![Image](https://m.media-amazon.com/images/M/MV5BOWQzYzNlNTgtOTc1Ni00N2FkLWJiMzQtMmQzODNkMGY0ZDE5XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Vintage film restoration company Film Masters has partnered with the American Genere Film Archive for theatrical distribution of its catalog of restored classics.
Agfa, a non-profit genre film archive and distributor, will have restored titles available for theatrical distribution including several titles from the late Roger Corman, including “Creature From the Haunted Sea,” with Corman contributing recent commentary for the home video release. Other Corman titles available include “Beast From The Haunted Cave,” “Ski Troop Attack,” “Little Shop of Horrors,” “The Devil’s Partner” and “The Terror.” The Film Masters collection is available on Dcp for theatrical bookings immediately.
Film Masters primarily sources prints from 35mm 4K scans that have been restored for special collector’s editions on Blu-ray and DVD, as well as for streaming and broadcast, including original special features.
The collaboration with Film Masters for theatrical distribution comes on the heels of Agfa’s partnerships with Arrow Films,...
Agfa, a non-profit genre film archive and distributor, will have restored titles available for theatrical distribution including several titles from the late Roger Corman, including “Creature From the Haunted Sea,” with Corman contributing recent commentary for the home video release. Other Corman titles available include “Beast From The Haunted Cave,” “Ski Troop Attack,” “Little Shop of Horrors,” “The Devil’s Partner” and “The Terror.” The Film Masters collection is available on Dcp for theatrical bookings immediately.
Film Masters primarily sources prints from 35mm 4K scans that have been restored for special collector’s editions on Blu-ray and DVD, as well as for streaming and broadcast, including original special features.
The collaboration with Film Masters for theatrical distribution comes on the heels of Agfa’s partnerships with Arrow Films,...
- 5/17/2024
- by Jack Dunn
- Variety Film + TV
If you had to pick the leading actress of the last decade, many would probably name Emma Stone. Playing a variety of characters – from Spider-Man's girlfriend to a girl who dreams of Hollywood – the actress has become a symbol of her time. Emma makes each movie more charming than it could be without her.
Perhaps the first movie that showed viewers the range of the actress' talent was Easy A. Comedies aren't usually used as a showcase of their skills for actors, but Easy A is a very different case.
“It's an absolute show stopping performance from Emma Stone in her first leading role. […] No one who saw that film back in 2010 would have been surprised that she got a Best Actress Oscar before she was 30 and another one before she was 35,” Reddit user faithle55 wrote.
And it’s impossible to argue with that statement.
What is Easy A About?...
Perhaps the first movie that showed viewers the range of the actress' talent was Easy A. Comedies aren't usually used as a showcase of their skills for actors, but Easy A is a very different case.
“It's an absolute show stopping performance from Emma Stone in her first leading role. […] No one who saw that film back in 2010 would have been surprised that she got a Best Actress Oscar before she was 30 and another one before she was 35,” Reddit user faithle55 wrote.
And it’s impossible to argue with that statement.
What is Easy A About?...
- 4/24/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
![Taylor Swift at an event for 2019 Golden Globe Awards (2019)](https://m.media-amazon.com/images/M/MV5BZGM0YjhkZmEtNGYxYy00OTk0LThlNDgtNGQzM2YwNjU0NDQzXkEyXkFqcGdeQXVyMTU3ODQxNDYz._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Taylor Swift at an event for 2019 Golden Globe Awards (2019)](https://m.media-amazon.com/images/M/MV5BZGM0YjhkZmEtNGYxYy00OTk0LThlNDgtNGQzM2YwNjU0NDQzXkEyXkFqcGdeQXVyMTU3ODQxNDYz._V1_QL75_UX140_CR0,1,140,207_.jpg)
Taylor Swift‘s “Love Story” is the best country love song of the 2000s, if not the best country love song ever written. Surprisingly, it was inspired by a romance that never got off of the ground. The tune includes references to two classic works of literature. One of these references doesn’t make a lot of sense.
Taylor Swift’s ‘Love Story’ has a nonsensical reference to ‘The Scarlet Letter’
During a 2009 interview with Time, Swift discussed the origin of “Love Story.” “‘Love Story’ is actually about a guy that I almost dated,” he said. “But when I introduced him to my family and my friends, they all said they didn’t like him. All of them!
“For the first time, I could relate to that Romeo-and-Juliet situation where the only people who wanted them to be together were them,” she said. “That’s the most romantic song I’ve written,...
Taylor Swift’s ‘Love Story’ has a nonsensical reference to ‘The Scarlet Letter’
During a 2009 interview with Time, Swift discussed the origin of “Love Story.” “‘Love Story’ is actually about a guy that I almost dated,” he said. “But when I introduced him to my family and my friends, they all said they didn’t like him. All of them!
“For the first time, I could relate to that Romeo-and-Juliet situation where the only people who wanted them to be together were them,” she said. “That’s the most romantic song I’ve written,...
- 3/30/2024
- by Matthew Trzcinski
- Showbiz Cheat Sheet
![Taylor Swift at an event for 2019 Golden Globe Awards (2019)](https://m.media-amazon.com/images/M/MV5BZGM0YjhkZmEtNGYxYy00OTk0LThlNDgtNGQzM2YwNjU0NDQzXkEyXkFqcGdeQXVyMTU3ODQxNDYz._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Taylor Swift at an event for 2019 Golden Globe Awards (2019)](https://m.media-amazon.com/images/M/MV5BZGM0YjhkZmEtNGYxYy00OTk0LThlNDgtNGQzM2YwNjU0NDQzXkEyXkFqcGdeQXVyMTU3ODQxNDYz._V1_QL75_UX140_CR0,1,140,207_.jpg)
Taylor Swift‘s “Love Story” is the best country love song of the 2000s, if not the best country love song ever written. Surprisingly, it was inspired by a romance that never got off of the ground. The tune includes references to two classic works of literature. One of these references doesn’t make a lot of sense.
Taylor Swift’s ‘Love Story’ has a nonsensical reference to ‘The Scarlet Letter’
During a 2009 interview with Time, Swift discussed the origin of “Love Story.” “‘Love Story’ is actually about a guy that I almost dated,” he said. “But when I introduced him to my family and my friends, they all said they didn’t like him. All of them!
“For the first time, I could relate to that Romeo-and-Juliet situation where the only people who wanted them to be together were them,” she said. “That’s the most romantic song I’ve written,...
Taylor Swift’s ‘Love Story’ has a nonsensical reference to ‘The Scarlet Letter’
During a 2009 interview with Time, Swift discussed the origin of “Love Story.” “‘Love Story’ is actually about a guy that I almost dated,” he said. “But when I introduced him to my family and my friends, they all said they didn’t like him. All of them!
“For the first time, I could relate to that Romeo-and-Juliet situation where the only people who wanted them to be together were them,” she said. “That’s the most romantic song I’ve written,...
- 3/30/2024
- by Matthew Trzcinski
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BMTcwNGIyZTctMzBlOS00ZGJmLWEzMWUtZThhNDJhMjM0ODhmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BMTcwNGIyZTctMzBlOS00ZGJmLWEzMWUtZThhNDJhMjM0ODhmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
On Wednesday, April 10, 2024 The Women's Cancer Research Fund (Wcrf) Honorary Chairs Honorary Chairs Rita Wilson & Tom Hanks, along with Gala Chairs Quinn Ezralow, Kelly Chapman Meyer, Jamie Tisch and Anastasia Soare, and Co-Chairs NJ Falk, Tom Ford, Judy & Leonard Lauder, Kris Levine, Dr. Stacie J. Stephenson & Richard J Stephenson, Steve Tisch and Lori Kanter Tritsch & William P. Lauder will welcome guests to the 25th edition of An Unforgettable Evening.
The gala will return to the Beverly Wilshire, A Four Seasons Hotel, with proceeds from the event benefiting the Women’s Cancer Research Fund, a program of the Breast Cancer Research Foundation (Bcrf). Wcrf was founded by Quinn Ezralow, Marion Laurie, Kelly Chapman Meyer, Jamie Tisch and the late Anne Douglas and Renette Ezralow.
This year’s gala will recognize trailblazing actress Demi Moore with the Courage Award for her unwavering support and dedication to raising awareness for breast cancer. Philanthropist Wallis Annenberg,...
The gala will return to the Beverly Wilshire, A Four Seasons Hotel, with proceeds from the event benefiting the Women’s Cancer Research Fund, a program of the Breast Cancer Research Foundation (Bcrf). Wcrf was founded by Quinn Ezralow, Marion Laurie, Kelly Chapman Meyer, Jamie Tisch and the late Anne Douglas and Renette Ezralow.
This year’s gala will recognize trailblazing actress Demi Moore with the Courage Award for her unwavering support and dedication to raising awareness for breast cancer. Philanthropist Wallis Annenberg,...
- 3/25/2024
- Look to the Stars
![Image](https://m.media-amazon.com/images/M/MV5BMTUwZjk3NDUtMTAyOS00Mzg5LTlkNDQtNTUzMjBiOTJkMmI0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BMTUwZjk3NDUtMTAyOS00Mzg5LTlkNDQtNTUzMjBiOTJkMmI0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Anyone who’s seen Glen Powell in Richard Linklater’s terrifically enjoyable Hit Man will know he’s a bona fide movie star with charisma to burn. If you were paying attention, that was evident even in Top Gun: Maverick. And Sydney Sweeney has shown impressive range, serving delicious mean-girl snark in season one of The White Lotus, tracing a self-destructive spiral on Euphoria and demonstrating serious dramatic chops in Reality. But neither screen chemistry nor laughs can be manufactured, especially not with the kind of pedestrian writing in Will Gluck’s Anyone But You, which does nothing to reanimate the moribund studio rom-com.
