This month’s installment of Deep Cuts Rising features a variety of horror movies. Some selections reflect a specific day or event in July, and others were chosen at random.
Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.
This month’s offerings feature a giant monster bug, home invaders, a zombie boy, a killer videographer, and a water spirit.
Blue Monkey (1987)
Directed by William Fruet.
As its name suggests, Pandemonium Day (July 14) is all about bedlam. And William Fruet’s Canadian tax-shelter movie Blue Monkey (a.k.a. Insect!) is as chaotic as they come. Originally called “Green Monkey” at one point, this movie’s final title is still a misnomer; there are no monkeys here. Instead, the characters battle a deadly parasite inside a quarantined hospital.
Fruet (Killer Party) delivered a gooey and...
Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.
This month’s offerings feature a giant monster bug, home invaders, a zombie boy, a killer videographer, and a water spirit.
Blue Monkey (1987)
Directed by William Fruet.
As its name suggests, Pandemonium Day (July 14) is all about bedlam. And William Fruet’s Canadian tax-shelter movie Blue Monkey (a.k.a. Insect!) is as chaotic as they come. Originally called “Green Monkey” at one point, this movie’s final title is still a misnomer; there are no monkeys here. Instead, the characters battle a deadly parasite inside a quarantined hospital.
Fruet (Killer Party) delivered a gooey and...
- 6/30/2023
- by Paul Lê
- bloody-disgusting.com
Shot during the pandemic and set on May 30, 2020 — just a few days after the death of George Floyd during an arrest by the Minneapolis Police Department — “Traveling Light” is an experimental attempt at social commentary that fails to provide any insight, emotion or even entertainment of the most basic kind. Nearly a year after its weird-fit premiere at genre-focused Beyond Fest in Los Angeles, this scrappy Covid-era quickie from eclectic director Bernard Rose (who made the original “Candyman”) opens today in New York and Seattle, with other cities to follow.
It seems Rose was aiming for a loose riff on “The Discreet Charm of the Bourgeoisie,” focusing on a gathering in the Hollywood Hills of the followers of a self-proclaimed guru/prophet (Danny Huston), where everyone drinks a concoction spiked with an unnamed hallucinogenic and eventually line-dances while chanting “Hare Hare,” even though there isn’t a single Hare Krishna in sight.
It seems Rose was aiming for a loose riff on “The Discreet Charm of the Bourgeoisie,” focusing on a gathering in the Hollywood Hills of the followers of a self-proclaimed guru/prophet (Danny Huston), where everyone drinks a concoction spiked with an unnamed hallucinogenic and eventually line-dances while chanting “Hare Hare,” even though there isn’t a single Hare Krishna in sight.
- 8/19/2022
- by Rene Rodriguez
- Variety Film + TV
Stars: Jessica Alexander, Anja Taljaard, Hilton Pelser, Adrienne Pearce, Kitty Harris, Brent Vermeulen | Written by Kelsey Egan, Emma Lungiswa de Wet | Directed by Kelsey Egan
A brand-new post-apocalyptic gothic sci-fi melodrama from South Africa, Glasshouse is one of a growing number of genre films to stem from the country, yet one that is not really known for its genre output but one whose culture and landscape are just rife with terrifying possibilities. The film stars British actress Jessica Alexander (the upcoming live-action remake of The Little Mermaid) and newcomer Anja Taljaard as the sisters, Bee and Evie, opposite Hilton Pelser as The Stranger.
Glasshouse is set after The Shred, an airborne dementia, has left humanity roaming like lost and dangerous animals, unable to remember who they are. Confined to their airtight glasshouse, a family does what they must to survive – until the sisters are seduced by a stranger who upsets the family’s rituals,...
A brand-new post-apocalyptic gothic sci-fi melodrama from South Africa, Glasshouse is one of a growing number of genre films to stem from the country, yet one that is not really known for its genre output but one whose culture and landscape are just rife with terrifying possibilities. The film stars British actress Jessica Alexander (the upcoming live-action remake of The Little Mermaid) and newcomer Anja Taljaard as the sisters, Bee and Evie, opposite Hilton Pelser as The Stranger.
