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The Secret Life of Words
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The Secret Life of Words (2005) More at IMDbPro »

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Overview

User Rating:
7.6/10   4,466 votes
MOVIEmeter: ?
Down 4% in popularity this week. See rank & trends on IMDbPro.
Director:
Isabel Coixet
Writer:
Isabel Coixet (writer)
Contact:
View company contact information for The Secret Life of Words on IMDbPro.
Release Date:
21 October 2005 (Spain) more
Genre:
Drama more
Plot:
A hearing impaired factory worker gives up her first holiday in years and instead travels out to an oil rig, where she cares for a man suffering from severe burns. full summary | full synopsis
Awards:
21 wins & 14 nominations more
NewsDesk:
European Film Awards: Volver vs. Lives of Others
 (From ioncinema. 6 November 2006)

User Comments:
Not the most social film in the world more

Cast

  (Cast overview, first billed only)
Create a character page for: ?

Additional Details

Also Known As:
The Secret Life of Words (International: English title) (UK) (USA)
La vida secreta de las palabras (Spain)
La vida secreta de les paraules (Spain: Catalan title)
more
Runtime:
115 min
Country:
Spain
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital
Company:
El Deseo S.A. more

Fun Stuff

Trivia:
The oil rig used was the Borgholm Dolphin rig that was docked in Belfast at the time. more
Goofs:
Miscellaneous: In order to fly out to the rig, Hanna would have had to do a three-day off-shore survival course. There seems to be no indication that she does this in the film. more
Quotes:
Simon: Hanna?
Hanna: What?
Simon: Nothing.
Simon: Hanna?
Hanna: What?
Simon: Nothing.
more
Movie Connections:
References "The Famous Adventures of Mr. Magoo" (1964) more
Soundtrack:
All the World Is Green more

FAQ

How does it end?
more
26 out of 31 people found the following comment useful:-
Not the most social film in the world, 14 May 2006
9/10
Author: KuRt-33 (kurtaerden@yahoo.com) from Antwerp, Belgium

I have a feeling this may be one of those movies like 'The Goddess of 1967', a movie people will either love (for its beauty) or hate (and claim it's hollow trash that pretends to be intellectual).

'La Vida' is a movie that's largely based on an oil rig. An explosion has occurred, killing one guy and badly injuring a man who tried to help. The problem is: where can you find a nurse that wants to work on an oil rig? Enter Hanna Amiran, a deaf girl who has worked in a factory for four years without taking a day off. Now Hanna has been forced by the unions to take some time off. Hanna, seemingly unaware of what a vacation is, books herself a stay in a shabby hotel and is eating Chinese food when she overhears a man who's working for the oil company: "Where can we find a nurse that wants to work on an oil rig?" Hanna goes up to him and says: "I'm a nurse."

Hanna is not the most social person in the world. That she's deaf is helpful: if she doesn't want to communicate she turns off her hearing aid. Which makes her an ideal person to work on an oil rig: the captain, the cook, the biologist... all of them are pretty introvert. The thing is: when a new person is brought to the oil rig, they do want to have some social contact. But not Hanna. She's even less revealing to Josef, the man she has to nurse. Josef is badly burnt and because of the fire has lost the ability to see for a couple of weeks. Not being able to see anything, he wants to talk the whole time. Which seems to upset Hanna. She tells him his name is Cora, she lies about the colour of her hair...

Throughout the movie you'll see the secretive layers of Josef and Hanna peel off. And all of it will come to a painful climax long before the movie ends.

One of the other people on the oil rig is Simon (Daniel Mays of 'Funland'), who's sent to study the waves violently bashing against the rigs. In his own time he also studies mussels (which are affected by the pollution) and hopes that one day when the oil has been pumped out of the sea the rigs will be used to make the water cleaner. That is the bit that makes me feel some will dismiss this movie as pretentious nonsense. Hanna's history, which I won't reveal, is also a heavy subject. And yes, maybe this movie wants too much, but Coixet does manage to find a setting to make her story work and enough setting to back it up convincingly.

Maybe the movie ends a bit too positive, but after what we've heard it's okay to lose reality and dream for the best.

Polley and Robbins are very good, as are the rest of the supporting cast. The childish voice-over you hear at the beginning and the end of the movie has raised a couple of questions on internet fora as to which character it is. Some of the comments on those fora made me want to see the movie again. Which, whatever way you put it, is always a good sign.

It's hard to describe this movie as we're not dealing with 'actions', but rather the 'aftermath of actions'. Which is why the movie is both silent and talkative. Which is why we're voyeurs trying to peel off the layers too. The best (and possibly the only) way to describe this movie is by using one word: intense.

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