
“In...
Sonic Youth bandmates Thurston Moore and Lee Ranaldo, Andrew Bird, Devendra Banhart, Gavin Friday & Howie B, the Fugs’ Ed Sanders, and more also appear on the album, which boasts musical interpretations of poems from Ginsberg’s 1971 book; some tracks feature the late poet reciting his works accompanied by the new music.
“In...
- 1/29/2021
- by Daniel Kreps
- Rollingstone.com
Once in a while, this critic feels as if he goes against the grain of the entire movie critique establishment. That is firmly the case with Hillbilly Elegy.
The J.D. Vance book of the same name was a huge hit and, supposedly, was an introduction to Trump’s America and an explanation for how the country voted in 2016. I prefer to think of it is a memoir about a boy who grows up and does good, despite the anchor pulling him down that is his family.
Ron Howard has brought Hillbilly Elegy to life for Netflix, and it features two Oscar-worthy turns by two actresses who have long been overlooked for an Academy Award, Amy Adams and Glenn Close. They play mother and daughter, with Adams also portraying the maternal role to Vance (Gabriel Basso). Well, at least she tries.
More often than not, Vance is the more mature one in this relationship.
The J.D. Vance book of the same name was a huge hit and, supposedly, was an introduction to Trump’s America and an explanation for how the country voted in 2016. I prefer to think of it is a memoir about a boy who grows up and does good, despite the anchor pulling him down that is his family.
Ron Howard has brought Hillbilly Elegy to life for Netflix, and it features two Oscar-worthy turns by two actresses who have long been overlooked for an Academy Award, Amy Adams and Glenn Close. They play mother and daughter, with Adams also portraying the maternal role to Vance (Gabriel Basso). Well, at least she tries.
More often than not, Vance is the more mature one in this relationship.
- 11/12/2020
- by Joel Amos
- TVfanatic
The idea of 67% of American households tuning into a network television movie seems almost absurd in 2020. The Super Bowl can rate those numbers, but a movie? A network TV movie? Almost impossible. That number was reached, however, by The Day After in 1983. At the height of the Cold War, this made-for-ABC Nicholas Meyer movie about the aftermath of nuclear war drew a staggering 100 million viewers. It also created a new dialogue around nuclear de-escalation, outraged conservatives, drove its director to complain to a gossip columnist about ABC executives, and haunted the dreams of young viewers for years to come. Quite a feat for any motion picture.
Jeff Daniels’ (not that one) documentary Television Event tells the story of The Day After’s conception, production, and impact in an entertaining fashion. A tale with surprising links to the present, it recounts a pop culture phenomenon that’s entirely deserving of this cinematic treatment.
Jeff Daniels’ (not that one) documentary Television Event tells the story of The Day After’s conception, production, and impact in an entertaining fashion. A tale with surprising links to the present, it recounts a pop culture phenomenon that’s entirely deserving of this cinematic treatment.
- 11/11/2020
- by Christopher Schobert
- The Film Stage
Film critics have no love for Ron Howard’s “Hillbilly Elegy;” reviews call the film “laughably horrendous,” “awful,” and “one of the most shameless films of the year.”
The drama, based on J.D. Vance’s best-selling memoir, will land in select theaters and on Netflix on November 24.
Reviews currently give “Hillbilly Elegy” a 20% Fresh rating on Rotten Tomatoes and a 41 on Metacritic. The film follows J.D. Vance (Gabriel Basso), a former Marine from southern Ohio and current Yale Law student, who is on the verge of landing his dream job when a family crisis forces him to return to the home he’s tried to forget. J.D. must navigate the complex dynamics of his Appalachian family, including his volatile relationship with his mother, Bev (Amy Adams), who’s struggling with addiction. Fueled by memories of his grandmother Mamaw (Glenn Close), the resilient and whip-smart woman who raised him,...
The drama, based on J.D. Vance’s best-selling memoir, will land in select theaters and on Netflix on November 24.
Reviews currently give “Hillbilly Elegy” a 20% Fresh rating on Rotten Tomatoes and a 41 on Metacritic. The film follows J.D. Vance (Gabriel Basso), a former Marine from southern Ohio and current Yale Law student, who is on the verge of landing his dream job when a family crisis forces him to return to the home he’s tried to forget. J.D. must navigate the complex dynamics of his Appalachian family, including his volatile relationship with his mother, Bev (Amy Adams), who’s struggling with addiction. Fueled by memories of his grandmother Mamaw (Glenn Close), the resilient and whip-smart woman who raised him,...
- 11/10/2020
- by Umberto Gonzalez
- The Wrap
It’s a sign of the times that the incredibly prolific Clint Eastwood will not release a film that qualifies for the current 2021 Oscar season. His spirit, however, is present in Ron Howard’s disappointing “Hillbilly Elegy,” which pulled the curtain back on reviews and reactions today. To be blunt, “Elegy,” which is based on J.D. Vance’s bestselling memoir, would likely disappear as an award movie any other year.
Continue reading ‘Hillbilly Elegy’ Enters The Oscar Chat, But How Long Will It Stick Around? [Contender Countdown] at The Playlist.
Continue reading ‘Hillbilly Elegy’ Enters The Oscar Chat, But How Long Will It Stick Around? [Contender Countdown] at The Playlist.
- 11/10/2020
- by Gregory Ellwood
- The Playlist
Long considered one of Oscar’s most overdue actresses, Glenn Close is in the running yet again for gold this year thanks to “Hillbilly Elegy,” which will be released November 24 in theaters and on Netflix. She most recently received her seventh career nomination for “The Wife” (2018), a record among all living actresses, but lost yet again thanks to Olivia Colman (“The Favourite”). Will she now earn Oscar bid #8 for her latest big-screen performance? Get a closer look at Close’s seven Oscar nominations by touring our photo gallery above.
Close (a Best Supporting Actress front-runner) and Amy Adams (a Best Actress contender) star as a mother and daughter in Netflix’s “Hillbilly Elegy.” Directed by Ron Howard, the film explores the lives of an Appalachian family based on J.D. Vance’s memoir of the same name. As luck would have it, Adams is another overdue actress who’s hoping to...
Close (a Best Supporting Actress front-runner) and Amy Adams (a Best Actress contender) star as a mother and daughter in Netflix’s “Hillbilly Elegy.” Directed by Ron Howard, the film explores the lives of an Appalachian family based on J.D. Vance’s memoir of the same name. As luck would have it, Adams is another overdue actress who’s hoping to...
- 11/4/2020
- by Marcus James Dixon
- Gold Derby
One day in the late Nineties, Dave Lombardo, the metal drumming powerhouse best known for bringing a tornado-like fury to Slayer’s early thrash masterpieces, was driving from San Francisco to his home in Los Angeles. On the way, he threw on a recording of an unusual gig he’d just taken part in: a performance of a so-called game piece by John Zorn, in which the category-defying composer assembled a group of improvisers and staged a spontaneous sonic happening according to a series of rules, cards, and gestures.
