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Directed by | |||
| Jim Sharman | |||
Writing credits | ||
| Richard O'Brien | (original musical play) | |
| Jim Sharman | (screenplay) and | |
| Richard O'Brien | (screenplay) | |
Produced by | |||
| Lou Adler | .... | executive producer | |
| John Goldstone | .... | associate producer | |
| Michael White | .... | producer | |
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Graeme Clifford | |||
Art Direction by | |||
| Terry Ackland-Snow | |||
Costume Design by | |||
| Sue Blane | (original costume design) | ||
Makeup Department | |||
| Ramon Gow | .... | hairdresser | |
| Pierre La Roche | .... | original makeup designs creator | |
| Peter Robb-King | .... | makeup artist | |
| Graham Freeborn | .... | assistant makeup artist (uncredited) | |
| Ernest Gasser | .... | assistant makeup artist (uncredited) | |
| Helen Lennox | .... | assistant hair stylist (uncredited) | |
| Mike Lockey | .... | assistant hair stylist (uncredited) | |
| Jane Royle | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| John Comfort | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mike Gowans | .... | first assistant director | |
| Bob Howard | .... | second assistant director (uncredited) | |
Art Department | |||
| Dick Frift | .... | construction manager | |
| Ian Whittaker | .... | set dresser | |
| Don Bradburn | .... | dressing props (uncredited) | |
| Norman Dorme | .... | assistant art director (uncredited) | |
| Bob Douglas | .... | stand-by props (uncredited) | |
| Bob Hedges | .... | stand-by props (uncredited) | |
| John Leuenberger | .... | property master (uncredited) | |
| Bryn Siddall | .... | property buyer (uncredited) | |
| John Siddall | .... | draughtsman (uncredited) | |
| Bob Spencer | .... | scenic artist (uncredited) | |
Sound Department | |||
| Ron Barron | .... | sound recordist | |
| Ian Fuller | .... | dubbing editor | |
| Bill Rowe | .... | dubbing mixer | |
| Peter Glossop | .... | boom operator (uncredited) | |
| Doug Smith | .... | sound maintenance (uncredited) | |
| Len Tremble | .... | assistant dubbing editor (uncredited) | |
Special Effects by | |||
| Colin Chilvers | .... | special effects | |
| Wally Veevers | .... | special effects | |
| Roy Spencer | .... | standby special effects (uncredited) | |
Stunts | |||
| Ken Shepherd | .... | stunt double: Eddie (uncredited) | |
Camera and Electrical Department | |||
| Dennis C. Lewiston | .... | camera operator (as Denis Lewiston) | |
| Mike Roberts | .... | camera focus | |
| Fred Anderson | .... | electrician (uncredited) | |
| John Jay | .... | still photographer (uncredited) | |
| Jack Roche | .... | grip (uncredited) | |
| Ronnie Fox Rogers | .... | camera operator: second unit (uncredited) | |
Casting Department | |||
| Celestia Fox | .... | casting consultant: UK | |
Costume and Wardrobe Department | |||
| Gillian Dods | .... | wardrobe | |
| Richard Pointing | .... | wardrobe | |
Editorial Department | |||
| Rodney Glenn | .... | assistant editor | |
| Nigel Galt | .... | assistant editor (uncredited) | |
Music Department | |||
| Count Ian Blair | .... | principal musician | |
| John Bundrick | .... | principal musician (as Rabbit) | |
| Graeme Clifford | .... | music editor | |
| Mick Grabham | .... | principal musician | |
| Keith Grant | .... | music recordist | |
| Richard Hartley | .... | composer: incidental music | |
| Richard Hartley | .... | music arranger | |
| Richard Hartley | .... | musical director | |
| Richard Hartley | .... | principal musician | |
| Phil Kenzie | .... | principal musician | |
| Richard O'Brien | .... | composer: original music and lyrics | |
| B.J. Wilson | .... | principal musician | |
| Dave Wintour | .... | principal musician (as David Wintour) | |
| Helen Chapelle | .... | background singer (uncredited) | |
| Brian Engel | .... | background singer (uncredited) | |
| Barry St. John | .... | background singer (uncredited) | |
| Liza Strike | .... | background singer (uncredited) | |
| Clare Torry | .... | background singer (uncredited) | |
Transportation Department | |||
| Charles Cox | .... | unit driver (uncredited) | |
Other crew | |||
| Susanna Merry | .... | continuity (as Sue Merry) | |
| Ron Swinburne | .... | production accountant | |
| David Toguri | .... | dances staged by | |
| John Birkinshaw | .... | stand-in: Barry Bostwick (uncredited) | |
| Maureen Campbell | .... | accounts secretary (uncredited) | |
| Liz Coke | .... | stand-in: Susan Sarandon (uncredited) | |
| Sue Edwards | .... | secretary to producer (uncredited) | |
| Geoff Freeman | .... | publicist (uncredited) | |
| Gillian Gregory | .... | assistant choreographer (uncredited) | |
| Alan Harris | .... | stand-in: Peter Hinwood (uncredited) | |
| Eric Kent | .... | stand-in: Meat Loaf (uncredited) | |
| Dave Murphy | .... | stand-in: Richard O'Brien (uncredited) | |
| Gerry Paris | .... | stand-in: Tim Curry (uncredited) | |
| Erica Simmons | .... | stand-in: Little Nell (uncredited) | |
| Melita Smith | .... | stand-in: Patricia Quinn (uncredited) | |
| Richard Smith | .... | stand-in: Richard O'Brien (uncredited) | |
| Tuppence Smith | .... | stand-in: Patricia Quinn (uncredited) | |
| Maureen White | .... | production secretary (uncredited) | |
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| My Own Private Idaho | Gone with the Wind | Enchanted | The Lair of the White Worm | Stonewall |
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Those who gave this gem a low score - Please! Crawl back in your cardboard life and stay there! This film bubbles with zest, wit, subtle humor, raw humor, strange scenes, great songs and a huge host of memorable characters. Most of the characters are drawn as sharply as if a straight razor...well, not straight...as if a razor had been used. Not intended for the super straight part of our culture, which is why it usually plays at midnight shows, but you'll notice that it's been playing steadily for 30 years now, especially along the American coasts, which is a better record that almost anything else you can think of (excluding Gome With The Wind in Atlanta, a single town). I even took my mother to one of the 15 or so theater viewings I've attended. She thought the dressed up audience was a little strange, but she found out why they were so enthusiastic and quite liked the show. It's just a time slip....