It was a very good year for Martin Scorsese when the iconic filmmaker earned 10 Oscar nominations for Killers of the Flower Moon, but the 81-year-old auteur isn’t slowing down. In addition to partnering with Steven Spielberg to adapt Cape Fear for TV and adapting Life of Jesus based on Shūsaku Endō’s 1973 novel, Scorsese is eyeing a Frank Sinatra biopic with Leonardo DiCaprio and Jennifer Lawrence reportedly leading the cast.
While a Frank Sinatra biopic based on the life and times of the world-famous crooner sounds like a dream project come true, Scorsese might encounter a sour note on behalf of the late entertainer’s daughter, Tina Sinatra, who controls her father’s estate. Tina is withholding her blessing for Scorsese to move forward with the project, but that hasn’t stopped him from lining up a cast of A-list actors to make it a reality. Naturally, DiCaprio would play Sinatra,...
While a Frank Sinatra biopic based on the life and times of the world-famous crooner sounds like a dream project come true, Scorsese might encounter a sour note on behalf of the late entertainer’s daughter, Tina Sinatra, who controls her father’s estate. Tina is withholding her blessing for Scorsese to move forward with the project, but that hasn’t stopped him from lining up a cast of A-list actors to make it a reality. Naturally, DiCaprio would play Sinatra,...
- 4/17/2024
- by Steve Seigh
- JoBlo.com
Ava Gardner was one of the great movie stars of the 1940s, ’50s and ’60s, Her smouldering good looks often cast her in the role of seductress. And her three high-profile marriages only reinforced that public perception of the actress.
After a number of bit parts for MGM in the early 1940s, Gardner broke through with a sensational performance in 1946’s “The Killers” which truly launched her film stardom. As her craft evolved over the years, she became an esteemed actress, earning a Best Actress Oscar nomination for 1953’s “Mogambo” and a Golden Globe nom for 1964’s “The Night of the Iguana,” as well as four BAFTA nominations.
So let’s celebrate her life by looking back at and ranking the 12 greatest films of Gardner. Our photo gallery also includes “Showboat,” “The Killers” plus the movies mentioned in this article. Which one do you think is in our #1 overall spot?...
After a number of bit parts for MGM in the early 1940s, Gardner broke through with a sensational performance in 1946’s “The Killers” which truly launched her film stardom. As her craft evolved over the years, she became an esteemed actress, earning a Best Actress Oscar nomination for 1953’s “Mogambo” and a Golden Globe nom for 1964’s “The Night of the Iguana,” as well as four BAFTA nominations.
So let’s celebrate her life by looking back at and ranking the 12 greatest films of Gardner. Our photo gallery also includes “Showboat,” “The Killers” plus the movies mentioned in this article. Which one do you think is in our #1 overall spot?...
- 12/15/2023
- by Tom O'Brien, Misty Holland and Chris Beachum
- Gold Derby
Catering directly to my interests, the Criterion Channel’s January lineup boasts two of my favorite things: James Gray and cats. In the former case it’s his first five features (itself a terrible reminder he only released five movies in 20 years); the latter shows felines the respect they deserve, from Kuroneko to The Long Goodbye, Tourneur’s Cat People and Mick Garris’ Sleepwalkers. Meanwhile, Ava Gardner, Bertrand Tavernier, Isabel Sandoval, Ken Russell, Juleen Compton, George Harrison’s HandMade Films, and the Sundance Film Festival get retrospectives.
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
- 12/12/2023
- by Nick Newman
- The Film Stage
Exclusive: Emily Mann, who directed Daphne Rubin-Vega in the 2012 Broadway production of Tennessee Williams’ A Streetcar Named Desire, will re-team with both the actor and the playwright in December with an Off Broadway revival of The Night of the Iguana co-starring Tim Daly.
Also featured in the cast will be Lea DeLaria, Austin Pendleton and Jean Lichty. Previews begin December 6 at the Irene Diamond Stage at the Pershing Square Signature Center, with opening night on December 17. The engagement will run through February 25, 2024.
The staging is a production of La Femme Theatre Productions, a company dedicated to showcasing the diverse female experience. The announcement describes the production as “an evocative 21st century production of Tennessee Williams’s timeless masterpiece.”
“The Night of the Iguana poses critical questions of faith and identity that are particularly relevant today as we navigate a paradoxically divided yet open world,” Lichty said in a statement.
Also featured in the cast will be Lea DeLaria, Austin Pendleton and Jean Lichty. Previews begin December 6 at the Irene Diamond Stage at the Pershing Square Signature Center, with opening night on December 17. The engagement will run through February 25, 2024.
The staging is a production of La Femme Theatre Productions, a company dedicated to showcasing the diverse female experience. The announcement describes the production as “an evocative 21st century production of Tennessee Williams’s timeless masterpiece.”
“The Night of the Iguana poses critical questions of faith and identity that are particularly relevant today as we navigate a paradoxically divided yet open world,” Lichty said in a statement.
- 9/19/2023
- by Greg Evans
- Deadline Film + TV
Exclusive: Actor and creator Simon Kassianides, known for his portrayal of Axe Woves in the Disney+ series The Mandalorian, has signed with Alchemy Entertainment for management.
Kassianides reprised his role as fan-favorite Axe Woves, who was first introduced in season 2 as an elite warrior, then returning in Season 3 as the leader of a fleet of Mandalorian mercenaries, going from mercenary to hero by the season 3 finale that just aired on April 19th.
Kassianides previously starred in USA’s Suits spinoff series Pearson, opposite Gina Torres and recurred in Marvel’s Agents of S.H.I.E.L.D. as one of the main villains. He also appeared in the Warner Bros. feature film Unforgettable opposite Rosario Dawson and Katherine Heigl as well as the indie feature Cliffs of Freedom opposite Christopher Plummer. Prior to that he starred in the TNT drama pilot Lumen, had a supporting role in Quantum of Solace...
Kassianides reprised his role as fan-favorite Axe Woves, who was first introduced in season 2 as an elite warrior, then returning in Season 3 as the leader of a fleet of Mandalorian mercenaries, going from mercenary to hero by the season 3 finale that just aired on April 19th.
Kassianides previously starred in USA’s Suits spinoff series Pearson, opposite Gina Torres and recurred in Marvel’s Agents of S.H.I.E.L.D. as one of the main villains. He also appeared in the Warner Bros. feature film Unforgettable opposite Rosario Dawson and Katherine Heigl as well as the indie feature Cliffs of Freedom opposite Christopher Plummer. Prior to that he starred in the TNT drama pilot Lumen, had a supporting role in Quantum of Solace...
- 4/26/2023
- by Denise Petski
- Deadline Film + TV
The Night of the Iguana
Blu-ray
Warner Archive
1964 / 1.85: 1 / 125 Min.
Starring Richard Burton, Ava Gardner, Deborah Kerr
Written by Anthony Veiller, John Huston
Directed by John Huston
T. Lawrence Shannon looks more like a dock worker than a clergyman but to the women in his congregation he’s as soulful as one of Raphael’s angels. The problem is that this particular angel’s wings have been clipped. Shannon’s faith isn’t the only thing he’s struggling with; his wandering eye and freethinking ways suggest a reined-in version of Urbain Grandier, the randy minister of The Devils of Loudon. But where Grandier was unrepentant, Shannon is a walking guilt complex.
There’s a storm brewing this rainy Sunday morning and inside the church Shannon is doing his best to match it; his sermon begins in a reverent whisper but builds to a booming confession, “He that hath no...
Blu-ray
Warner Archive
1964 / 1.85: 1 / 125 Min.
Starring Richard Burton, Ava Gardner, Deborah Kerr
Written by Anthony Veiller, John Huston
Directed by John Huston
T. Lawrence Shannon looks more like a dock worker than a clergyman but to the women in his congregation he’s as soulful as one of Raphael’s angels. The problem is that this particular angel’s wings have been clipped. Shannon’s faith isn’t the only thing he’s struggling with; his wandering eye and freethinking ways suggest a reined-in version of Urbain Grandier, the randy minister of The Devils of Loudon. But where Grandier was unrepentant, Shannon is a walking guilt complex.
There’s a storm brewing this rainy Sunday morning and inside the church Shannon is doing his best to match it; his sermon begins in a reverent whisper but builds to a booming confession, “He that hath no...
- 12/20/2022
- by Charlie Largent
- Trailers from Hell
“Coda,” “Encanto” and “West Side Story” were received top honors at the 37th annual Artios Awards.
The Casting Society honors excellence in casting across feature films, television and theater. The organization held a virtual ceremony on Wednesday, also celebrating its 40th anniversary.
To kick off the virtual ceremony, a montage commemorating the anniversary as shown, demonstrating the significance of the Casting Society to casting directors and associates, past and present.
“We are so excited to honor these immensely talented, creative and hard-working casting directors tonight,” said Casting Society president Kim Williams. “What a wonderful way to begin Casting Society’s 40th year by celebrating these extraordinary casting directors’ invaluable contributions to the entertainment world.”
Host Danielle Pinnock said in a statement: “It was a tremendous honor to be asked to host this year’s Artios Awards. I’m still pinching myself! To be able to celebrate these industry titans is...
The Casting Society honors excellence in casting across feature films, television and theater. The organization held a virtual ceremony on Wednesday, also celebrating its 40th anniversary.
To kick off the virtual ceremony, a montage commemorating the anniversary as shown, demonstrating the significance of the Casting Society to casting directors and associates, past and present.
“We are so excited to honor these immensely talented, creative and hard-working casting directors tonight,” said Casting Society president Kim Williams. “What a wonderful way to begin Casting Society’s 40th year by celebrating these extraordinary casting directors’ invaluable contributions to the entertainment world.”
Host Danielle Pinnock said in a statement: “It was a tremendous honor to be asked to host this year’s Artios Awards. I’m still pinching myself! To be able to celebrate these industry titans is...
- 3/24/2022
- by Jazz Tangcay
- Variety Film + TV
The Casting Society announced its winners in film, television, and theater on Wednesday night, honoring Best Picture front-runner “Coda,” as well as fellow Oscar nominees “West Side Story,” “Don’t Look Up,” and “Encanto” as part of the 37th annual Artios Awards. The virtual ceremony included numerous bold-face names as presenters – including Steven Spielberg, Best Supporting Actress front-runner Ariana DeBose, Best Supporting Actor leader Troy Kotsur, and Brian Cox – as well as a special honor, the Zeitgeist Award, for “Spider-Man: No Way Home.”
“Ghosts” actress Danielle Pinnock served as the emcee. “It was a tremendous honor to be asked to host this year’s Artios Awards. I’m still pinching myself! To be able to celebrate these industry titans is a gift I won’t soon forget. I have always been so inspired by the endless creativity and passion that casting directors exhibit: in giving actors a platform to share their...
“Ghosts” actress Danielle Pinnock served as the emcee. “It was a tremendous honor to be asked to host this year’s Artios Awards. I’m still pinching myself! To be able to celebrate these industry titans is a gift I won’t soon forget. I have always been so inspired by the endless creativity and passion that casting directors exhibit: in giving actors a platform to share their...
- 3/24/2022
- by Christopher Rosen
- Gold Derby
Best Picture Oscar nominees Coda, West Side Story and Don’t Look Up were among the winners at the Casting Society’s 37th annual Artios Awards, which were handed out today during a virtual ceremony that streamed live on YouTube. Check out the full list below.
Other films scoring the trophies that honor casting directors include Encanto, The Tender Bar and Spider-Man: No Way Home, which snared the Zeitgeist Award that is presented to a popular film.
On the TV front, winners included the casting crews behind Ted Lasso, The Queen’s Gambit, Pose, Lovecraft Country, Big Mouth and Queer Eye, among others.
“We are so excited to honor these immensely talented, creative and hard working casting directors tonight,” said Casting Society President Kim Williams. “What a wonderful way to begin Casting Society’s 40th year by celebrating these extraordinary casting directors’ invaluable contributions to the entertainment world.”
Ghosts co-star Danielle Pinnock hosted the ceremony,...
Other films scoring the trophies that honor casting directors include Encanto, The Tender Bar and Spider-Man: No Way Home, which snared the Zeitgeist Award that is presented to a popular film.
On the TV front, winners included the casting crews behind Ted Lasso, The Queen’s Gambit, Pose, Lovecraft Country, Big Mouth and Queer Eye, among others.
“We are so excited to honor these immensely talented, creative and hard working casting directors tonight,” said Casting Society President Kim Williams. “What a wonderful way to begin Casting Society’s 40th year by celebrating these extraordinary casting directors’ invaluable contributions to the entertainment world.”
Ghosts co-star Danielle Pinnock hosted the ceremony,...
- 3/24/2022
- by Erik Pedersen
- Deadline Film + TV
The Casting Society celebrates its 40-year anniversary this year just as the entertainment industry is marking the diversity and authenticity in the many roles in film and TV from “Coda” and “West Side Story” to “Bridgerton.”
In honor of this landmark, the society’s leaders hoped to organize an in-person ceremony for the Artios Awards, their annual event honoring work by casting directors across film, television and theater. But when the Omicron surge showed the pandemic isn’t close to being over, CSA leadership realized it needed to pivot to a remote ceremony.
“Our hope and desire was that we would be able to do this spectacular in-person celebration,” says Kim Williams, the vice president of casting at Disney Television Studios and the president of CSA. “But we decided for the health and safety of everybody it would be better to pivot to a virtual celebration, and we’ll celebrate the culmination of our 40th,...