For...
For...
- 6/22/2020
- by Hank Shteamer
- Rollingstone.com
To mark the 40th anniversary of Joy Division frontman Ian Curtis’ death, Mark Lanegan teamed up with Cold Cave for an icy rendition of “Isolation,” a track off of Joy Division’s final album, 1980’s Closer.
Lanegan joined Cold Cave in a room for a live performance, singing side by side and trading vocals with the dark-wave band’s frontman, Wes Eisold. Lanegan nods along to the beat, looking as though he’s absorbing the vibe, as the group plays the tune’s skittery rhythms and chilly synth lines.
The...
Lanegan joined Cold Cave in a room for a live performance, singing side by side and trading vocals with the dark-wave band’s frontman, Wes Eisold. Lanegan nods along to the beat, looking as though he’s absorbing the vibe, as the group plays the tune’s skittery rhythms and chilly synth lines.
The...
- 5/19/2020
- by Kory Grow
- Rollingstone.com
Chris Longo Dec 31, 2019
Ready to enter the fifth dimension? We have the Twilight Zone New Year's Marathon schedule right here.
The Twilight Zone is as timeless as infinity. In this dimension, 2019 was a special year for the iconic sci-fi anthlogy as it marked the series' 60th anniversary. We may be entering a new decade, but Rod Serling will be there to greet us once more with the annual New Year's Twilight Zone marathon on Syfy.
The marathon begins on Tuesday, Dec. 31st at 6:00 a.m. with "One For The Angels" and concludes on Thursday, Jan. 2nd at 3:30 a.m. with "A Piano in the House."
This time of year is always special in The Twilight Zone. Rod Serling was born on Christmas Day in 1924. The New Year's Marathon is just one of the many ways Serling's legacy lives on. Earlier this year, his daughter, Anne, wrote in an...
Ready to enter the fifth dimension? We have the Twilight Zone New Year's Marathon schedule right here.
The Twilight Zone is as timeless as infinity. In this dimension, 2019 was a special year for the iconic sci-fi anthlogy as it marked the series' 60th anniversary. We may be entering a new decade, but Rod Serling will be there to greet us once more with the annual New Year's Twilight Zone marathon on Syfy.
The marathon begins on Tuesday, Dec. 31st at 6:00 a.m. with "One For The Angels" and concludes on Thursday, Jan. 2nd at 3:30 a.m. with "A Piano in the House."
This time of year is always special in The Twilight Zone. Rod Serling was born on Christmas Day in 1924. The New Year's Marathon is just one of the many ways Serling's legacy lives on. Earlier this year, his daughter, Anne, wrote in an...
- 12/27/2019
- Den of Geek
Juliette Harrisson Oct 23, 2019
If you're looking for a quick supernatural scare this Halloween, we've got you covered...
Looking for something spooky to watch this Halloween, but short on time? Have no fear – here, we present a collection of our favorite TV episodes that tell ghost stories. You can sit down to any of these and enjoy a few spooky chills in between work and dinner of an evening – we’ve even provided a rough guide to the running time to help you choose.
read more: The Best Horror TV Shows Available to Stream
In order to make the list, each episode has to be an actual ghost story about an actual ghost – no Doctor Who aliens, Scooby-Doo-style human villains or figments of the imagination. Since these are recommendations, we’ve avoided spoilers as far as possible, but some episodes may spoil elements of story arcs in the series overall, and...
If you're looking for a quick supernatural scare this Halloween, we've got you covered...
Looking for something spooky to watch this Halloween, but short on time? Have no fear – here, we present a collection of our favorite TV episodes that tell ghost stories. You can sit down to any of these and enjoy a few spooky chills in between work and dinner of an evening – we’ve even provided a rough guide to the running time to help you choose.
read more: The Best Horror TV Shows Available to Stream
In order to make the list, each episode has to be an actual ghost story about an actual ghost – no Doctor Who aliens, Scooby-Doo-style human villains or figments of the imagination. Since these are recommendations, we’ve avoided spoilers as far as possible, but some episodes may spoil elements of story arcs in the series overall, and...
- 10/23/2019
- Den of Geek
Delia Harrington Nov 25, 2019
Dive deeper into the world of Kate Kane with our list of essential Batwoman comics
Batwoman has never been a shy hero. With all the publicity she's getting these days - some effusive, some toxic - she and her fans need a bit of armor and an ability to roll with the punches.
From her first appearance in the panels of Detective Comics and on screen in last fall's Dctv crossover event, Elseworlds, Kate Kane's self-assured demeanor and dry sense of humor have been part and parcel of who she is, just like her tattoos, Jewish faith, and identity as a queer woman have always been there. While the crimson-and-black member of the Bat family has only been around since 2006, she has a nuanced origin story that has been handled with care. Kate Kane comes with plenty of villains, friends, family, and exes to get into trouble with,...
Dive deeper into the world of Kate Kane with our list of essential Batwoman comics
Batwoman has never been a shy hero. With all the publicity she's getting these days - some effusive, some toxic - she and her fans need a bit of armor and an ability to roll with the punches.
From her first appearance in the panels of Detective Comics and on screen in last fall's Dctv crossover event, Elseworlds, Kate Kane's self-assured demeanor and dry sense of humor have been part and parcel of who she is, just like her tattoos, Jewish faith, and identity as a queer woman have always been there. While the crimson-and-black member of the Bat family has only been around since 2006, she has a nuanced origin story that has been handled with care. Kate Kane comes with plenty of villains, friends, family, and exes to get into trouble with,...
- 10/5/2019
- Den of Geek
Rachel Maddow is joining Ruby Rose in the cast of “Batwoman” on The CW.
The MSNBC political commentator will play Vesper Fairchild, a Gotham television and radio personality who appears in the “Batman” comics. According to the network, Maddow will only lend her voice to Fairchild, with no current plans for her to appear in person.
“I know no one’s going to believe this is true, but it’s true,” Maddow tweeted Friday. “I’m ‘Vesper Fairchild’ in the new Batwoman TV show that starts this Sunday night on The CW. (My character is soooo not me; turns out playing her is one of the most fun things I’ve ever done).”
Also Read: Ruby Rose Breaks Down 'Batwoman' Set Injury That Almost Left Her Paralyzed: 'It Was Really, Really Terrifying' (Video)
Maddow is no stranger to the story of “Batwoman,” which follows Kate Kane, a lesbian...
The MSNBC political commentator will play Vesper Fairchild, a Gotham television and radio personality who appears in the “Batman” comics. According to the network, Maddow will only lend her voice to Fairchild, with no current plans for her to appear in person.
