"Murder, She Wrote" Murder to a Jazz Beat (TV Episode 1985) Poster

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7/10
"When the Clues Go Marching On and On."
WeatherViolet5 January 2010
Familiar performers Robert Clarke, Olivia Cole, Bradford Dillman, George Kirby, Jackie Joseph, Cameron Mitchell, Garrett Morris, Ed Nelson, Clive Revill, Stan Shaw, Bobby Sherman and Glynn Turman guest star in this episode, which represents the first of four journeys for Jessica Fletcher (Angela Lansbury) into the State of Louisiana, and the first of three set in the City of New Orleans.

"Murder, She Wrote" (subject to your personal interpretation) seems to guard its characters of various ethnic descent, whether of African, Asian, European or Hispanic heritage, by portraying minorities in relatively non-violent, role model fashion of sorts, in an ambassadorship of good will to one and all. Characters representing minority groups seem rarely typecast here, and rarely as perpetrators of crimes unless, perhaps, those committed upon a peer of one's own ethnic demography, considering the times.

We're up to one of the earliest of these "MSW" episodes featuring ethnic characters included among a host of murder suspects. One may decide this 1984 outing years ahead of its time, or, perhaps behind its time, depending upon point of view. Yet, the programs handles its subject content sensitively while adding character dimension to afford those of many demographic backgrounds the opportunity to portray a character with dimension.

The story begins at a New Orleans television station, at which Jonathan Hawley (Clive Revill) invites J.B. Fletcher to be interviewed upon a book program, but wires are crossed, and Jessica arrives two days ahead of schedule. Amid a production in process, with Jackie Joseph as Actress, Robert Clarke as Actor, Mario Machado as TV Announcer, and Bruce Marchiano as Assistant Director, Jonathan invites Jessica on a tour of the city, specifically to a Jazz concert in the French Quarter.

Ben Coleman (Glynn Turman) leads a jazz band, he proficient on clarinet, and well-known as a perfectionist by those around him. Ben's wife, Callie Coleman (Olivia Cole) and Ben's assistant, Eddie Walters (Stan Shaw), sacrifice their everything to provide for Ben's success at his venture.

Eubie Sherwin (George Kirby), Jimmy Firth (Bobby Sherman) and Hec Tattersal (David Whitfield) work as instrumentalists in Ben's troupe, which performs before a gathering including Jessica and Jonathan, plus Carl Turnball (Ed Nelson), who operates the club and senses a mounting discourse among band members, some who may be forced to leave through no specific fault of their own.

One of Jonathan's television camera crews films the concert, during which, a musician staggers in place, before collapsing as the result of a fatal dosage of poison.

Doctor Aaron Kramer (Cameron Mitchell) and Doctor Allan Collyer (Michael Canavan) tend to the victim and, subsequently, identify the toxic substance, while NOPD Detective Lieutenant Simeon Kershaw (Bradford Dillman) investigates possible sources and suspects, while accepting Jessica's assistance to determine exactly how the fast-acting poison was administered during a live concert, in a "Murder to a Jazz Beat."

Cab Driver Lafayette Duquesne (Garrett Morris), who has taxied Jessica from the airport to the television station, returns to taxi Jessica around New Orleans, from the club where the murder occurs to a club where possible suspects rehearse (with Wally K. Berns as Proprietor), and from the police station to the television station, to review a tape of the performance during that fatal night, to spot idiosyncrasies which other experts may be overlooking.

Jessica keeps her eyes open for clues which seem to counter her own theories, until the showdown at the memorial park on the day of the services, as the jazz band plays its instrumental rendition of "When the Saints Go Marching On."

This episode marks the most recent television acting role to date for David Whitfield, the first of two "MSW" guest appearances each for Michael Canavan and Clive Revill, the first of three performances each for Olivia Cole, Mario Machado, Stan Shaw, Glynn Turman, the first of five performances for Ed Nelson, and the first of a record-setting eight "MSW" guest roles (as different characters) for Bradford Dillman.

