"Hammer House of Horror" Witching Time (TV Episode 1980) Poster

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6/10
It's pretty good.
Sleepin_Dragon1 August 2019
What horror series could ever be made without featuring a story about a witch?

It obviously has its flaws, budget restraints are evident for all to see, and I'm assuming a shortage of time also. However, for a 50 minute horror story they manage to give us a good story, plenty of atmosphere, and a memorable character.

Patricia Quinn is excellent as Lucinda, suitably menacing and somehow you can believe she's 300 years old, a great voice, and I love her accent. Jon Finch and Prunella Gee are good as the hapless couple.

Very decent. 6/10
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7/10
I rather liked it.
poolandrews7 May 2007
Warning: Spoilers
Hammer House of Horror: Witching Time is set in rural England on Woodstock farm where stressed musician David Winter (Jon Finch) lives with his actress wife Mary (Prunella Gee) & is currently composing the music for a horror film. One night while looking for his dog Billy David finds a mysterious woman in his barn, calling herself Lucinda Jessop (Patricia Quinn) she claims to be a witch who has transported herself from 300 years in the past to now. Obviously rather sceptical David has a hard time believing her so he locks her in a room in his farmhouse & calls his doctor Charles (Ian McCulloch) to come examine her, however once he arrives & they enter the room Lucinda has disappeared. Charles puts it down to David drinking too much but over the next few day strange & disturbing things begin to happen to David & Mary...

Witching Time was episode 1 from the short lived British anthology horror series produced by Hammer studios for TV & originally aired here in the UK during September 1980, the first of two Hammer House of Horror episodes to be directed by Don Leaver (episode 13 The Mark of Satan being the other) I actually rather liked this. As a series Hammer House of Horror dealt with various different themes & were all unconnected to each other except in name & unsurprisingly Watching Time is a sinister & effective little tale about a witch, the script by Anthony Read benefits from it's slight 50 odd minute duration & moves along at a nice pace. The character's are pretty good as is the dialogue, there are some nice scenes here & I liked the way it never quite reveals whether David & Mary are going crazy or not. I think it's a well structured, entertaining & reasonably creepy horror themed TV show that I enjoyed more than I thought I would.

Being made for British TV meant the boys at Hammer had a lower budget than usual, if that was even possible, & as such there is no gorgeous period settings here as in their most well know Frankenstein & Dracula films although the contemporary English setting does give it a certain atmosphere that you can relate to a bit more. Another TV based restriction is that the exploitation levels are lower than you might hope for, there's some nudity & gore but not much although I didn't mind too much as the story here is pretty good. It's well made for what it is & Hammer's experience on their feature films probably helped make these look pretty good, the acting is good as well with genre favourite Ian McCulloch making a bit-part appearance.

Witching Time is a good start to the Hammer House of Horror series, as a 50 minute piece of British TV it's pretty damned good, now why don't they make show's like this over here anymore?
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7/10
One of the best Hammer House of Horror episodes
Leofwine_draca5 December 2016
Warning: Spoilers
Made as the first short film for the Hammer House of Horror television series (there were thirteen episodes altogether), this is a fine start and an strong little mini-movie to boot. Starting off with an amusing retread of the opening of HALLOWEEN, in which a p.o.v. killer stalks and murders a naked women, we meet David Winter, played by the ever-reliable Jon Finch, who is composing a soundtrack for a movie. From then on he meets and makes love to a witch, but when a doctor arrives to see her the woman has vanished. Winter thinks he is going out of his mind and begins to have a nervous breakdown, getting worse and worse until he is possessed by the witch at the end and tries to burn his wife at the stake.