In honor of this landmark, the society’s leaders hoped to organize an in-person ceremony for the Artios Awards, their annual event honoring work by casting directors across film, television and theater. But when the Omicron surge showed the pandemic isn’t close to being over, CSA leadership realized it needed to pivot to a remote ceremony.
“Our hope and desire was that we would be able to do this spectacular in-person celebration,” says Kim Williams, the vice president of casting at Disney Television Studios and the president of CSA. “But we decided for the health and safety of everybody it would be better to pivot to a virtual celebration, and we’ll celebrate the culmination of our 40th,...
- 3/16/2022
- by Wilson Chapman
- Variety Film + TV
Two decades ago Mary-Louise Parker won her first Tony Award for her enthralling performance in David Auburn’s “Proof.” Five Broadway appearances later, Parker is on the cusp of winning the second Tony of her career for her searing turn in Adam Rapp’s “The Sound Inside,” according to our exclusive Tony Awards predictions. “The Sound Inside” has six nominations, including Best Play.
Parker earned the best reviews of her stage career for “The Sound Inside,” topping even the rapturous notices she received for “Proof.” Back then, John Simon (New York Magazine) called Parker’s work in “Proof” “a performance of genius.” In his rave review of “The Sound Inside,” Jesse Green (New York Times) wrote, “Parker, never better in her 30-year stage career, has dug even deeper into Bella, treating each line as if it were an archaeological site; she builds her performance on artifacts, not theories.” Vinson Cunningham...
Parker earned the best reviews of her stage career for “The Sound Inside,” topping even the rapturous notices she received for “Proof.” Back then, John Simon (New York Magazine) called Parker’s work in “Proof” “a performance of genius.” In his rave review of “The Sound Inside,” Jesse Green (New York Times) wrote, “Parker, never better in her 30-year stage career, has dug even deeper into Bella, treating each line as if it were an archaeological site; she builds her performance on artifacts, not theories.” Vinson Cunningham...
- 9/25/2021
- by David Buchanan
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Hottest August (Brett Story)
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all—with its streets and avenues named for numbers and letters and states and cities and presidents and Revolutionary War generals spanning an archipelago, intersecting at a million little data points at which to measure class, race, culture, history, architecture and infrastructure. And time, too—from this human density emerge daily and seasonal rituals, a set of biorhythms, reliable as the earth’s, against which to mark gradual shifts and momentary fashions. Summer is for lounging on fire escapes, always, and, today, for Mister Softee. Yesterday it was shaved ice.
The Hottest August (Brett Story)
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all—with its streets and avenues named for numbers and letters and states and cities and presidents and Revolutionary War generals spanning an archipelago, intersecting at a million little data points at which to measure class, race, culture, history, architecture and infrastructure. And time, too—from this human density emerge daily and seasonal rituals, a set of biorhythms, reliable as the earth’s, against which to mark gradual shifts and momentary fashions. Summer is for lounging on fire escapes, always, and, today, for Mister Softee. Yesterday it was shaved ice.
- 8/6/2021
- by Jordan Raup
- The Film Stage
The director of Palmer helps us kick off our new season by walking us through some of his favorite movies.
Show Notes: Movies Referenced In This Episode
Bloodhounds Of Broadway (1989)
Salvador (1986)
True Believer (1989)
Palmer (2021)
Wonder Wheel (2017)
A Face In The Crowd (1957)
On The Waterfront (1954)
No Time For Sergeants (1958)
The Confidence Man (2018)
Lolita (1962)
Dr. Strangelove (1964)
The Ghost Of Peter Sellers (2018)
The Marrying Man (1991)
The Ruling Class (1972)
The Krays (1990)
Let Him Have It (1991)
The Changeling (1980)
On The Border (1998)
Murder By Decree (1979)
Bigger Than Life (1956)
The Night of the Iguana (1964)
Fat City (1972)
Angel (1984)
Animal House (1978)
My Science Project (1985)
Lucía (1968)
Paper Moon (1973)
Sullivan’s Travels (1941)
The Great McGinty (1940)
I Married A Witch (1942)
Do The Right Thing (1989)
Raging Bull (1980)
Once Upon A Time In America (1984)
The Rider (2017)
The Mustang (2019)
Nomadland (2020)
Murmur of the Heart (1971)
Sweet Smell Of Success (1957)
Mr. Smith Goes To Washington (1939)
Apocalypse Now (1979)
The Conversation (1974)
The Godfather (1972)
The Godfather Part III (1990)
The Magnificent Ambersons...
Show Notes: Movies Referenced In This Episode
Bloodhounds Of Broadway (1989)
Salvador (1986)
True Believer (1989)
Palmer (2021)
Wonder Wheel (2017)
A Face In The Crowd (1957)
On The Waterfront (1954)
No Time For Sergeants (1958)
The Confidence Man (2018)
Lolita (1962)
Dr. Strangelove (1964)
The Ghost Of Peter Sellers (2018)
The Marrying Man (1991)
The Ruling Class (1972)
The Krays (1990)
Let Him Have It (1991)
The Changeling (1980)
On The Border (1998)
Murder By Decree (1979)
Bigger Than Life (1956)
The Night of the Iguana (1964)
Fat City (1972)
Angel (1984)
Animal House (1978)
My Science Project (1985)
Lucía (1968)
Paper Moon (1973)
Sullivan’s Travels (1941)
The Great McGinty (1940)
I Married A Witch (1942)
Do The Right Thing (1989)
Raging Bull (1980)
Once Upon A Time In America (1984)
The Rider (2017)
The Mustang (2019)
Nomadland (2020)
Murmur of the Heart (1971)
Sweet Smell Of Success (1957)
Mr. Smith Goes To Washington (1939)
Apocalypse Now (1979)
The Conversation (1974)
The Godfather (1972)
The Godfather Part III (1990)
The Magnificent Ambersons...
- 2/2/2021
- by Kris Millsap
- Trailers from Hell
Exclusive: Dylan McDermott and Phylicia Rashad will headline a streaming performance of the Tennessee Williams classic The Night of the Iguana, directed by Emily Mann and benefitting the Actors Fund.
A presentation of La Femme Theatre Productions, the pre-recorded performance will stream December 2-6 and feature McDermott as Reverand Shannon and Rashad as Maxine. Also in the cast are Roberta Maxwell as Miss Fellowes, Austin Pendleton as Nonno, and Jean Lichty as Hannah, with Keith Randolph Smith, Carmen Berkeley, Eliud Kauffman, Julio Macias, Stephanie Schmiderer, Bradley James Tejeda and John Hans Tester.
The production was shot act by act over a two-day period beginning November 11 and following a week of rehearsals, with each cast member recorded in his or her home and appearing either on screen or in a “virtual green room.”
“As much as we will miss performing on an actual stage, our team has been flexible enough to...
A presentation of La Femme Theatre Productions, the pre-recorded performance will stream December 2-6 and feature McDermott as Reverand Shannon and Rashad as Maxine. Also in the cast are Roberta Maxwell as Miss Fellowes, Austin Pendleton as Nonno, and Jean Lichty as Hannah, with Keith Randolph Smith, Carmen Berkeley, Eliud Kauffman, Julio Macias, Stephanie Schmiderer, Bradley James Tejeda and John Hans Tester.
The production was shot act by act over a two-day period beginning November 11 and following a week of rehearsals, with each cast member recorded in his or her home and appearing either on screen or in a “virtual green room.”
“As much as we will miss performing on an actual stage, our team has been flexible enough to...
- 11/18/2020
- by Greg Evans
- Deadline Film + TV
The great Larry Wilmore joins us to share some very personal double features.
Show Notes: Movies Referenced In This Episode
1917 (2019)
Animal Crackers (1930)
Duck Soup (1933)
My Little Chickadee (1940)
A Night At The Opera (1935)
A Hard Day’s Night (1964)
The Manchurian Candidate (1962)
The Manchurian Candidate (2004)
The Parallax View (1974)
Singin’ In The Rain (1952)
A Clockwork Orange (1971)
Planet of the Apes (1968)
Conquest of the Planet of the Apes (1972)
Close Encounters of the Third Kind (1977)
E.T. The Extra-Terrestrial (1982)
Jaws (1975)
The Stepford Wives (1975)
The Party (1968)
The Return of the Pink Panther (1975)
The Pink Panther Strikes Again (1976)
Richard Pryor: Live In Concert (1979)
Richard Pryor: Live And Smokin’ (1971)
Jo Jo Dancer, Your Life Is Calling (1986)
Dolemite Is My Name (2019)
Lenny (1974)
The Human Centipede (First Sequence) (2009)
Lolita (1962)
Caligula (1979)
The Night of the Iguana (1964)
The Elephant Man (1980)
What Would Jack Do? (2020)
Blue Velvet (1986)
The Apartment (1960)
Some Like It Hot (1959)
Double Indemnity (1944)
The Sting (1973)
Butch Cassidy And The Sundance Kid...
Show Notes: Movies Referenced In This Episode
1917 (2019)
Animal Crackers (1930)
Duck Soup (1933)
My Little Chickadee (1940)
A Night At The Opera (1935)
A Hard Day’s Night (1964)
The Manchurian Candidate (1962)
The Manchurian Candidate (2004)
The Parallax View (1974)
Singin’ In The Rain (1952)
A Clockwork Orange (1971)
Planet of the Apes (1968)
Conquest of the Planet of the Apes (1972)
Close Encounters of the Third Kind (1977)
E.T. The Extra-Terrestrial (1982)
Jaws (1975)
The Stepford Wives (1975)
The Party (1968)
The Return of the Pink Panther (1975)
The Pink Panther Strikes Again (1976)
Richard Pryor: Live In Concert (1979)
Richard Pryor: Live And Smokin’ (1971)
Jo Jo Dancer, Your Life Is Calling (1986)
Dolemite Is My Name (2019)
Lenny (1974)
The Human Centipede (First Sequence) (2009)
Lolita (1962)
Caligula (1979)
The Night of the Iguana (1964)
The Elephant Man (1980)
What Would Jack Do? (2020)
Blue Velvet (1986)
The Apartment (1960)
Some Like It Hot (1959)
Double Indemnity (1944)
The Sting (1973)
Butch Cassidy And The Sundance Kid...
- 3/10/2020
- by Kris Millsap
- Trailers from Hell
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSLolita (1962)This year's Golden Globes winners have been announced and can be found here.Looking ahead, take note of Criterion's roster of upcoming films to look forward to in 2020, from Steven Spielberg's West Side Story to Joanna Hogg's The Souvenir Part II. Sue Lyon, who starred in films like Stanley Kubrick's Lolita and The Night of the Iguana by John Huston, has died. The Studio Ghibli official New Year's message includes the announcement that Hayao Miyazaki's How Do You Live? is about 15% complete, as Miyazaki is completing about one minute of animation per month. Nevertheless, we look forward to the auteur's latest opus. Recommended VIEWINGThe first trailer for Downhill, an adaptation of Ruben Östlund's Force Majeure starring Julia Louis-Dreyfus and Will Ferrell as a couple whose relationship is threatened by a fateful avalanche.
- 1/9/2020
- MUBI
Actress Sue Lyon, best known for her role in Stanley Kubrick‘s adaptation of Lolita, has died, The New York Times reported. She was 73.
Lyon died on Thursday in Los Angeles, according to the newspaper. A longtime friend of the actress told the Times that she had been experiencing declining health for a while.
Lyon’s film and television career spanned 1959 to 1980, with her breakout role being the titular character in 1962’s Lolita. Based on the controversial novel by Vladimir Nabokov, the story follows a middle-aged professor who becomes sexually obsessed with Dolores Haze, a 12-year-old girl, whom he nicknames “Lolita.
Lyon died on Thursday in Los Angeles, according to the newspaper. A longtime friend of the actress told the Times that she had been experiencing declining health for a while.
Lyon’s film and television career spanned 1959 to 1980, with her breakout role being the titular character in 1962’s Lolita. Based on the controversial novel by Vladimir Nabokov, the story follows a middle-aged professor who becomes sexually obsessed with Dolores Haze, a 12-year-old girl, whom he nicknames “Lolita.
- 12/28/2019
- by Helen Murphy
- PEOPLE.com
Sue Lyon, the actress who played the title role in Stanley Kubrick’s controversial 1962 film Lolita, has died at the age of 73.
Lyon’s friend Phil Syracopoulos confirmed the actress’ death to the New York Times, noting that she died in Los Angeles Thursday following a period of declining health. No cause of death was provided.
The Iowa-born Lyon, then 14 with only a handful of small television roles to her credit, was cast over the 800 young actresses who reportedly auditioned for the role of Dolores Haze in the adaptation of...
Lyon’s friend Phil Syracopoulos confirmed the actress’ death to the New York Times, noting that she died in Los Angeles Thursday following a period of declining health. No cause of death was provided.
The Iowa-born Lyon, then 14 with only a handful of small television roles to her credit, was cast over the 800 young actresses who reportedly auditioned for the role of Dolores Haze in the adaptation of...
- 12/28/2019
- by Daniel Kreps
- Rollingstone.com
Actress Sue Lyon passed away in Los Angeles on Dec. 26. She was 73. According to Lyon’s longtime friend Phil Syracopoulous, cited by the New York Times, the actress’ health had been declining for some time.
Lyon was best known for her first major role. She was picked out of 800 young actresses who had auditioned to play the title character in the controversial 1962 film Lolita when she was just 14 years old.