Glasshouse is set after The Shred, an airborne dementia, has left humanity roaming like lost and dangerous animals, unable to remember who they are. Confined to their airtight glasshouse, a family does what they must to survive – until the sisters are seduced by a stranger who upsets the family’s rituals,...
- 3/8/2022
- by Phil Wheat
- Nerdly
The star from Sid & Nancy, Terminator 2, Candyman, Gattaca, Leaving Las Vegas and the new chiller The Dark And The Wicked takes us on a journey through some of his favorite foreign films.
Show Notes: Movies Referenced In This Episode
Candyman (1992)
Frankenstein (1931)
Sid and Nancy (1986)
The Dark And The Wicked (2020)
The Wall of Mexico (2019)
La Dolce Vita (1961)
Il Bidone (1955)
Day For Night (1973)
The Good, The Bad And The Ugly (1967)
8 ½ (1963)
Le Cercle Rouge (1970)
Daredevils of the Red Circle (1939)
Rififi (1955)
Reservoir Dogs (1992)
Z (1969)
The Sleeping Car Murders (1965)
The Battle of Algiers (1966)
Burn! (1969)
Dr. Strangelove (1964)
The Italian Job (1969)
The Italian Job (2003)
The Magician (1958)
Wild Strawberries (1957)
Fanny and Alexander (1982)
Persona (1966)
The Grapes of Wrath (1940)
The Last House On The Left (1972)
The Virgin Spring (1960)
Paperhouse (1988)
The Strangers (2008)
The Monster (2016)
Andrei Rublev (1966)
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
Nostalghia (1983)
Son of Frankenstein (1939)
The Best Years of Our Lives (1946)
Zorba The Greek (1964)
Pollyanna (1960)
Other Notable Items
Lon...
Show Notes: Movies Referenced In This Episode
Candyman (1992)
Frankenstein (1931)
Sid and Nancy (1986)
The Dark And The Wicked (2020)
The Wall of Mexico (2019)
La Dolce Vita (1961)
Il Bidone (1955)
Day For Night (1973)
The Good, The Bad And The Ugly (1967)
8 ½ (1963)
Le Cercle Rouge (1970)
Daredevils of the Red Circle (1939)
Rififi (1955)
Reservoir Dogs (1992)
Z (1969)
The Sleeping Car Murders (1965)
The Battle of Algiers (1966)
Burn! (1969)
Dr. Strangelove (1964)
The Italian Job (1969)
The Italian Job (2003)
The Magician (1958)
Wild Strawberries (1957)
Fanny and Alexander (1982)
Persona (1966)
The Grapes of Wrath (1940)
The Last House On The Left (1972)
The Virgin Spring (1960)
Paperhouse (1988)
The Strangers (2008)
The Monster (2016)
Andrei Rublev (1966)
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
Nostalghia (1983)
Son of Frankenstein (1939)
The Best Years of Our Lives (1946)
Zorba The Greek (1964)
Pollyanna (1960)
Other Notable Items
Lon...
- 12/15/2020
- by Kris Millsap
- Trailers from Hell
by Jason Adams
Even though I've already admitted I can get pretty broad on defining movies as "Horror Movies" when other people might not consider them as such, I for some reason always hesitate when it comes to calling Bernard Rose's 1988 film Paperhouse a "horror film." The first two-thirds of the movie, yes, for sure. But -- without getting into spoilers because lord knows how many of you have had the luck to see this extraordinary film a first time yet -- the movie makes decisions, and comes to a point, that ultimately shows its intentions were not horror.
That said there's enough of a Horror Movie in there for me to justify directing you towards one of the most foundational films and performances of my life, which I've just today discovered is available for streaming on Amazon here in the Us. Rose directed Paperhouse two years before Candyman...
Even though I've already admitted I can get pretty broad on defining movies as "Horror Movies" when other people might not consider them as such, I for some reason always hesitate when it comes to calling Bernard Rose's 1988 film Paperhouse a "horror film." The first two-thirds of the movie, yes, for sure. But -- without getting into spoilers because lord knows how many of you have had the luck to see this extraordinary film a first time yet -- the movie makes decisions, and comes to a point, that ultimately shows its intentions were not horror.
That said there's enough of a Horror Movie in there for me to justify directing you towards one of the most foundational films and performances of my life, which I've just today discovered is available for streaming on Amazon here in the Us. Rose directed Paperhouse two years before Candyman...
