6/10
Oh Boy
29 April 2024
"Boy Kills World" bursts onto the screen with a splash of gore and a dollop of style, marking the directorial debut of Moritz Mohr, who clearly isn't afraid to get his hands dirty. In this wildly imaginative, post-apocalyptic romp, Skarsgård's "Boy" is a symphony of silent rage, carving through villains with the kind of glee only a video game-inspired inner voice could muster. It's as if Tarantino and a Saturday morning cartoon had a baby, and then let it play with too many sharp objects. The result is a bloody, gory mess-in the best way possible. Between the high-flying kicks and splatter-fest, there's just enough campy fun to keep the popcorn flowing.

However, not all that glitters is gold-or in this case, not all that splatters is plot. The film, while a rollicking good time, does stumble with its mismatched narration and main actor, occasionally feeling like you're watching a dub gone rogue. The script wobbles, with jokes that hit about as inconsistently as Boy's enemies, leaving some scenes feeling like a setup without a punchline. But let's not be too harsh; it's a debut, after all, and there's ample room to grow. What it lacks in narrative strength, it more than makes up for in sheer audacity and spectacle. "Boy Kills World" clearly doesn't take itself too seriously, which is perhaps its greatest strength. So strap in, grab your popcorn, and enjoy the wild, wacky ride-it's worth every unpredictable twist and turn.
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