Before he got busy with two Peter Rabbit movies that apparently do exist, or the unfortunate 2014 Annie remake, Gluck turned heads with the 2010 teen comedy Easy A, a contemporary take on The Scarlet Letter elevated by a star-making turn from Emma Stone. The director riffs on...
Before he got busy with two Peter Rabbit movies that apparently do exist, or the unfortunate 2014 Annie remake, Gluck turned heads with the 2010 teen comedy Easy A, a contemporary take on The Scarlet Letter elevated by a star-making turn from Emma Stone. The director riffs on...
- 12/21/2023
- by David Rooney
- The Hollywood Reporter - Movie News
![Nancy Mace](https://m.media-amazon.com/images/M/MV5BMjc5ZDkxNGMtOGQxYS00ODg3LWI0ODctZDg0ZDAyNzZkZWNiXkEyXkFqcGdeQXVyMTAyMzYwNzgw._V1_QL75_UY207_CR13,0,140,207_.jpg)
![Nancy Mace](https://m.media-amazon.com/images/M/MV5BMjc5ZDkxNGMtOGQxYS00ODg3LWI0ODctZDg0ZDAyNzZkZWNiXkEyXkFqcGdeQXVyMTAyMzYwNzgw._V1_QL75_UY207_CR13,0,140,207_.jpg)
Republican representative Nancy Mace strutted around Capitol Hill on Tuesday wearing a shirt emblazoned with a large red A, attempting to reference “The Scarlet Letter” after she voted to oust Kevin McCarthy as House Speaker. Seth Meyers thinks Mace definitely meant for the letter to stand for “a-hole.”
“I’m wearing the scarlet letter after the week that I just had, last week, being a woman up here and being demonized for my vote and for my voice,” Mace told reporters on Tuesday, when asked about the shirt. Of course, that’s not why Hester Prynne wore the brand in the book.
So, during Wednesday night’s “A Closer Look,” Meyers immediately called out Mace’s understanding of the novel.
“Did Republicans also ban the book ‘The Scarlet Letter?’ Because clearly you haven’t read it,” he mocked. “The A stands for adulterer, not, as I presume you’re using it,...
“I’m wearing the scarlet letter after the week that I just had, last week, being a woman up here and being demonized for my vote and for my voice,” Mace told reporters on Tuesday, when asked about the shirt. Of course, that’s not why Hester Prynne wore the brand in the book.
So, during Wednesday night’s “A Closer Look,” Meyers immediately called out Mace’s understanding of the novel.
“Did Republicans also ban the book ‘The Scarlet Letter?’ Because clearly you haven’t read it,” he mocked. “The A stands for adulterer, not, as I presume you’re using it,...
- 10/12/2023
- by Andi Ortiz
- The Wrap
![Image](https://m.media-amazon.com/images/M/MV5BZGNkZDJjN2EtODA3Ny00MjUxLTkxNWEtMDZmOGM3OTc1Mjg1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZGNkZDJjN2EtODA3Ny00MjUxLTkxNWEtMDZmOGM3OTc1Mjg1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,1,140,207_.jpg)
Eva Lasting (La Primera Vez) is a Colombian teen series created by Dago García starring Emmanuel Restrepo and Francisca Estévez Navas.
Eva Lasting is one of those series that finds its inspiration in great tv successes like “Those Marvelous Years” and similar ones that make memories of better times a great chance to re-live them, make us listen to songs of those times, good settings and sure-fire use of a terrain in which you either do very badly or you succeed and have an assured audience because, more than listening to this story they come to tell, what they are up to is re-living their own story.
About the Series
And, Eva Lasting series is not bad at all. It is also not a systematic repetition nor a “safe” interpretation of the Seventies: here they tell us a story and manage to create a series that is far removed from...
Eva Lasting is one of those series that finds its inspiration in great tv successes like “Those Marvelous Years” and similar ones that make memories of better times a great chance to re-live them, make us listen to songs of those times, good settings and sure-fire use of a terrain in which you either do very badly or you succeed and have an assured audience because, more than listening to this story they come to tell, what they are up to is re-living their own story.
About the Series
And, Eva Lasting series is not bad at all. It is also not a systematic repetition nor a “safe” interpretation of the Seventies: here they tell us a story and manage to create a series that is far removed from...
- 2/15/2023
- by Veronica Loop
- Martin Cid - TV
![Image](https://m.media-amazon.com/images/M/MV5BZWFlOWI2NDktOTY0Ni00ZDc4LWE3MjAtM2ZmMDRjOGY1Zjg4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Scout Willis went nude for some photo shoot memories. Pic credit: ©ImageCollect.com/Xavier Collin/ImagePressAgency
Scout Willis appeared to be feeling reflective as she shared some stunning memory snaps to her Instagram page.
Going back to the time she posed completely nude for her Love Without Possession music video, Scout stunned while offering up some major vibes for her fans.
Posting on both her main social media page and her Stories section, Scout reminisced about her time filming the video one year ago while sharing a slew of gorgeous shots from the experience.
Kicking things off with her Instagram post, Scout excitedly told her followers that she had been able to fulfill a longtime “fantasy” during the filming.
“One Year Ago Today I Got To Live Out My Lady Godiva Fantasy While Filming The ‘Love Without Possession’ Music Video!!!” she enthusiastically captioned her nude shot.
Scout could be seen...
Scout Willis appeared to be feeling reflective as she shared some stunning memory snaps to her Instagram page.
Going back to the time she posed completely nude for her Love Without Possession music video, Scout stunned while offering up some major vibes for her fans.
Posting on both her main social media page and her Stories section, Scout reminisced about her time filming the video one year ago while sharing a slew of gorgeous shots from the experience.
Kicking things off with her Instagram post, Scout excitedly told her followers that she had been able to fulfill a longtime “fantasy” during the filming.
“One Year Ago Today I Got To Live Out My Lady Godiva Fantasy While Filming The ‘Love Without Possession’ Music Video!!!” she enthusiastically captioned her nude shot.
Scout could be seen...
- 9/14/2022
- by Page Meneely
- Monsters and Critics
![Image](https://m.media-amazon.com/images/M/MV5BMjkwNWFkNjItMDcwYS00YzFlLWI0MjctZjEyNDI5ZTVjZWJjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Tucker Wiard, who served as editor for TV series including “Murphy Brown,” “The Carol Burnett Show” and “The Scarlet Letter,” died on Aug 28 in Los Angeles after complications from heart failure. He was 80.
Throughout Wiard’s decades-long career, he won five primetime Emmys for editing. Wiard won for his work in editing the final episode of “The Carol Burnett Show” at CBS in 1978, the four-episode Wgbh series “The Scarlet Letter” in 1979 and the television special “American Bandstand’s 30th Anniversary Special” in 1982. Two episodes of “Murphy Brown” — “Respect” and “On Another Plane” — also won Wiard primetime Emmys. He was nominated a total of 11 times.
Among his other TV editing credits were “All in the Family,” “Good Times,” “Detective School,” “Steambath,” “Alice,” “Charles in Charge” and “Nikki.”
Wiard was born in Detroit, Michigan in 1941 and raised nearby in Lansing. After graduating from Michigan State University in 1962 with a major in radio and television,...
Throughout Wiard’s decades-long career, he won five primetime Emmys for editing. Wiard won for his work in editing the final episode of “The Carol Burnett Show” at CBS in 1978, the four-episode Wgbh series “The Scarlet Letter” in 1979 and the television special “American Bandstand’s 30th Anniversary Special” in 1982. Two episodes of “Murphy Brown” — “Respect” and “On Another Plane” — also won Wiard primetime Emmys. He was nominated a total of 11 times.
Among his other TV editing credits were “All in the Family,” “Good Times,” “Detective School,” “Steambath,” “Alice,” “Charles in Charge” and “Nikki.”
Wiard was born in Detroit, Michigan in 1941 and raised nearby in Lansing. After graduating from Michigan State University in 1962 with a major in radio and television,...
- 8/30/2022
- by Carson Burton
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZGEwMDM0MDQtYjk2ZC00MWFlLWJmMjEtODZmYmE4OWZjZTg2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Tucker Wiard, who won five Emmys as a TV editor behind landmark comedy series including The Carol Burnett Show and the entire run of Murphy Brown, died August 28 in Los Angeles from complications due to heart failure, his family said. He was 80.
Born in Detroit in 1941 and raised in Lansing, Mi, Wiard attended Michigan State where his major was Radio/Television. In 1962 he joined the Army where he designed and built the studio and remote videotape department at Fort Benning in Georgia.
Hollywood & Media Deaths 2022: A Photo Gallery
Wiard moved to Los Angeles in 1968 and worked in the videotape department at CBS; his first video tape editor credits came on the network’s The Red Skelton Hour the next year. He followed that with credits on Norman Lear’s All in the Family and Good Times before joining The Carol Burnett Show. He was editor on 48 episodes of the show’s run,...
Born in Detroit in 1941 and raised in Lansing, Mi, Wiard attended Michigan State where his major was Radio/Television. In 1962 he joined the Army where he designed and built the studio and remote videotape department at Fort Benning in Georgia.
Hollywood & Media Deaths 2022: A Photo Gallery
Wiard moved to Los Angeles in 1968 and worked in the videotape department at CBS; his first video tape editor credits came on the network’s The Red Skelton Hour the next year. He followed that with credits on Norman Lear’s All in the Family and Good Times before joining The Carol Burnett Show. He was editor on 48 episodes of the show’s run,...