“I know no one’s going to believe this is true, but it’s true,” Maddow tweeted Friday. “I’m ‘Vesper Fairchild’ in the new Batwoman TV show that starts this Sunday night on The CW. (My character is soooo not me; turns out playing her is one of the most fun things I’ve ever done).”
Also Read: Ruby Rose Breaks Down 'Batwoman' Set Injury That Almost Left Her Paralyzed: 'It Was Really, Really Terrifying' (Video)
Maddow is no stranger to the story of “Batwoman,” which follows Kate Kane, a lesbian...
- 10/4/2019
- by Margeaux Sippell
- The Wrap
During the late 60s and early 70s, famed screenwriter and director Kaneto Shindō wrote a series of scripts about World War II’s legacy on Japan and the Japanese psyche for a few of those decades’ greatest directors. These included one story about the war’s lingering pains and injustices with Kenji Fukasaku’s solemn and politically fiery 1972 “Under the Flag of the Rising Sun”, another set during the thick of the conflict with Kihachi Okamoto’s graphic and harrowing (if messy) “Battle of Okinawa” and the earliest of them, Seijun Suzuki’s 1966 “Fighting Elegy” which is starkly opposite from from the rest in not being serious at all — at least outwardly.
“Fighting Elegy” screened at Japanese Avant-Garde and Experimental Film Festival 2019
1935 Okayama. A militarized boys’ middle school. Catholic student Kiroku (Hideki Takahashi) finds himself sharing the same Catholic boarding house with the sweet and innocent Michiko (Junko Asano), who...
“Fighting Elegy” screened at Japanese Avant-Garde and Experimental Film Festival 2019
1935 Okayama. A militarized boys’ middle school. Catholic student Kiroku (Hideki Takahashi) finds himself sharing the same Catholic boarding house with the sweet and innocent Michiko (Junko Asano), who...
- 9/22/2019
- by Wally Adams
- AsianMoviePulse
Jethro Tull will celebrate the 40th anniversary of their 1979 LP Stormwatch with a massive reissue featuring unreleased songs, a recording of a 1980 concert and a new remix of the original album.
The 4Cd/2 DVD Stormwatch: 40th Anniversary Force 10 Edition, due out October 18th via Rhino, kicks off with a Steven Wilson remix of Stormwatch, while the second disc collecting “associated recordings” from the album’s sessions, including unreleased tracks and other unearthed songs that didn’t fit within Stormwatch‘s maritime theme.
Discs three and four contain an unreleased recording...
The 4Cd/2 DVD Stormwatch: 40th Anniversary Force 10 Edition, due out October 18th via Rhino, kicks off with a Steven Wilson remix of Stormwatch, while the second disc collecting “associated recordings” from the album’s sessions, including unreleased tracks and other unearthed songs that didn’t fit within Stormwatch‘s maritime theme.
Discs three and four contain an unreleased recording...
- 7/19/2019
- by Daniel Kreps
- Rollingstone.com
The first episode of Batwoman introduces Ruby Rose as Kate Kane, and raises mysteries about the Arrowverse Batman.
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We first met Batwoman during The Arrowverse crossover event, Elseworlds, last fall, when she was already doing her hero thing – matte black suit, flaming red wig, bold lip and all. It was the right call for the crossover, but to start her solo series the Batwoman premiere episode backs up to tell Kate Kane’s origin story within the context of her place within the Wayne family and this iteration of Gotham.
Batwoman episode 1 starts with a charity event to finally turn off the bat signal in an effort to help the city move on after Batman left Gotham three years ago. A new villain, Alice, who speaks in quotes from the Lewis Carrol books and has henchmen with rabbit masks, has other ideas. Kate Kane is Bruce Wayne...
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We first met Batwoman during The Arrowverse crossover event, Elseworlds, last fall, when she was already doing her hero thing – matte black suit, flaming red wig, bold lip and all. It was the right call for the crossover, but to start her solo series the Batwoman premiere episode backs up to tell Kate Kane’s origin story within the context of her place within the Wayne family and this iteration of Gotham.
Batwoman episode 1 starts with a charity event to finally turn off the bat signal in an effort to help the city move on after Batman left Gotham three years ago. A new villain, Alice, who speaks in quotes from the Lewis Carrol books and has henchmen with rabbit masks, has other ideas. Kate Kane is Bruce Wayne...
- 7/18/2019
- Den of Geek
Barcelona – Soon set to be seen at Cannes’ in Pedro Almodóvar’s competition contender “Pain and Glory.” Penélope Cruz will receive the 2019 Donostia Award for career achievement at the 67th San Sebastian Festival, which runs Sept. 20-28 at the Basque resort city.
The Spanish actress will be honored doubly way, as she will also be the official image on this year’s festival poster.
No other Spanish actress has received the international recognition of Cruz, nor her number of top-echelon prizes and nominations as she has battled to broaden the roles open to Latin actresses.
She demonstrated a range most memorably perhaps winning a best supporting actress Academy Award and Bafta winner for her performance as Maria Elena in Woody Allen’s “Vicky Cristina Barcelona.”
“Cruz, who officially graduated from sex kitten to powerhouse melodramatic actress in ‘Volver,’ is in full Anna Magnani mode here, storming up and down mountain...
The Spanish actress will be honored doubly way, as she will also be the official image on this year’s festival poster.
No other Spanish actress has received the international recognition of Cruz, nor her number of top-echelon prizes and nominations as she has battled to broaden the roles open to Latin actresses.
She demonstrated a range most memorably perhaps winning a best supporting actress Academy Award and Bafta winner for her performance as Maria Elena in Woody Allen’s “Vicky Cristina Barcelona.”
“Cruz, who officially graduated from sex kitten to powerhouse melodramatic actress in ‘Volver,’ is in full Anna Magnani mode here, storming up and down mountain...
- 5/10/2019
- by Emilio Mayorga
- Variety Film + TV
New films by Agnieszka Holland, Agnes Varda and Isabel Coixet have been added to the official lineup of the upcoming Berlin Film Festival, along with special screenings of directorial debuts by British actor Chiwetel Ejiofor and “Narcos” star Wagner Moura of Brazil.
The Berlinale added 11 titles to its competition slate Thursday, representing countries such as China, Norway, Mongolia and Israel. Of the 18 competition titles selected so far, eight are directed by women, including festival opener “The Kindness of Strangers,” by Danish director Lone Scherfig.
Holland’s eagerly anticipated “Mr. Jones,” starring James Norton and Vanessa Kirby, will have its world premiere in Potsdamer Platz. The politically charged film centers on the real-life Welsh journalist Gareth Jones (Norton), whose reporting uncovered a deadly famine in Ukraine in the 1930s.