What surprised me most about this episode was the high level of nudity involved, especially as it was a television production. The guys don't skimp on the special effects either, with Ian Scoones providing a memorable scene of a dead, headless bird with its wings still flapping. As well as Finch, the rest of the cast do well, although there are only four main characters. It's amusing to see Ian McCulloch in a 'guest appearance', obviously taking a break from battling zombies/cannibals/aliens in Italy. Throughout the story, the tension palpably builds up to the terrific finale. WITCHING TIME is a smashing little episode, for once a programme that is unpredictable and goes in different ways from those you might imagine. Frightening, suspenseful and understated, this is a must for Hammer fans.
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6/10
Reasonable Short Story of Hammer House of Horror
claudio_carvalho15 July 2006
In the isolated Woodstock Farmer, the workaholic composer David Winter (Jon Finch) is depressed because he feels that his wife, the actress Mary (Prunella Gee), is unfaithful. In a stormy night, Lucinda Jessup (Patricia Quinn), a witch from the Seventeenth Century and former dweller of the farm, arrives in the barn and possesses David. Mary fights against Lucinda trying to recover David.

"Witching Time" is a reasonable short story of the "Hammer House of Horror" show. The screenplay and mainly the characters are not well developed and the viewer never knows, for example, the motives why Mary is having an affair with Charles, if she seems to like David. Or what happened with the dog Billy? In spite of the flaws, it entertains. My vote is six.

Title (Brazil): "Tempo de Bruxaria" ("Witching Time")

Note: On 30 July 2020, I saw this film again.
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7/10
Great start to the classic 1980s TV series
canndyman19 September 2020
David Finch is a composer of music for horror films - complete with his own home recording studio in the farmhouse he shares with his wife. One evening though, when he's working alone, a freak thunder storm interrupts his work - and summons forth a witch who has seemingly escaped in time over 300 years into the future, to evade her impending execution at the stake. Is she real, or is serial-workaholic David hallucinating? His wife, and also his doctor (embroiled in their own secret affair), soon come to David's aid, but could it be the Lucinda's powers are more than even they bargained for...

This episode made a memorable start to the much-anticipated Hammer House of Horror back in the Autumn of 1980, and makes for an effective introduction to the new series. Rocky Horror Show actress Patricia Quinn is in her element as the scheming, bewitching and sexy Lucinda - and Prunella Gee is also a worthy opponent for her as David's wife.

Look out too for Lennard Pearce as the local parish priest - a year before he found fame as Grandad in Only Fools and Horses.

There's a fair bit of nudity in this episode - I'm not sure if this was to draw the adult audience of 1980 more into the show, as was the fashion back then - but it certainly works within the context of the story, with its shades of eroticism.

All in all, a very solid start to this classic and well-loved series - and of course, there was even better to come over the coming weeks!
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6/10
A workaholic, a witch and a wardrobe
one9eighty29 September 2015
Warning: Spoilers
"Witching time" is about a workaholic, a witch and a wardrobe... okay maybe not a wardrobe then. David Winter (Jon "Frenzy" Finch) is a workaholic musical score composer living in a Woodstock farm which has a converted post production studio. He believes his actress wife Mary (Prunella Gee) is having an affair behind his back. As a result of his infidelity paranoia and a drink problem David's work has been suffering which means he has to work more and more. On the other hand Mary claims she is going good and more often then not she spends her nights away 'working'. One dark and dreary night during a lightening storm David goes to calm the horses down and finds what he thinks is his dog Billy cowering on some hay. On closer inspection it's a semi-naked witch who has time-travelled in an attempt to out run her pursuer the local witch finder general. The witch claims to be Lucinda Jessup (Patricia (only bloody Magenta from "The Rocky Horror Picture Show") Quinn), a witch from the seventeenth century and former inhabitant of the farm house. Thinking himself clever David traps Lucinda in a bedroom and calls his 'friend' Dr Charles (Ian McCulloch) Henderson. David isn't that clever as it turns out because his wife's secret lover is actually Dr Charles, who doses David up and leaves to tell Mary. Dr Charles convinces Mary that David is a mess, hallucinating and drinking excessively, in some fit of guilt she decides to pay David a visit back at home to see if she can help. Lucinda has meanwhile managed to possess David so it's up to Mary to fight Lucinda to get David back.