- 8/30/2022
- by Patrick Hipes
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BY2Q0NmIzMzAtZjQzYy00MGU4LTkwYTQtOTc3OWJjNGZlNGEzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BY2Q0NmIzMzAtZjQzYy00MGU4LTkwYTQtOTc3OWJjNGZlNGEzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Click here to read the full article.
Tucker Wiard, a five-time Emmy-winning film editor who worked on The Carol Burnett Show, Alice and all 10 seasons of the original Murphy Brown, has died. He was 80.
Wiard died Sunday in Los Angeles of complications from heart failure, his wife, Nancy Bradley Wiard, a former producer on the CBS soap opera The Young and the Restless, announced.
Wiard also cut episodes of such comedies as All in the Family, Good Times, Night Court, Charles in Charge, My Sister Sam and The Drew Carey Show before he retired in 2009.
Wiard earned eight of his 12 career Emmy noms for his work on CBS’ Murphy Brown, winning in 1989 for its pilot episode, “Respect,” and for a 1991 installment, “On Another Plane.” From 1988-1998, he cut 160 episodes, including the original finale, of the Candice Bergen starrer.
He worked on CBS’ The Carol Burnett Show from 1976-78, winning his...
Tucker Wiard, a five-time Emmy-winning film editor who worked on The Carol Burnett Show, Alice and all 10 seasons of the original Murphy Brown, has died. He was 80.
Wiard died Sunday in Los Angeles of complications from heart failure, his wife, Nancy Bradley Wiard, a former producer on the CBS soap opera The Young and the Restless, announced.
Wiard also cut episodes of such comedies as All in the Family, Good Times, Night Court, Charles in Charge, My Sister Sam and The Drew Carey Show before he retired in 2009.
Wiard earned eight of his 12 career Emmy noms for his work on CBS’ Murphy Brown, winning in 1989 for its pilot episode, “Respect,” and for a 1991 installment, “On Another Plane.” From 1988-1998, he cut 160 episodes, including the original finale, of the Candice Bergen starrer.
He worked on CBS’ The Carol Burnett Show from 1976-78, winning his...
- 8/30/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BMDBjNTBkNzItOThhMy00MjQ2LWE3NGItMDMyZDg5YzIyNDc3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
When Neil Gaiman's "Sandman," one of the most stirring and enveloping sagas I've ever experienced in any medium, at long last found safe harbor at Netflix, I was relieved. Even if the live-action adaptation of arguably the greatest comic book series ever written fell short of my fevered imagination, it would at least be realized on the author's terms. And this was important to me not only because I adore the work, but because I know how very, very wrong it could've gone had Warner Bros. moved forward with William Farmer's rewrite of Ted Elliott and Terry Rossio's screenplay adaptation in 1998.
Everything I just said about "Sandman" as a comic book? The extreme opposite goes for Farmer's script. We've seen great works of fiction travestied by misguided screenplays: Brian De Palma's "The Bonfire of the Vanities" is a miscast gutter-ball that veers from satire to caricature...
Everything I just said about "Sandman" as a comic book? The extreme opposite goes for Farmer's script. We've seen great works of fiction travestied by misguided screenplays: Brian De Palma's "The Bonfire of the Vanities" is a miscast gutter-ball that veers from satire to caricature...
- 8/26/2022
- by Jeremy Smith
- Slash Film
![Image](https://m.media-amazon.com/images/M/MV5BZGMyM2RmMDktOTQzYi00ZmNlLWE2MTktN2FlZGFhYThjMDI1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZGMyM2RmMDktOTQzYi00ZmNlLWE2MTktN2FlZGFhYThjMDI1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Malia Pyles, Maia Reficco, Zaria, Chandler Kinney, and Bailee Madison in ‘Pretty Little Liars: Original Sin’ episode 8 (Photograph by Karolina Wojtasik/HBO Max)
HBO Max’s Pretty Little Liars: Original Sin episode eight opens with the girls freaking out as they head into their usual decision spot: the ladies room. Episode seven ended with A sending a text with a photo of Tyler, dead. Tabby (Chandler Kinney) admits she thought A would kill Tyler and Mouse (Malia Pyles) begs them to call the police.
Faran (Zaria) wants to forward the photo to the cops but Tabby thinks since A sent it to them, he’d know how the cops got it. Mouse points out that A’s killed at least two people and Faran adds they were all horrible people. Imogen (Bailee Madison) thinks they need to get back to the basics and investigate the sixth signature from the Radley log.
HBO Max’s Pretty Little Liars: Original Sin episode eight opens with the girls freaking out as they head into their usual decision spot: the ladies room. Episode seven ended with A sending a text with a photo of Tyler, dead. Tabby (Chandler Kinney) admits she thought A would kill Tyler and Mouse (Malia Pyles) begs them to call the police.
Faran (Zaria) wants to forward the photo to the cops but Tabby thinks since A sent it to them, he’d know how the cops got it. Mouse points out that A’s killed at least two people and Faran adds they were all horrible people. Imogen (Bailee Madison) thinks they need to get back to the basics and investigate the sixth signature from the Radley log.
- 8/24/2022
- by Alison Helms
- Showbiz Junkies
![Philip Seymour Hoffman, Joaquin Phoenix, and Amy Adams in The Master (2012)](https://m.media-amazon.com/images/M/MV5BMTQ2NjQ5MzMwMF5BMl5BanBnXkFtZTcwMjczNTAzOA@@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Philip Seymour Hoffman, Joaquin Phoenix, and Amy Adams in The Master (2012)](https://m.media-amazon.com/images/M/MV5BMTQ2NjQ5MzMwMF5BMl5BanBnXkFtZTcwMjczNTAzOA@@._V1_QL75_UX140_CR0,0,140,207_.jpg)
This review of “Master” was first published on Jan. 21, 2022, following its premiere at Sundance.
Writer-director Mariama Diallo’s debut feature “Master” doesn’t just blur the lines between the horror genre and institutionalized racism; it convincingly argues that there’s no meaningful difference.
If ghost stories are all about people forced to live with a traumatic past, then surely every inch of America is haunted. Racism isn’t a specter hiding in our attic; it’s a malevolent force that infects every surface in the country, and it seems to flourish the most in monuments to white power.
“Master” tells the story of two women at Ancaster College, a fictional institute of higher learning that’s as old as the United States itself. Regina Hall stars as Gail Bishop, the first woman of color to become the “master” of a residence hall, but her home is haunted by ghosts of...
Writer-director Mariama Diallo’s debut feature “Master” doesn’t just blur the lines between the horror genre and institutionalized racism; it convincingly argues that there’s no meaningful difference.
If ghost stories are all about people forced to live with a traumatic past, then surely every inch of America is haunted. Racism isn’t a specter hiding in our attic; it’s a malevolent force that infects every surface in the country, and it seems to flourish the most in monuments to white power.
“Master” tells the story of two women at Ancaster College, a fictional institute of higher learning that’s as old as the United States itself. Regina Hall stars as Gail Bishop, the first woman of color to become the “master” of a residence hall, but her home is haunted by ghosts of...
- 3/18/2022
- by William Bibbiani
- The Wrap
![Image](https://m.media-amazon.com/images/M/MV5BN2RmN2E0NDUtZGIyYy00ZTMzLTg5YWMtNjY0YmQ2Y2UxZjk4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
There is something inherently unsettling about an elite university’s aura of vanity. Few other contemporary locations summon such a sense of reverence, exclusivity and historical angst — especially if the college is somewhere in brisk New England and adorned with the Ivy League distinction. Through an unnerving blend of supernatural horror and psychological drama, fiercely talented writer-director Mariama Diallo’s debut feature “Master” reflects on the roots and customs of one such illustrious school of eerily beautiful stone buildings and handsomely dim, wood-heavy chambers. It’s a fictional prototype called Ancaster, erected near where the Salem witch trials were once carried out. Diallo knows exactly what makes the grounds and hallways of these often lily-white institutions spine-tingling as she dissects their historical footprint, real and imagined, through the ghosts of those who left it.
The result is a stylish, sometimes terrifying genre film that shares DNA with Nia DaCosta’s “Candyman,...
The result is a stylish, sometimes terrifying genre film that shares DNA with Nia DaCosta’s “Candyman,...
- 1/22/2022
- by Tomris Laffly
- Variety Film + TV
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
In 2010, Emma Stone, Penn Badgley and Aly Michalka put a modern twist on the famed novel The Scarlet Letter with the movie Easy A. And while Nathaniel Hawthorne never wrote a sequel to his 1850 book, Aly exclusively tells E! News, "There are talks that there might be a sequel." And no, this isn't just a rumor. The "Potential Breakup Song" singer says, "That actually is semi real," with the small caveat that it wouldn't necessarily follow Olive (Emma) and Todd (Penn). She shares, "It would be kind of like a new retelling but you'd see some of the characters from the original come back into the story." If that doesn't come to fruition,...
- 7/25/2021
- E! Online
![Image](https://m.media-amazon.com/images/M/MV5BZjgxOWYxYWMtNjYwZS00NTUyLTkxOTItNzNjZWFmYjEyNDhkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BZjgxOWYxYWMtNjYwZS00NTUyLTkxOTItNzNjZWFmYjEyNDhkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Maitreyi Ramakrishnan is going from TV star to leading lady. After rising to superstardom with Never Have I Ever, the 19-year-old has booked her first film role with The Netherfield Girls. The Netflix film will be a "fresh and contemporary" take on Jane Austen's Pride and Prejudice and is already being compared to iconic literary adaptations like Emma Stone's Easy A, which was inspired by The Scarlet Letter, and Julia Stiles's 10 Things I Hate About You, which was based on William Shakespeare's The Taming of the Shrew. Based on that description alone, we are already on board.