Another famine-themed film heading to Berlin is Ejiofor’s “The Boy Who Harnessed the Wind,” which was recently acquired by Netflix and...
The Berlinale added 11 titles to its competition slate Thursday, representing countries such as China, Norway, Mongolia and Israel. Of the 18 competition titles selected so far, eight are directed by women, including festival opener “The Kindness of Strangers,” by Danish director Lone Scherfig.
Holland’s eagerly anticipated “Mr. Jones,” starring James Norton and Vanessa Kirby, will have its world premiere in Potsdamer Platz. The politically charged film centers on the real-life Welsh journalist Gareth Jones (Norton), whose reporting uncovered a deadly famine in Ukraine in the 1930s.
Another famine-themed film heading to Berlin is Ejiofor’s “The Boy Who Harnessed the Wind,” which was recently acquired by Netflix and...
- 1/10/2019
- by Henry Chu
- Variety Film + TV
The Berlin Film Festival has added movies by Agnès Varda, Agnieszka Holland, Hans Petter Moland, Isabel Coixet and Wang Quan’an to its competition programme. Chiwetel Ejiofor’s directorial debut The Boy Who Harnessed The Wind will play in the Berlinale Special strand. Scroll down for the full list of additions to the batch of films already announced for the competition.
Coixet’s (The Bookshop) black-and-white feature Elisa & Marcela, the true-story of two women who got married in Spain in 1901 after one adopted a male identity, will likely receive an extra dose of media attention given that it is a Netflix acquisition, marking the streaming giant’s first film to screen in competition in Berlin. Festival director Dieter Kosslick has previously said that competition films must have a theatrical release.
Among other highlights announced today are James Norton and Vanessa Kirby starrer Mr. Jones from Polish director Agnieszka Holland and Italian mafia pic Piranhas,...
Coixet’s (The Bookshop) black-and-white feature Elisa & Marcela, the true-story of two women who got married in Spain in 1901 after one adopted a male identity, will likely receive an extra dose of media attention given that it is a Netflix acquisition, marking the streaming giant’s first film to screen in competition in Berlin. Festival director Dieter Kosslick has previously said that competition films must have a theatrical release.
Among other highlights announced today are James Norton and Vanessa Kirby starrer Mr. Jones from Polish director Agnieszka Holland and Italian mafia pic Piranhas,...
- 1/10/2019
- by Andreas Wiseman
- Deadline Film + TV
by Nathaniel R
A happy ¾th century mark to Sir Ben Kingsley today. Born Krishna Pandit Bhanji he came to global fame in 1982 for his starring role in Gandhi. Before that breakthrough he'd appeared in several British TV shows and television movies. Other key triumphs from his filmography include: Bugsy (Oscar & Globe noms), Schindler's List (BAFTA nom), Sexy Beast, House of Sand and Fog, Hugo, Shutter Island, and Iron Man 3 as well as very fine voice work in The Boxtrolls (Annie Award), The Jungle Book, and Noah.
What's your fav performance from Sir Ben? I think I love him most in Sexy Beast, Gandhi, and the underappreciated Elegy.
A happy ¾th century mark to Sir Ben Kingsley today. Born Krishna Pandit Bhanji he came to global fame in 1982 for his starring role in Gandhi. Before that breakthrough he'd appeared in several British TV shows and television movies. Other key triumphs from his filmography include: Bugsy (Oscar & Globe noms), Schindler's List (BAFTA nom), Sexy Beast, House of Sand and Fog, Hugo, Shutter Island, and Iron Man 3 as well as very fine voice work in The Boxtrolls (Annie Award), The Jungle Book, and Noah.
What's your fav performance from Sir Ben? I think I love him most in Sexy Beast, Gandhi, and the underappreciated Elegy.
- 12/31/2018
- by NATHANIEL R
- FilmExperience
Opening on August 24 is director Isabel Coixet’s The Bookshop. The film will debut in St. Louis on August 31.
England, 1959. Free-spirited widow Florence Green (Emily Mortimer) risks everything to open a bookshop in a conservative East Anglian coastal town. While bringing about a surprising cultural awakening through works by Ray Bradbury and Vladimir Nabokov, she earns the polite but ruthless opposition of a local grand dame (Patricia Clarkson) and the support and affection of a reclusive book loving widower (Bill Nighy).
As Florence’s obstacles amass and bear suspicious signs of a local power struggle, she is forced to ask: is there a place for a bookshop in a town that may not want one?
Based on Penelope Fitzgerald’s acclaimed novel and directed by Isabel Coixet (Learning to Drive), The Bookshop is an elegant yet incisive rendering of personal resolve, tested in the battle for the soul of a community.
England, 1959. Free-spirited widow Florence Green (Emily Mortimer) risks everything to open a bookshop in a conservative East Anglian coastal town. While bringing about a surprising cultural awakening through works by Ray Bradbury and Vladimir Nabokov, she earns the polite but ruthless opposition of a local grand dame (Patricia Clarkson) and the support and affection of a reclusive book loving widower (Bill Nighy).
As Florence’s obstacles amass and bear suspicious signs of a local power struggle, she is forced to ask: is there a place for a bookshop in a town that may not want one?
Based on Penelope Fitzgerald’s acclaimed novel and directed by Isabel Coixet (Learning to Drive), The Bookshop is an elegant yet incisive rendering of personal resolve, tested in the battle for the soul of a community.
- 8/10/2018
- by Michelle Hannett
- WeAreMovieGeeks.com
Welcome to Career Watch, a vocational checkup of top actors and directors, and those who hope to get there. In this edition we take on global star Penélope Cruz, who’s delivering lauded performances on multiple platforms, in English and her native Spanish.
Bottom Line: Cruz is a Goya and Oscar-winner (“Vicky Cristina Barcelona”) who chases challenging material around the globe. This year she and husband Javier Bardem not only opened Cannes with Asghar Farhadi’s Spanish mystery drama “Everybody Knows” (Focus Features) — which went on to rack up over $6.5 million in France — but Cruz transformed herself into blonde Italian fashion icon Donatella Versace for her first-ever foray into television. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” (FX) scored 18 Emmy nominations last week including Supporting Actress in a Limited series for Cruz. Next, she’ll play her sixth role with mentor Pedro Almodovar, playing his mother...
Bottom Line: Cruz is a Goya and Oscar-winner (“Vicky Cristina Barcelona”) who chases challenging material around the globe. This year she and husband Javier Bardem not only opened Cannes with Asghar Farhadi’s Spanish mystery drama “Everybody Knows” (Focus Features) — which went on to rack up over $6.5 million in France — but Cruz transformed herself into blonde Italian fashion icon Donatella Versace for her first-ever foray into television. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” (FX) scored 18 Emmy nominations last week including Supporting Actress in a Limited series for Cruz. Next, she’ll play her sixth role with mentor Pedro Almodovar, playing his mother...