A classic story of succubus witch possessing somebody from a different time-line and then fighting the ball and chain.

This TV film is Don Leavers second entry to the Hammer TV series, this one written by Andy Read. It's the first one to have aired on TV in the 80's so that makes it stand out a little - Hammer's first venture into features at or under 60 minutes. The character development is fairly weak in comparison to other Hammer TV episodes but then too much development maybe wouldn't have fit into 60 minutes. You never find out why Mary is having an affair, you never find out why she's willing to fight for David if she's happy to have an affair, nor do you find out what the heck happened to Billy the dog, likewise we never really explore any of David and Mary's past success which got them to where they are now. While character development isn't comprehensive this is typical Hammer with a dark mix of horror, tongue in cheek camp humour, and low budget effects/scenery - which as it happens are things I like in my entertainment. Some reviewers have marked this down for the few moments of gratuitous nudity, really?? I'm sorry but if a hammer production doesn't have one or all of the falling things I don't consider it much of a true Hammer production: horror, wobbly sets, studio made scenery, suspense, weird lead characters, rubber bats, a bit of nudity, period costumes, cheesy, low budget effects, OTT blood...(etc etc)...(I could go one!) Come on guys, it was the 70's and 80's after all!!!! I'm happy to give this a thumbs up and a 6 star rating.
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Hammer House of Horror: Witching Time
Michael_Elliott21 October 2015
Hammer House of Horror: Witching Time (1980)

*** (out of 4)

A workaholic composer (Jon Finch) is at home while his wife (Prunella Gee) is out having an affair. After the power goes out from a storm the composer walks out to the barn where he finds Lucinda Jessop (Patricia Quinn). The young woman says that she's a witch and she's certainly not used to any of the current electronics. Soon the composer begins to feel that he might just be losing his mind.

I was really surprised to see how much I enjoyed WITCHING TIME as it was a good throwback to the type of films that the studio were making in the early 70s. I think what I enjoyed most was some of the earlier, non-horror moments like the witch getting a walk through in the house and seeing all sorts of items that weren't invented yet 350 years earlier when she was burned for being a witch.

The film also boosts some good performances with Finch leading the way in a strong role. I thought he was good at showing the fragile mental state of this man. Quinn was good as the witch as was Gee as the wife. Ian McCulloch (ZOMBIE) is also fun in his role as the doctor.
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6/10
Flawed but interesting tale of witchcraft
Prof-Hieronymos-Grost20 June 2009
Warning: Spoilers
David Winter (Jon Finch) is a reclusive hard working film composer, he lives in the remote Woodstock Farm which he as converted into a recording studio. His wife Mary (Prunella Gee) is a successful actress, who is off working most of the time which leaves David thinking she is having an affair, as a result he is constantly hitting the Scotch and his work has subsequently been affected. On one such evening when his spirits are low, David goes to tend the horses in the stable as a sudden storm is about to break, there huddled in the straw he finds what he thinks is his startled dog hiding from the storm, but it turns out to be a woman, naked but for a loose fitting hooded cloak. She is startled by her surroundings and introduces herself as Lucinda Jessop, a witch no less who proclaims to have been transported from the 1600's to the present, back to Woodstock Farm her former home. Having been on the run from the local Witchfinder, she takes great glee in taunting her former adversary. Needless to say despite her seeming authenticity, David believes she is an escaped lunatic and locks her in an upstairs bedroom, while he calls his friend Dr. Charles Henderson who may be able to help. Charles who is Mary's secret lover is none too surprised when he finds nobody in the still locked bedroom, believing David is hallucinating due to the mix of alcohol and medication and suspicion of adultery, he sedates David. After his wife returns, David explains that the witch has him under her spell, a spell he doesn't feel able to fight, she doesn't believe the story either, although after Mary finds deep scratches in his back she does some local detective work that shows that such a witch did exist and was the only witch to escape the clutches of the witchfinder. So is David just drunk or going mad? or is there some truth to the story? After an accident that sees her in hospital, Mary is left with no doubt.