In Stanley Kubrick’s adaptation of Vladimir Nabokov’s famous novel, about a middle-aged college professor who becomes infatuated with a teen nymphet, Lyon starred opposite James Mason. Her performance earned Lyon the Golden Globe in the most promising newcomer-female in 1963.
Lyion’s followup to Lolita was a co-starring role opposite Richard Burton, Ava Gardner and Deborah Kerr in the John Huston-directed 1964 feature The Night Of the Iguana. She went on to appear in two dozen movies and TV show,...
Lyon was best known for her first major role. She was picked out of 800 young actresses who had auditioned to play the title character in the controversial 1962 film Lolita when she was just 14 years old.
In Stanley Kubrick’s adaptation of Vladimir Nabokov’s famous novel, about a middle-aged college professor who becomes infatuated with a teen nymphet, Lyon starred opposite James Mason. Her performance earned Lyon the Golden Globe in the most promising newcomer-female in 1963.
Lyion’s followup to Lolita was a co-starring role opposite Richard Burton, Ava Gardner and Deborah Kerr in the John Huston-directed 1964 feature The Night Of the Iguana. She went on to appear in two dozen movies and TV show,...
- 12/28/2019
- by Nellie Andreeva
- Deadline Film + TV
Sue Lyon, who was cast in Stanley Kubrick’s “Lolita” at the age of 14, died Thursday in Los Angeles. She was 73.
Lyon’s longtime friend Phil Syracopoulos told the New York Times she had been experiencing poor health for some time.
Lyon’s acting career lasted from 1959 to 1980, with her most significant role as the title character in the 1962 Kubrick film based on Vladimir Nabokov’s novel about a middle-aged man who becomes sexually obsessed with a young girl. Lyon earned the part over 800 girls that auditioned; Nabokov described her as “the perfect nymphet.”
While Nabokov’s 1955 novel was seen as scandalous, the film was less so due in part to the restrictive Motion Picture Production Code.
Lyon was born in Davenport, Iowa. Her mother moved the family to Dallas before relocating them to Los Angeles, where Lyon was able to pursue acting. She landed the role of Laurie in...
Lyon’s longtime friend Phil Syracopoulos told the New York Times she had been experiencing poor health for some time.
Lyon’s acting career lasted from 1959 to 1980, with her most significant role as the title character in the 1962 Kubrick film based on Vladimir Nabokov’s novel about a middle-aged man who becomes sexually obsessed with a young girl. Lyon earned the part over 800 girls that auditioned; Nabokov described her as “the perfect nymphet.”
While Nabokov’s 1955 novel was seen as scandalous, the film was less so due in part to the restrictive Motion Picture Production Code.
Lyon was born in Davenport, Iowa. Her mother moved the family to Dallas before relocating them to Los Angeles, where Lyon was able to pursue acting. She landed the role of Laurie in...
- 12/28/2019
- by Lorraine Wheat
- Variety Film + TV
Sue Lyon, the actress who at age 14 starred as the title character in Stanley Kubrick’s adaptation of “Lolita,” died Thursday in Los Angeles. She was 73.
Lyon had been in failing health for some time, her friend Phil Syracopoulos told The New York Times.
Born Suellyn Lyon in 1946 in Iowa, Lyon’s family moved to Los Angeles when she was a small child. As a teenager, she began acting in small television roles, including an appearance on “The Loretta Young Show” that brought her to Kubrick’s attention. She was subsequently cast in “Lolita” at 14 in part because the filmmakers aged the character up from 12, as in Vladimir Nabokov’s novel. Upon release, Lyon was catapulted to stardom, and she won the Golden Globe Award for Most Promising Newcomer — Female for her performance, which had her acting alongside James Mason, Shelley Winters, and Peter Sellers, some of the era’s biggest stars.
Lyon had been in failing health for some time, her friend Phil Syracopoulos told The New York Times.
Born Suellyn Lyon in 1946 in Iowa, Lyon’s family moved to Los Angeles when she was a small child. As a teenager, she began acting in small television roles, including an appearance on “The Loretta Young Show” that brought her to Kubrick’s attention. She was subsequently cast in “Lolita” at 14 in part because the filmmakers aged the character up from 12, as in Vladimir Nabokov’s novel. Upon release, Lyon was catapulted to stardom, and she won the Golden Globe Award for Most Promising Newcomer — Female for her performance, which had her acting alongside James Mason, Shelley Winters, and Peter Sellers, some of the era’s biggest stars.
- 12/28/2019
- by Ross A. Lincoln
- The Wrap
Tony Sokol Jun 12, 2019
Sylvia Miles was the original Sally on the Dick van Dyke Show, and a fixture of New York's entertainment world.
Iconic New York stage and screen scene-stealer Sylvia Miles died at age 94, according to Variety. Miles created a string of incredibly memorable, very New York characters, often with very little screen time. She was on the screen for six minutes in Midnight Cowboy (1969), about five and a half minutes in Farewell, My Lovely (1975), and she was nominated as Best Supporting Actress for both. She only sold two apartments in Wall Street and its sequel Wall Street: Money Never Sleeps. Miles had three short scenes selling Amy Irving to the pickle guy in Crossing Delancey.
Her starring role in Andy Warhol's Heat, is no less memorable, though criminally under-watched. A take on the classic Sunset Boulevard, as if any of Warhol's movies weren't, Miles played the Gloria Swanson...
Sylvia Miles was the original Sally on the Dick van Dyke Show, and a fixture of New York's entertainment world.
Iconic New York stage and screen scene-stealer Sylvia Miles died at age 94, according to Variety. Miles created a string of incredibly memorable, very New York characters, often with very little screen time. She was on the screen for six minutes in Midnight Cowboy (1969), about five and a half minutes in Farewell, My Lovely (1975), and she was nominated as Best Supporting Actress for both. She only sold two apartments in Wall Street and its sequel Wall Street: Money Never Sleeps. Miles had three short scenes selling Amy Irving to the pickle guy in Crossing Delancey.
Her starring role in Andy Warhol's Heat, is no less memorable, though criminally under-watched. A take on the classic Sunset Boulevard, as if any of Warhol's movies weren't, Miles played the Gloria Swanson...
- 6/13/2019
- Den of Geek
Marisa Tomei will star in a Broadway revival of Tennessee Williams’ The Rose Tattoo, to be directed by Trip Cullman and set for a Roundabout Theatre Company production in September.
Tomei will play Serafina, the widow “who rekindles her desire for love, lust and life in the arms of a fiery suitor,” in the description by Roundabout. Other casting — including that fiery suitor — hasn’t been announced.
The Rose Tattoo will begin previews on September 19, with an official opening on Tuesday, October 15. The limited engagement will run through December 8 at the nonprofit Roundabout’s Broadway venue American Airlines Theatre.
Cullman and Tomei premiered the revival at the Williamstown Theatre Festival in June 2016.
The play made its Tony-winning Broadway debut in 1951, starring Maureen Stapleton and Eli Wallach. A movie version was released in 1955 starring Anna Magnani and Burt Lancaster, and a 1995 Broadway revival at Circle in the Square starred Mercedes Ruehl and Anthony Lapaglia.
Tomei will play Serafina, the widow “who rekindles her desire for love, lust and life in the arms of a fiery suitor,” in the description by Roundabout. Other casting — including that fiery suitor — hasn’t been announced.
The Rose Tattoo will begin previews on September 19, with an official opening on Tuesday, October 15. The limited engagement will run through December 8 at the nonprofit Roundabout’s Broadway venue American Airlines Theatre.
Cullman and Tomei premiered the revival at the Williamstown Theatre Festival in June 2016.
The play made its Tony-winning Broadway debut in 1951, starring Maureen Stapleton and Eli Wallach. A movie version was released in 1955 starring Anna Magnani and Burt Lancaster, and a 1995 Broadway revival at Circle in the Square starred Mercedes Ruehl and Anthony Lapaglia.
- 5/20/2019
- by Greg Evans
- Deadline Film + TV
Glenda Jackson was looking to do what no one has ever done before at the Tony Awards: win Best Actress in a Play in back-to-back years. Alas, she won’t get a chance to, as the Triple Crown champ was snubbed for her performance in “King Lear” on Tuesday.
Jackson, who prevailed last year for “Three Tall Women,” had been in first place in our Tony odds, but she was Mia on the shortlist, which, adding insult to injury, has six nominees. They are Annette Bening (“All My Sons”), Olivier winner Laura Donnelly (“The Ferryman”), Elaine May (“The Waverly Gallery”), Janet McTeer (“Bernhardt/Hamlet”), Laurie Metcalf (“Hillary and Bill”) and Heidi Schreck (“What the Constitution Means to Me”).
In hindsight, maybe we should’ve seen her snub coming. While the soon-to-be 83-year-old received stellar notices for her turn as the title character, the production itself underwhelmed critics. “King Lear” wound up with only one bid,...
Jackson, who prevailed last year for “Three Tall Women,” had been in first place in our Tony odds, but she was Mia on the shortlist, which, adding insult to injury, has six nominees. They are Annette Bening (“All My Sons”), Olivier winner Laura Donnelly (“The Ferryman”), Elaine May (“The Waverly Gallery”), Janet McTeer (“Bernhardt/Hamlet”), Laurie Metcalf (“Hillary and Bill”) and Heidi Schreck (“What the Constitution Means to Me”).
In hindsight, maybe we should’ve seen her snub coming. While the soon-to-be 83-year-old received stellar notices for her turn as the title character, the production itself underwhelmed critics. “King Lear” wound up with only one bid,...
- 5/1/2019
- by Joyce Eng
- Gold Derby
Exclusive: Anna Gunn, the two-time Emmy winner for her role on AMC’s Breaking Bad, has signed with Authentic Talent & Literary Management.
The signing comes at a busy time for Gunn, who reprises her role as Martha Bullock in HBO’s Deadwood movie which bows May 31, which is around the time she begins rehearsals for the revival of Tennessee Williams’ The Night of the Iguana on London’s West End opposite Clive Owen.
Gunn was nominated for three total Supporting Actress in a Drama Series Emmys for Breaking Bad, playing Walter White’s wife Skyler. She won in 2013 and repeated the next year.
She remains repped by ICM Partners.
The signing comes at a busy time for Gunn, who reprises her role as Martha Bullock in HBO’s Deadwood movie which bows May 31, which is around the time she begins rehearsals for the revival of Tennessee Williams’ The Night of the Iguana on London’s West End opposite Clive Owen.
Gunn was nominated for three total Supporting Actress in a Drama Series Emmys for Breaking Bad, playing Walter White’s wife Skyler. She won in 2013 and repeated the next year.
She remains repped by ICM Partners.
- 4/17/2019
- by Patrick Hipes
- Deadline Film + TV
Last year, Glenda Jackson became the 24th performer to complete the Triple Crown of Acting when she won the Best Actress in a Play Tony Award for “Three Tall Women.” She can write another chapter in awards history this year by becoming the first person to win back-to-back Tonys in that category.
Jackson is the odds-on favorite to prevail for her performance as the titular character in “King Lear,” which opened Thursday on Broadway. She’d be the eighth person to win the category twice and the 11th to have multiple wins in the category. None of the previous multiple Best Actress in a Play champs triumphed in consecutive years.
See Tony winner Glenda Jackson on ignoring all of Edward Albee’s advice [Watch]
2 wins
Shirley Booth: “Come Back, Little Sheba” (1950); “The Time of the Cuckoo” (1953)
Helen Hayes: “Happy Birthday” (1947); “Time Remembered” (1958)
Margaret Leighton: “Separate Tables” (1957); “The Night of the Iguana...
Jackson is the odds-on favorite to prevail for her performance as the titular character in “King Lear,” which opened Thursday on Broadway. She’d be the eighth person to win the category twice and the 11th to have multiple wins in the category. None of the previous multiple Best Actress in a Play champs triumphed in consecutive years.
See Tony winner Glenda Jackson on ignoring all of Edward Albee’s advice [Watch]
2 wins
Shirley Booth: “Come Back, Little Sheba” (1950); “The Time of the Cuckoo” (1953)
Helen Hayes: “Happy Birthday” (1947); “Time Remembered” (1958)
Margaret Leighton: “Separate Tables” (1957); “The Night of the Iguana...
- 4/8/2019
- by Joyce Eng
- Gold Derby
Ross Lowell, a cinematographer, filmmaker and Oscar winner whose inventions kept movie sets, lighting equipment and cables together and helped actors find their marks onstage, has died. He was 92.
Lowell died Jan. 10 at his home in Pound Ridge, New York, his son, documentarian Josh Lowell, told The Hollywood Reporter. Josh was one of the subjects of the Oscar-nominated short film Oh Brother, My Brother (1979), co-directed by his father and mother, Carol Lowell.
Lowell shot the documentary On the Trail of the Iguana (1964), about the making of John Huston's The Night of the Iguana, the director's 1964 adaptation of ...
Lowell died Jan. 10 at his home in Pound Ridge, New York, his son, documentarian Josh Lowell, told The Hollywood Reporter. Josh was one of the subjects of the Oscar-nominated short film Oh Brother, My Brother (1979), co-directed by his father and mother, Carol Lowell.
Lowell shot the documentary On the Trail of the Iguana (1964), about the making of John Huston's The Night of the Iguana, the director's 1964 adaptation of ...