- 7/16/2018
- by Anne Thompson
- Thompson on Hollywood
Welcome to Career Watch, a vocational checkup of top actors and directors, and those who hope to get there. In this edition we take on global star Penélope Cruz, who’s delivering lauded performances on multiple platforms, in English and her native Spanish.
Bottom Line: Cruz is a Goya and Oscar-winner (“Vicky Cristina Barcelona”) who chases challenging material around the globe. This year she and husband Javier Bardem not only opened Cannes with Asghar Farhadi’s Spanish mystery drama “Everybody Knows” (Focus Features) — which went on to rack up over $6.5 million in France — but Cruz transformed herself into blonde Italian fashion icon Donatella Versace for her first-ever foray into television. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” (FX) scored 18 Emmy nominations last week including Supporting Actress in a Limited series for Cruz. Next, she’ll play her sixth role with mentor Pedro Almodovar, playing his mother...
Bottom Line: Cruz is a Goya and Oscar-winner (“Vicky Cristina Barcelona”) who chases challenging material around the globe. This year she and husband Javier Bardem not only opened Cannes with Asghar Farhadi’s Spanish mystery drama “Everybody Knows” (Focus Features) — which went on to rack up over $6.5 million in France — but Cruz transformed herself into blonde Italian fashion icon Donatella Versace for her first-ever foray into television. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” (FX) scored 18 Emmy nominations last week including Supporting Actress in a Limited series for Cruz. Next, she’ll play her sixth role with mentor Pedro Almodovar, playing his mother...
- 7/16/2018
- by Anne Thompson
- Indiewire
Philip Roth, the American novelist responsible for such seminal works as “American Pastoral” and “Goodbye, Columbus,” died Tuesday. He was 85.
The New Yorker reported that friends close to Roth had confirmed his death.
Throughout his career, Roth won two National Book Awards in addition to the Pulitzer Prize for fiction for his 1997 book “American Pastoral,” which featured his recurring alter ego Nathan Zuckerman. He was well known for writing about the Jewish experience, as well as American ideals, personal identity, and the human body, through autobiographical fiction.
Roth was born in Newark, N.J. in 1933 to first-generation parents and grew up in the Weequahic neighborhood, which would go on to provide the setting for his famous novel “Portnoy’s Complaint.”
His career was prolific, beginning with 1959’s “Goodbye, Columbus” and spanning well into the 2000s, with “Exit Ghost” in 2007. In 2012, he announced he would be retiring from writing fiction after...
The New Yorker reported that friends close to Roth had confirmed his death.
Throughout his career, Roth won two National Book Awards in addition to the Pulitzer Prize for fiction for his 1997 book “American Pastoral,” which featured his recurring alter ego Nathan Zuckerman. He was well known for writing about the Jewish experience, as well as American ideals, personal identity, and the human body, through autobiographical fiction.
Roth was born in Newark, N.J. in 1933 to first-generation parents and grew up in the Weequahic neighborhood, which would go on to provide the setting for his famous novel “Portnoy’s Complaint.”
His career was prolific, beginning with 1959’s “Goodbye, Columbus” and spanning well into the 2000s, with “Exit Ghost” in 2007. In 2012, he announced he would be retiring from writing fiction after...
- 5/23/2018
- by Erin Nyren
- Variety Film + TV
New York-based Greenwich Entertainment has taken U.S. rights to “The Bookshop,” directed by Isabel Coixet (“My Life Without Me,” “Elegy”), one of Spain’s most international auteurs. ”The Bookshop” is sold by Thierry Wase-Bailey’s U.K.-based Celsius Entertainment.
Greenwich Entertainment was founded last year by veteran arthouse distributor Ed Arentz, formerly managing director of Music Box Films.
“It’s a wonderful film with a significant potential in the U.S.,” Arentz said enthusiastically. He added: “The film is the film and now it’s up to us to release it properly, to find a good slot and encourage the exhibitors to support it. If all goes well, the release could do very well.”
Coixet’s twelfth feature, “The Bookshop” is produced by Spain’s A Contracorriente Films and Diagonal TV, the U.K.’s Zephyr Films and Germany’s One Two Films. It stars Emily Mortimer, Patricia Clarkson and Bill Nighy.
Greenwich Entertainment was founded last year by veteran arthouse distributor Ed Arentz, formerly managing director of Music Box Films.
“It’s a wonderful film with a significant potential in the U.S.,” Arentz said enthusiastically. He added: “The film is the film and now it’s up to us to release it properly, to find a good slot and encourage the exhibitors to support it. If all goes well, the release could do very well.”
Coixet’s twelfth feature, “The Bookshop” is produced by Spain’s A Contracorriente Films and Diagonal TV, the U.K.’s Zephyr Films and Germany’s One Two Films. It stars Emily Mortimer, Patricia Clarkson and Bill Nighy.
- 4/10/2018
- by Emilio Mayorga
- Variety Film + TV
By Todd Garbarini
Arguably the best Star Trek film ever made, Nicholas Meyer’s Star Trek II: The Wrath of Khan (1982), which was originally subtitled The Vengeance of Khan but was changed so as not to interfere with Richard Marquand’s Revenge of the Jedi which itself was changed to Return of the Jedi, celebrates its 35th anniversary this year and is the subject of an exclusive screening at Laemmle’s Ahrya Fine Arts Theatre. The 113-minute film, which stars William Shatner and the crew of the Enterprise, will be screened on Wednesday, May 31, 2017 at 7:30 pm on Digital Cinema Projection (Dcp).
Please Note: Director Nicholas Meyer is scheduled to appear in person for a Q & A following the screening.
From the press release:
Star Trek II: The Wrath Of Khan
(35th Anniversary Screening)
Wednesday, May 31, at 7:30 Pm at the Ahrya Fine Arts Theatre
Followed by Q&A with...
Arguably the best Star Trek film ever made, Nicholas Meyer’s Star Trek II: The Wrath of Khan (1982), which was originally subtitled The Vengeance of Khan but was changed so as not to interfere with Richard Marquand’s Revenge of the Jedi which itself was changed to Return of the Jedi, celebrates its 35th anniversary this year and is the subject of an exclusive screening at Laemmle’s Ahrya Fine Arts Theatre. The 113-minute film, which stars William Shatner and the crew of the Enterprise, will be screened on Wednesday, May 31, 2017 at 7:30 pm on Digital Cinema Projection (Dcp).
Please Note: Director Nicholas Meyer is scheduled to appear in person for a Q & A following the screening.
From the press release:
Star Trek II: The Wrath Of Khan
(35th Anniversary Screening)
Wednesday, May 31, at 7:30 Pm at the Ahrya Fine Arts Theatre
Followed by Q&A with...