Veteran film and television actor Cameron Mitchell, performing since 1945, Robert Clarke, since 1944, George Kirby, since 1951, and Wally K. Berns, since 1965, have unfortunately since passed.
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6/10
Murder and Music.
Sleepin_Dragon12 November 2017
Jessica arrives in New Orleans to give a TV interview, but greets her host Jonathan Hawley two days early. To make the most of her stay, Jessica is taken to dinner, where she meets Ben Coleman, a clarinet player of the highest calibre, a legend in the making. Ben is moving on to bigger and better things, leaving his backing team behind. To see him in action Jessica accompanies Jonathan to a performance, where they witness in horror as a member of the band collapses, dead.

I would place this among the weaker episodes in the strong first series, that is to say it's pretty good, but lacking that something extra in so many of these early episodes. She's clearly not in New Orleans, for those that have visited, and as a story it doesn't grab my attention, dare I say it, it's a little dull. Lafayette must be one of the most annoying characters to date, popping up at literally every opportunity, I mean was he stalking her?

I'll applaud it for the numerous red herrings it offers, not often do you get to see the actual event of the killing on the show, but you do here, and you begin putting scenarios together. Olivia Cole, who would appear in the show again is particularly good as Cally, and I'd say Clive Revill is also pretty good, one or two actors are a little on the wooden side.

It's a pretty good episode, 6/10
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7/10
Murder and jazz
TheLittleSongbird10 July 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

Much of Season 1 ranges between decent to great, but, while not a terrible episode (saying this knowing fellow 'Murder She Wrote' fans who think it is) it's to me one of the weaker episodes of the season. Intriguing premise that could have been executed better.

There is a good deal to like. It is very slickly filmed with typically attractive locations and fashions. The music has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune. The jazz music is nostalgic, slinky and raises the spirits.

Some of the writing is amiable and thought-provoking, and there are some moving moments in the story.

Angela Lansbury is terrific in one of her best remembered roles (one of the roles that is most closely associated with me at any rate), and Clive Revill, Glynn Turman and particularly Olivia Cole give good support.

However, the story didn't completely grab me. Some of it seemed a little dull and, despite the means of murder being clever, parts could have had more clarity. The exposition and back-story elements weren't as interesting as they could have been, still felt the episode could have gone into more detail.

While some of the script is true in spirit to the usual writing of 'Murder She Wrote' (or at least in the earlier seasons), parts are a bit dreary and blah.

Overall, above average episode but didn't completely grab me, there are better music-themed episodes. 6.5/10 Bethany Cox
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6/10
When a jazzman dies
bkoganbing16 June 2018
This MSW episode has Jessica Fletcher in New Orleans enjoying the jazz it's famous for. But when Glynn Turman dies in mid concert while Angela Lansbury among others is present it's time for JB Fletcher to spring into action.

It turns out that Turman may have been a brilliant man with a clarinet but he lacked a lot of character. Any number of people would have liked to have done him in.

Jazz was not all he was into. In fact he and his group were deep into the smuggling racket organized by their manager Cameron Mitchell. Just a way of giving them a steady income as the gigs ebb and flow.

The how was rather obvious and I can't believe it took even JB Fletcher to figure it out until the end. When she does, the who confesses.

A little dixieland jazz and you've got a musical episode of MSW.
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Get real players!
ciwilder17 April 2022
This will be a limited review. It's a pet peeve.

If you are going to spend this much close up time on musicians, get real musicians. Most of the shots are obvious.
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6/10
A bit of New Orleans.
planktonrules20 October 2022
As you no doubt, know, whenever Jessica Fletcher travels anywhere, someone is bound to get murdered. In this case, she's visiting New Orleans and ends up witnessing the poisoning death of an obnoxious and most hateful musician (Glynn Turman). Naturally, she helps the police figure out the crime and in the end, she gets the guilty person to confess.

While the ending is weak (this one, like too many episodes, relied on killers admitting their guilt), the story isn't bad. I just wish they'd actually filmed the episode in New Orleans, as it seemed more like Hollywood than New Orleans. However, Garrett Morris was most entertaining as a local.
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5/10
Murder and jazz
coltras3522 May 2022
A trip to New Orleans gets off to an eventful start when the leader of a popular jazz band is poisoned during a performance. Of course, Jessica is conveniently there to brush up the clues and find the culprit. Not the strongest episode due to being a little drab and slack in parts, it's still watchable- there's some jazz music and some good emotional acting. Angela Lansbury, as always, portrays Jessica as a shrewd and dogged detective but with a compassionate heart.
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