Having been pushed back along with the rest of the Marvel Cinematic Universe’s Phase Four lineup, Thor: Love and Thunder is scheduled to arrive in February 2022. Like previous installment Ragnarok, the majority of shooting is set to take place in star Chris Hemsworth’s native Australia, although cameras aren’t expected to start rolling until early next year.
However, things could be ramping up faster than anticipated after it was reported that Natalie Portman has arrived in the country with her family, presumably to relocate for the duration of Love and Thunder‘s production. After all, it doesn’t seem like the 39 year-old is on vacation, with the travel industry just one of many that’s been ravaged by the effects of the Coronavirus pandemic, and with two young children, the Academy Award winner might be looking to get them settled in a new location before she returns to work.
However, things could be ramping up faster than anticipated after it was reported that Natalie Portman has arrived in the country with her family, presumably to relocate for the duration of Love and Thunder‘s production. After all, it doesn’t seem like the 39 year-old is on vacation, with the travel industry just one of many that’s been ravaged by the effects of the Coronavirus pandemic, and with two young children, the Academy Award winner might be looking to get them settled in a new location before she returns to work.
- 9/3/2020
- by Scott Campbell
- We Got This Covered
Not a lot of people were expecting Natalie Portman to ever make a return to the Marvel Cinematic Universe, especially when she’d previously been so dismissive about her involvement in the franchise following Thor: The Dark World. Taking one of the best actresses of her generation and saddling her as the one-note love interest of a superhero was endemic of the problems that have seen the God of Thunder’s first two solo outings become widely regarded as two of the weaker entries in the McU’s back catalogue.
However, after Taika Waititi boarded the ship and completely reinvented the Odinson in Ragnarok, which immediately led to him boasting the most interesting character arc across both Avengers: Infinity War and Endgame, Thor is now one of the most popular characters in the entire shared universe and Portman took surprisingly little convincing to make her unexpected return to Asgard in Love and Thunder.
However, after Taika Waititi boarded the ship and completely reinvented the Odinson in Ragnarok, which immediately led to him boasting the most interesting character arc across both Avengers: Infinity War and Endgame, Thor is now one of the most popular characters in the entire shared universe and Portman took surprisingly little convincing to make her unexpected return to Asgard in Love and Thunder.
- 8/31/2020
- by Scott Campbell
- We Got This Covered
Desert Nights with John Gilbert and Mary Nolan: Enjoyable Sahara-set adventure – which happened to be Gilbert's last silent film – dares to ask the age-old philosophical question, “Is there honor among thieves?” John Gilbert late silent adventure 'Desert Nights' asks a question for the ages: Is there honor among thieves? The Metro-Goldwyn-Mayer release Desert Nights arrived in theaters at the tail end of the silent era. By 1929, audiences wanted lots of singing and dancing – talkies! And they might have been impatient to hear John Gilbert's speaking voice. I can't tell whether sound would have improved it or not, but Desert Nights has a lot of title cards filled with dialogue. Directed by the prolific William Nigh,[1] the film tells the story of diamond thieves who get stranded in the Sahara and almost die of thirst. (At first, Desert Nights' was appropriately titled Thirst.) Cinematographer James Wong Howe perfectly captures the hot, dry...
- 8/7/2017
- by Danny Fortune
- Alt Film Guide
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
teenagers
Logline: Unhindered by politics or network censorship, “teenagers” is a dark, fresh and educational web series that authentically illustrates the world of millennial youth, written and created by filmmakers who have experienced it first-hand.
Elevator Pitch:
“Degrassi meets HBO.” We dig deeper than shows like “Degrassi,” moving beyond the censored “polish” of most teen dramas, creating a series that is authentic, cinematic and exciting for teenagers and adults. Think John Hughes’ “The Breakfast Club” meets Larry Clark’s “Kids” in a series of short, punchy, thrilling, and digestible episodes. “teenagers” (purposefully spelt with a...
In the meantime: Is this a project you’d want to see? Tell us in the comments.
teenagers
Logline: Unhindered by politics or network censorship, “teenagers” is a dark, fresh and educational web series that authentically illustrates the world of millennial youth, written and created by filmmakers who have experienced it first-hand.
Elevator Pitch:
“Degrassi meets HBO.” We dig deeper than shows like “Degrassi,” moving beyond the censored “polish” of most teen dramas, creating a series that is authentic, cinematic and exciting for teenagers and adults. Think John Hughes’ “The Breakfast Club” meets Larry Clark’s “Kids” in a series of short, punchy, thrilling, and digestible episodes. “teenagers” (purposefully spelt with a...
- 12/13/2016
- by Steve Greene
- Indiewire
Jack Nicholson, Barbra Streisand in Vincente Minnelli's On a Clear Day You Can See Forever At Film Threat, Phil Hall comes up with a follow-up to his 2008 article about important lost films. Among the 50 titles on Hall's highly eclectic new list are a version of Carmen (1915) starring Fox vamp Theda Bara; The Life of General Villa (1914), in which Mexican revolutionary Pancho Villa plays himself and future filmmaker Raoul Walsh played Villa as a young man; and the Rudolph Valentino vehicle A Sainted Devil (1924). Also, the 1928 version of Anita Loos' Gentlemen Prefer Blondes, featuring Ruth Taylor; Jealousy (1929) one of two talkies (the other being The Letter) starring Broadway legend Jeanne Eagels; Lon Chaney's last silent film, Thunder (1929); and Alam Ara (1931), the first Indian talking picture. And more: Heartache (1936), the first Cantonese-language American production; segments from what was to become part III of Sergei [...]...
