When Vietnam veteran John Eastman's (Robert Ginty) best friend Michael Jefferson (Steve James) is brutally attacked by street gang the Ghetto Ghouls leaving Michael paralyzed, John takes it upon himself to clear the streets of crime under the alias The Exterminator. As NYPD Detective Dalton (Christopher George) tracks down The Exterminator, elements of the CIA take an interest in John's crusade against crime believing it threatens their interests.
The Exterminator is the second film of filmmaker James Glickenhaus and arguably the one that cements his style as a director. After the experience of making an releasing The Astrologer (aka The Suicide Cult), Glcikenhaus decided his next film would be written with as little dialogue as possible which lead to him developing and financing The Exterminator. While the movie was made with the intention of distributing it through the international market, the film proved a sizable hit within the United States making $6 million in the New York alone and would make both star Robert Ginty and writer/director James Glickenhaus staples of B-movies throughout the 80s. While The Exterminator doesn't break far from the tropes of the genre established by Death Wish and its contemporaries, it doesn't pretend to be anymore than it actually is and sidesteps the pseudo discussions and some of the crypto racism inherent to the genre.
Robert Ginty is really well cast as John Eastman and according to Glickenhaus he chose because not only did he find him a good actor, but also thought he brought an approachable everyman quality to the character Clint Eastwood and Charles Bronson couldn't. Ginty and Steve James have terrific chemistry in the film and from the opening scene where Michael saves John's life in Vietnam you buy them as friends and do get invested in their relationship. But despite Ginty portraying a likable personality, he also brings a simmering intensity to the scenes where he's taking on the city's criminal elements from low level street thugs to mid-level gangsters with some scenes involving a meat grinder or a flamethrower being particularly memorable. The movie also gives us another fun turn in Christopher George as Detective Dalton who's investigating The Exterminator and while he does fill the requisite for the character type in a movie like this, he also adds a certain level of humor and humanity such as his love story with Samantha Eggar's Dr. Megan Stewart or some unique little quirks he has such as cooking a hot dog with two forks wired to his desk lamp. Now I'm not going to act like the movie is flawless because at the end of the day it is still a violent and slightly stupid wish fulfillment fantasy, but there's also some other issues at play such as the rather choppy feeling of the editing with some parts such as Michael Jefferson's family feeling really underdeveloped, or the soundtrack which features a lot of slow emotional acoustic guitar backed ballads that feels like it's trying to copy the San Anton song from Rolling Thunder. Pretty much any vigilante movie that tries to ape Paul Schrader is doomed to fail because only Paul Schrader can add that little extra something to a movie like this (Hardcore, Rolling Thunder, Taxi Driver, etc.). The movie didn't need to be Paul Schrader, we have one of those, just be The Exterminator and own it.
The Exterminator is unapologetically b-movie trash but it's fun b-movie trash especially in comparison to stuff like Death Wish II or Fighting Back. If you like this kind of movie there's plenty to appreciate here.
The Exterminator is the second film of filmmaker James Glickenhaus and arguably the one that cements his style as a director. After the experience of making an releasing The Astrologer (aka The Suicide Cult), Glcikenhaus decided his next film would be written with as little dialogue as possible which lead to him developing and financing The Exterminator. While the movie was made with the intention of distributing it through the international market, the film proved a sizable hit within the United States making $6 million in the New York alone and would make both star Robert Ginty and writer/director James Glickenhaus staples of B-movies throughout the 80s. While The Exterminator doesn't break far from the tropes of the genre established by Death Wish and its contemporaries, it doesn't pretend to be anymore than it actually is and sidesteps the pseudo discussions and some of the crypto racism inherent to the genre.
Robert Ginty is really well cast as John Eastman and according to Glickenhaus he chose because not only did he find him a good actor, but also thought he brought an approachable everyman quality to the character Clint Eastwood and Charles Bronson couldn't. Ginty and Steve James have terrific chemistry in the film and from the opening scene where Michael saves John's life in Vietnam you buy them as friends and do get invested in their relationship. But despite Ginty portraying a likable personality, he also brings a simmering intensity to the scenes where he's taking on the city's criminal elements from low level street thugs to mid-level gangsters with some scenes involving a meat grinder or a flamethrower being particularly memorable. The movie also gives us another fun turn in Christopher George as Detective Dalton who's investigating The Exterminator and while he does fill the requisite for the character type in a movie like this, he also adds a certain level of humor and humanity such as his love story with Samantha Eggar's Dr. Megan Stewart or some unique little quirks he has such as cooking a hot dog with two forks wired to his desk lamp. Now I'm not going to act like the movie is flawless because at the end of the day it is still a violent and slightly stupid wish fulfillment fantasy, but there's also some other issues at play such as the rather choppy feeling of the editing with some parts such as Michael Jefferson's family feeling really underdeveloped, or the soundtrack which features a lot of slow emotional acoustic guitar backed ballads that feels like it's trying to copy the San Anton song from Rolling Thunder. Pretty much any vigilante movie that tries to ape Paul Schrader is doomed to fail because only Paul Schrader can add that little extra something to a movie like this (Hardcore, Rolling Thunder, Taxi Driver, etc.). The movie didn't need to be Paul Schrader, we have one of those, just be The Exterminator and own it.
The Exterminator is unapologetically b-movie trash but it's fun b-movie trash especially in comparison to stuff like Death Wish II or Fighting Back. If you like this kind of movie there's plenty to appreciate here.