- 9/30/2019
- by JA
- FilmExperience
Candyman director’s revisionist take on Frankenstein due out in February. Bernard Rose hasn’t made many horror movies but the ones he has made have spoken loudly, chiefly 1988’s haunting Paperhouse, his bona fide dark fantasy classic, 1992’s Candyman and the underrated 2005 noir Snuff Movie. Which is why we’re excited to see him back making…
The post Director Bernard Rose’s New Frankenstein Flick Locks Street Date appeared first on Shock Till You Drop.
The post Director Bernard Rose’s New Frankenstein Flick Locks Street Date appeared first on Shock Till You Drop.
- 1/18/2016
- by Chris Alexander
- shocktillyoudrop.com
Howdy folks it's Jason here - with this week's "Beauty vs Beast" we gave some thanks for two classic Christina Ricci performances (have you voted yet?) but it's a rich world with lots of good to great stuff in it so here are a few more things that have brought a big dumb smile to my big dumb face this year.
- For Getting On and the spectacular showcase it's given three crazy talented actresses (not to mention all the smaller roles they fill in with even more under-used gems), letting each of them be both hysterically funny and heartbreaking within the matter of milliseconds (and for introducing the phrase "anal horn" into my vocabulary - that one's a keeper!)
- For the venom that dripped off of Rose Byrne's every ace line reading in Spy (this scene in particular)
- For whoever is tailoring Chad Radwell's khakis on...
- For Getting On and the spectacular showcase it's given three crazy talented actresses (not to mention all the smaller roles they fill in with even more under-used gems), letting each of them be both hysterically funny and heartbreaking within the matter of milliseconds (and for introducing the phrase "anal horn" into my vocabulary - that one's a keeper!)
- For the venom that dripped off of Rose Byrne's every ace line reading in Spy (this scene in particular)
- For whoever is tailoring Chad Radwell's khakis on...
- 11/24/2015
- by JA
- FilmExperience
Special Mention: Dressed To Kill
Directed by Brian De Palma
Written by Brian De Palma
1980, USA
Genre: Thriller
Brian De Palma’s films, like Tarantino’s, are a cinematic mash-up of influences from the past, and in De Palma case he borrows heavily from Alfred Hitchcock. Obsession is De Palma’s Vertigo, Blow Out his Rear Window, and with Dressed to Kill the director set its sights on Psycho. Dressed To Kill is more thriller than horror but what a stylish and twisted thriller it is! The highlight here is an amazing ten-minute chase sequence set in an art gallery and conducted entirely without dialogue. There are a number of other well-sustained set pieces including a race in the subway system and even, yes, a gratuitous shower murder sequence. Dressed To Kill features an excellent cast (Michael Caine, Nancy Allen, Angie Dickinson), a superb score (courtesy of Pino Donaggio) and...
Directed by Brian De Palma
Written by Brian De Palma
1980, USA
Genre: Thriller
Brian De Palma’s films, like Tarantino’s, are a cinematic mash-up of influences from the past, and in De Palma case he borrows heavily from Alfred Hitchcock. Obsession is De Palma’s Vertigo, Blow Out his Rear Window, and with Dressed to Kill the director set its sights on Psycho. Dressed To Kill is more thriller than horror but what a stylish and twisted thriller it is! The highlight here is an amazing ten-minute chase sequence set in an art gallery and conducted entirely without dialogue. There are a number of other well-sustained set pieces including a race in the subway system and even, yes, a gratuitous shower murder sequence. Dressed To Kill features an excellent cast (Michael Caine, Nancy Allen, Angie Dickinson), a superb score (courtesy of Pino Donaggio) and...
- 10/25/2015
- by Ricky Fernandes
- SoundOnSight
What do Barbara Crampton, Rick Wakeman, James Cosmo, Toyah Willcox, Neil Marshall and Bernard Rose have in common? They’re all set to make an appearance at this years London Film4 Frightfest!
Scream Queen legend Barbara Crampton (pictured above) is Film4 FrightFest’s special guest icon, appearing in no less than four films in this year’s line-up. She stars in We Are Still Here, Road Games and Sun Choke plus makes a cameo appearance in Tales of Halloween. Not only will Barbara be introducing all her films, she’ll also be talking about her amazing career during a special interview event, hosted by Alan Jones, on Sun 30th August at 9.15pm.
