'Blix' Waterberry (Mickey Rooney) and Stan Cooper (Robert Strauss), a couple of uranium prospectors lost in the Nevada desert, wander into an experimental house at ground zero of an atom bomb test. Despite hiding in the closet, Blix is exposed to the full force of the nuclear blast but miraculously survives, emerging radioactive and manifesting odd abilities. Made in the early years of the cold war, this was one of the first 'atomic comedies' and a typical example of a Hollywood 'radiation can do anything' plot-line. Blix is 'hot' enough to glow in the dark and fog film but even the scientists don't seem worried that he might sterilise (or induce cancer in) anyone he stands near. The 'living chain-reaction' wears a Geiger-counter wrist-watch that clicks when his 'neutrons' become temporarily exited (by kissing a pretty girl for example), his proximity causes slot-machines to 'jackpot', and his arms function as radio antenna. All of this nonsense is played strictly for laughs in Blake Edward's simplistic screenplay but even to contemporary audiences the premise must have seemed a bit ridiculous ("...far-fetched and forced" according to Variety's Dec 8, 1954 review). Rooney mugs it up in a typical 'lovable sucker' role, rough-voiced Strauss is fine as his conniving buddy/manager and Elaine Devry (one of serial-groom Rooney's many brides) is pretty as Blix's nurse-love-interest Audrey (another cookie-cutter role). The first half of the film, up until Blix 'escapes' from the hospital, is moderately amusing but the casino scenes with Audrey are just silly and there is a tacked-on 'espionage' sub-plot so Strauss has something to do when producer Rooney is not on screen. Clearly writer Edwards ran out of ideas as the down-hill slide of the story ends abruptly and inexplicably, setting up one last predictable gag. Silly but topical at the time of release, now just silly.
Review of The Atomic Kid
The Atomic Kid
(1954)
Mindless 'atomic comedy', watchable only as a relic of the cold war
17 February 2023