- 5/24/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Philip Roth (Courtesy: Eric Thayer/Reuters
By: Carson Blackwelder
Managing Editor
When it comes to acclaimed American authors, Philip Roth is right up there with the best of them—so it shouldn’t come as a surprise that his work has been translated from page to screen numerous times and to varying degrees of success.
Over the years, seven of the novelist’s books have been adapted to the big screen—with two of them coming out in 2016 alone: Indignation and American Pastoral. Before that, though, there was Goodbye, Columbus, Portnoy’s Complaint, The Human Stain, Elegy (based on The Dying Animal), and The Humbling.
Goodbye, Columbus (1969)—which starred Ali MacGraw and Richard Benjamin—earned Arnold Schulman a nomination for best adapted screenplay and was generally well-received by critics and did quite well at the box office.
Portnoy’s Complaint (1972)—which was adapted by Ernest Lehman—didn’t fare that...
By: Carson Blackwelder
Managing Editor
When it comes to acclaimed American authors, Philip Roth is right up there with the best of them—so it shouldn’t come as a surprise that his work has been translated from page to screen numerous times and to varying degrees of success.
Over the years, seven of the novelist’s books have been adapted to the big screen—with two of them coming out in 2016 alone: Indignation and American Pastoral. Before that, though, there was Goodbye, Columbus, Portnoy’s Complaint, The Human Stain, Elegy (based on The Dying Animal), and The Humbling.
Goodbye, Columbus (1969)—which starred Ali MacGraw and Richard Benjamin—earned Arnold Schulman a nomination for best adapted screenplay and was generally well-received by critics and did quite well at the box office.
Portnoy’s Complaint (1972)—which was adapted by Ernest Lehman—didn’t fare that...
- 10/29/2016
- by Carson Blackwelder
- Scott Feinberg
Plot: A Jewish boy (Logan Lerman) attending a Wasp-y university on a scholarship, falls for a beautiful, sexually provocative classmate (Sarah Gadon). Review: Novelist Philip Roth is generally considered to be the hardest author to adapt to films. While screenwriter Nicholas Mayer gave it his best shot with The Human Stain and Elegy, the books are probably too specific to their form to make for good movies.... Read More...
- 1/28/2016
- by Chris Bumbray
- JoBlo.com
I recently sat down with director Isabel Coixet, and actors Patricia Clarkson and Sarita Choudhury at the Crosby Hotel in New York City, to discuss their new film "Learning to Drive." The film, written by Sarah Kernochan, is based on the autobiographical New Yorker short story by Katha Pollit, a long-time political columnist for the Nation.
Wendy is a fiery Manhattan author whose husband has just left her for a younger woman; Darwan is a soft-spoken taxi driver from India on the verge of an arranged marriage. As Wendy sets out to reclaim her independence, she runs into a barrier common to many lifelong New Yorkers: she’s never learned to drive. When Wendy hires Darwan to teach her, her unraveling life and his calm restraint seem like an awkward fit. But as he shows her how to take control of the wheel, and she coaches him on how to impress a woman, their unlikely friendship awakens them to the joy, humor, and love in starting life anew.
My conversation began with Isabel Coixet and Sarita Choudhury
Isabel Coixet’s award-winning film credits include "Demaisiado viejo para morir joven," "Things I Never Told You,""My Life Without Me," "The Secret Life of Words," "Paris, je t’aime," "Elegy," "Map of the Sounds of Tokyo," "Yesterday Never Ends," "Another Me," "Nobody Wants the Night," as well as documentaries, including "Invisibles."
Currently, Sarita Choudhury can be seen on Showtime’s "Homeland." Her film credits include "Admission," "Gayby," "Midnight’s Children," "Generation Um…," "Entre Nos," "The Accidental Husband," "Lady in the Water," "The War Within," "Mississippi Masala," "Kama Sutra: A Tale of Love," "She Hate Me," "Just a Kiss," "Wild West," "High Art," "The House of the Spirits," "Gloria," and "A Perfect Murder."
Susan Kouguell: Tell me about the process of how "Learning to Drive" came about.
Isabel Coixet: We started talking about making this film with Patricia and Ben Kingsley when we were making "Elegy" (directed by Coixet, starring Clarkson and Kingsley) and we got along very well and we wanted to make another film together. Patricia discovered the short story by Katha Pollit, and she gave it to me and I thought it was wonderful. And then we got the screenwriter Sarah Kernocha involved. The film is a comedy but not a classical comedy. It was a very difficult film to pitch because you know financiers and producers want something they can put in one box and you can’t with this film. It was a long process. It took nine years.
Some Words Unspoken and the Intimacy of the Camera
Isabel Coixet: There is always this romantic feeling underneath [subtext], I think there is that possibility. You have to be true to your words. If they are true, you will have to stick to your words.
Sarita Choudhury: That’s what happens with people you meet. No you were my inspiration don’t make me your inspiration.
Isabel Coixet: I love Henry James. There is a possibility of romance in the air. My romantic side is always excited when I see something like this.
Sarita Choudhury: I had so few words in the film. In a way, I kept the words because I had to know not to say them. For us the script -- the situational was also in the script; the languidness. It was because Isabel holds the camera. There was a pace created to it. When you’re acting you can feel where the camera is, but when the camera is at the end of Isabel’s hand and she’s moving it, it almost creates an intimacy between you and the camera, and you and the actor. There’s a pace you normally don’t get in film. You didn’t know when she was on your face; you had to keep acting like acting in the theatre.
On The Lack of Women Directors
Isabel Coixet: There are so many articles about it. I’m always afraid to play the victim, to complain too much. I know there is an inequity with men and women directors. This is an issue in the world. I always say, (Coixet smiles) we have to ask for more salary to make up for all these years and maybe if we ask for more they’ll give us the same as a man.
I want to put my words where my mouth is by producing female directors; they are amazing talented people. I’m producing three short films and a feature documentary. That’s what I do.
Sarita Choudhury: I just did a young woman’s short film; there is something about her that’s brilliant. I’ve done two short films. I can’t change the caste system and I can’t do the voluntary work I need to be doing. Film is no different from the world, like Isabel said. That’s our work, to get every woman involved. And if a man is brilliant, let him in too.
I then asked Patricia Clarkson about her involvement with "Learning to Drive."
Academy Award® nominee and Emmy Award-winning actress, Patricia Clarkson, has worked extensively in independent films. The National Board of Review and the National Society of Film Critics named her Best Supporting Actress of the Year for "Pieces of April" and "The Station Agent." Her many film credits include "The Maze Runner," "Last Weekend," "Friends With Benefits," "One Day," "Easy A," "Shutter Island," "Vicky Christina Barcelona," "Elegy," "No Reservations," "All the Kings’ Men," "Lars and the Real Girl, and "Good Night, and Good Luck."