Says the legend herself:
To say that I am overjoyed, excited and eager to attend FrightFest as a guest is putting it mildly. This festival has been on my radar for some time and to be included and...
Scream Queen legend Barbara Crampton (pictured above) is Film4 FrightFest’s special guest icon, appearing in no less than four films in this year’s line-up. She stars in We Are Still Here, Road Games and Sun Choke plus makes a cameo appearance in Tales of Halloween. Not only will Barbara be introducing all her films, she’ll also be talking about her amazing career during a special interview event, hosted by Alan Jones, on Sun 30th August at 9.15pm.
Says the legend herself:
To say that I am overjoyed, excited and eager to attend FrightFest as a guest is putting it mildly. This festival has been on my radar for some time and to be included and...
- 7/27/2015
- by Phil Wheat
- Nerdly
Raven Banner has acquired worldwide rights to El Gigante, a film about one Luchador you don't want to mess with. A new Queen of Earth trailer and the guest list for Film4 FrightFest 2015 are also featured in this morning's round-up.
El Gigante: Press Release: "Raven Banner has boarded Luchagore Productions, El Gigante, directed by Gigi Saul Guerrero for worldwide rights, which was featured in the current edition of The Frontieres International Co-Production Market. They will also serve as Executive Producers.
The film tells the story of a deranged maniac in a Luchador mask named El Gigante who wrestles his prey to the mat in a grisly entertainment ritual of thrill-packed culinary prep for his cannibalistic family.
The deal was negotiated by Luchagore's Raynor Shima and Raven Banner's James Fler and Michael Paszt.
"The team of Gigi, Raynor, and Luke at Luchagore is one of the most exciting new genre...
El Gigante: Press Release: "Raven Banner has boarded Luchagore Productions, El Gigante, directed by Gigi Saul Guerrero for worldwide rights, which was featured in the current edition of The Frontieres International Co-Production Market. They will also serve as Executive Producers.
The film tells the story of a deranged maniac in a Luchador mask named El Gigante who wrestles his prey to the mat in a grisly entertainment ritual of thrill-packed culinary prep for his cannibalistic family.
The deal was negotiated by Luchagore's Raynor Shima and Raven Banner's James Fler and Michael Paszt.
"The team of Gigi, Raynor, and Luke at Luchagore is one of the most exciting new genre...
- 7/25/2015
- by Tamika Jones
- DailyDead
Our look at underappreciated films of the 80s continues, as we head back to 1988...
Either in terms of ticket sales or critical acclaim, 1988 was dominated by the likes of Rain Man, Who Framed Roger Rabbit and Coming To America. It was the year Bruce Willis made the jump from TV to action star with Die Hard, and became a star in the process.
It was the year Leslie Nielsen made his own jump from the small to silver screen with Police Squad spin-off The Naked Gun, which sparked a hugely popular franchise of its own. Elsewhere, the eccentric Tim Burton scored one of the biggest hits of the year with Beetlejuice, the success of which would result in the birth of Batman a year later. And then there was Tom Cruise, who managed to make a drama about a student-turned-barman into a $170m hit, back when $170m was still an...
Either in terms of ticket sales or critical acclaim, 1988 was dominated by the likes of Rain Man, Who Framed Roger Rabbit and Coming To America. It was the year Bruce Willis made the jump from TV to action star with Die Hard, and became a star in the process.
It was the year Leslie Nielsen made his own jump from the small to silver screen with Police Squad spin-off The Naked Gun, which sparked a hugely popular franchise of its own. Elsewhere, the eccentric Tim Burton scored one of the biggest hits of the year with Beetlejuice, the success of which would result in the birth of Batman a year later. And then there was Tom Cruise, who managed to make a drama about a student-turned-barman into a $170m hit, back when $170m was still an...
- 5/6/2015
- by ryanlambie
- Den of Geek
With this years London Film Festival swiftly approaching we’ve teamed up with AskMen, and their film correspondent Olly Richards, to bring you ten films we think will be the pick of Lff 2013 – I’ve focused on this years genre offerings, whilst Olly looks at some of the more mainstream films which will screen as part of the festival which takes place on 9th – 20th October.