A tale of witchcraft from Hammer's House of Horror, is for the most part an interesting story, that provides some background into witch hunts of the past. Irish actress Patricia Quinn may be nothing to look at, but her portrayal of the traumatized and menacing witch Lucinda feels very authentic, she nails the character with an effective mix of wide eyed cackling and some fine acting. Jon Finch perhaps best known for his role in Hitchcock's Frenzy, is here, a good few pounds heavier and fairly unrecognizable with a tired and disheveled look, his demise into an alcoholic stupor coupled with his fear of being powerless gives us a hint of his past glories. Director Leaver is more used to detective and crime shows and was probably the wrong choice to helm this one, in more horror friendly hands it could have been very good. As tales of witchcraft go, this isn't bad though, a suitable atmosphere of menace and magic is built up and when all seems like being lost for the Winters, there is a satisfactory and somewhat exciting and fiery climax to events. There is some nudity involved here which is strangely rather distracting, in a bad way, i don't say that often, but this is a case in point where a clothed witch would have made for a better film.
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6/10
Hammer House Of Horror: Witching Time (Don Leaver, 1980) (TV) **1/2
Bunuel197620 October 2007
While I can't say that I was especially looking forward to this series – considering the undeniable drop in quality during Hammer's last years (I did, however, catch at least one memorable episode from its follow-up, HAMMER HOUSE OF MYSTERY AND SUSPENSE [1984]) – this one certainly sets it off to a pretty good start. Incidentally, it was unusual to have nudity in a TV show of the era, even if – by now – this was pretty much a Hammer requisite. Here, we get a predictable but well-handled plot involving a strained relationship accentuated by the intervention of the supernatural. The 'attacks' on the heroine by the jealous witch and the latter's influence on her husband (causing his descent into near-madness) are, again, par for the course – as is, needless to say, the witch's eventual come-uppance by virtue of the elements (water and fire). The opening episode of this particular series is helped a lot by good casting (notably Patricia Quinn as the witch – alternating between hysteria, sensuality and menace) and the remote countryside setting.
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7/10
Decent Opener to Hammer House of Horror
As a great fan of the Hammer Studios and enthusiastic watcher of their Gothic Horror films, I wonder what took me so long to start watching their TV-series "Hammer House of Horror", which only ran for one season in 1980. Now that I've seen the first four episodes of the show, I can say that it easily satisfies my expectations so far. While this first episode "Witching Time" is maybe not the most imaginative Horror story ever told, and doesn't quite deliver the marvelous Gothic atmosphere that I love Hammer's films from the 50s to the 70s for, it doubtlessly does accomplish to tell a surprisingly spooky tale and create some genuine creepiness within fifty minutes. Film score composer David Winter (Jon Finch) is tormented by the 17th century witch Lucinda (Patricia Quinn)... While he story may be simple, but for a running time of less than an hour, it is effective and delivers many creepy moments. Northern Irish actress Patricia Quinn, who is probably best known for her role in "The Rocky Horror Picture Show" (1975) as well as the fantastic Monty Python comedy "Monty Python's Meaning of Life" (1983), is wonderfully malicious in her role which fits her like a glove. Jon Finch is also quite good as David, and while Prunella Gee, who plays his adulterous actress wife, may not be the best actress ever, she is definitely nice to look at. The episode is accompanied by a nice score which plays along well with the atmosphere. Overall, "Witching Time" is a very entertaining episode with several truly creepy moments, and decent opener to the series.
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5/10
Very good for what it is
preppy-326 May 2003
It's an episode from the British TV series "Hammer House of Horror".

A film composer David Winter (Jon Finch) is unhappily living with his wife Mary (Prunella Gee) who's having an affair. One night he's home alone and a witch (Patricia Quinn) appears--it seems she transported herself from the 1600s where she was about to be burnt at the stake. She proceeds to make life hell for David--she wants him body and soul and prepares to take his wife out of the picture--permanently.