- 2/26/2019
- The Hollywood Reporter - Film + TV
Ross Lowell, a cinematographer, filmmaker and Oscar winner whose inventions kept movie sets, lighting equipment and cables together and helped actors find their marks onstage, has died. He was 92.
Lowell died Jan. 10 at his home in Pound Ridge, New York, his son, documentarian Josh Lowell, told The Hollywood Reporter. Josh was one of the subjects of the Oscar-nominated short film Oh Brother, My Brother (1979), co-directed by his father and mother, Carol Lowell.
Lowell shot the documentary On the Trail of the Iguana (1964), about the making of John Huston's The Night of the Iguana, the director's 1964 adaptation of ...
Lowell died Jan. 10 at his home in Pound Ridge, New York, his son, documentarian Josh Lowell, told The Hollywood Reporter. Josh was one of the subjects of the Oscar-nominated short film Oh Brother, My Brother (1979), co-directed by his father and mother, Carol Lowell.
Lowell shot the documentary On the Trail of the Iguana (1964), about the making of John Huston's The Night of the Iguana, the director's 1964 adaptation of ...
- 2/26/2019
- The Hollywood Reporter - Movie News
When a certain someone worries publically about caravans reaching our southern border, he may be thinking about an invasion of Mexicans farther north where they are stepping over his plaque on the Hollywood Walk of Fame, scooping up Oscar nominations and absconding with electroplated gold.
The leaders of this caravan are Alejandro Gonzalez Innaritu, Guillermo del Toro and Alfonso Cuaron, multi-hyphenate filmmakers who have amassed 22 Oscar nominations among them and a total of nine wins. They have won four of the last five best director Oscars, with Cuaron expected to make it five out of six for “Roma,” and they have won two of the last four best picture awards, with “Roma” favored to make it three out of five.
These self-labeled Three Amigos are also looting the vaults of the studios and financial institutions pumping millions into the making of their movies and paying them millions to do it.
The leaders of this caravan are Alejandro Gonzalez Innaritu, Guillermo del Toro and Alfonso Cuaron, multi-hyphenate filmmakers who have amassed 22 Oscar nominations among them and a total of nine wins. They have won four of the last five best director Oscars, with Cuaron expected to make it five out of six for “Roma,” and they have won two of the last four best picture awards, with “Roma” favored to make it three out of five.
These self-labeled Three Amigos are also looting the vaults of the studios and financial institutions pumping millions into the making of their movies and paying them millions to do it.
- 2/21/2019
- by Jack Mathews
- Gold Derby
Happy birthday, Ava Gardner, who would have turned 96 on December 24, 2018! One of the great movie stars of the 1940s, ’50s and ’60s, Gardner’s smouldering good looks often cast her in the role of seductress. And her three high-profile marriages only reinforced that public perception of the actress.
SEE1954 Oscar Flashback: Judy Garland classic from ‘A Star is Born’ loses Best Original Song to Frank Sinatra standard
After a number of bit parts for MGM in the early 1940s, Gardner broke through with a sensational performance in 1946’s “The Killers” which truly launched her film stardom. As her craft evolved over the years, she became an esteemed actress, earning a Best Actress Oscar nomination for 1953’s “Mogambo” and a Golden Globe nom for 1964’s “The Night of the Iguana,” as well as four BAFTA nominations.
SEEOscar Best Actress Gallery: Every Winner in Academy Award History
So let’s celebrate her...
SEE1954 Oscar Flashback: Judy Garland classic from ‘A Star is Born’ loses Best Original Song to Frank Sinatra standard
After a number of bit parts for MGM in the early 1940s, Gardner broke through with a sensational performance in 1946’s “The Killers” which truly launched her film stardom. As her craft evolved over the years, she became an esteemed actress, earning a Best Actress Oscar nomination for 1953’s “Mogambo” and a Golden Globe nom for 1964’s “The Night of the Iguana,” as well as four BAFTA nominations.
SEEOscar Best Actress Gallery: Every Winner in Academy Award History
So let’s celebrate her...
- 12/24/2018
- by Tom O'Brien and Chris Beachum
- Gold Derby
"The Night Of The Iguana: Close Encounters In The Jungle"
By Eve Goldberg
The Night of the Iguana, Tennessee Williams’s last great play, was turned into a 1964 movie which, in its day, was as famous for its behind-the-scenes spectacle as for what actually appeared on screen.
Today, Iguana is rarely mentioned alongside the other classic Tennessee Williams film adaptations: Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly, Last Summer. Despite a tremendously talented cast, compelling characters, and a can’t-look-away examination of our anguished, redeemable humanity, Iguana is often neglected.
So, it’s high time for a fresh look at this movie — with a focus on its journey from stage to screen.
The Play
"Shannon!" shouts Maxine Faulk from the veranda of her run-down hotel on the coast of Mexico. Thus opens Tennessee Williams’ 1961 play. The setting is 1940. Recently widowed Maxine greets her old friend, Reverend Shannon,...
By Eve Goldberg
The Night of the Iguana, Tennessee Williams’s last great play, was turned into a 1964 movie which, in its day, was as famous for its behind-the-scenes spectacle as for what actually appeared on screen.
Today, Iguana is rarely mentioned alongside the other classic Tennessee Williams film adaptations: Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly, Last Summer. Despite a tremendously talented cast, compelling characters, and a can’t-look-away examination of our anguished, redeemable humanity, Iguana is often neglected.
So, it’s high time for a fresh look at this movie — with a focus on its journey from stage to screen.
The Play
"Shannon!" shouts Maxine Faulk from the veranda of her run-down hotel on the coast of Mexico. Thus opens Tennessee Williams’ 1961 play. The setting is 1940. Recently widowed Maxine greets her old friend, Reverend Shannon,...
- 11/4/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Deborah Kerr would’ve celebrated her 97th birthday on September 30, 2018. With six Oscar bids to her name, the Scottish-born thespian is one of the most celebrated performers of all time. However, she never actually won one of those little gold statuettes, giving her the dubious distinction of tying Thelma Ritter and Glenn Close as the most nominated actress without a victory. Still, she must’ve done something right to rack up all that Academy recognition. In honor of her birthday, let’s take a look back at 15 of her greatest films, ranked worst to best.
Born in 1921, Kerr got her start on the London stage before appearing in her first film when she was just 20-years-old: “Major Barbara” (1941). She had her big break two years later in Michael Powell and Emeric Pressburger‘s epic “The Life and Death of Colonel Blimp” (1943). Kerr reunited with the filmmaking duo for “Black Narcissus...
Born in 1921, Kerr got her start on the London stage before appearing in her first film when she was just 20-years-old: “Major Barbara” (1941). She had her big break two years later in Michael Powell and Emeric Pressburger‘s epic “The Life and Death of Colonel Blimp” (1943). Kerr reunited with the filmmaking duo for “Black Narcissus...
- 9/30/2018
- by Zach Laws and Chris Beachum
- Gold Derby
Need a laugh? Paul Newman shoots people, hangs others and runs a judiciary speed trap for unwary outlaw vagrants. John Huston’s picture is a slack, passably amusing interpretation of writer John Milius’s career- boosting screenplay. A slow-going exercise in ‘printing the legend, only funnier,’ it’s recommended just to take in Stacy Keach’s memorable albino menace, ‘Bad Bob.’
The Life and Times of Judge Roy Bean
Blu-ray
Warner Archive Collection
1972 / Color / 1:85 widescreen / 123 min. / Street Date July 17, 2018 / available through the WBshop / 21.99
Starring: Paul Newman, Victoria Principal, Ava Gardner, Jacqueline Bisset, Ned Beatty, Tab Hunter, John Huston, Anthony Perkins, Stacy Keach, Roddy McDowall, Anthony Zerbe, Dick Farnsworth, Terry Leonard, Matt Clark, Bill McKinney, Steve Kanaly, Bruno The Bear, Michael Sarrazin.
Cinematography: Richard Moore
Film Editor: Hugh S. Fowler
Original Music: Maurice Jarre
Written by John Milius
Produced by John Foreman
Directed by John Huston
When John Huston movies are good,...
The Life and Times of Judge Roy Bean
Blu-ray
Warner Archive Collection
1972 / Color / 1:85 widescreen / 123 min. / Street Date July 17, 2018 / available through the WBshop / 21.99
Starring: Paul Newman, Victoria Principal, Ava Gardner, Jacqueline Bisset, Ned Beatty, Tab Hunter, John Huston, Anthony Perkins, Stacy Keach, Roddy McDowall, Anthony Zerbe, Dick Farnsworth, Terry Leonard, Matt Clark, Bill McKinney, Steve Kanaly, Bruno The Bear, Michael Sarrazin.
Cinematography: Richard Moore
Film Editor: Hugh S. Fowler
Original Music: Maurice Jarre
Written by John Milius
Produced by John Foreman
Directed by John Huston
When John Huston movies are good,...
- 7/31/2018
- by Glenn Erickson
- Trailers from Hell
To be honest, I didn't feel that good before I finally started watching John Huston's adaptation of Leonard Gardner's novel the other night, but afterward, it was only the sheer exhaustion of a long day's work that allowed me to close my eyes and fall asleep. It is a downer, man. Gardner's novel, which was originally published in 1969, caught the eye of producer Ray Stark, who passed it along to director John Huston. The two had worked together on The Night of the Iguana (1964) and Reflections in a Golden Eye (1969), the latter starring Marlon Brando. Reportedly, Huston wanted Brando to star in Fat City, but when that didn't work out, Stacy Keach got the nod. Some three decades into his directing career,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/4/2018
- Screen Anarchy
'Under the Volcano' screening: John Huston's 'quality' comeback featuring daring Albert Finney tour de force As part of its John Huston film series, the UCLA Film & Television Archive will be presenting the 1984 drama Under the Volcano, starring Albert Finney, Jacqueline Bisset, and Anthony Andrews, on July 21 at 7:30 p.m. at the Billy Wilder Theater in the Los Angeles suburb of Westwood. Jacqueline Bisset is expected to be in attendance. Huston was 77, and suffering from emphysema for several years, when he returned to Mexico – the setting of both The Treasure of the Sierra Madre and The Night of the Iguana – to direct 28-year-old newcomer Guy Gallo's adaptation of English poet and novelist Malcolm Lowry's 1947 semi-autobiographical novel Under the Volcano, which until then had reportedly defied the screenwriting abilities of numerous professionals. Appropriately set on the Day of the Dead – 1938 – in the fictitious Mexican town of Quauhnahuac (the fact that it sounds like Cuernavaca...
- 7/21/2017
- by Andre Soares
- Alt Film Guide
From Coffee Shop Barista to Hollywood Stardom: Unforgettable’s Bad Boy Shares His Journey to Stardom
Simon Kassianides was ready for a change.
The University of Edinburgh graduate had been planning on a career in finance, but when that didn’t feel fulfilling to him the Brit decided to open an organic, fair-trade coffee shop.
“I had the shop for about a year and a half, a producer would come in and we would talk about movies,” says Kassianides. “One day he just said, ‘Why don’t you come make coffee on set?’ ”
From there, Kassianides — whose parents are Greek — began working as an office and production assistant.
“While doing that I was spotted,” he says.
The University of Edinburgh graduate had been planning on a career in finance, but when that didn’t feel fulfilling to him the Brit decided to open an organic, fair-trade coffee shop.
“I had the shop for about a year and a half, a producer would come in and we would talk about movies,” says Kassianides. “One day he just said, ‘Why don’t you come make coffee on set?’ ”
From there, Kassianides — whose parents are Greek — began working as an office and production assistant.
“While doing that I was spotted,” he says.
- 4/22/2017
- by Patrick Gomez
- PEOPLE.com
And you thought there was no love lost between Jennifer Aniston and Angelina Jolie!
With the debut Sunday of his new FX anthology series Feud, Ryan Murphy drew back the curtain on the rivalry between Bette and Joan, with (as you well know) Susan Sarandon as Davis and Jessica Lange as Crawford. The reviews, including TVLine’s, have been good. But did you, too, find the drama as intoxicating as a flask of 100-proof vodka? Let’s go over the events of the pilot, then you can weigh in in the poll below.
Related2017 Renewal Scorecard: What’s Coming Back?...
With the debut Sunday of his new FX anthology series Feud, Ryan Murphy drew back the curtain on the rivalry between Bette and Joan, with (as you well know) Susan Sarandon as Davis and Jessica Lange as Crawford. The reviews, including TVLine’s, have been good. But did you, too, find the drama as intoxicating as a flask of 100-proof vodka? Let’s go over the events of the pilot, then you can weigh in in the poll below.
Related2017 Renewal Scorecard: What’s Coming Back?...
- 3/6/2017
- TVLine.com
In 1962, two-time Oscar winner Bette Davis was appearing on Broadway in Tennessee Williams' The Night of the Iguana. Though she'd hoped 1950's All About Eve would reignite her career, she hadn't been offered many great film roles since, and instead was largely relegated to television guest appearances and the theater. But one night after a performance, Joan Crawford – another Oscar-winning former leading lady considered past her prime – visited backstage to offer Davis a revolutionary part in a brand-new picture. Crawford had been in Hollywood since her teens, but now well into her fifties,...
- 3/3/2017
- Rollingstone.com
Exclusive: Broad Green Pictures just acquired an award-winning biography of Thomas Lanier “Tennessee” Williams as the basis of a biopic on the legendary playwright. Williams’ plays — A Streetcar Named Desire, Cat On A Hot Tin Roof, The Glass Menagerie, Sweet Bird Of Youth, The Night Of The Iguana, The Rose Tattoo and so many others — have been a mainstay of Broadway for years and have also been brought to the big screen (some with multiple incarnations). The book that…...