Phil -
If you’ve been reading Nerdly for anything length of time you’ll know that I, for one, love my genre flicks, be they low-budget horror or cheesy monster movies. So of course this time of year, from August’s Frightfest to November’s Abertoir, is like Christmas for me. Slid somewhere in the middle is the London Film Festival which, whilst it doesn’t cater solely for genre fans, does typically have some terror-filled delights to see, including:
SX_Tape
Cineworld...
Phil -
If you’ve been reading Nerdly for anything length of time you’ll know that I, for one, love my genre flicks, be they low-budget horror or cheesy monster movies. So of course this time of year, from August’s Frightfest to November’s Abertoir, is like Christmas for me. Slid somewhere in the middle is the London Film Festival which, whilst it doesn’t cater solely for genre fans, does typically have some terror-filled delights to see, including:
SX_Tape
Cineworld...
- 9/24/2013
- by Phil Wheat
- Nerdly
How the hell has Paperhouse not been released to DVD in the USA? I’m often floored by the remarkable films I stumble upon that have little or no release, so much so that this blog is dedicated to my unreleased film finds. But then there are some films where the lack of release seems downright criminal. Paperhouse is one of these. Anna is an emotionally troubled and sick child who spends most of her time drawing. One day, she draws a simple house. After a fainting spell which results in a high fever, Anna dreams the house is real, existing by itself in a barren field. Upon awaking she draws a boy in one of the windows. She soon discovers this boy, Marc, is not only now living in her dream house, but he is unable to walk or leave the confines of her drawing. As Anna’s fever worsens,...
- 6/25/2013
- by Rebekah McKendry
- FEARnet
Ape & Essence: Rose’s Latest Another Profound Tolstoy Exercise
Like Branagh’s penchant for bringing Shakespeare to celluloid, British director Bernard Rose has steadily amassed a collection of Tolstoy’s works for several adaptations. His latest, Boxing Day, would seem to cap a quadrilogy of films based on the literary icon’s works all starring Danny Huston (and don’t forget, before Joe Wright’s version last year, Rose had the most recent Anna Karenina with the 1997 Sophie Marceau topliner). This latest, based on Tolstoy’s story “Master and Man,” has been updated to reflect an economic crisis inspired road movie, with capitalism, class issues and Christmas infecting the toxic mix. For the most part, the rather blandly observed scenario is kept sharply afloat by the two lead performers playing broken, beat down bastards.
Pretentious and pompous Basil (Danny Huston) flies from Los Angeles to Denver, leaving behind his wife...
Like Branagh’s penchant for bringing Shakespeare to celluloid, British director Bernard Rose has steadily amassed a collection of Tolstoy’s works for several adaptations. His latest, Boxing Day, would seem to cap a quadrilogy of films based on the literary icon’s works all starring Danny Huston (and don’t forget, before Joe Wright’s version last year, Rose had the most recent Anna Karenina with the 1997 Sophie Marceau topliner). This latest, based on Tolstoy’s story “Master and Man,” has been updated to reflect an economic crisis inspired road movie, with capitalism, class issues and Christmas infecting the toxic mix. For the most part, the rather blandly observed scenario is kept sharply afloat by the two lead performers playing broken, beat down bastards.
Pretentious and pompous Basil (Danny Huston) flies from Los Angeles to Denver, leaving behind his wife...
- 6/25/2013
- by Nicholas Bell
- IONCINEMA.com
This week at Trailers from Hell, Dan Ireland talks about the 1988 cult fantasy film "Paperhouse," on which Ireland also worked as executive producer. An ailing schoolgirl's sketches become disturbingly real in her dreams. Bernard Rose's debut film is an unnerving fantasy nightmare, based on Catherine Storr's juvenile novel "Marianne Dreams," that deserves to be better known. Its Lewtonesque dream psychology recalls "The Curse of the Cat People" as well as "Night of the Hunter," "Invaders from Mars," and even the more recent "The Hole."...