For a TV show it's very well-done. There are some beautiful sets with top-notch production values. The story is more than a little far-fetched but the cast gives it their all. Quinn and Gee are very good--Finch is just OK and Ian McCullough is pretty good in his small role.

My only complaint was the gratuitous nudity--it's not needed and was distracting.

An enjoyable 50 minute little film. Perfect viewing for a rainy day (which is how I saw it)!
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8/10
Under a witch's spell
Woodyanders18 January 2017
Warning: Spoilers
Hard-working, but burnt-out composer David Winter (a fine performance by Jon Finch) lives in a secluded farmhouse located in rural England. Things go awry after David falls under the sinister spell of evil witch Lucinda Jessup (a lively and alluring portrayal by Patricia Quinn), who's managed to travel from the 17th century to the present. It's up to David's adulterous wife Mary (well played by Prunella Gee) to save his soul.

Director Don Leaver relates the enjoyable story at quick pace, ably crafts a dandy macabre atmosphere, sprinkles in a bit of tasty female nudity for some extra sizzle, makes nice use of the remote rustic location, and pulls out the stirring stops for the exciting fiery climax. Anthony Read's clever script offers a neat send-up of slasher horror fare in the opening scene and gets a good deal of amusing comic mileage out of Lucinda's fish out of water status when she's introduced to such modern conveniences as electric lights and a flushing toilet. Ian McCulloch provides solid support as concerned shrink Charles. Both James Bernard's spine-tingling score and the polished cinematography by Frank Watts are up to speed. A sturdy premiere episode.
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6/10
Oh Arr, Oi Be A Witch, Oi Be
Parks15 June 2019
In the first episode of HHofH, a narcissistic composer finds he's got a 17th century witch in the barn of his farmhouse. She's transported herself through time to escape the witchfinder and to wreak havoc in the present.

I should add that the witch has a quite wonderful "oh arrrr" West Country accent, which means she gets to go around saying things like, "You be MOIN now," while pawing her hapless male victim.

It's good fun, in a male-fantasy sort of way. Naturally this witch is a RUDE witch, floating about in a smock that doesn't come close to covering her cleavage. She's also quite keen on menacing the composer's wife in the shower, so if you are a teenage boy in the early 1980's, then this is the show for you.

Budget and time limitations being what they are, the conclusion isn't necessarily spectacular, but it's fine for 80's tv horror.
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5/10
One of the Hammer classics (sort of)
page7931 May 2002
The British Hammer Films put out film after film after film over the course of about 20 or so years. Hammer became easily connected with cheap Horror. Amongst hundreds of films some stand out as being classics (if only when compared within the Hammer collection) This one is not bad. If you excuse the fact that it was made in Britain in the 80s which amazingly looks like America in the 70s. The story itself is fairly well paced. The acting is good. I did think the ending could of used a little work. A question I asked myself after it was over, and its a question that you really wont understand unless you see it, was "What happened to the dog?" You can find this gem on the DVD collection of Hammer classics. (copy and paste link) http://www.amazon.com/exec/obidos/ASIN/B00005MKON/qid22904433/sr>2-1/ref=sr_2_1/104-5069885-1464715
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7/10
"I'm just about to come up to your death scene dear."
classicsoncall5 December 2021
Warning: Spoilers
Once again I've learned of a television anthology series I never knew existed by way of streaming the internet, and so have come across another batch of stories that I hope will be effective at raising a bit of suspense. This first episode was pretty good, even with a few inconsistencies along the way. Like how in the world did David Winter (Jon Finch) mistake a pile of hair in his barn for a missing canine, and it wind up being a Seventeenth Century witch? And given that his wife Mary (Prunella Gee) was having an affair with the family doctor (Ian McCulloch), she appeared to be awful devoted to her husband when things got a bit dicey. That matter worked itself out in due time, but just seemed odd to me in the early going.