- 11/12/2015
- Deadline
While the name Gabriel Figueroa may not be a familiar one to many, even those with a stronger affinity for filmmaking and the art behind it, New York’s own Film Forum is hoping to change that.
On June 5, the theater began a career spanning retrospective surrounding the work of iconic cinematographer and Mexican film industry legend Gabriel Figueroa. Taking a look at 19 of the photographer’s films, the series is running in conjunction with the new exhibition at El Museo del Barrio, entitled Under The Mexican Sky: Gabriel Figueroa – Art And Film.
Best known as a pioneer of Mexican cinema, primarily with his work alongside director Emilio Fernandez, Figueroa’s work was as varied as they come. His work with Fernandez is without a doubt this retrospective’s highlight, particularly films like Wildflower. One of the many times Mexican cinema’s “Big Four” worked together, the film saw the...
On June 5, the theater began a career spanning retrospective surrounding the work of iconic cinematographer and Mexican film industry legend Gabriel Figueroa. Taking a look at 19 of the photographer’s films, the series is running in conjunction with the new exhibition at El Museo del Barrio, entitled Under The Mexican Sky: Gabriel Figueroa – Art And Film.
Best known as a pioneer of Mexican cinema, primarily with his work alongside director Emilio Fernandez, Figueroa’s work was as varied as they come. His work with Fernandez is without a doubt this retrospective’s highlight, particularly films like Wildflower. One of the many times Mexican cinema’s “Big Four” worked together, the film saw the...
- 6/9/2015
- by Joshua Brunsting
- CriterionCast
Every year in November in Los Cabos, one of the most beautiful places in Mexico, 14,000 attendees, 450 industry professionals, and national and international media join together to celebrate film.
This year the Hurricane Odile took out Los Cabos and we feared for the festival. However, it has survived and its third edition, renamed from “Baja International Film Festival, Los Cabos” to “ Los Cabos International Film Festival ” has added three new sections.
You will find me there for this third edition November 12 – 16, where the Mexican film industry, its cultural and commercial partners in North America meet with invited guests to watch and discuss the best in cinema today.
Read more about its 2014 Official Selection program here. Nine films are in Competition from Mexico, U.S. and Canada, competing for Usd $15,000 cash, six Mexican productions – the first or second film by directors will compete for Usd $15,000 in the Mexico First Section.
The Festival’s three new sections to be presented in its Third Edition are Green Perspective, B-Side and Sunset.
Green Perspective is a section that present stories that generate awareness and force us to reflect on our responsibilities with the environment and the urgent need to create a harmonious coexistence among all the links part of this planet. The films in this new section are:
• “Just Eat It: A Food Waste Story” by Grant Baldwin. (Canada– Latin American Premiere).
• “México Pelágico” (“Deep-Sea Mexico”) by Jerónimo Prieto (Mexico, 2014).
• “ThuleTuvalu” by Matthias von Gunten (Switzerland- Latin American Premiere).
The theater chain, Cinemex will present this as part of the Festival’s Free Outdoor Screenings Program to be held at Plaza Mijares in San José del Cabo.
The Festival also launches, B Side, showcasing the best films portraying music, providing both sonorous and visual enjoyment. The three films presented this year are:
• “20,000 Days on Earth” by Iain Forsyth and Jane Pollard (U.K. – Mexican Premiere). After its Sundance 2014 premiere, Hanway picked it up for international sales and has sold it to Drafthouse Films for U.S. as well as to Benelux (Remain In Light Belgium), Brazil (Zeta Filmes), Denmark (Camera Film A/S), Norway (Tour De Force As), Poland (Gutek Film Ltd), Spain (Avalon Distribucion Audiovisual), Sweden (Nonstop Entertainment Ab), U.K. ( Picturehouse Cinemas Ltd/ Picturehouse Entertainment).
• “For Those About To Rock: The Story of Rodrigo y Gabriela” by Alejandro Franco Fernández (Mexico– Latin American Premiere).
• “God Help the Girl” by Stuart Murdoch (U.K.– Mexican Premiere).
This film also premiered at Sundance and is also repped by Hanway and has sold to Amplify (Los Angeles) for the U.S. and to So. Korea (Challan), Spain (Avalon Distribucion Audiovisual), Taiwan ( Atom Cinema).
The third new section, Sunset, intends to provoke with genres of horror, science fiction and black comedy.
“Over Your Dead Body” by Takashi Miike (Japan – Latin American Premiere) premiered at Pusan Film Festival and is being sold internationally by Celluloid Dreams and Mongrel Media. “Spring” by Justin Benson and Aaron Moorhead (U.S.A. – Mexican Premiere) presented in collaboration with Morbido Fest. Xyz both produced and is the international sales agent for this film which will debut at this year’s American Filkm Market. “What We Do in the Shadows” by Taika Waititi and Jemaine Clement (New Zealand, U.S. – Latin American Premiere) also premiered in Sundance and played in Midnight Madness at Tiff. Elle Driver picked it up at its Sundance premiere and has licensed the film to Unison Films for U.S., Australia (Madman Entertainment), Germany (Weltkino Filmverleih Gmbh), Japan (Shochiku Co., Ltd), Russia (Volgafilm), Sweden (Njutafilms), U.K. ( Metrodome Distribution). Within the framework of the second Gabriel Figueroa Film Fund, that supports Mexican filmmakers’ projects in development and in post, the Festival is honoring Gabriel Figueroa, one of the greatest filmmakers of the Golden Age of Mexican cinema. In collaboration with photographer Gabriel Figueroa Flores, keeper and film restorer of his father's legacy, the photo exhibition "Homage to Gabriel Figueroa" will be presented, highlighting the work of the cinematographer in several foreign productions filmed in Mexico, including "The Pearl" (1945), "The Fugitive" (1947) and "The Night of the Iguana" (1962).
Los Cabos Film Festival is proud to have as guests, prominent Mexican celebrities who will get together at the red carpets and the Festival events, including Guillermo Arriaga, Ilse Salas, Tenoch Huerta, Sofía Espinosa, Sophie Alexander Katz, Marimar Vega, Luis Ernesto Franco, Erick Elias, Eiza González, Dolores Heredia, Maya Zapata, Chema Yazpik, Patricia Garza, Irene Azuela, Natalia Lafourcade, Tessa Ia, among others.
Among international celebrities confirmed to date are Atom Egoyan (Canada), Denys Arcand (Quebec), Xavier Dolan (Quebec), Frank Grillo (USA), DJ Cotrona (USA), Leonor Varela (Chile), Natalia Tena (UK), Eric Bruneau (Quebec), Sarai Givaty (Israel) and Rich
The Festival will give away 7,000 tickets for Cinemex screenings and 500 tickets for the Opening Gala, 500 tickets for Xavier Dolan’s “Mommy”’s Gala and 500 tickets for “Words with God”’s Gala, and 800 tickets for the Closing Gala.
As part of its commitment to Los Cabos, the Festival will donate to the Municipal Dif (National System for Integral Family Development) 8% of total sales. To promote social support and the provision of services that contribute to the protection, care and improvement of vulnerable groups.
American actress Rosario Dawson will present the Latin American Premier of Atom Egoyan’s “ The Captive” (2014), and will have the honor to grant the Tribute Award to Mr. Egoyan. Dawson plays a detective in the film by the Canadian Director, investigating Cassandra’s case that was abruptly kidnapped; this begins a horrifying race against time where the detective herself must play her part in unraveling the mystery of her disappearance and freeing her from captivity.
Its press conference in Mexico City on October 31st, more details will be announced.
Come And See What The Neighbors Are Doing Mexico, USA and Canada showcase their best films to the world.
This year the Hurricane Odile took out Los Cabos and we feared for the festival. However, it has survived and its third edition, renamed from “Baja International Film Festival, Los Cabos” to “ Los Cabos International Film Festival ” has added three new sections.
You will find me there for this third edition November 12 – 16, where the Mexican film industry, its cultural and commercial partners in North America meet with invited guests to watch and discuss the best in cinema today.
Read more about its 2014 Official Selection program here. Nine films are in Competition from Mexico, U.S. and Canada, competing for Usd $15,000 cash, six Mexican productions – the first or second film by directors will compete for Usd $15,000 in the Mexico First Section.
The Festival’s three new sections to be presented in its Third Edition are Green Perspective, B-Side and Sunset.
Green Perspective is a section that present stories that generate awareness and force us to reflect on our responsibilities with the environment and the urgent need to create a harmonious coexistence among all the links part of this planet. The films in this new section are:
• “Just Eat It: A Food Waste Story” by Grant Baldwin. (Canada– Latin American Premiere).
• “México Pelágico” (“Deep-Sea Mexico”) by Jerónimo Prieto (Mexico, 2014).
• “ThuleTuvalu” by Matthias von Gunten (Switzerland- Latin American Premiere).
The theater chain, Cinemex will present this as part of the Festival’s Free Outdoor Screenings Program to be held at Plaza Mijares in San José del Cabo.
The Festival also launches, B Side, showcasing the best films portraying music, providing both sonorous and visual enjoyment. The three films presented this year are:
• “20,000 Days on Earth” by Iain Forsyth and Jane Pollard (U.K. – Mexican Premiere). After its Sundance 2014 premiere, Hanway picked it up for international sales and has sold it to Drafthouse Films for U.S. as well as to Benelux (Remain In Light Belgium), Brazil (Zeta Filmes), Denmark (Camera Film A/S), Norway (Tour De Force As), Poland (Gutek Film Ltd), Spain (Avalon Distribucion Audiovisual), Sweden (Nonstop Entertainment Ab), U.K. ( Picturehouse Cinemas Ltd/ Picturehouse Entertainment).
• “For Those About To Rock: The Story of Rodrigo y Gabriela” by Alejandro Franco Fernández (Mexico– Latin American Premiere).
• “God Help the Girl” by Stuart Murdoch (U.K.– Mexican Premiere).
This film also premiered at Sundance and is also repped by Hanway and has sold to Amplify (Los Angeles) for the U.S. and to So. Korea (Challan), Spain (Avalon Distribucion Audiovisual), Taiwan ( Atom Cinema).
The third new section, Sunset, intends to provoke with genres of horror, science fiction and black comedy.
“Over Your Dead Body” by Takashi Miike (Japan – Latin American Premiere) premiered at Pusan Film Festival and is being sold internationally by Celluloid Dreams and Mongrel Media. “Spring” by Justin Benson and Aaron Moorhead (U.S.A. – Mexican Premiere) presented in collaboration with Morbido Fest. Xyz both produced and is the international sales agent for this film which will debut at this year’s American Filkm Market. “What We Do in the Shadows” by Taika Waititi and Jemaine Clement (New Zealand, U.S. – Latin American Premiere) also premiered in Sundance and played in Midnight Madness at Tiff. Elle Driver picked it up at its Sundance premiere and has licensed the film to Unison Films for U.S., Australia (Madman Entertainment), Germany (Weltkino Filmverleih Gmbh), Japan (Shochiku Co., Ltd), Russia (Volgafilm), Sweden (Njutafilms), U.K. ( Metrodome Distribution). Within the framework of the second Gabriel Figueroa Film Fund, that supports Mexican filmmakers’ projects in development and in post, the Festival is honoring Gabriel Figueroa, one of the greatest filmmakers of the Golden Age of Mexican cinema. In collaboration with photographer Gabriel Figueroa Flores, keeper and film restorer of his father's legacy, the photo exhibition "Homage to Gabriel Figueroa" will be presented, highlighting the work of the cinematographer in several foreign productions filmed in Mexico, including "The Pearl" (1945), "The Fugitive" (1947) and "The Night of the Iguana" (1962).
Los Cabos Film Festival is proud to have as guests, prominent Mexican celebrities who will get together at the red carpets and the Festival events, including Guillermo Arriaga, Ilse Salas, Tenoch Huerta, Sofía Espinosa, Sophie Alexander Katz, Marimar Vega, Luis Ernesto Franco, Erick Elias, Eiza González, Dolores Heredia, Maya Zapata, Chema Yazpik, Patricia Garza, Irene Azuela, Natalia Lafourcade, Tessa Ia, among others.
Among international celebrities confirmed to date are Atom Egoyan (Canada), Denys Arcand (Quebec), Xavier Dolan (Quebec), Frank Grillo (USA), DJ Cotrona (USA), Leonor Varela (Chile), Natalia Tena (UK), Eric Bruneau (Quebec), Sarai Givaty (Israel) and Rich
The Festival will give away 7,000 tickets for Cinemex screenings and 500 tickets for the Opening Gala, 500 tickets for Xavier Dolan’s “Mommy”’s Gala and 500 tickets for “Words with God”’s Gala, and 800 tickets for the Closing Gala.
As part of its commitment to Los Cabos, the Festival will donate to the Municipal Dif (National System for Integral Family Development) 8% of total sales. To promote social support and the provision of services that contribute to the protection, care and improvement of vulnerable groups.
American actress Rosario Dawson will present the Latin American Premier of Atom Egoyan’s “ The Captive” (2014), and will have the honor to grant the Tribute Award to Mr. Egoyan. Dawson plays a detective in the film by the Canadian Director, investigating Cassandra’s case that was abruptly kidnapped; this begins a horrifying race against time where the detective herself must play her part in unraveling the mystery of her disappearance and freeing her from captivity.