Susan Kouguell: What attracted you to the project?
Patricia Clarkson: I loved the Katha Pollit story in The New Yorker; it serendipitously came to me. I love Wendy, I love this character. I was nine years younger at the time, but I still felt I knew her. I was relentless trying to get this film made with producer Dana Friedman. I found it an equal dose of funny and tragic. I liked the almost commedia dell'arte aspect; this absurd situation and finding the tragic comedy. A woman who is brilliant who lives a great life -- she has everything, but “forgets to look up,” and then meets a man who has experienced tragic loss. They have disparate worlds. I found it a quintessential New York story, but it’s also universal. It’s an independent film, but it’s not independently-minded.
Some Final Words
The disparate worlds about which Clarkson refers to in regard to her character, Wendy’s relationship with Darwan [Ben Kingsley] -- the life of a financially successful New Yorker compared to the immigrant’s struggle, was a thematic element that I further discussed with Coixet and Choudhury. As Choudhury said to me, Coixet’s visual choices of her character, such as the moment when she watches feet walk by her basement apartment window, feeling trapped, underscore the poignancy of this fish-out-of-water situation. Coixet captures these elements with a delicate balance of both drama and comedy.
It was an inspiring morning to speak with these three powerful and talented women, who are committed to sharing their knowledge with the next generation of female filmmakers.
Award-winning screenwriter and filmmaker, Susan Kouguell teaches screenwriting at Purchase College Suny, and presents international seminars on screenwriting and film. Author of Savvy Characters Sell Screenplays! and The Savvy Screenwriter, she is chairperson of Su-City Pictures East, LLC, a consulting company founded in 1990 where she works with writers, filmmakers, and executives worldwide. www.su-city-pictures.com, http://su-city-pictures.com/wpblog...
Wendy is a fiery Manhattan author whose husband has just left her for a younger woman; Darwan is a soft-spoken taxi driver from India on the verge of an arranged marriage. As Wendy sets out to reclaim her independence, she runs into a barrier common to many lifelong New Yorkers: she’s never learned to drive. When Wendy hires Darwan to teach her, her unraveling life and his calm restraint seem like an awkward fit. But as he shows her how to take control of the wheel, and she coaches him on how to impress a woman, their unlikely friendship awakens them to the joy, humor, and love in starting life anew.
My conversation began with Isabel Coixet and Sarita Choudhury
Isabel Coixet’s award-winning film credits include "Demaisiado viejo para morir joven," "Things I Never Told You,""My Life Without Me," "The Secret Life of Words," "Paris, je t’aime," "Elegy," "Map of the Sounds of Tokyo," "Yesterday Never Ends," "Another Me," "Nobody Wants the Night," as well as documentaries, including "Invisibles."
Currently, Sarita Choudhury can be seen on Showtime’s "Homeland." Her film credits include "Admission," "Gayby," "Midnight’s Children," "Generation Um…," "Entre Nos," "The Accidental Husband," "Lady in the Water," "The War Within," "Mississippi Masala," "Kama Sutra: A Tale of Love," "She Hate Me," "Just a Kiss," "Wild West," "High Art," "The House of the Spirits," "Gloria," and "A Perfect Murder."
Susan Kouguell: Tell me about the process of how "Learning to Drive" came about.
Isabel Coixet: We started talking about making this film with Patricia and Ben Kingsley when we were making "Elegy" (directed by Coixet, starring Clarkson and Kingsley) and we got along very well and we wanted to make another film together. Patricia discovered the short story by Katha Pollit, and she gave it to me and I thought it was wonderful. And then we got the screenwriter Sarah Kernocha involved. The film is a comedy but not a classical comedy. It was a very difficult film to pitch because you know financiers and producers want something they can put in one box and you can’t with this film. It was a long process. It took nine years.
Some Words Unspoken and the Intimacy of the Camera
Isabel Coixet: There is always this romantic feeling underneath [subtext], I think there is that possibility. You have to be true to your words. If they are true, you will have to stick to your words.
Sarita Choudhury: That’s what happens with people you meet. No you were my inspiration don’t make me your inspiration.
Isabel Coixet: I love Henry James. There is a possibility of romance in the air. My romantic side is always excited when I see something like this.
Sarita Choudhury: I had so few words in the film. In a way, I kept the words because I had to know not to say them. For us the script -- the situational was also in the script; the languidness. It was because Isabel holds the camera. There was a pace created to it. When you’re acting you can feel where the camera is, but when the camera is at the end of Isabel’s hand and she’s moving it, it almost creates an intimacy between you and the camera, and you and the actor. There’s a pace you normally don’t get in film. You didn’t know when she was on your face; you had to keep acting like acting in the theatre.
On The Lack of Women Directors
Isabel Coixet: There are so many articles about it. I’m always afraid to play the victim, to complain too much. I know there is an inequity with men and women directors. This is an issue in the world. I always say, (Coixet smiles) we have to ask for more salary to make up for all these years and maybe if we ask for more they’ll give us the same as a man.
I want to put my words where my mouth is by producing female directors; they are amazing talented people. I’m producing three short films and a feature documentary. That’s what I do.
Sarita Choudhury: I just did a young woman’s short film; there is something about her that’s brilliant. I’ve done two short films. I can’t change the caste system and I can’t do the voluntary work I need to be doing. Film is no different from the world, like Isabel said. That’s our work, to get every woman involved. And if a man is brilliant, let him in too.
I then asked Patricia Clarkson about her involvement with "Learning to Drive."
Academy Award® nominee and Emmy Award-winning actress, Patricia Clarkson, has worked extensively in independent films. The National Board of Review and the National Society of Film Critics named her Best Supporting Actress of the Year for "Pieces of April" and "The Station Agent." Her many film credits include "The Maze Runner," "Last Weekend," "Friends With Benefits," "One Day," "Easy A," "Shutter Island," "Vicky Christina Barcelona," "Elegy," "No Reservations," "All the Kings’ Men," "Lars and the Real Girl, and "Good Night, and Good Luck."
Susan Kouguell: What attracted you to the project?
Patricia Clarkson: I loved the Katha Pollit story in The New Yorker; it serendipitously came to me. I love Wendy, I love this character. I was nine years younger at the time, but I still felt I knew her. I was relentless trying to get this film made with producer Dana Friedman. I found it an equal dose of funny and tragic. I liked the almost commedia dell'arte aspect; this absurd situation and finding the tragic comedy. A woman who is brilliant who lives a great life -- she has everything, but “forgets to look up,” and then meets a man who has experienced tragic loss. They have disparate worlds. I found it a quintessential New York story, but it’s also universal. It’s an independent film, but it’s not independently-minded.
