Diving deep into the emotional longevity of what grief can inflict on an individual, Missing does not feel like a Tsui Hark film, as it's so far removed from his style. Mixing traditional supernatural beliefs with a psychological character study, Hark spins a tangled, often confusing web that while laudable doesn't quite sustain his ambitions. It instead offers a hodge-podge of genres ranging from psychological ghostly horrors to melodramatic romance, the very idea of the film is exciting but it has too many ingredients that ultimately leave it as a very messy piece of work, often looking hurriedly shot and put together almost as if it was made in a mad rush of a creative spark. It drags its feet to a rather unsatisfactory conclusion of multiple endings, feeling way longer than its advertised 2-hour runtime. Thankfully in the years, Hark's direction has remained steadfast and enjoyable, backed up by a passable score by Ricky Ho, Missing ultimately just misses the mark for me in its attempt to try so much, though the effort involved is commendable, the results are not.
Review of Missing