What I liked best about the story was seeing Lucinda Jessop's (Patricia Quinn) reaction to all those modern conveniences that couldn't have been dreamt up when she was born in 1627. Her reaction to the magic of light switches was a hoot, but when she jumped at the sight of a toilet flushing I just had to laugh out loud. I guess anyone would react the same way after having three hundred years of progress blow by in a single instant, and it was really well done here. Things get a little frantic to wrap things up, as Mary realizes that David isn't hallucinating, and her throw down with Lucinda managed to provide a neat twist when the witch disappeared after drowning, but then screamed when the voodoo doll hit the flames. All in all it looked like a commendable effort to kick off the Hammer series, and I look forward to catching the rest in due time.
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7/10
Hammer Time! No…Witching Hammer Time!
Coventry21 November 2006
The first episode of Hammer's short-running "House of Horror" series and I can't really say I'm disappointed, although it's very different in style and tone compared to all those lovely Gothic horror films the production company served us. Perhaps this is partly due to the fact that Hammer's reign of horror had past already by the year 1980. The company's biggest successes were released between the mid-1950's and the early 1970's and they covered pretty much every field of the genre, going from the abominable snowman of the Himalayas to Count Dracula munching blood in the present day of London. Although I really can't judge after seeing one single episode, this show lacks that typical and good old-fashioned goth ambiance as well as the gruesome make-up effects that dominated the movies. The plot of "Witching Time" nevertheless hints at Gothic themes, with the reincarnation of a 17th Century witch in the contemporary countryside of Britain. During a wild thunderstorm in the isolated Woodstock region, where composer David Winter awaits the homecoming of his adulterous wife Mary, the condemned witch Lucinda appears out of nowhere and immediately claims David to be her own personal slave. Through black magic spells and voodoo, Lucinda attempts to eliminate Mary (who suddenly decided to remain faithful to her husband) and to grow more powerful. Admittedly the running time of 60 minutes is too short for detailed character drawings, but the viewer never really feels sympathy for David and Mary's situation while Lucinda's character nearly isn't menacing enough to evoke scares. Sure she decapitates innocent birds and forces David to set his own wife on fire, but her grimaces aren't exactly petrifying. The climax is rather exciting, though, and both Patricia Quinn and Prunella Gee provide the short movie with a tad bit of nudity. I hope the next installments in Hammer's House of Horror will be slightly improving, but even when this quality level is maintained, I won't regret having bought the DVD box set.
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6/10
Bedtime With Broomsticks
southdavid15 July 2020
With "The Frighteners" seeming removed from Youtube at the moment, I've decided to go on to a different anthology series, one closer to the horror aesthetic that I was looking for and that "The Frighteners" wasn't supplying. I settled on "Hammer House of Horror" from a few years later and started with the first episode "Witching Time".

On a farm in Southern England, David Winter (Jon Finch) is producing the music for a movie his wife, actress Mary Winter (Prunella Gee) is starring in. Drunk, Angry and (correctly) convinced that his wife is having an affair, he heads to the barn to settle their horse following a storm, and discovers a woman lying amongst the hay. The woman proclaims herself to be Lucinda Jessop (Patricia Quinn) a witch, who lived on the farm 300 years previous and who jumped through time to escape persecution. On Mary's return, Lucinda lays claim to David, body and mind, and tries to get rid of Mary.

Whilst not particularly scary, by any standard, this opening episode of the series was OK. A fairly straightforward possession story, just with a witch instead of a ghost, although she might as well be, given the limits of her powers. Lucinda is played by Patricia Quinn, who perhaps is most famous as Magenta, in the film version of "The Rocky Horror Picture Show". It's a loud, OTT performance, but it suits the villainous role she's playing. Jon Finch and Prunella Gee are OK too, though (and I don't think this was necessarily a performance issue) I never really understood why she was having the affair, given that she seemed to care about David when she returned home, particular as she's having an affair with the relatively boring looking Charles, played by Ian McCulloch (the one from "Zombie Holocaust" not the one from Echo And The Bunnymen).