- 4/29/2013
- by Trailers From Hell
- Thompson on Hollywood
Reviewer: James van Maanen
Ratings (out of five): ***
The Kreutzer Sonata, directed and co-written (with Lisa Enos) by Bernard Rose tracks the journey of a jealous husband's relationship with his pianist wife. A modern adaptation of a Tolstoy novella, the film has a number of good things to warrant a recommendation. The movie leaves all credit information, save its title, to the end, a fact I was grateful for when I finished considering the quality of the director's previous works (Paperhouse, Candyman, Immortal Beloved and Anna Karenina). Yet, it is my second favorite of his films I've seen so far (his most recent work, Mr. Nice with Rhys Ifans, is even better). ...
Ratings (out of five): ***
The Kreutzer Sonata, directed and co-written (with Lisa Enos) by Bernard Rose tracks the journey of a jealous husband's relationship with his pianist wife. A modern adaptation of a Tolstoy novella, the film has a number of good things to warrant a recommendation. The movie leaves all credit information, save its title, to the end, a fact I was grateful for when I finished considering the quality of the director's previous works (Paperhouse, Candyman, Immortal Beloved and Anna Karenina). Yet, it is my second favorite of his films I've seen so far (his most recent work, Mr. Nice with Rhys Ifans, is even better). ...
- 5/8/2012
- by weezy
- GreenCine
Bernard Rose joins the guru stable, bringing with him the trailer to Pasolini’s The Decameron.
Nine 14th-century scatological stories from Boccaccio’s Decameron form the basis of the first entry in Pier Paolo Pasolini’s “Trilogy of Life”, followed by The Canterbury Tales and Arabian Nights. Trailers from Hell welcomes filmmaker Bernard Rose to its guru ranks with his thoughts about this typically eye catching Alberto Grimaldi production, complete with Morricone score.
Click here to watch the trailer.
First off, a big welcome to our newest guru, Bernard Rose, who was one of the pioneering music video directors in the early days of MTV shooting “Relax” for Frankie Goes To Hollywood, and “Red Red Wine” for UB40. Rose’s feature credits as writer and director include
Paperhouse Candyman Immortal Beloved Anna Karenina Ivans Xtc The Kreutzer Sonata Mr Nice and, most recently, Two Jacks.
So, yeah, there’s that.
Nine 14th-century scatological stories from Boccaccio’s Decameron form the basis of the first entry in Pier Paolo Pasolini’s “Trilogy of Life”, followed by The Canterbury Tales and Arabian Nights. Trailers from Hell welcomes filmmaker Bernard Rose to its guru ranks with his thoughts about this typically eye catching Alberto Grimaldi production, complete with Morricone score.
Click here to watch the trailer.
First off, a big welcome to our newest guru, Bernard Rose, who was one of the pioneering music video directors in the early days of MTV shooting “Relax” for Frankie Goes To Hollywood, and “Red Red Wine” for UB40. Rose’s feature credits as writer and director include
Paperhouse Candyman Immortal Beloved Anna Karenina Ivans Xtc The Kreutzer Sonata Mr Nice and, most recently, Two Jacks.
So, yeah, there’s that.
- 7/13/2011
- by Danny
- Trailers from Hell
Writer/director Adam Barnick made his first impression on genre fans back in 2007 with his surrealistic vision of conformity, Mainstream, a short film that was released as part of Fangoria’s Blood Drive II. After Mainstream, Barnick went on to produce some of the most masterful behind-the-scenes featurettes for other indie favorites including Grace and Frozen and is now currently working on his documentary What is Scary? as well as a music video for singer/songwriter Rivulets.
We recently caught up with Barnick who gave us a look at some of his favorite independent horror flicks that may not be on the radar of a lot of genre fans out there.
1. Habit (1997)
I saw this film at the best or worst time, depending on how you look at it. Having recently moved to New York City after struggling to return there post-school, I lost my job and my girlfriend in the span of two weeks,...
We recently caught up with Barnick who gave us a look at some of his favorite independent horror flicks that may not be on the radar of a lot of genre fans out there.
1. Habit (1997)
I saw this film at the best or worst time, depending on how you look at it. Having recently moved to New York City after struggling to return there post-school, I lost my job and my girlfriend in the span of two weeks,...