Some Final Words
The disparate worlds about which Clarkson refers to in regard to her character, Wendy’s relationship with Darwan [Ben Kingsley] -- the life of a financially successful New Yorker compared to the immigrant’s struggle, was a thematic element that I further discussed with Coixet and Choudhury. As Choudhury said to me, Coixet’s visual choices of her character, such as the moment when she watches feet walk by her basement apartment window, feeling trapped, underscore the poignancy of this fish-out-of-water situation. Coixet captures these elements with a delicate balance of both drama and comedy.
It was an inspiring morning to speak with these three powerful and talented women, who are committed to sharing their knowledge with the next generation of female filmmakers.
Award-winning screenwriter and filmmaker, Susan Kouguell teaches screenwriting at Purchase College Suny, and presents international seminars on screenwriting and film. Author of Savvy Characters Sell Screenplays! and The Savvy Screenwriter, she is chairperson of Su-City Pictures East, LLC, a consulting company founded in 1990 where she works with writers, filmmakers, and executives worldwide. www.su-city-pictures.com, http://su-city-pictures.com/wpblog...
- 8/21/2015
- by Susan Kouguell
- Sydney's Buzz
Sir Ben Kingsley is a master actor, and his co-stars know it. Patricia Clarkson and others in new film “Learning to Drive” describe the “sublime” experience of working with Kingsley in the HitFix exclusive featurette you can watch above. “Learning to Drive” premiered at last year’s Toronto International Film Festival, where it was the first runner-up for the Audience Award. Clarkson stars as Wendy, a woman whose husband has just left her for a younger woman. As a lifelong New Yorker, Wendy has never learned to drive, so to reclaim her independence, she takes driving lessons from Darwan (Kingsley), a taxi driver from India on the verge of an arranged marriage. An unlikely friendship forms between fiery Wendy and soft-spoken Darwan. The film reunites Clarkson, Kingsley and director Isabel Coixet — the three of them worked together on 2008’s “Elegy.” “Learning to Drive” opens in theaters today.
- 8/21/2015
- by Emily Rome
- Hitfix
Director Isabel Coixet’s (Elegy, Paris, je t’aime) latest film Learning to Drive brings the feel good vibes in its first trailer with Patricia Clarkson and Ben Kingsley (who worked with Coixet in Elegy). Clarkson stars as a writer going through marital issues who decides to finally take driving lessons from Ben Kingsley’s character. Set in Manhattan, the trailer suggests a feel-good story that has genuine heart and funny moments. Here’s the synopsis:
Wendy (Patrician Clarkson), a self-absorbed New York book critic, is shocked to reality by the sudden end of her marriage. Always dependent on her husband for driving, she must now learn to take the wheel on her own. Her instructor Darwan (Ben Kingsley) is a Sikh Indian who watches with alarm as his pupil falls apart at the seams. He himself is contemplating an arranged marriage with a woman he has never met. As these two lives intersect,...
Wendy (Patrician Clarkson), a self-absorbed New York book critic, is shocked to reality by the sudden end of her marriage. Always dependent on her husband for driving, she must now learn to take the wheel on her own. Her instructor Darwan (Ben Kingsley) is a Sikh Indian who watches with alarm as his pupil falls apart at the seams. He himself is contemplating an arranged marriage with a woman he has never met. As these two lives intersect,...
- 4/18/2015
- by Sarah Pearce
- SoundOnSight
Sometimes it can be feast or famine in terms of a director’s presence, because Hollywood can be a cruel development mistress. But Spanish filmmaker Isabel Coixet’s work life is fecund at the moment. Earlier this year, she unveiled her Berlin Film Festival-opener “Nobody Wants The Night,” and later this summer she’s got film number two, “Learning To Drive.” The latter film reunites her with Ben Kingsley and Patricia Clarkson, two of the stars of her 2008 movie, “Elegy.” But where that film was a dark picture about adultery, love, and the complications of relationships, “Learning To Drive” has a decidedly more cheery bent. It’s a feel-good, coming-of-middle-age comedy about a mismatched pair who help each other overcome life's road blocks. Here’s the official synopsis: Read More: Meet Isabel Coixet - 'Learning to Drive' Wendy is a fiery Manhattan author whose husband has just left...
- 4/15/2015
- by Edward Davis
- The Playlist
Complete list of winners and nominees of the 2014 Grammy Awards, held in Los Angeles at the Staples Center on Sunday February 8. Winners will be updated as they're announced during the telecast and pre-telecast. Record Of The Year “Fancy,” Iggy Azalea Featuring Charli Xcx “Chandelier,” Sia **Winner** “Stay With Me (Darkchild Version),” Sam Smith “Shake It Off,” Taylor Swift “All About That Bass,” Meghan Trainor Album Of The Year **Winner** “Morning Phase,” Beck “Beyoncé,” Beyoncé “X,” Ed Sheeran “In The Lonely Hour,” Sam Smith “Girl,” Pharrell Williams Song Of The Year “All About That Bass,” Kevin Kadish & Meghan Trainor, songwriters (Meghan Trainor) “Chandelier,” Sia Furler & Jesse Shatkin, songwriters (Sia) “Shake It Off,” Max Martin, Shellback & Taylor Swift, songwriters (Taylor Swift) **Winner** “Stay With Me (Darkchild Version),” James Napier, William Phillips & Sam Smith, songwriters (Sam Smith) “Take Me To Church,” Andrew Hozier-Byrne, songwriter (Hozier) Best New Artist Iggy Azalea Bastille Brandy Clark...
- 2/8/2015
- by Donna Dickens
- Hitfix
Oscar winner Ben Kingsley (The Boxtrolls, Iron Man 3) has joined the cast of John Pogue’s (The Quiet Ones) action thriller Wake starring Bruce Willis (Die Hard film franchise), and produced by Michael Benaroya (Lawless, Margin Call), Tobin Armbrust (A Walk Among The Tombstones, Begin Again), David Alpert (upcoming American Ultra, AMC’s ‘The Walking Dead’) and Chris Cowles (The Numbers Station, Autobahn).
International Film Trust (Ift) is handling foreign rights to the film, which they are actively selling at the European Film Market. CAA is representing the domestic sales rights.
“Sir Ben is a truly one of a kind talent, with a unique subtlety to his work. He brings characters to life and charges them with emotion and power at just the right moments. He’s a tremendous addition to this cast, I can’t wait to see what he does with Kole, this film’s powerful antagonist,...
International Film Trust (Ift) is handling foreign rights to the film, which they are actively selling at the European Film Market. CAA is representing the domestic sales rights.
“Sir Ben is a truly one of a kind talent, with a unique subtlety to his work. He brings characters to life and charges them with emotion and power at just the right moments. He’s a tremendous addition to this cast, I can’t wait to see what he does with Kole, this film’s powerful antagonist,...
- 2/8/2015
- by Michelle McCue
- WeAreMovieGeeks.com
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