Ramakrishnan is set to play the film's main character, Lizzie Bennet, who is the the protagonist of Austen's 1813 novel. Becca Gleason is also set to direct from an original script she wrote. The film isn't the only Austen remake Netflix has in the works. It's also adapting Persuasion with Dakota Johnson,...
Ramakrishnan is set to play the film's main character, Lizzie Bennet, who is the the protagonist of Austen's 1813 novel. Becca Gleason is also set to direct from an original script she wrote. The film isn't the only Austen remake Netflix has in the works. It's also adapting Persuasion with Dakota Johnson,...
- 6/3/2021
- by Kelsie Gibson
- Popsugar.com
![Image](https://m.media-amazon.com/images/M/MV5BYWNlYzhiOWEtNTlmMS00N2UxLWI0NzUtODZlZjhlYTdmYzFhXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Season 2 of Apple TV+’s “Dickinson” is a story about whether or not to seek fame, and that plotline could just as easily be applied to Anna Baryshnikov, who plays Emily Dickinson’s (Hailee Steinfeld) sister, Lavinia. “I really tried to go into the show telling myself I was an Emily,” Baryshnikov told IndieWire. And so, despite not playing a character as well known, the actress made Lavinia into someone just as unique.
Baryshnikov took Lavinia, who started Season 1 as a cat-loving young woman desperate for normalcy, and transitioned her into a fun and sexily awkward character. When the series debuted, the actress explained she was more focused on the source material and translating “Vinnie” from page to screen. Season 2 was different. “I found a groove of working off of the character we created in Season 1 and getting to dip back into the historical facts when I felt I was getting lost or needed inspiration,...
Baryshnikov took Lavinia, who started Season 1 as a cat-loving young woman desperate for normalcy, and transitioned her into a fun and sexily awkward character. When the series debuted, the actress explained she was more focused on the source material and translating “Vinnie” from page to screen. Season 2 was different. “I found a groove of working off of the character we created in Season 1 and getting to dip back into the historical facts when I felt I was getting lost or needed inspiration,...
- 5/26/2021
- by Kristen Lopez
- Indiewire
![Kevin Conway](https://m.media-amazon.com/images/M/MV5BMTAxNzgxODMwNTVeQTJeQWpwZ15BbWU3MDM3NTQyMzE@._V1_QL75_UY207_CR11,0,140,207_.jpg)
![Kevin Conway](https://m.media-amazon.com/images/M/MV5BMTAxNzgxODMwNTVeQTJeQWpwZ15BbWU3MDM3NTQyMzE@._V1_QL75_UY207_CR11,0,140,207_.jpg)
Kevin Conway, known for his roles in films like “Gettysburg” and ‘Thirteen Days,” died Wednesday of a heart attack. He was 77.
Conway’s manager confirmed the news to TheWrap. Conway’s first major screen role was the 1972 film “Slaughterhouse Five,” based on the novel by Kurt Vonnegut. He then went on to star in the 1988 film “Funny Farm,” as well as the 2000 historical drama “Thirteen Days” and the 2006 Disney film “Invincible.”
His other credits include “Civil War Duology: Gods and Generals,” and in 1987, he directed the independent film “The Sun and the Moon.”
Also Read: Kirk Douglas, 'Spartacus' Star and Legend of Hollywood's Golden Age, Dies at 103
His TV work includes the 1979 production of “The Scarlet Letter,” as well as NBC’s “Homicide: Life on the Street.” Conway also had a career on stage — his off-Broadway credits include “One Flew Over the Cuckoo’s Nest,” “The Elephant Man,” “Other People’s Money,...
Conway’s manager confirmed the news to TheWrap. Conway’s first major screen role was the 1972 film “Slaughterhouse Five,” based on the novel by Kurt Vonnegut. He then went on to star in the 1988 film “Funny Farm,” as well as the 2000 historical drama “Thirteen Days” and the 2006 Disney film “Invincible.”
His other credits include “Civil War Duology: Gods and Generals,” and in 1987, he directed the independent film “The Sun and the Moon.”
Also Read: Kirk Douglas, 'Spartacus' Star and Legend of Hollywood's Golden Age, Dies at 103
His TV work includes the 1979 production of “The Scarlet Letter,” as well as NBC’s “Homicide: Life on the Street.” Conway also had a career on stage — his off-Broadway credits include “One Flew Over the Cuckoo’s Nest,” “The Elephant Man,” “Other People’s Money,...
- 2/7/2020
- by Beatrice Verhoeven
- The Wrap
![Kevin Conway](https://m.media-amazon.com/images/M/MV5BMTAxNzgxODMwNTVeQTJeQWpwZ15BbWU3MDM3NTQyMzE@._V1_QL75_UY207_CR11,0,140,207_.jpg)
![Kevin Conway](https://m.media-amazon.com/images/M/MV5BMTAxNzgxODMwNTVeQTJeQWpwZ15BbWU3MDM3NTQyMzE@._V1_QL75_UY207_CR11,0,140,207_.jpg)
Kevin Conway, a veteran actor known for his work in Gettysburg, Thirteen Days and Invincible, among others, died Wednesday of a heart attack, his publicist told Deadline. He was 77.
New York City-born Conway worked as an Ibm sales analyst before becoming an actor at age 24. He went on to a decades-long career with dozens of credits in film, television and on the stage. His first major screen role was playing Roland Weary in the 1972 film Slaughterhouse Five, based on the Kurt Vonnegut novel. He went on to play Crum Petree, the insane mailman in the 1988 film Funny Farm; Frank Papale in the 2006 Disney football drama Invincible; and General Curtis LeMay in the 2000 historical drama Thirteen Days. He also played the fictional Sgt. Buster Kilrain in Ron Maxwell’s 1993 epic Gettysburg (see photo above) and its 2003 follow-up Gods and Generals.
His television work included playing Roger Chillingworth in a 1979 TV production of The Scarlet Letter,...
New York City-born Conway worked as an Ibm sales analyst before becoming an actor at age 24. He went on to a decades-long career with dozens of credits in film, television and on the stage. His first major screen role was playing Roland Weary in the 1972 film Slaughterhouse Five, based on the Kurt Vonnegut novel. He went on to play Crum Petree, the insane mailman in the 1988 film Funny Farm; Frank Papale in the 2006 Disney football drama Invincible; and General Curtis LeMay in the 2000 historical drama Thirteen Days. He also played the fictional Sgt. Buster Kilrain in Ron Maxwell’s 1993 epic Gettysburg (see photo above) and its 2003 follow-up Gods and Generals.
His television work included playing Roger Chillingworth in a 1979 TV production of The Scarlet Letter,...
- 2/7/2020
- by Denise Petski
- Deadline Film + TV
![Michael Cera in Scott Pilgrim vs. the World (2010)](https://m.media-amazon.com/images/M/MV5BNWI5ODc4MTAtN2U2NC00ZDk3LWE3NjAtNjIyODE2YTlhYjYwXkEyXkFqcGdeQXVyOTA3ODI3NDA@._V1_QL75_UY207_CR4,0,140,207_.jpg)
![Michael Cera in Scott Pilgrim vs. the World (2010)](https://m.media-amazon.com/images/M/MV5BNWI5ODc4MTAtN2U2NC00ZDk3LWE3NjAtNjIyODE2YTlhYjYwXkEyXkFqcGdeQXVyOTA3ODI3NDA@._V1_QL75_UY207_CR4,0,140,207_.jpg)
Hollywood studios have historically relied on typically cheaper and often endearing romantic comedy to fill out slates. The genre had its ups and downs during the 2000s, but studios and audiences rekindled their love affair with rom-coms over the course of the decade. Here’s a list of some of the most memorable romantic comedies from the 2010s.
“Scott Pilgrim vs. the World” (2010) There are more than a few genre-bending films on this list, but maybe none more interesting and ambitious than “Scott Pilgrim vs. The World.” This meta, cult classic rom-com co-written and directed by Edgar Wright blends rom-com tropes with comic books as Scott Pilgrim, played by Michael Cera, fights off The League of Evil Exes in order to win the heart of the girl he’s fallen for, Ramona Flowers, played by Mary Elizabeth Winstead. The film truly is singular. And in addition to Winstead and Cera,...
“Scott Pilgrim vs. the World” (2010) There are more than a few genre-bending films on this list, but maybe none more interesting and ambitious than “Scott Pilgrim vs. The World.” This meta, cult classic rom-com co-written and directed by Edgar Wright blends rom-com tropes with comic books as Scott Pilgrim, played by Michael Cera, fights off The League of Evil Exes in order to win the heart of the girl he’s fallen for, Ramona Flowers, played by Mary Elizabeth Winstead. The film truly is singular. And in addition to Winstead and Cera,...
- 1/1/2020
- by Trey Williams
- The Wrap
Blast from the past: Easy A is getting a spinoff movie! Entertainment Weekly announced the news on Thursday, confirming that Screen Gems, a Sony Pictures studio, has plans to work on the new film, which will take place at the same Ojai North High School in California as the original. The teen comedy from 2010 starred Emma Stone and catapulted her into the spotlight. It also included Penn Badgley, Amanda Bynes, Lisa Kudrow, Stanley Tucci, and Aly Michalka, but there's no word on who will be in the spinoff cast.
However, Easy A's screenwriter Bert Royal is set to write and direct the film, so it's in good hands. Stone, who played Olive Penderghast in the movie inspired by The Scarlet Letter, has since gone on to star in major motion pictures like The Favourite and La La Land. We're excited to find out who's cast in the new version almost a decade later.