- 3/15/2011
- by thehorrorchick
- DreadCentral.com
Almost one year ago, when we launched at Big Daddy, one of our first posts was about 10 horror films in need of a DVD or Blu-Ray release. The Nesting and Twice Dead which both made the list are now either out on DVD or about to be released. Other titles that made the list included The Pack, Night Warning, Massacre at Central High, Dance of the Damned, Children of the Corn II: The Final Sacrifice, Deadly Blessing, The Kindred and Killer Party. With this second annual edition, we hope to spotlight more horror films that have fallen through the cracks. Titles that haven't been released beyond VHS (with the exception of one, that has only been released to VOD) that need the attention of us horror fans and distributors to make these titles readily available for our horror movie watching enjoyment.
The Power In The Power, an ancient clay idol...
The Power In The Power, an ancient clay idol...
- 3/7/2011
- by Big Daddy aka Brandon Sites
- Big Daddy Horror Reviews - Interviews
Rick Baker. Friend of apes. Maker of monsters. Seven time Oscar winner. And that lucky number seven was for The Wolfman, shared with fellow Efx maestro Dave Elsey. Their on-stage speech was great, but the extended Thank You Cam was even better. Both Baker and Elsey thanked Jack Pierce and Dick Smith for inspiring them. Though there were grumblings online that the Academy clip showed the CG transformation rather then the make-up. It is always a treat to see our own getting the gold.
In the best original music category, Trent Reznor won for The Social Network. But who could forget his rivethead contributions to Class of 1999, Se7en, and Tetsuo: The Bullet Man? And Danny Boyle’s nominated 127 Hours didn’t win for Best Picture, but we will always love him “best” for his bloody crazies in the 28 Days series.
Rounding out the highlights in horror cred are nods to Jason X,...
In the best original music category, Trent Reznor won for The Social Network. But who could forget his rivethead contributions to Class of 1999, Se7en, and Tetsuo: The Bullet Man? And Danny Boyle’s nominated 127 Hours didn’t win for Best Picture, but we will always love him “best” for his bloody crazies in the 28 Days series.
Rounding out the highlights in horror cred are nods to Jason X,...
- 3/3/2011
- by Heather Buckley
- DreadCentral.com
Below you can checkout a cool new trailer for Mr. Nice, the Howard Marks biopic starring Rhys Ifans.
The film is based on Marks’ autobiography, which he wrote after being released from a relatively short seven year prison term (he was originally sentenced to 25 years). The guy smuggled massive amounts of marijuana and, using his ties to organized crime and international terrorist groups, controlled a large portion of the world drug trade.
Nuclear physicist, marijuana connoisseur, school teacher, money launderer, gentleman, fugitive and spy. Raconteur, travel agent, writer, philosopher of science and supposed 20th century gay icon. Rock Music tour promoter, public speaker, board game appreciator and the biggest dope smuggler on the planet. Mr Nice.
From: Kenfig, South Wales, 1945. To: Oxford University, Germany, London, Ireland, Pakistan, Amsterdam, Thailand, Ibiza, Majorca, Manila, America. Jail.
Contact with: the mafia, CIA, Ira and MI6.
43 aliases, 4 kids, 89 phone lines, 25 companies throughout the world...
The film is based on Marks’ autobiography, which he wrote after being released from a relatively short seven year prison term (he was originally sentenced to 25 years). The guy smuggled massive amounts of marijuana and, using his ties to organized crime and international terrorist groups, controlled a large portion of the world drug trade.
Nuclear physicist, marijuana connoisseur, school teacher, money launderer, gentleman, fugitive and spy. Raconteur, travel agent, writer, philosopher of science and supposed 20th century gay icon. Rock Music tour promoter, public speaker, board game appreciator and the biggest dope smuggler on the planet. Mr Nice.
From: Kenfig, South Wales, 1945. To: Oxford University, Germany, London, Ireland, Pakistan, Amsterdam, Thailand, Ibiza, Majorca, Manila, America. Jail.
Contact with: the mafia, CIA, Ira and MI6.
43 aliases, 4 kids, 89 phone lines, 25 companies throughout the world...