Its press conference in Mexico City on October 31st, more details will be announced.
Come And See What The Neighbors Are Doing Mexico, USA and Canada showcase their best films to the world.
- 10/31/2014
- by Sydney Levine
- Sydney's Buzz
Sam Hall, who wrote for such soap operas as Dark Shadows, Once Life to Live and Santa Barbara, died Friday after a short bout with pneumonia in Rhinebeck, N.Y., his son, Matt, told The Hollywood Reporter. He was 93. Hall, a five-time Daytime Emmy Award nominee and Peabody Award winner, was married for 33 years to the late Grayson Hall, who received a supporting actress Oscar nomination for playing Judith Fellowes in John Huston’s The Night of the Iguana (1964). She also portrayed parapsychologist Julia Hoffman, who futilely attempted to cure Barnabas Collins (Jonathan Frid) of his vampire
read more...
read more...
- 9/29/2014
- by Mike Barnes
- The Hollywood Reporter - Movie News
Icymi Part One of this Podcast & The Smackdown Itself
Starring: Actress Melanie Lynskey, the original creator of the Smackdowns Brian Herrera (aka StinkyLulu), and your regulars Nathaniel R, Joe Reid and Nick Davis.
Smackdown 1964 - A Companion Conversation Pt. 2
00:01 Back From Intermission & Joe freaks out over Hush...Hush, Sweet Charlotte
04:05 Bette Davis and Baby Jane
07:30 Agnes Moorehead totally divides us
13:30 The Night of the Iguana and its repressed lesbian
16:30 Melanie talks subtext, chemistry and shares an acting pet peeve
20:50 Nathaniel demands a remake and we cast it
24:00 Ava Gardner and Richard Burton Gif-ables
31:20 Not Nominated: Glynis Johns, Irene Papas, and Gloria Foster
34:10 A parting question for Melanie Lynskey
You can listen at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.
Thanks Again To Our Guest Melanie Lynskey
Her new film Happy Christmas (co-starring Anna Kendrick,...
Starring: Actress Melanie Lynskey, the original creator of the Smackdowns Brian Herrera (aka StinkyLulu), and your regulars Nathaniel R, Joe Reid and Nick Davis.
Smackdown 1964 - A Companion Conversation Pt. 2
00:01 Back From Intermission & Joe freaks out over Hush...Hush, Sweet Charlotte
04:05 Bette Davis and Baby Jane
07:30 Agnes Moorehead totally divides us
13:30 The Night of the Iguana and its repressed lesbian
16:30 Melanie talks subtext, chemistry and shares an acting pet peeve
20:50 Nathaniel demands a remake and we cast it
24:00 Ava Gardner and Richard Burton Gif-ables
31:20 Not Nominated: Glynis Johns, Irene Papas, and Gloria Foster
34:10 A parting question for Melanie Lynskey
You can listen at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.
Thanks Again To Our Guest Melanie Lynskey
Her new film Happy Christmas (co-starring Anna Kendrick,...
- 7/2/2014
- by NATHANIEL R
- FilmExperience
This Friday April 25th The Filadelfia celebrates its third annual edition with an impressive line up of the best of Latino film from Mexico to Chile to Colombia, The Us and even a film made with the youth of Philly. Opening night film will be the super 1943 classic ‘Maria Candelaria’ starring Dolores Del Rio. For those near the city of brotherly amor we’ve done ya homework and listed their films below!
Opening Night: Maria Candelaria (Mexico)
Starring Dolores del Rio and Pedro Armendáriz, Maria Candelaria was the first Mexican film to be screened at the Cannes International Film Festival, and the first Latin American film awarded the Gran Prix. Gabriel Figueroa, the film’s cinematographer, was nominated for an Academy Award for The Night of the Iguana, and is often referred to as “the Fourth Muralist” of Mexico.
A young journalist presses an old artist (Alberto Galán ) to show a portrait of a naked indigenous woman that he has in his study. The body of the movie is a flashback to Xochimilco, Mexico, in 1909. The film is set right before the Mexican Revolution, and Xochimilco is an area with beautiful landscapes inhabited mostly by indigenous people.
The woman in the painting is María Candelaria (Dolores del Rio), a young Indian woman who is constantly rejected by her own people for being the daughter of a prostitute. She and her lover, Lorenzo Rafael (Pedro Armendariz), face constant struggles throughout the film. They are honest and hardworking, yet nothing ever goes right for them. Don Damian (Miguel Inclán), a jealous Mestizo store owner who wants María for himself, prevents them from getting married. He kills a piglet that María and Lorenzo plan to sell for profit and he refuses to buy vegetables from them. When María falls ill with malaria, Don Damian refuses to give the couple the quinine medicine necessary to fight the disease. Lorenzo breaks into his shop to steal the medicine, and he also takes a wedding dress for María. Lorenzo goes to prison for stealing, and María agrees to model for the painter to pay for his release. The artist begins painting a portrait of María, but when he asks her to pose nude she refuses.
The artist finishes the painting with the nude body of another woman. When the people of Xochimilco see the painting, they assume it is María Candelaria and stone her to death.Finally, Lorenzo escapes from prison )to carry María's lifeless body through Xochimilco's canal of the dead.
Bad Hair/Pelo Malo (Venezuela)
The third film from the filmmaker and plastic artist Mariana Rondón, Pelo Malo stars Junior, a 9 year-old with "bad hair". He wants to have it straightened for his yearbook picture, like a fashionable pop singer. This puts him at odds with his mother Marta. The more Junior tries to look sharp and make his mother love him, the more she rejects him, until he is cornered, face to face with a painful decision.
To Kill A Man/Matar A Un Hombre (Chile)
Read the Review
Read the Interview with Dir. Alejandro Fernandez Almendras
A thriller about a hardworking family man Jorge who is just barely making ends meet. When he gets mugged by Kalule, a neighborhood delinquent, Jorge's son decides to confront Kalule, only to get himself shot in the process. Sentenced to a scant 2 years in prison for the offense, Kalule, released and now intent on revenge, goes on the warpath, terrorizing Jorge's family. With his wife, son and daughter at the mercy of a thug, Jorge has no choice but to take justice into his own hands, and live with the emotional and psychological consequences.
Lines of class and masculinity ignite friction in this rugged thriller, adeptly shot with a discerning eye. Director Alejandro Fernández Almendras elevates raw grit to a new level with a tone that is both elemental and prophetic. Rife with unnerving tension, To Kill a Man is ultimately a surprising exploration of the heavy burden of what it takes to do what the title suggests.
Anina (Colombia)
Read the Review
Anina Yatay Salas is a ten-year-old girl. All her names form palindromes, making her the butt of her classmates’ jokes, and especially of Yisel’s, who Anina sees as an “elephant.” One day, fed up with all the taunting, Anina starts a fight with Yisel during recess. The incident ends with the principal penalizing the girls and calling their parents.Anina receives her punishment inside a sealed black envelope, which she is told not to open until she meets with the principal again a week later.She is also forbidden to tell anyone about the envelope. Her classmates pressure her to find out what the punishment will be, while they imagine cruel physical torture.
Anina, in her anxiousness to find out what horrible punishment awaits her in the mysterious black envelope, will get mixed up in a series of troubles, involving secret loves, confessed hatreds, close friendships, dreadful enemies, some loving teachers, and also some evil teachers.Without her realizing it, Anina’s efforts to understand the content of the envelope turn into an attempt to understand the world and her place in it.
The Devil’S Music (USA)
When the new sound of jazz first spread across America in the early twentieth-century, it left delight – and controversy – in its wake.As jazz's popularity grew, so did campaigns to censor "the devil's music." This documentary classic has been hailed by the New York Times as a documentary that "addressing the complex interaction of race and class… engages viewers in a conversation as vigorous as the art it chronicles,” featuring timeless performances by artists such as Louis Armstrong and vocalist Rachelle Ferrelle, plus interviews with giants of social and musical criticism such as Albert Murray, Marian MacPartland, Studs Terkel, and Michael Eric Dyson. The Devil's Music is Written, Produced and Directed by Maria Agui Carter and Calvin A. Lindsay Jr., and Narrated by Dion Graham.
I, Undocumented/Yo, Indocumentada (Venezuela)
Yo Indocumentada (I, Undocumented) , exposes the struggles of transgender people in Venezuela. The film, Andrea Baranenko’s first feature-length production, tells the story of three Venezuelan women fighting for their right to have an identity.
Tamara Adrián, 58, is a lawyer; Desirée Pérez, 46, is a hairdresser; and Victoria González, 27, has been a visual arts student since 2009. These women share more than their nationality: they all carry identifications with masculine names that do not correspond to their actual identities. They are transgender women, who long ago assumed their gender and now defend it in a homophobic and transphobic society.
The House That Jack Built (USA )
Jack Maldonado is an ambitious Latino man who fueled by misguided nostalgia, buys a small apartment building in the Bronx and moves his family into the apartments to live rent-free. His parents, Carlos and Martha, sister Nadia, brother Richie and his wife Rosa, Grandmother/Abuela and cousins Hector and Manny, all under one roof. Tension builds quickly as Jack imposes his views on everyone around him, including his fiancée, Lily. All the while, he hides the fact that his corner store is a front for selling marijuana but soon has to deal with new unwanted competitive forces. It's only a matter of time before Jack's family and 'business' lives collide in tragic fashion.
Aqui Y Alla Crossing Borders (USA)
The “Aquí y Allá’ transnational public art project explored the impact of immigration in the lives of Mexican immigrant youth in Philadelphia in connection with youth in Chihuahua, Mexico. The documentary highlights the testimonials of the youth on both sides of the border working towards the creation of a collaborative mural in South Philadelphia.
Cesar’S Last Fast (USA)
Read the Review
In 1988, Cesar Chavez embarked on what would be his last act of protest in his remarkable life. Driven in part to pay penance for feeling he had not done enough, Chavez began his “Fast for Life,” a 36-day water-only hunger strike, to draw attention to the horrific effects of unfettered pesticide use on farm workers, their families, and their communities.
Using never-before-seen footage of Chavez during his fast and testimony from those closest to him, directors Richard Ray Perez and Lorena Parlee weave together the larger story of Chavez’s life, vision, and legacy. A deeply religious man, Chavez’s moral clarity in organizing and standing with farm workers at risk of his own life humbled his family, friends, and the world. Cesar’s Last Fast is a moving and definitive portrait of the leader of a people who became an American icon of struggle and freedom.
La Camioneta (Guantemala)
Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. La Camioneta follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
Forbidden Lovers Meant To Be (USA)
Working with talented high school students from North Philadelphia at Taller Puertorriqueño’s Youth Artist Program, filmmakers Joanna Siegel, Melissa Beatriz Skolnick, and Kate Zambon sought to capture the personal and artistic journeys of the youth through film. While facilitating collaborative film workshops with the students, themes of race/ethnicity, cultures, language, and identity emerged. Throughout this process of engaging in story development and visual representation, the students created a video of their own, while the filmmakers documented the process using metafilm techniques. The students' short film, Forbidden Lovers Meant to Be, highlights the talent and creativity of these youth. Forbidden Lovers Meant to Be was created by the spring 2012 Youth Artist Program participants: Amy Lee Flores, Ricardo Lopez, Michael Mendez, Zayris Rivera, Tashyra Suarez, Nestor Tamayo, Yoeni Torres, Karina Ureña Vargas, and Kara Williams. (Amy Lee Flores, Ricardo Lopez, Michael Mendez)
Tire Die (Argentina)
The first film of the first Latin American documentary film school (The Escuela Documental de Santa Fe), this documentary focuses on the children in the neighborhood known as Tire Dié in the city of Santa Fe, Argentina, who wait daily for the passing train to ask for money from the passengers, shouting “Tire dié!” (Toss me a dime!).
Dubbed as the father of the New Latin American Cinema, Fernando Birriwas one of the first filmmakers to document poverty and underdevelopment. Tire Dié was part of the exhibition, Latin American Visions, produced by International House, 1989-1991.
The Illiterates/Las Analfabetas (Chile)
Ximena, played by the incomparable Paulina García (Gloria) is an illiterate woman in her fifties, who has learned to live on her own to keep her illiteracy a secret. Jackeline, is a young unemployed elementary school teacher, who tries to convince Ximena to take reading classes. Persuading her proves to be an almost impossible task, till one day, Jackeline finds something Ximena has been keeping as her only treasure since she was a child: a letter Ximena’s father left when he abandoned her many years before. Thus, the two women embark on a learning journey where they discover that there are many ways of being illiterate, and that not knowing how to read is just one of them.
For the schedule please visit: http://flaff.org/
Written by Juan Caceres . LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow [At]LatinoBuzz on Twitter and Facebook...
Opening Night: Maria Candelaria (Mexico)
Starring Dolores del Rio and Pedro Armendáriz, Maria Candelaria was the first Mexican film to be screened at the Cannes International Film Festival, and the first Latin American film awarded the Gran Prix. Gabriel Figueroa, the film’s cinematographer, was nominated for an Academy Award for The Night of the Iguana, and is often referred to as “the Fourth Muralist” of Mexico.
A young journalist presses an old artist (Alberto Galán ) to show a portrait of a naked indigenous woman that he has in his study. The body of the movie is a flashback to Xochimilco, Mexico, in 1909. The film is set right before the Mexican Revolution, and Xochimilco is an area with beautiful landscapes inhabited mostly by indigenous people.