However, Easy A's screenwriter Bert Royal is set to write and direct the film, so it's in good hands. Stone, who played Olive Penderghast in the movie inspired by The Scarlet Letter, has since gone on to star in major motion pictures like The Favourite and La La Land. We're excited to find out who's cast in the new version almost a decade later.
- 6/27/2019
- by Erin Cullum
- Popsugar.com
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
Emma Stone is recovering after falling and injuring herself.
A source close to the actress tells People Stone, 30, hurt her shoulder after “slipping on a floor” at a home.
It is currently not clear if the painful incident took place at a property where she is staying in London ahead of her new film project or another residence.
The accident did not happen at a Spice Girls reunion concert, says the source, despite a report that Stone broke her shoulder after tumbling off a pal’s shoulders while watching her favorite band.
Spice Girls member Emma Bunton shared an Instagram...
A source close to the actress tells People Stone, 30, hurt her shoulder after “slipping on a floor” at a home.
It is currently not clear if the painful incident took place at a property where she is staying in London ahead of her new film project or another residence.
The accident did not happen at a Spice Girls reunion concert, says the source, despite a report that Stone broke her shoulder after tumbling off a pal’s shoulders while watching her favorite band.
Spice Girls member Emma Bunton shared an Instagram...
- 6/26/2019
- by Robyn Merrett
- PEOPLE.com
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
Emma Stone became a star after her breakout appearance in Superbad back in 2007, but her first major solo lead performance was in the 2010 comedy Easy A, a then-modern riff on Nathaniel Hawthorne’s literary classic The Scarlet Letter. Now, nearly a decade later, an Easy A spin-off film is officially in the works at Screen Gems. According […]
The post ‘Easy A’ Spin-Off Movie in Development, Original Film’s Writer to Write and Direct appeared first on /Film.
The post ‘Easy A’ Spin-Off Movie in Development, Original Film’s Writer to Write and Direct appeared first on /Film.
- 6/21/2019
- by Ben Pearson
- Slash Film
![Emma Stone in Easy A (2010)](https://m.media-amazon.com/images/M/MV5BMjE1MzU1Mjg1OF5BMl5BanBnXkFtZTcwNDc3NDQ2Mw@@._V1_QL75_UY207_CR0,0,140,207_.jpg)
![Emma Stone in Easy A (2010)](https://m.media-amazon.com/images/M/MV5BMjE1MzU1Mjg1OF5BMl5BanBnXkFtZTcwNDc3NDQ2Mw@@._V1_QL75_UY207_CR0,0,140,207_.jpg)
Screen Gems is developing a spinoff film to “Easy A,” the 2010 comedy that helped launch Emma Stone to leading lady stardom. The studio has tapped Bert Royal, the original screenwriter on the film, to write and direct the currently untitled spinoff, an individual with knowledge told TheWrap.
Royal, who is a writer and executive producer on the Freeform series “Recovery Road,” will make his directorial debut on the film. Zanne Devine is also returning to produce the spinoff movie.
“Easy A” was an updated, teen comedy take on “The Scarlet Letter,” in which a clean-cut student gets ahead in her social standing by making up a rumor and proudly flaunting the idea that she’s sexually promiscuous, despite that being a lie. The new film will be set at the same high school and will explore many of the similar themes as the original.
Also Read: 'Crazy Rich Asians...
Royal, who is a writer and executive producer on the Freeform series “Recovery Road,” will make his directorial debut on the film. Zanne Devine is also returning to produce the spinoff movie.
“Easy A” was an updated, teen comedy take on “The Scarlet Letter,” in which a clean-cut student gets ahead in her social standing by making up a rumor and proudly flaunting the idea that she’s sexually promiscuous, despite that being a lie. The new film will be set at the same high school and will explore many of the similar themes as the original.
Also Read: 'Crazy Rich Asians...
- 6/20/2019
- by Brian Welk
- The Wrap
The college censorship debate has reached Hollywood. More than 50 prominent artists, writers, and film scholars are supporting the restoration of the names of the Gish sisters, Dorothy and Lillian, to a film theater at Bowling Green State University in Ohio.
The letter accuses the university of making “a scapegoat in a broader political debate.” Among those signing their names are James Earl Jones, Helen Mirren, Martin Scorsese, George Stevens Jr., Bertrand Tavernier, Malcolm McDowell, Lauren Hutton, Joe Dante, and Taylor Hackford. The letter is a response to Bowling Green’s May 3 decision to change the name of the Gish Theater because of Lillian Gish’s acting role in D. W. Griffith’s incendiary 1915 silent film “The Birth of a Nation.”
“The Birth of a Nation” has been called one of the most racist films ever made, and it’s credited with leading to the resurgence of the Ku Klux Klan in America.
The letter accuses the university of making “a scapegoat in a broader political debate.” Among those signing their names are James Earl Jones, Helen Mirren, Martin Scorsese, George Stevens Jr., Bertrand Tavernier, Malcolm McDowell, Lauren Hutton, Joe Dante, and Taylor Hackford. The letter is a response to Bowling Green’s May 3 decision to change the name of the Gish Theater because of Lillian Gish’s acting role in D. W. Griffith’s incendiary 1915 silent film “The Birth of a Nation.”
“The Birth of a Nation” has been called one of the most racist films ever made, and it’s credited with leading to the resurgence of the Ku Klux Klan in America.
- 6/19/2019
- by Jude Dry
- Indiewire
The House of the Seven Gables
Blu ray
Kino Lorber
1940 / 1:33:1 / 89 Min.
Starring Margaret Lindsay, Vincent Price, George Sanders
Written by Lester Cole
Cinematography by Milton R. Krasner
Directed by Joe May
In 1940’s The House of the Seven Gables, Margaret Lindsay transforms from sunny romantic to stone-faced recluse in the blink of an eye – her startling performance gives a 20th century hot foot to Universal’s 19th century melodrama.
Published in 1851, Nathaniel Hawthorne’s novel is set during the new era of enlightenment – a superstitious few may resist but the wheels of change are turning – just not fast enough for the Pyncheon family, a seemingly cursed dynasty plagued by corruption and cruelty.
Lindsay plays Hepzibah Pyncheon whose lover Clifford has been framed by his brother Jaffrey for the death of their father. A cold-blooded fop maintaining the family’s avaricious tradition, Jaffrey covets the distinctly gabled ancestral home and its hidden treasures.
Blu ray
Kino Lorber
1940 / 1:33:1 / 89 Min.
Starring Margaret Lindsay, Vincent Price, George Sanders
Written by Lester Cole
Cinematography by Milton R. Krasner
Directed by Joe May
In 1940’s The House of the Seven Gables, Margaret Lindsay transforms from sunny romantic to stone-faced recluse in the blink of an eye – her startling performance gives a 20th century hot foot to Universal’s 19th century melodrama.
Published in 1851, Nathaniel Hawthorne’s novel is set during the new era of enlightenment – a superstitious few may resist but the wheels of change are turning – just not fast enough for the Pyncheon family, a seemingly cursed dynasty plagued by corruption and cruelty.
Lindsay plays Hepzibah Pyncheon whose lover Clifford has been framed by his brother Jaffrey for the death of their father. A cold-blooded fop maintaining the family’s avaricious tradition, Jaffrey covets the distinctly gabled ancestral home and its hidden treasures.
- 5/11/2019
- by Charlie Largent
- Trailers from Hell
Roland Joffe will direct the independent mobster drama “The Legitimate Wiseguy,” Variety has learned exclusively.
Joffe received Academy Award nominations for best director for “The Killing Fields” and “The Mission,” which won the Palme d’Or at the Cannes Film Festival in 1986. He also helmed “The Scarlet Letter,” “The Forgiven,” “City of Joy,” “Time Traveller,” and “There Be Dragons.”
“The Legitimate Wiseguy” is based on the true coming-of-age story of veteran writer/producer Nicholas Celozzi, and centers on his relationship with Tony Spilotro, a mob enforcer who was the inspiration behind Joe Pesci’s character of Nicholas “Nicky” Santoro in Martin Scorsese’s 1995 film “Casino.” Spilotro was murdered in 1986.
“Though Tony and I had a father-son relationship, I was playing checkers while he was playing chess,” Celozzi said. “He was always many moves ahead of me.”
Monaco Films is founded by Celozzi and partner Michael Sportelli, who will co-produce “The...
Joffe received Academy Award nominations for best director for “The Killing Fields” and “The Mission,” which won the Palme d’Or at the Cannes Film Festival in 1986. He also helmed “The Scarlet Letter,” “The Forgiven,” “City of Joy,” “Time Traveller,” and “There Be Dragons.”
“The Legitimate Wiseguy” is based on the true coming-of-age story of veteran writer/producer Nicholas Celozzi, and centers on his relationship with Tony Spilotro, a mob enforcer who was the inspiration behind Joe Pesci’s character of Nicholas “Nicky” Santoro in Martin Scorsese’s 1995 film “Casino.” Spilotro was murdered in 1986.
“Though Tony and I had a father-son relationship, I was playing checkers while he was playing chess,” Celozzi said. “He was always many moves ahead of me.”
Monaco Films is founded by Celozzi and partner Michael Sportelli, who will co-produce “The...
- 1/17/2019
- by Dave McNary
- Variety Film + TV
Alfred Hitchcock’s nearly perfect romantic spy thriller teams Cary Grant with Ingrid Bergman to yield just what audiences wanted in 1946, an adult drama with menacing political themes… and an unusually adult approach to a perverse sex relationship!
