The Swan is heartbreaking but ultimately powerful stuff, a story of never backing down or letting monstrous people win. It's uneasy viewing and definitely the darkest of the Wes Anderson Roald Dahl shorts in the most rewarding way possible.
Rupert Friend essentially carries this, narrating everything with almost no support until Fiennes' closing words that adds real power to it. Until then Friend is phenomenal, narrating at a fast speed with a real pain to his voice as he describes what is clearly a very painful memory.
Wes Anderson's direction works so well here, the whimsical world created contrasts so effectively against the dark nature and it's generally just so stunning. This fully artificial world that acts like a play is endlessly watchable and each short has been so unique.
Rupert Friend essentially carries this, narrating everything with almost no support until Fiennes' closing words that adds real power to it. Until then Friend is phenomenal, narrating at a fast speed with a real pain to his voice as he describes what is clearly a very painful memory.
Wes Anderson's direction works so well here, the whimsical world created contrasts so effectively against the dark nature and it's generally just so stunning. This fully artificial world that acts like a play is endlessly watchable and each short has been so unique.