The woman in the painting is María Candelaria (Dolores del Rio), a young Indian woman who is constantly rejected by her own people for being the daughter of a prostitute. She and her lover, Lorenzo Rafael (Pedro Armendariz), face constant struggles throughout the film. They are honest and hardworking, yet nothing ever goes right for them. Don Damian (Miguel Inclán), a jealous Mestizo store owner who wants María for himself, prevents them from getting married. He kills a piglet that María and Lorenzo plan to sell for profit and he refuses to buy vegetables from them. When María falls ill with malaria, Don Damian refuses to give the couple the quinine medicine necessary to fight the disease. Lorenzo breaks into his shop to steal the medicine, and he also takes a wedding dress for María. Lorenzo goes to prison for stealing, and María agrees to model for the painter to pay for his release. The artist begins painting a portrait of María, but when he asks her to pose nude she refuses.
The artist finishes the painting with the nude body of another woman. When the people of Xochimilco see the painting, they assume it is María Candelaria and stone her to death.Finally, Lorenzo escapes from prison )to carry María's lifeless body through Xochimilco's canal of the dead.
Bad Hair/Pelo Malo (Venezuela)
The third film from the filmmaker and plastic artist Mariana Rondón, Pelo Malo stars Junior, a 9 year-old with "bad hair". He wants to have it straightened for his yearbook picture, like a fashionable pop singer. This puts him at odds with his mother Marta. The more Junior tries to look sharp and make his mother love him, the more she rejects him, until he is cornered, face to face with a painful decision.
To Kill A Man/Matar A Un Hombre (Chile)
Read the Review
Read the Interview with Dir. Alejandro Fernandez Almendras
A thriller about a hardworking family man Jorge who is just barely making ends meet. When he gets mugged by Kalule, a neighborhood delinquent, Jorge's son decides to confront Kalule, only to get himself shot in the process. Sentenced to a scant 2 years in prison for the offense, Kalule, released and now intent on revenge, goes on the warpath, terrorizing Jorge's family. With his wife, son and daughter at the mercy of a thug, Jorge has no choice but to take justice into his own hands, and live with the emotional and psychological consequences.
Lines of class and masculinity ignite friction in this rugged thriller, adeptly shot with a discerning eye. Director Alejandro Fernández Almendras elevates raw grit to a new level with a tone that is both elemental and prophetic. Rife with unnerving tension, To Kill a Man is ultimately a surprising exploration of the heavy burden of what it takes to do what the title suggests.
Anina (Colombia)
Read the Review
Anina Yatay Salas is a ten-year-old girl. All her names form palindromes, making her the butt of her classmates’ jokes, and especially of Yisel’s, who Anina sees as an “elephant.” One day, fed up with all the taunting, Anina starts a fight with Yisel during recess. The incident ends with the principal penalizing the girls and calling their parents.Anina receives her punishment inside a sealed black envelope, which she is told not to open until she meets with the principal again a week later.She is also forbidden to tell anyone about the envelope. Her classmates pressure her to find out what the punishment will be, while they imagine cruel physical torture.
Anina, in her anxiousness to find out what horrible punishment awaits her in the mysterious black envelope, will get mixed up in a series of troubles, involving secret loves, confessed hatreds, close friendships, dreadful enemies, some loving teachers, and also some evil teachers.Without her realizing it, Anina’s efforts to understand the content of the envelope turn into an attempt to understand the world and her place in it.
The Devil’S Music (USA)
When the new sound of jazz first spread across America in the early twentieth-century, it left delight – and controversy – in its wake.As jazz's popularity grew, so did campaigns to censor "the devil's music." This documentary classic has been hailed by the New York Times as a documentary that "addressing the complex interaction of race and class… engages viewers in a conversation as vigorous as the art it chronicles,” featuring timeless performances by artists such as Louis Armstrong and vocalist Rachelle Ferrelle, plus interviews with giants of social and musical criticism such as Albert Murray, Marian MacPartland, Studs Terkel, and Michael Eric Dyson. The Devil's Music is Written, Produced and Directed by Maria Agui Carter and Calvin A. Lindsay Jr., and Narrated by Dion Graham.
I, Undocumented/Yo, Indocumentada (Venezuela)
Yo Indocumentada (I, Undocumented) , exposes the struggles of transgender people in Venezuela. The film, Andrea Baranenko’s first feature-length production, tells the story of three Venezuelan women fighting for their right to have an identity.
Tamara Adrián, 58, is a lawyer; Desirée Pérez, 46, is a hairdresser; and Victoria González, 27, has been a visual arts student since 2009. These women share more than their nationality: they all carry identifications with masculine names that do not correspond to their actual identities. They are transgender women, who long ago assumed their gender and now defend it in a homophobic and transphobic society.
The House That Jack Built (USA )
Jack Maldonado is an ambitious Latino man who fueled by misguided nostalgia, buys a small apartment building in the Bronx and moves his family into the apartments to live rent-free. His parents, Carlos and Martha, sister Nadia, brother Richie and his wife Rosa, Grandmother/Abuela and cousins Hector and Manny, all under one roof. Tension builds quickly as Jack imposes his views on everyone around him, including his fiancée, Lily. All the while, he hides the fact that his corner store is a front for selling marijuana but soon has to deal with new unwanted competitive forces. It's only a matter of time before Jack's family and 'business' lives collide in tragic fashion.
Aqui Y Alla Crossing Borders (USA)
The “Aquí y Allá’ transnational public art project explored the impact of immigration in the lives of Mexican immigrant youth in Philadelphia in connection with youth in Chihuahua, Mexico. The documentary highlights the testimonials of the youth on both sides of the border working towards the creation of a collaborative mural in South Philadelphia.
Cesar’S Last Fast (USA)
Read the Review
In 1988, Cesar Chavez embarked on what would be his last act of protest in his remarkable life. Driven in part to pay penance for feeling he had not done enough, Chavez began his “Fast for Life,” a 36-day water-only hunger strike, to draw attention to the horrific effects of unfettered pesticide use on farm workers, their families, and their communities.
Using never-before-seen footage of Chavez during his fast and testimony from those closest to him, directors Richard Ray Perez and Lorena Parlee weave together the larger story of Chavez’s life, vision, and legacy. A deeply religious man, Chavez’s moral clarity in organizing and standing with farm workers at risk of his own life humbled his family, friends, and the world. Cesar’s Last Fast is a moving and definitive portrait of the leader of a people who became an American icon of struggle and freedom.
La Camioneta (Guantemala)
Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. La Camioneta follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
Forbidden Lovers Meant To Be (USA)
Working with talented high school students from North Philadelphia at Taller Puertorriqueño’s Youth Artist Program, filmmakers Joanna Siegel, Melissa Beatriz Skolnick, and Kate Zambon sought to capture the personal and artistic journeys of the youth through film. While facilitating collaborative film workshops with the students, themes of race/ethnicity, cultures, language, and identity emerged. Throughout this process of engaging in story development and visual representation, the students created a video of their own, while the filmmakers documented the process using metafilm techniques. The students' short film, Forbidden Lovers Meant to Be, highlights the talent and creativity of these youth. Forbidden Lovers Meant to Be was created by the spring 2012 Youth Artist Program participants: Amy Lee Flores, Ricardo Lopez, Michael Mendez, Zayris Rivera, Tashyra Suarez, Nestor Tamayo, Yoeni Torres, Karina Ureña Vargas, and Kara Williams. (Amy Lee Flores, Ricardo Lopez, Michael Mendez)
Tire Die (Argentina)
The first film of the first Latin American documentary film school (The Escuela Documental de Santa Fe), this documentary focuses on the children in the neighborhood known as Tire Dié in the city of Santa Fe, Argentina, who wait daily for the passing train to ask for money from the passengers, shouting “Tire dié!” (Toss me a dime!).
Dubbed as the father of the New Latin American Cinema, Fernando Birriwas one of the first filmmakers to document poverty and underdevelopment. Tire Dié was part of the exhibition, Latin American Visions, produced by International House, 1989-1991.
The Illiterates/Las Analfabetas (Chile)
Ximena, played by the incomparable Paulina García (Gloria) is an illiterate woman in her fifties, who has learned to live on her own to keep her illiteracy a secret. Jackeline, is a young unemployed elementary school teacher, who tries to convince Ximena to take reading classes. Persuading her proves to be an almost impossible task, till one day, Jackeline finds something Ximena has been keeping as her only treasure since she was a child: a letter Ximena’s father left when he abandoned her many years before. Thus, the two women embark on a learning journey where they discover that there are many ways of being illiterate, and that not knowing how to read is just one of them.
For the schedule please visit: http://flaff.org/
Written by Juan Caceres . LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow [At]LatinoBuzz on Twitter and Facebook...
- 4/23/2014
- by Juan Caceres
- Sydney's Buzz
Genre filmmaker Robert Rodriguez's El Rey Network announced today that Alfred Molina (The Da Vinci Code, Spider Man 2) has been cast as Andres Galan in the network's upcoming scripted original set to premiere July 2014. Previously announced cast members include Gabriel Luna, Nicky Whelan and Neil Hopkins.
Created by Roberto Orci and Alex Kurtzman, and produced in association with K/O Paper Products, the coveted writing/producing team behind Sleepy Hollow, Fringe , Star Trek and the Transformer franchise, Matador will feature Molina as Andrew Galan, a man who built his fortune in the telecom industry, but his true passion is soccer. As owner of the ascendant La Riot franchise, he is celebrated in both the sports and business worlds. But there is another world that he operates in -- as a member of an elite group of powerful global players, ruthless individuals who can effect world events on a scale that one would never imagine. What Galan doesn't know is that there is a mole in his midst. One of his new players, Tony Bravo, is actually an undercover operative, sent in to expose him and his cohorts. As Tony and Galan grow closer, the fate of their relationship may very well determine the fate of the world.
Irreverent and action-packed, Matador chronicles the unlikely rise of Antonio "Matador" Bravo, a popular soccer star, who comes to be known as much for his playboy antics off the field as his dynamic moves on it. But what his fans and family don't realize is that it's all a cover--in truth, he is a skilled covert operative executing missions for a little known branch of the CIA. “Matador” has the kind of fame and notoriety that affords him access to powerful circles of corruption and villainy. But, in balancing the dueling roles in which he's been cast, he will be forced to confront the question of his true identity...and it is this mission which will prove to be his most dangerous.
Robert Rodriguez, El Rey Network's chairman and founder, is set to direct the first episode which will be penned by showrunners, co-creators and executive producers Jay Beattie and Dan Dworkin
An accomplished London-born actor whose diverse and distinguished gallery of performances have led to a lengthy and triumphant career in film, television and the stage, Alfred Molina is best known for his roles in Sam Raimi’s Spider-Man 2 and Steven Soderberg’s Frida. Molina made his American film debut in Raiders of the Lost Ark and later appeared in Letter to Brezhnev, but his movie breakthrough came two years later when he portrayed Kenneth Halliwell, the tragic lover of playwright Joe Orton, in Stephen Frears' Prick Up Your Ears. His other feature film credits include The Da Vinci Code, Boogie Nights, Magnolia , Prince of Persia: The Sands of Time , The Pink Panther 2, Enchanted April, Not Without My Daughter , The Perez Family, Anna Karenina and Chocolat , among others. On television, he most recently starred on NBC’s Law & Order: Los Angeles and David E. Kelley’s TNT drama series Monday Mornings. Molina’s stage work includes two major Royal National Theatre productions, Tennessee Williams' The Night of the Iguana and David Mamet's Speed the Plow, as well as his Broadway debut in Yasmina Reza's Art, for which he received a Tony Award® nomination. Molina also performed in the highly celebrated UK-based Donmar Warehouse production of Red which opened on Broadway in April 2010 and for which Mr. Molina received rave reviews and a Tony Award® nomination. Most recently, Molina completed the feature film Love Is Strange opposite John Lithgow for director Ira Sachs. The film premiered at Sundance this year, and will be released later in the year by Sony Classics. He also shot the feature films, Swelter for director/writer Keith Parmer, We'll Never Have Paris for director/writer Simon Helberg with co-stars Zachary Quinto and Maggie Grace, Return to Zero with co-star Minnie Driver and The Normal Heart for HBO in which he co-stars opposite Mark Ruffalo and Julia Roberts.
Matador executive producers are Jay Beattie and Dan Dworkin, also showrunners, alongside executive producers Roberto Orci, Alex Kurtzman and Andrew Orci. Also joining as executive producers are Heather Kadin of K/O Paper Products; Robert Rodriguez and FactoryMade Ventures and El Rey Network co-founders John Fogelman and Cristina Patwa.
Entertainment One Television (eOne) exclusively represents worldwide distribution rights (with the exception of U.S. broadcast network rights) for El Rey Network's "Matador" and other original scripted series created for the U.S based cable network, to be announced.
About El Rey Network:
El Rey Network is a new 24-hour English-language network founded by maverick filmmaker Robert Rodriguez. Curated by Rodriguez and his artistic collective, the network will unite the most culturally diverse generation in history through fearless, badass and original content that awakens the renegade in everyone. The network's action-packed content is anchored by original signature dramas, feature films, grindhouse genre, cult classic action and horror/sci-fi. El Rey Network LLC (www.elreynetwork.com) is jointly owned by Robert Rodriguez and FactoryMade Ventures with a minority stake held by Univision Networks & Studios, Inc.