- 6/1/2010
- by Allan Ford
- Filmofilia
A new trailer for Mr. Nice, the Howard Marks biopic starring Rhys Ifans,has just gone online over at IGN, and it's looking like a cracker.The film, based on Marks' bestselling autobiography of the same name, follows the Welsh stoner Oxford graduate on his worldwide odyssey in pursuit of "beneficial herbs". He became a master of the ridiculous disguise, got involved with the CIA, MI6, the Ira, the Mafia, and the Mexican secret service, and spent seven years (of a 25 year sentence) in jail in the States.This new clip is an improvement on the last one (almost a year old now) in that it doesn't look so much like The Boat That Rocked anymore. There's a grainy grunge to the proceedings, and the comedy double-act between Ifans (about as perfectly cast as you can possibly imagine) and co-star David Thewlis, looks priceless. Chloe Sevigny, Elsa Pataky, Andrew Tiernan,...
- 5/31/2010
- EmpireOnline
Horror fanatics are still buzzing like chainsaws over the Academy Awards’ genre montage. Anywhere there could be a conversation about it online, there was one. Many were upset over the Twilight ‘tweens’ participation, as if their mere presence sent a message about the state of scary in Hollyweird, USA.
A few seemed happy, though, to just get a glimpse of their beloved Evil Dead and Texas Chainsaw Massacre 2 if only for a few seconds. But many called the selections generic and thoughtless, demanding the likes of Demons and TerrorVision instead (well, maybe not TerrorVision; that was just me).
How about Henry: Portrait of a Serial Killer? Re-Animator? It’s Alive? Tombs of the Blind Dead? Coffin Joe? No list is perfect, but with a bit more care and a phone call to any one of us, the Oscars could have elevated that section into a real scream. Or maybe they...
A few seemed happy, though, to just get a glimpse of their beloved Evil Dead and Texas Chainsaw Massacre 2 if only for a few seconds. But many called the selections generic and thoughtless, demanding the likes of Demons and TerrorVision instead (well, maybe not TerrorVision; that was just me).
How about Henry: Portrait of a Serial Killer? Re-Animator? It’s Alive? Tombs of the Blind Dead? Coffin Joe? No list is perfect, but with a bit more care and a phone call to any one of us, the Oscars could have elevated that section into a real scream. Or maybe they...
- 3/9/2010
- by Heather Buckley
- DreadCentral.com
It’s that time of year again, kids. Dread Central’s 2010 Horror at the Oscars coverage. Horror was indeed present this year and in black-tie. While Roger Corman and Lauren Bacall were honored a few months back at the Governor’s Award Ceremony, it was an unexpected delight to see Corman, recipient of the lifetime achievement Oscar, enjoy a standing ovation on national television.
I was, however, very disappointed that neither of them were allowed to speak. Roger Corman’s contributions to modern cinema are too vast for him to just stand up and wave. James Cameron was one of many Corman acolytes present, and his nomination speaks to Corman’s tremendous legacy. On the Terminator DVD Cameron mentions, "I trained at the Roger Corman Film School.” Jonathan Demme, Martin Scorsese, and Francis Ford Coppola, among many others, were also former students.
The terror continued with a spoof of Paranormal Activity...
I was, however, very disappointed that neither of them were allowed to speak. Roger Corman’s contributions to modern cinema are too vast for him to just stand up and wave. James Cameron was one of many Corman acolytes present, and his nomination speaks to Corman’s tremendous legacy. On the Terminator DVD Cameron mentions, "I trained at the Roger Corman Film School.” Jonathan Demme, Martin Scorsese, and Francis Ford Coppola, among many others, were also former students.
The terror continued with a spoof of Paranormal Activity...
- 3/8/2010
- by Heather Buckley
- DreadCentral.com
Before he enjoyed mainstream commercial success directing Clive Barker's "Candyman," Bernard Rose helmed this amazing 1988 dream-horror film that wowed critics who called it a thinking person's "Nightmare on Elm Street." Charlotte Burke plays an overly imaginative 11-year-old British girl who, during an illness, falls deep into a fantasy world where she hooks up with a crippled boy (Elliott Spiers) that she's never met before. She also has disturbing and frightening visions of her father (Ben Cross) and a dark, foreboding country house. The dreams become more and more frightening as the film goes on, in a film that is in many ways better than the more commercial "Candyman." While it mainly stars children, "Paperhouse" is intended strictly for adults and even features some terrifying make-up effects. Perhaps the fact that "Paperhouse" is a difficult film to pigeonhole -- is it a horror film, a fantasy film, an art film?...
- 7/28/2009
- ESplatter.com
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