Where the show is different from the other I've watched recently is that there is a lot more sexual content. There's a couple of sex scenes, and some nudity (which was blurred on the Youtube version I saw) - Plus Prunella Gee spends a lengthy amount of time in just her underwear. This is, of course, in keeping with the way Hammer productions had gone across the 70's.

Whilst the storyline is lacking any true moments of fear, or surprise, the performances and effects are OK and it's a decent first episode in the run.
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6/10
the first of 13 episodes
trashgang30 April 2010
Haha, remember me saying that nudity wasn't available in the hammer house of horror series. Well, this one has nudity. It's very strange that it was allowed in those days. Anyway, it contains nudity for some viewers it was offending. They found it gratuitous nudity. It's only the witch who got naked, and I never got a problem with it, it was typical for the hammer movies that nudity was involved. For others this is the best episode. I wouldn't say it is but still it works. It isn't frightening. It's more about imagination. Still, I watched it without having the fast forward in my hand. It also has a bit of an open ending but it's normal if you understand the storyline. Again wide angel was used for some shots and that's effective for the creepy shots. Also typical for that era is the so called night shots, they are shot in brought daylight with the use of ND filters. Maybe it's the goriest episode with the beheaded bird. Anyway, it is still watchable.
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7/10
A pretty good start to the series.
Hey_Sweden20 November 2022
The short-lived 'Hammer House of Horror' debuted with this solid episode about David (Jon Finch, "Frenzy"), a workaholic composer whose actress wife Mary (Prunella Gee, "Never Say Never Again") is having an affair. One night, after a storm, David discovers a young woman, Lucinda (Patricia Quinn, "The Rocky Horror Picture Show") in his barn, and she's a real character. She claims to be a witch who has lived on since the 17th century, escaping her persecutors by traveling through time. Her presence begins to torment the fragile David.

With the great Ian McCulloch ("Zombi 2") co-starring as the lover, 'Witching Time' does not tell a great story, per se, but it does entertain, showing its audience a reasonably good time. It does lose a little something once it is clearly shown that the horrors are NOT all in Davids' mind, and the supernatural phenomena take over. Keeping the story in place are three thoroughly engaging performances. It's an interesting move to have the male lead be a rather weak character, but Finch is definitely up to the task. Gee is very good reacting to the various terrors. But Quinn tends to steal the show. She is obviously having a fine time; there is some real humor as Lucinda reacts to modern conveniences such as electricity. (Lucinda spends a minute or so being fascinated by light switches.)

Maybe 'Witching Time' is hampered somewhat by budget limitations, but it does manage to work towards a lively and fun finish. It does benefit from the presence of old pros like composer James Bernard (whose score is excellent) and camera operator Neil Binney.

Seven out of 10.
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4/10
Weak Opener
Theo Robertson7 September 2013
David Winter , a film composer works late one night and gets a phone call from his wife Mary that she is working late herself and won't be home that night . Facing a boring evening alone David's luck changes when he hears a noise from the barn , goes to investigate and finds a young woman claiming to be a witch from the 17th Century

This was the opening episode of the much hyped HAMMER HOUSE OF HORROR away back from 1980 . My own dim and distant recollection of the show from first viewing was eagerly anticipating each episode and coming away from it rather disappointed and hoping that the next episode would improve which it rarely did . The series flopped , a fact reflected in the fact it only lasted one season and even on its initial broadcast Witching Time is a fairly weak episode for the opener but most of the episodes are similarly weak

The main problem with this episode is that there's a severe lack of any likable characters . David's wife isn't in fact working late and can't make it home because she's getting bonked by David's shrink . David himself isn't a role model of virtue because quickly after meeting 17th Century witch Lucinda Jessop he takes her to bed and gives her a good seeing to so he can't take any moral high ground . Lucinda is of course a genuine 17th Century witch and perhaps if this was a 90 minute feature length movie the ambiguity of Lucinda being perhaps an escaped mental patient might have been developed more but since it's less than 60 minutes long there's no ambiguity involved which means from the outset we're left with the ridiculous concept of a real witch traveling 300 years in to the future for some rumpy pumpy . Lucinda is like everyone else a rabid hypocrite and denounces Mary Winter as a " strumpet whore" while seducing David