Notorious
Blu-ray
The Criterion Collection 137
1946 / B&W / 1:37 flat Academy / 101 min. / available through The Criterion Collection / Street Date January 15, 2018 / 39.95
Starring: Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern, Madame Konstantin, Reinhold Schunzel.
Cinematography: Ted Tetzlaff
Film Editor: Theron Warth
Original Music: Roy Webb
Written by Ben Hecht
Produced by Alfred Hitchcock, Barbara Keon
Directed by Alfred Hitchcock
Along with the best of Hollywood, Rko had a banner year in 1946, profiting from several films produced in conjunction with David O. Selznick, a super-agent who profited six ways to sundown by providing his personally contracted talent. Probably the best of the Selznick-owned Hitchcocks and still the most dramatically satisfying product of that producer-director arrangement,...
Notorious
Blu-ray
The Criterion Collection 137
1946 / B&W / 1:37 flat Academy / 101 min. / available through The Criterion Collection / Street Date January 15, 2018 / 39.95
Starring: Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern, Madame Konstantin, Reinhold Schunzel.
Cinematography: Ted Tetzlaff
Film Editor: Theron Warth
Original Music: Roy Webb
Written by Ben Hecht
Produced by Alfred Hitchcock, Barbara Keon
Directed by Alfred Hitchcock
Along with the best of Hollywood, Rko had a banner year in 1946, profiting from several films produced in conjunction with David O. Selznick, a super-agent who profited six ways to sundown by providing his personally contracted talent. Probably the best of the Selznick-owned Hitchcocks and still the most dramatically satisfying product of that producer-director arrangement,...
- 12/29/2018
- by Glenn Erickson
- Trailers from Hell
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Emma Stone at an event for Birdman or (The Unexpected Virtue of Ignorance) (2014)](https://m.media-amazon.com/images/M/MV5BMjI4NjM1NDkyN15BMl5BanBnXkFtZTgwODgyNTY1MjE@._V1_QL75_UX140_CR0,2,140,207_.jpg)
Emma Stone celebrates her 30th birthday on November 6, 2018. The Oscar-winning actress has extra reason to rejoice this year, since her new film “The Favourite” could land her back in the awards race when it’s released on November 23. In honor of her birthday, let’s take a look back at 12 of her greatest films, ranked worst to best.
Stone began acting at an early age, making television appearances as a teenager in such shows as “Medium,” “Malcolm in the Middle,” and “Lucky Louie.” She transitioned to film with a prominent role in the high school sex romp “Superbad” (2007). Just three years later, she was competing at the Golden Globes as Best Comedy/Musical Actress for her lead role in “Easy A” (2010).
It took four more years for Stone to reap her first Oscar bid: Best Supporting Actress for “Birdman” (2014). She may have lost to Patricia Arquette (“Boyhood”), but the groundwork...
Stone began acting at an early age, making television appearances as a teenager in such shows as “Medium,” “Malcolm in the Middle,” and “Lucky Louie.” She transitioned to film with a prominent role in the high school sex romp “Superbad” (2007). Just three years later, she was competing at the Golden Globes as Best Comedy/Musical Actress for her lead role in “Easy A” (2010).
It took four more years for Stone to reap her first Oscar bid: Best Supporting Actress for “Birdman” (2014). She may have lost to Patricia Arquette (“Boyhood”), but the groundwork...
- 11/6/2018
- by Zach Laws and Chris Beachum
- Gold Derby
![Robby Müller](https://m.media-amazon.com/images/M/MV5BMTJhN2E0YmYtOTZhNi00Y2FkLWJjNzMtMTc1MzE5NDIzYzllXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UX500_CR0,29,500,281_.jpg)
Dutch cinematographer Robby Muller, whose credits spanned such films as Repo Man; Paris, Texas; Breaking The Waves; and To Live And Die In La, has passed away. His family told local media in Amsterdam that he died on Tuesday after a long illness. He was 78.
Müller was known as the “Master of Light” and drew comparisons to another famous Dutchman, “Girl With A Pearl Earring” painter Johannes Vermeer. Trained at the Netherlands Film Academy, Müller began his feature career with Wim Wenders’ German title Summer In The City in 1970. That kicked off a long collaboration with Wenders which went on to include The Scarlet Letter, Alice In The Cities, Kings Of The Road, The American Friend, Until The End Of The World and Paris, Texas.
Müller was also a frequent Dp for Jim Jarmusch with whom he made Down By Law, Mystery Train, Dead Man, Ghost Dog: The Way Of The Samurai...
Müller was known as the “Master of Light” and drew comparisons to another famous Dutchman, “Girl With A Pearl Earring” painter Johannes Vermeer. Trained at the Netherlands Film Academy, Müller began his feature career with Wim Wenders’ German title Summer In The City in 1970. That kicked off a long collaboration with Wenders which went on to include The Scarlet Letter, Alice In The Cities, Kings Of The Road, The American Friend, Until The End Of The World and Paris, Texas.
Müller was also a frequent Dp for Jim Jarmusch with whom he made Down By Law, Mystery Train, Dead Man, Ghost Dog: The Way Of The Samurai...
- 7/4/2018
- by Nancy Tartaglione
- Deadline Film + TV
![Robby Müller](https://m.media-amazon.com/images/M/MV5BMTJhN2E0YmYtOTZhNi00Y2FkLWJjNzMtMTc1MzE5NDIzYzllXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_QL75_UX500_CR0,29,500,281_.jpg)
Robby Müller, the Dutch cinematographer best known for collaborating with Wim Wenders, Jim Jarmusch, and Lars Von Trier, has died at age 78. Müller’s family confirmed his passing to Dutch publication De Volkskrant (via The Independent) and said the cinematographer had been ill for some time. Over the course of his career, which started in 1970 with Wenders’ debut feature “Summer in the City,” Müller became known as the “master of light” due to his emphasis on color.
Müller’s collaborations with Wenders defined much of his early career. In addition to shooting “Summer in the City,” the cinematographer was also behind the camera for early Wenders efforts like “The Goalkeeper’s Fear of the Penalty” (1971), “The Scarlet Letter” (1973), and “The American Friend” (1977). Müller also became a favorite of German director Hans W. Geißendörfer during this time. His work on Wenders’ 1975 drama “The Wrong Move” won him the German Film Award for Best Cinematography.
Müller’s collaborations with Wenders defined much of his early career. In addition to shooting “Summer in the City,” the cinematographer was also behind the camera for early Wenders efforts like “The Goalkeeper’s Fear of the Penalty” (1971), “The Scarlet Letter” (1973), and “The American Friend” (1977). Müller also became a favorite of German director Hans W. Geißendörfer during this time. His work on Wenders’ 1975 drama “The Wrong Move” won him the German Film Award for Best Cinematography.
- 7/4/2018
- by Zack Sharf
- Indiewire
![Wim Wenders at an event for Don't Come Knocking (2005)](https://m.media-amazon.com/images/M/MV5BMTYzNTgyNzQ1MV5BMl5BanBnXkFtZTYwMTQwMjc1._V1_QL75_UY207_CR4,0,140,207_.jpg)
![Wim Wenders at an event for Don't Come Knocking (2005)](https://m.media-amazon.com/images/M/MV5BMTYzNTgyNzQ1MV5BMl5BanBnXkFtZTYwMTQwMjc1._V1_QL75_UY207_CR4,0,140,207_.jpg)
In an eclectic career spanning half a century, Wim Wenders continues to channel the zeitgeist: his romantic thriller “Submergence” recently opened in the U.S. and his documentary “Pope Francis: A Man of His Word” is set to premiere at Cannes.
Wenders helped define New German Cinema with his road-movie trilogy starting in 1974, “Alice in the Cities,” “Wrong Move” and “Kings of the Road”). Over the years, he has also brought to the big screen timely social commentary, a unique perspective on the American experience, and exuberant celebrations of music and dance in “Buena Vista Social Club,” “The Soul of a Man” and “Pina.” The filmmaker is also busy restoring past films, including 1987 classic “Wings of Desire.”
Variety first mentioned Wenders in an Aug. 26, 1970 report about financing for his upcoming project “The Goalie’s Anxiety at the Penalty Kick” (based on a novel and referred to as “Goal Keeper Frightened...
Wenders helped define New German Cinema with his road-movie trilogy starting in 1974, “Alice in the Cities,” “Wrong Move” and “Kings of the Road”). Over the years, he has also brought to the big screen timely social commentary, a unique perspective on the American experience, and exuberant celebrations of music and dance in “Buena Vista Social Club,” “The Soul of a Man” and “Pina.” The filmmaker is also busy restoring past films, including 1987 classic “Wings of Desire.”
Variety first mentioned Wenders in an Aug. 26, 1970 report about financing for his upcoming project “The Goalie’s Anxiety at the Penalty Kick” (based on a novel and referred to as “Goal Keeper Frightened...
- 5/4/2018
- by Ed Meza
- Variety Film + TV
Back in 2008, Liam Neeson went full ‘beast mode’ playing Bryan Mills in the action thriller Taken. He reinvented himself as a middle-aged father, loving husband, and retired CIA agent with a passion for brutally merking bad guys without hesitation. Ten years later, Neeson’s still in the ass-kicking business, and why not? After all he is one of the founding members of the geri-action genre and clearly age is just a number… And his age is slowly catching up with his on-screen bodycount. But there’s no shame in that, the Irishman’s right-hook is still as strong as ever.
The Commuter is the fourth team-up between Neeson and Spanish director Jaume Collet-Serra, with their second outing being the similarly themed transportation nightmare on a plane Non-Stop (2014). But this time around, the boys are playing with a locomotive train-set in upstate New York, and of course mayhem ensues.
The setup is simple.