About FactoryMade Ventures:
Founded by John Fogelman and Cristina Patwa, FactoryMade develops, produces and oversees media and entertainment franchises in partnership with leading Hollywood talent and global brands and investors. The company founded El Rey Network and Tres Pistoleros Studios with renowned filmmaker Robert Rodriguez and Univision Communications, Inc. It also forged a joint venture with leading Mexican wrestling league Lucha Libre Aaa and four-time Emmy® Award winner Mark Burnett and Hearst Corporation’s One Three Media. It executive produces a slate of scripted and non-scripted television shows including From Dusk Till Dawn: The Series, the remake of the cult classic by Rodriguez and Quentin Tarantino, and Matador, an original production with Bob Orci and Alex Kurtzman. Previously, the team spearheaded the creation of Hasbro’s film business and television business with Transformers, G.I. Joe, Hasbro Studios and the Hub Network with Discovery Communications, and created retail’s first digital gaming and commerce platform Hsn Arcade.
About Entertainment One:
Entertainment One Ltd. (Lse: Eto) is a leading international entertainment company that specializes in the acquisition, production and distribution of film and television content. The company’s comprehensive network extends around the globe including Canada, the U.S., the UK, Ireland, Spain, Benelux, France, Germany, Scandinavia, Australia, New Zealand, South Africa and South Korea. Through established Entertainment and Distribution divisions, the company provides extensive expertise in film distribution, television and music production, family programming and merchandising and licensing. Its current rights library is exploited across all media formats and includes more than 35,000 film and television titles, 2,800 hours of television programming and 45,000 music tracks. Through strong relationships with broadcasters and content providers, eOne Television International has successfully sold eOne’s original and third-party productions to over 500 broadcasters in 150 countries, including key Us networks and international pay TV channels.
Created by Roberto Orci and Alex Kurtzman, and produced in association with K/O Paper Products, the coveted writing/producing team behind Sleepy Hollow, Fringe , Star Trek and the Transformer franchise, Matador will feature Molina as Andrew Galan, a man who built his fortune in the telecom industry, but his true passion is soccer. As owner of the ascendant La Riot franchise, he is celebrated in both the sports and business worlds. But there is another world that he operates in -- as a member of an elite group of powerful global players, ruthless individuals who can effect world events on a scale that one would never imagine. What Galan doesn't know is that there is a mole in his midst. One of his new players, Tony Bravo, is actually an undercover operative, sent in to expose him and his cohorts. As Tony and Galan grow closer, the fate of their relationship may very well determine the fate of the world.
Irreverent and action-packed, Matador chronicles the unlikely rise of Antonio "Matador" Bravo, a popular soccer star, who comes to be known as much for his playboy antics off the field as his dynamic moves on it. But what his fans and family don't realize is that it's all a cover--in truth, he is a skilled covert operative executing missions for a little known branch of the CIA. “Matador” has the kind of fame and notoriety that affords him access to powerful circles of corruption and villainy. But, in balancing the dueling roles in which he's been cast, he will be forced to confront the question of his true identity...and it is this mission which will prove to be his most dangerous.
Robert Rodriguez, El Rey Network's chairman and founder, is set to direct the first episode which will be penned by showrunners, co-creators and executive producers Jay Beattie and Dan Dworkin
An accomplished London-born actor whose diverse and distinguished gallery of performances have led to a lengthy and triumphant career in film, television and the stage, Alfred Molina is best known for his roles in Sam Raimi’s Spider-Man 2 and Steven Soderberg’s Frida. Molina made his American film debut in Raiders of the Lost Ark and later appeared in Letter to Brezhnev, but his movie breakthrough came two years later when he portrayed Kenneth Halliwell, the tragic lover of playwright Joe Orton, in Stephen Frears' Prick Up Your Ears. His other feature film credits include The Da Vinci Code, Boogie Nights, Magnolia , Prince of Persia: The Sands of Time , The Pink Panther 2, Enchanted April, Not Without My Daughter , The Perez Family, Anna Karenina and Chocolat , among others. On television, he most recently starred on NBC’s Law & Order: Los Angeles and David E. Kelley’s TNT drama series Monday Mornings. Molina’s stage work includes two major Royal National Theatre productions, Tennessee Williams' The Night of the Iguana and David Mamet's Speed the Plow, as well as his Broadway debut in Yasmina Reza's Art, for which he received a Tony Award® nomination. Molina also performed in the highly celebrated UK-based Donmar Warehouse production of Red which opened on Broadway in April 2010 and for which Mr. Molina received rave reviews and a Tony Award® nomination. Most recently, Molina completed the feature film Love Is Strange opposite John Lithgow for director Ira Sachs. The film premiered at Sundance this year, and will be released later in the year by Sony Classics. He also shot the feature films, Swelter for director/writer Keith Parmer, We'll Never Have Paris for director/writer Simon Helberg with co-stars Zachary Quinto and Maggie Grace, Return to Zero with co-star Minnie Driver and The Normal Heart for HBO in which he co-stars opposite Mark Ruffalo and Julia Roberts.
Matador executive producers are Jay Beattie and Dan Dworkin, also showrunners, alongside executive producers Roberto Orci, Alex Kurtzman and Andrew Orci. Also joining as executive producers are Heather Kadin of K/O Paper Products; Robert Rodriguez and FactoryMade Ventures and El Rey Network co-founders John Fogelman and Cristina Patwa.
Entertainment One Television (eOne) exclusively represents worldwide distribution rights (with the exception of U.S. broadcast network rights) for El Rey Network's "Matador" and other original scripted series created for the U.S based cable network, to be announced.
About El Rey Network:
El Rey Network is a new 24-hour English-language network founded by maverick filmmaker Robert Rodriguez. Curated by Rodriguez and his artistic collective, the network will unite the most culturally diverse generation in history through fearless, badass and original content that awakens the renegade in everyone. The network's action-packed content is anchored by original signature dramas, feature films, grindhouse genre, cult classic action and horror/sci-fi. El Rey Network LLC (www.elreynetwork.com) is jointly owned by Robert Rodriguez and FactoryMade Ventures with a minority stake held by Univision Networks & Studios, Inc.
About FactoryMade Ventures:
Founded by John Fogelman and Cristina Patwa, FactoryMade develops, produces and oversees media and entertainment franchises in partnership with leading Hollywood talent and global brands and investors. The company founded El Rey Network and Tres Pistoleros Studios with renowned filmmaker Robert Rodriguez and Univision Communications, Inc. It also forged a joint venture with leading Mexican wrestling league Lucha Libre Aaa and four-time Emmy® Award winner Mark Burnett and Hearst Corporation’s One Three Media. It executive produces a slate of scripted and non-scripted television shows including From Dusk Till Dawn: The Series, the remake of the cult classic by Rodriguez and Quentin Tarantino, and Matador, an original production with Bob Orci and Alex Kurtzman. Previously, the team spearheaded the creation of Hasbro’s film business and television business with Transformers, G.I. Joe, Hasbro Studios and the Hub Network with Discovery Communications, and created retail’s first digital gaming and commerce platform Hsn Arcade.
About Entertainment One:
Entertainment One Ltd. (Lse: Eto) is a leading international entertainment company that specializes in the acquisition, production and distribution of film and television content. The company’s comprehensive network extends around the globe including Canada, the U.S., the UK, Ireland, Spain, Benelux, France, Germany, Scandinavia, Australia, New Zealand, South Africa and South Korea. Through established Entertainment and Distribution divisions, the company provides extensive expertise in film distribution, television and music production, family programming and merchandising and licensing. Its current rights library is exploited across all media formats and includes more than 35,000 film and television titles, 2,800 hours of television programming and 45,000 music tracks. Through strong relationships with broadcasters and content providers, eOne Television International has successfully sold eOne’s original and third-party productions to over 500 broadcasters in 150 countries, including key Us networks and international pay TV channels.
- 3/25/2014
- by Sydney Levine
- Sydney's Buzz
‘Ryan’s Daughter’ actor Christopher Jones dead at 72: Quit acting following nervous breakdown after Sharon Tate murder, in later years turned down Quentin Tarantino movie offer Christopher Jones, who had a key role in David Lean’s 1970 romantic epic Ryan’s Daughter, died of complications from gallbladder cancer last Friday, January 31, 2014, at Los Alamitos Medical Center, approximately 35 km southwest of downtown Los Angeles. Christopher Jones (born William Franklin Jones on August 18, 1941, in Jackson, Tennessee) was 72. After growing up in a children’s home, joining the army at 16 and then going Awol, being handpicked by Tennessee Williams for a small role in the playwright’s The Night of the Iguana in 1961, and starring in the television series The Legend of Jesse James (1965-1966), Christopher Jones began getting film roles. His first was the title role in Allen H. Miner’s 1967 clash-of-generations drama Chubasco, in which Jones plays a misunderstood youth...
- 2/6/2014
- by Andre Soares
- Alt Film Guide
Gabriel Figueroa, scene from the film La perla, directed by Emilio Fernandez, 1945.
Writer-director Gregory Nava, actor Gael García Bernal, cinematographer Rodrigo Prieto and Gabriel Figueroa Flores will celebrate the life and career of the renowned Mexican cinematographer Gabriel Figueroa on Tuesday, September 17, at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills. The evening will feature an onstage discussion and excerpts from many of Figueroa’s greatest cinematic achievements. The program serves as a prelude to the exhibition “Under the Mexican Sky: Gabriel Figueroa – Art and Film,” co-presented by the Academy and the Los Angeles County Museum of Art, which will open at Lacma later this month.
Figueroa (1907–1997) is often referred to as “The Fourth Muralist” of Mexico, and his seminal work contributed to the establishment of a visual culture and national identity in post-revolutionary Mexico. His films include such Mexican classics as “María Candelaria,...
Writer-director Gregory Nava, actor Gael García Bernal, cinematographer Rodrigo Prieto and Gabriel Figueroa Flores will celebrate the life and career of the renowned Mexican cinematographer Gabriel Figueroa on Tuesday, September 17, at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills. The evening will feature an onstage discussion and excerpts from many of Figueroa’s greatest cinematic achievements. The program serves as a prelude to the exhibition “Under the Mexican Sky: Gabriel Figueroa – Art and Film,” co-presented by the Academy and the Los Angeles County Museum of Art, which will open at Lacma later this month.
Figueroa (1907–1997) is often referred to as “The Fourth Muralist” of Mexico, and his seminal work contributed to the establishment of a visual culture and national identity in post-revolutionary Mexico. His films include such Mexican classics as “María Candelaria,...
- 9/8/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Beginning September 22 and running through February of 2014, Lacma will host "Under the Mexican Sky," an exhibition co-presented by the Academy highlighting the prolific and award-winning Mexican cinematographer Gabriel Figueroa. His career spanned 50 years and over 200 films. Clips below. Recognized as one of the most important cinematographers of the 20th century, Figueroa collaborated with artists such as Diego Rivera and Jose Clemente Orozco, and filmmakers like Emilio Fernandez and John Ford. Nominated for an Oscar for John Huston's "The Night of the Iguana" (1964), Figueroa won awards at Cannes, a Golden Globe and won best cinematography each year at the Mexican Ariel Awards from 1947 to 1951. He worked on seven films by Luis Bunuel including "Los Olvidados" (1950) and "The Exterminating Angel" (1962). The exhibition features film clips, paintings, photographs, posters and documents drawn from Figueroa’s archive, now owned by the Televisa Foundation. In addition, the...
- 8/29/2013
- by Ryan Lattanzio
- Thompson on Hollywood
Odd List Ryan Lambie Jan 8, 2013
As Werner Herzog lights up the screen as the villain in Jack Reacher, we look at a few other directors who've turned evil for the movies...
It takes a certain kind of actor to bring a truly great villain to life. They need to be able to reach into the darkest recesses of their psyche, certainly, but they also need to bring a touch of something extra, too. They need to convince us not only that they're cruel, but that they're also human beings - after all, the best movie villains are often seductive and magnetic as well as unspeakably amoral.
While the finest antagonists are usually played by actors, there have been occasions where directors have stepped in front of the camera to indulge their inner demon. The list that follows attempts to deal exclusively with performances from people known primarily as directors first,...
As Werner Herzog lights up the screen as the villain in Jack Reacher, we look at a few other directors who've turned evil for the movies...
It takes a certain kind of actor to bring a truly great villain to life. They need to be able to reach into the darkest recesses of their psyche, certainly, but they also need to bring a touch of something extra, too. They need to convince us not only that they're cruel, but that they're also human beings - after all, the best movie villains are often seductive and magnetic as well as unspeakably amoral.
While the finest antagonists are usually played by actors, there have been occasions where directors have stepped in front of the camera to indulge their inner demon. The list that follows attempts to deal exclusively with performances from people known primarily as directors first,...
- 1/7/2013
- by ryanlambie
- Den of Geek
As the Academy celebrates 85 years of great films at the Oscars on February 24th, Turner Classic Movies (TCM) is set to take movie fans on the ultimate studio tour with the 2013 edition of 31 Days Of Oscar®. Under the theme Oscar by Studio, the network will present a slate of more than 350 movies grouped according to the studios that produced or released them. And as always, every film presented during 31 Days Of Oscar is an Academy Award® nominee or winner, making this annual event one of the most anticipated on any movie lover’s calendar.
As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.
Hollywood was built upon the studio system, which saw nearly ever aspect...
As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.
Hollywood was built upon the studio system, which saw nearly ever aspect...
- 12/17/2012
- by Michelle McCue
- WeAreMovieGeeks.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.