The cast probably don't help with the thin mediocre material . Jon Finch is an actor who was very prolific at the time but who never really became a well known name despite sometimes giving some fine very performances , check him out in THE MARTIAN CHRONICLES sometime , but never really manages to flesh out the character of David Winter . Patricia Quinn is fairly dreadful and like all witches tends to cackle and speak in a broad West Country accent
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8/10
There's No Place Like Home!
ccthemovieman-18 July 2008
Warning: Spoilers
This was my first look at this short-lived British TV horror series, but I had seen a couple of Hammer horror films (Horror of Dracula, Captain Kronos: Vampire Hunter) and thought highly-enough of them to give this a look.

This first episode was a shocker - not for the horror but for all the nudity. Was this "regular" TV in England in 1980? If so, it showed a lot more skin than what we see in North America. There were three separate scenes showing naked women and their breasts, one scene where a guy put his hand on one, and another scene with man a top of a woman faking intercourse. Hey, I'm not complaining.

The story is a simple one: a witch who had disappeared in the 17th century comes back to her old house and makes life tough for the married man. The latter, Jon Finch as "David Winter," wasn't much of an actor, but his wife wasn't bad and was a really beauty. She was be Prunella Gee as "Mary." The husband suspected her, rightly so, of having an affair and that plays a part in this story.

Patricia Quinn was entertaining as the laughing witch "Lucinda Jessup," who comes back with a mean streak in her and has a good time tormenting the couple until things go wrong at the end. As a man, I'd say it was particular fun to see the two women going at it! This starts off slowly but once "Lucinda" starts stirring up things, it gets very entertaining.
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4/10
A fairly pedestrian way for the Hammer House of Horror series to begin
Red-Barracuda4 February 2015
Witching Time is the opening episode of the 'Hammer House of Horror' TV series that was broadcast in Britain in 1980. By this point in time the studio had stopped making feature films and this television format allowed them to make thirteen TV movies. Albeit on a limited budget and with more content restrictions, given the medium. Having said all of that, I was pretty surprised to see that this one has a sprinkling of nudity in it, so the series was allowed to add a bit of salacious content, which of course is never a bad thing. And even on the gore front there is the sight of a beheaded raven to marvel at.

The story revolves around a film composer who has an unfaithful wife. One night when she is out philandering he discovers a woman in his barn who claims to be a 17th century witch. Before long she is causing all manner of perturbation and despair.

Despite the cheapness of the production, like Hammer productions in general, this one has a very decent cast. We have Jon Finch who starred in Hitchcock and Polanski pictures, Patricia Quinn who was Magenta in The Rocky Horror Picture Show and Ian McCulloch who appeared in some Italian splatter-fests. Unfortunately, the story itself is a bit uninspired and there's really little in the way of thrills and excitement. It doesn't seem like the strongest of ways for the series to have launched itself.
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4/10
Witching Time...not to be confused with a Good Time
logantoxic4 April 2013
This episode is from the hammer house of horror which was a series on the BBC and lasted around 13 episodes. This was a pretty boring story and like most witch stories, it has a very simple plot. A witch appears in the modern day saying she escape from a burning in the 17th century and now she is here to wreck havoc among the innocents. Or just chill out at a house in the country because the entire movie was filmed at this one house. Yeah, its one of those movies. Super cheap, acting pretty bland and just not very interesting. It could be because of the subject matter why this episode comes across weak. Towards the end it was hard to pay attention even though there were burnings, drownings and voodoo dolls because the beginning was soooo slooow. From what I've heard is that this episode is the weakest of all of the Hammer House of Horror, so if only to complete watching all of the episodes then you should watch it. But don't go looking for it because it is a real drag.

For more reviews you can visit my Youtube channel Logan Toxic and follow my blog at logantoxic.blogspot
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