- 4/20/2011
- by Andre Soares
- Alt Film Guide
FamousMonsters.com is pleased and honored to re-present Steve Vertlieb’s touching tribute to our dear departed Forrest J Ackerman. We’re also very happy to report that Steve’s story is a finalist in this year’s Rondo Awards! Please visit the official Rondo Awards site for the chance to cast your ballot for this and many other outstanding nominees. Also, be sure to check out The Thunder Child, where Steve’s story originally ran.
The Most “Famous Monster” Of Them All
A Personal Remembrance of Forrest J Ackerman
by Steve Vertlieb
In a child-like land of dreams and dragons dwelt a Pied Piper of imagination, a Santa Claus of fantasy and horror, who lived in the mythical kingdom of Horrorweird, Karloffornia. His name was Forrest J Ackerman but, to his friends and colleagues, he was simply “Forry.”
A generation of wide- eyed children grew up under the spell...
The Most “Famous Monster” Of Them All
A Personal Remembrance of Forrest J Ackerman
by Steve Vertlieb
In a child-like land of dreams and dragons dwelt a Pied Piper of imagination, a Santa Claus of fantasy and horror, who lived in the mythical kingdom of Horrorweird, Karloffornia. His name was Forrest J Ackerman but, to his friends and colleagues, he was simply “Forry.”
A generation of wide- eyed children grew up under the spell...
- 4/2/2010
- by Michael
- FamousMonsters of Filmland
Less than a week worth of recovering from the Sundance Film Festival, and we are already looking forward to our next, big film fest coverage. That would be the South by Southwest Film Festival held annually in Austin, Texas. Last year, Scott and I brought you all kinds of coverage from the Lone Star State, and this year doesn’t look to be much different.
With that, the announcement came last night of the feature films that will be playing at the SXSW Film Festival. Previous announcement were already made about films like Cold Weather, Electra Luxx, Hubble 3D, Lemmy, Saturday Night, and The White Stripes: Under Great White Northern Lights making their debut. Kick-ass was recently announced as the opening night film, as well.
Among the other films being presented this year are some Sundance darlings, a few, highly anticipated premieres, and MacGruber.
Check out the full list...
With that, the announcement came last night of the feature films that will be playing at the SXSW Film Festival. Previous announcement were already made about films like Cold Weather, Electra Luxx, Hubble 3D, Lemmy, Saturday Night, and The White Stripes: Under Great White Northern Lights making their debut. Kick-ass was recently announced as the opening night film, as well.
Among the other films being presented this year are some Sundance darlings, a few, highly anticipated premieres, and MacGruber.
Check out the full list...
- 2/4/2010
- by Kirk
- WeAreMovieGeeks.com
Late yesterday the SXSW Fim Festival, which runs from March 12-20 in Austin, TX, announced the full lineup of films that will be screening at this year’s event. And baby, it’s quite a list. Mixing big name films with intimate indie gems, the sheer number of films and the vast array of talented filmmakers is sure to be a hit with attendees and critics alike.
This lineup includes premieres of studio films such as Universal’s MacGruber, Lionsgate’s teen superhero actioneer Kick-Ass and smaller films like Tim Blake Nelson’s Leaves of Grass, Jean-Pierre Jeunet’s Micmacs, Michel Gondry’s The Thorn in the Heart and Steven Soderbergh’s And Everything Is Going Fine. With so many films to watch, it will be very difficult to find time to seem them all during the events nine days. But hell, we’re going to try.
For more on...
This lineup includes premieres of studio films such as Universal’s MacGruber, Lionsgate’s teen superhero actioneer Kick-Ass and smaller films like Tim Blake Nelson’s Leaves of Grass, Jean-Pierre Jeunet’s Micmacs, Michel Gondry’s The Thorn in the Heart and Steven Soderbergh’s And Everything Is Going Fine. With so many films to watch, it will be very difficult to find time to seem them all during the events nine days. But hell, we’re going to try.
For more on...
- 2/4/2010
- by Chris Ullrich
- The Flickcast
The 2010 SXSW Film Festival and Conference has announced its initial slate of titles. The list is rife with hot world premieres (Kick-Ass), films fresh from Sundance (The Runaways, Cyrus), hot titles from the 2009 editions of Tiff and Cannes that haven't had much U.S. play (Enter the Void, Dogtooth, Trash Humpers), interesting documentaries (Lemmy, The People v. George Lucas) and much, much more. Simon Rumley's Red, White & Blue, which has received much praise on Twitch based on its Iffr screenings, will have its North American premiere.
Midnight programming courtesy of Fantastic Fest is also back with titles like Higanjima, Monsters, Serbian Film, Outcast, and a yet to be announced special film. Keep eye out for SXSW coverage at Twitch, but for now, pursue the massive list below (descriptions courtesy of SXSW).
Headliners
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film...
Midnight programming courtesy of Fantastic Fest is also back with titles like Higanjima, Monsters, Serbian Film, Outcast, and a yet to be announced special film. Keep eye out for SXSW coverage at Twitch, but for now, pursue the massive list below (descriptions courtesy of SXSW).
Headliners
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film...
- 2/4/2010
- Screen Anarchy
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