The Commuter is the fourth team-up between Neeson and Spanish director Jaume Collet-Serra, with their second outing being the similarly themed transportation nightmare on a plane Non-Stop (2014). But this time around, the boys are playing with a locomotive train-set in upstate New York, and of course mayhem ensues.
The setup is simple.
- 1/20/2018
- by Thomas Salmon
- The Cultural Post
As Facebook Watch continues to build out its vast and varied programming offer, the episodic video destination is set to premiere three new series from edgy publisher Vice in coming months, including an Amanda Knox-hosted series about the gendered nature of public shaming.
In The Scarlet Letter Reports, Knox -- who spent four years in an Italian prison following a wrongful murder conviction -- will sit down with other women who have been demonized in the media. The series will feature model-actress Amber Rose and sexual assault victim-turned-prevention advocate Daisy Coleman, and was developed by Broadly, Vice’s female-centric digital brand.
Visit Tubefilter for more great stories.
In The Scarlet Letter Reports, Knox -- who spent four years in an Italian prison following a wrongful murder conviction -- will sit down with other women who have been demonized in the media. The series will feature model-actress Amber Rose and sexual assault victim-turned-prevention advocate Daisy Coleman, and was developed by Broadly, Vice’s female-centric digital brand.
Visit Tubefilter for more great stories.
- 12/13/2017
- by Geoff Weiss
- Tubefilter.com
![Rose McGowan](https://m.media-amazon.com/images/M/MV5BMTcyOTQzODM3OF5BMl5BanBnXkFtZTgwMzc0NjM0ODE@._V1_QL75_UX500_CR0,109,500,281_.jpg)
Rose McGowan delivered a poignant speech at the Women's Convention in Detroit, Michigan, on Friday. It was the actress' first public appearance since accusing Harvey Weinstein of rape earlier in October.
Tarana Burke, who started the #MeToo hashtag 10 years ago, introduced McGowan as the actress "who screamed her #MeToo on the internet."
"I have been silenced for 20 years. I have been slut-shamed. I have been harassed. I have been maligned and you know what? I'm just like you," McGowan addressed the audience. "Because what happened to me behind the scenes...
Tarana Burke, who started the #MeToo hashtag 10 years ago, introduced McGowan as the actress "who screamed her #MeToo on the internet."
"I have been silenced for 20 years. I have been slut-shamed. I have been harassed. I have been maligned and you know what? I'm just like you," McGowan addressed the audience. "Because what happened to me behind the scenes...
- 10/27/2017
- Rollingstone.com
When one is in the mood for a romantic stroll through autumnal New England, the stories of Nathaniel Hawthorne offer transport. His fables and novels evoke that era with atmosphere, bringing the reader into a landscape of brisk wind and rich colors, surrounded by the possibility of enigmatic sorcery. Amongst the dying forests and chilly winds, his characters encounter demonic entities, ghosts, and their darkest temptations. His collection of Twice Told Tales, published at the start of his career, showcases a broad example of his themes.
Some of Hawthorne's tales are simply depictions of pastoral New England life; describing a child’s view of her small town in “Little Annie’s Ramble,” or observing village courtship as a storm approaches in “Sights from a Steeple.” Morality inspires and buoys almost all of his substantial stories, often in rather surprising ways. When writing about the Puritans, whose culture is based on infamously rigid moral standards,...
Some of Hawthorne's tales are simply depictions of pastoral New England life; describing a child’s view of her small town in “Little Annie’s Ramble,” or observing village courtship as a storm approaches in “Sights from a Steeple.” Morality inspires and buoys almost all of his substantial stories, often in rather surprising ways. When writing about the Puritans, whose culture is based on infamously rigid moral standards,...
- 10/6/2017
- by Ben Larned
- DailyDead
Moneyball’s Billy Beane said it best when it came to surviving in a hard industry. “Adapt or die.” Powerful words and while Hollywood is not baseball, they’ve got more in common than most would think about. You see, both require stars to perform their craft admirably for an audience, sell merchandise, and get butts in seats. However, one thing that Hollywood does better than baseball, and pretty much every other profession is: adaptation.
For those of you who don’t know, adaptation refers to the process of making something suitable for a new use or purpose. Our bodies adapt to time changes, animals adapt to environmental shifts, and Hollywood adapts novels, comic books, plays, and video games to try and get more money. While not identical in the biological sense, Hollywood is just doing what we do all the time. They are changing to better fit the new situation they are presented with.
For those of you who don’t know, adaptation refers to the process of making something suitable for a new use or purpose. Our bodies adapt to time changes, animals adapt to environmental shifts, and Hollywood adapts novels, comic books, plays, and video games to try and get more money. While not identical in the biological sense, Hollywood is just doing what we do all the time. They are changing to better fit the new situation they are presented with.
- 9/29/2017
- by S Christian Roe
- Age of the Nerd
![Suzan-Lori Parks at an event for Native Son (2019)](https://m.media-amazon.com/images/M/MV5BMTg3Njc3NDYwMl5BMl5BanBnXkFtZTgwMzg4NTYyNzM@._V1_QL75_UY207_CR5,0,140,207_.jpg)
![Suzan-Lori Parks at an event for Native Son (2019)](https://m.media-amazon.com/images/M/MV5BMTg3Njc3NDYwMl5BMl5BanBnXkFtZTgwMzg4NTYyNzM@._V1_QL75_UY207_CR5,0,140,207_.jpg)
Suzan-Lori Parks has said that the original idea for her play “F—ing A” was something of a joke: “I’m going to write a riff on ‘The Scarlet Letter’ and I’m going to call it ‘F—ing A’!” This was before Parks had won the Pulitzer Prize for her breakout 2002 play “Topdog/Underdog.” More tellingly, it was also before she had even read Nathaniel Hawthorne’s novel. And like many an idea borne of an ill-informed joke, “F—ing A” doesn’t really sustain itself over its two-hour-plus running time. That’s the takeaway from director Jo Bonney’s occasionally stirring revival,...
- 9/13/2017
- by Thom Geier
- The Wrap
Gothicism has been around for centuries, pervading architecture, music, literature, and film alike. Its roots are deep, and its identifying factors are strong—baroque style, high passion, and a healthy heap of darkness. Compared to architecture and music, Gothic fiction is fairly young, developing in the late 18th century with English authors such as Horace Walpole and Ann Radcliffe. No one was prepared, however, for the arrival of Matthew Gregory Lewis, who published his deliciously controversial novel The Monk at the ripe age of 19.
When The Monk was unleashed, the literary world had already been introduced to Radcliffe and Walpole’s gloomy melodramas, along with Romantic works from Germany and France. None of these stories contained the moral quandaries, the viciousness, or the sex and violence of Lewis’ novel. It tells the story of Ambrosio, the titular Monk, who is considered the holiest man in all of Madrid, until he...
When The Monk was unleashed, the literary world had already been introduced to Radcliffe and Walpole’s gloomy melodramas, along with Romantic works from Germany and France. None of these stories contained the moral quandaries, the viciousness, or the sex and violence of Lewis’ novel. It tells the story of Ambrosio, the titular Monk, who is considered the holiest man in all of Madrid, until he...
- 8/25/2017
- by Ben Larned
- DailyDead
![Donald Trump](https://m.media-amazon.com/images/M/MV5BYWJmZmE1YWItYjBjYi00ODU4LTg2MDUtOTQyNWY2NjFlOGM5L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMTExNDQ2MTI@._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Donald Trump](https://m.media-amazon.com/images/M/MV5BYWJmZmE1YWItYjBjYi00ODU4LTg2MDUtOTQyNWY2NjFlOGM5L2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMTExNDQ2MTI@._V1_QL75_UY207_CR1,0,140,207_.jpg)
If you’ve ever wondered how Donald Trump would summarize literary works from “Harry Potter” to “The Scarlet Letter,” you’re in luck — the #TrumpBookReport hashtag is a dream for librarians and political junkies alike. #TrumpBookReport imagines Trump’s takes on female characters from Clarice Starling to Katniss Everdeen to Lolita, as well as his thoughts on killing mockingbirds, and conflicts between muggles and wizards. Excessive use of the phrase “believe me” abounds. Believe me. Here are some of the best so far: Michael Crichton’s “Jurassic Park”: Jurrasic Park. Yuge disaster. Dinosaurs everywhere. So many deaths. So many.
- 10/20/2016
- by Jeremy Fuster
- The Wrap
Illustration by Leah BravoFive years ago, a film came and went with little fanfare, except a spattering of positive reviews, making around $4 million worldwide on a budget of about $10 million: Take This Waltz. More people know it as a Leonard Cohen song, from which its title comes. More people know Leonard Cohen than the director Sarah Polley, but as of this cultural moment, more people might know the star, Michelle Williams, than Leonard Cohen, due to her other movies and a popular TV show. These jejune concerns amplify less than we know and more than we'll admit. Name recognition: these go into the common denominators decision people look for when they decide to fund a film, a book, a play. How will it sell? How will it fit? What can it capitalize on? How can we make something that will not make people think too much or depress them? We...
- 8/16/2016
- MUBI
Just for Sunday fun, Tweets that amused this week. Plus beautiful actresses (duh). But if you'll excuse me let's start with this weirdly flattering twosome.
@nathanielr this morning I was talking American Lit and said, "I bet he has to read Nathaniel Rogers." I meant Hawthorne. lol
— @jazzt (@jazzt) May 13, 2016
Haha. The Golden Statue > The Scarlet Letter.
Right?
Safe to assume my first draft was filled with corny awards show jokes abt category fraud. #Empire (cc: @nathanielr) pic.twitter.com/t6URKeD59H
— Jamie R (@jamieeros) May 12, 2016
Huzzah Jamie! This long time Tfe fan is now on the writing staff of Empire. We live for corny awards show jokes about category fraud so I hope at least one survived (I am a few episodes behind on Empire but will catch up this week).
More after the jump including Goldie Hawn, Blake Lively, The Lobster, and X-Men Acopalypse advertisements.
@nathanielr this morning I was talking American Lit and said, "I bet he has to read Nathaniel Rogers." I meant Hawthorne. lol
— @jazzt (@jazzt) May 13, 2016
Haha. The Golden Statue > The Scarlet Letter.
Right?
Safe to assume my first draft was filled with corny awards show jokes abt category fraud. #Empire (cc: @nathanielr) pic.twitter.com/t6URKeD59H
— Jamie R (@jamieeros) May 12, 2016
Huzzah Jamie! This long time Tfe fan is now on the writing staff of Empire. We live for corny awards show jokes about category fraud so I hope at least one survived (I am a few episodes behind on Empire but will catch up this week).
More after the jump including Goldie Hawn, Blake Lively, The Lobster, and X-Men Acopalypse advertisements.
- 5/15/2016
- by NATHANIEL R
- FilmExperience
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Some brilliant scores accompany movies that don't always deserve them. Here are 25 examples...
Can a film soundtrack rescue a movie that is otherwise a lost cause? One thing’s for sure: throughout the history of cinema, music has often been the redeeming feature of many an underwhelming movie. Here are 25 amazing film scores composed for films that, frankly, didn’t deserve them.
25) Meet Joe Black (Thomas Newman, 1998)
This somnambulistic three hour romantic drama should really feature an extra screen credit for star Brad Pitt’s fetishised blonde locks. Rising way above the torpid melodrama of the plot is one of Thomas Newman’s most hauntingly melodic and attractive scores, one that leaves his characteristic quirkiness at the door to paint a portrait of death that is both melancholy and hopeful. The spectacular 10-minute finale That Next Place remains one of Newman’s towering musical achievements.
24) Timeline (Brian Tyler,...
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Some brilliant scores accompany movies that don't always deserve them. Here are 25 examples...
Can a film soundtrack rescue a movie that is otherwise a lost cause? One thing’s for sure: throughout the history of cinema, music has often been the redeeming feature of many an underwhelming movie. Here are 25 amazing film scores composed for films that, frankly, didn’t deserve them.
25) Meet Joe Black (Thomas Newman, 1998)
This somnambulistic three hour romantic drama should really feature an extra screen credit for star Brad Pitt’s fetishised blonde locks. Rising way above the torpid melodrama of the plot is one of Thomas Newman’s most hauntingly melodic and attractive scores, one that leaves his characteristic quirkiness at the door to paint a portrait of death that is both melancholy and hopeful. The spectacular 10-minute finale That Next Place remains one of Newman’s towering musical achievements.
24) Timeline (Brian Tyler,...
- 3/29/2016
- Den of Geek
That scarlet woman Ingrid is back from exile, and hypocritical Hollywood is not complaining -- Anatole Litvak and Arthur Laurents make an intriguing romantic-psychological mystery of a bogus Romanoff Duchess who surfaces in 1928 Paris to claim the crown fortune. Good roles for Yul Brynner and Helen Hayes as well. It's a strange intersection of scandal, history and swindlers that may have found the real item... and maybe not. Anastasia Blu-ray Twilight Time Limited Edition 1956 / Color / 2:35 widescreen / 105 min. / Ship Date March 15, 2016 / available through Twilight Time Movies / 29.95 Starring Ingrid Bergman, Yul Brynner, Helen Hayes, Akim Tamiroff, Martita Hunt, Felix Aylmer, Sacha Pitoeff, Ivan Desny, Natalie Schafer, Karel Stepanek Cinematography Jack Hildyard Art Direction Andrej Andrejew, Bill Andrews Film Editor Bert Bates Original Music Alfred Newman Written by Arthur Laurents from a play by Marcelle Maurette Produced by Buddy Adler Directed by Anatole Litvak
Reviewed by Glenn Erickson
The cleverly written and...
Reviewed by Glenn Erickson
The cleverly written and...
- 3/29/2016
- by Glenn Erickson
- Trailers from Hell
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The sensational, overlooked film scores from the years 1990 to 1999 that really are well worth digging out...
The movies went through tumultuous and exciting changes in the nineties. Quentin Tarantino exploded onto the scene with Reservoir Dogs, Generation X gave rise to slacker marvels like Clerks, and blockbusters like The Matrix put the awe back into special effects.
However, the 90s was also a sensational decade for film music, gifting us classics including the likes of Jurassic Park, Titanic, Total Recall, Braveheart and countless others. But the sheer quality of these soundtrack treasures shouldn’t overshadow those undervalued hidden gems that demonstrate the extraordinary range and versatility of our finest film composers, ones that may have passed you by. So here’s our selection of those incredible works: ranging from the earworming to the unsettling, the melodic to the chaotic, these are the scores that simply demand your attention.
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The sensational, overlooked film scores from the years 1990 to 1999 that really are well worth digging out...
The movies went through tumultuous and exciting changes in the nineties. Quentin Tarantino exploded onto the scene with Reservoir Dogs, Generation X gave rise to slacker marvels like Clerks, and blockbusters like The Matrix put the awe back into special effects.
However, the 90s was also a sensational decade for film music, gifting us classics including the likes of Jurassic Park, Titanic, Total Recall, Braveheart and countless others. But the sheer quality of these soundtrack treasures shouldn’t overshadow those undervalued hidden gems that demonstrate the extraordinary range and versatility of our finest film composers, ones that may have passed you by. So here’s our selection of those incredible works: ranging from the earworming to the unsettling, the melodic to the chaotic, these are the scores that simply demand your attention.
- 1/20/2016
- by simonbrew
- Den of Geek
Oscar winner Forest Whitaker (Lee Daniels’ The Butler, The Last King Of Scotland) and Vince Vaughn (upcoming Hacksaw Ridge, Into The Wild) are set to star in the drama The Archbishop And The Antichrist to be directed by two time Oscar nominee writer/director Roland Joffé (The Killing Fields, The Scarlet Letter), it was announced today by Emmy Award nominated producer Craig Baumgarten (Hook, Never Back Down).
Joffé co-wrote the screenplay with Michael Ashton. Currently in pre-production, The Archbishop And The Antichrist will begin shooting in early 2016.
13 Films is handling international rights and will introduce the project to buyers at the upcoming American Film Market. Wme Global is handling North American rights.
Kim Ashton serves as executive producer on the feature film.
Based on the play The Archbishop and The Antichrist by Michael Ashton, the feature film follows a fictionalized account of Archbishop Desmond Tutu’s (Whitaker) meetings with brutal...
Joffé co-wrote the screenplay with Michael Ashton. Currently in pre-production, The Archbishop And The Antichrist will begin shooting in early 2016.
13 Films is handling international rights and will introduce the project to buyers at the upcoming American Film Market. Wme Global is handling North American rights.
Kim Ashton serves as executive producer on the feature film.
Based on the play The Archbishop and The Antichrist by Michael Ashton, the feature film follows a fictionalized account of Archbishop Desmond Tutu’s (Whitaker) meetings with brutal...
- 11/3/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Though he's perhaps best known for writing The Scarlet Letter, author Nathaniel Hawthorne also left his mark on the macabre, penning tales that can still be told to chilling effect around the campfire. Three of these stories made it onscreen in Sidney Salkow's 1963 anthology horror film, Twice-Told Tales. Not long after announcing they are bringing Burnt Offerings to Blu-ray and DVD this October, Kino Lorber has revealed they have another Halloween goodie up their sleeve, as they will also release Twice-Told Tales on Blu-ray and DVD before the flickering flames of jack-o'-lanterns cast shadows across your doorstep.
Via Facebook, Kino Lorber announced they will release Twice-Told Tales (1963) on Blu-ray and DVD with a brand new HD transfer this October.
Directed by Sidney Salkow, Twice-Told Tales stars Vincent Price, Sebastian Cabot, Brett Halsey, Beverly Garland, Richard Denning and Joyce Taylor. Stay tuned to Daily Dead for more updates on this release.
Via Facebook, Kino Lorber announced they will release Twice-Told Tales (1963) on Blu-ray and DVD with a brand new HD transfer this October.
Directed by Sidney Salkow, Twice-Told Tales stars Vincent Price, Sebastian Cabot, Brett Halsey, Beverly Garland, Richard Denning and Joyce Taylor. Stay tuned to Daily Dead for more updates on this release.
- 5/3/2015
- by Derek Anderson
- DailyDead
“I don’t care what the critics say,” is a refrain you hear often when it comes to popular media, be it movies, TV series, musicians, and yes, even books. When it comes to the literary world, no one gets more grief than those who write or enjoy the works of the romance genre. In the snooty world of books, even the literati need someone to look down their noses at, and sadly, romance is the bottom of the food chain.
The documentary Love Between the Covers aims to shake those assumptions though. Probably every reader in their time has made a joke at the expense of the romance genre, but Laurie Khan wants to look at those kinds of books in a new way, as she asks us: what if we celebrated them?
Admittedly, this reviewer’s been occasionally snide so far as romance novels are concerned. Purely for...
The documentary Love Between the Covers aims to shake those assumptions though. Probably every reader in their time has made a joke at the expense of the romance genre, but Laurie Khan wants to look at those kinds of books in a new way, as she asks us: what if we celebrated them?
Admittedly, this reviewer’s been occasionally snide so far as romance novels are concerned. Purely for...
- 4/27/2015
- by Adam A. Donaldson
- We Got This Covered
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