Set during the early days of the COVID-19 pandemic, college students and friends Parker Mason (Gideon Adlon) and Miri Woodlow (Bethlehem Million) head out to Miri's parents lakeside house to ride out quarantine. The two have the unexpected visit from Parker's boyfriend DJ Cole (Dylan Sprayberry) who came hoping to get some perspective on their relationship only to find Parker has no interest in being exclusive but allows him to stay until morning. However the three soon discover they're not alone as a masked killer begins terrorizing them with their secluded hideaway now isolating them from help.
Sick is the latest film from Scream writer and creator Kevin Williamson and director John Hyams. Williamson's inspiration for Sick came about during the pandemic where noticing the isolation and effects thereof thought it could be put to good use for a horror film. Alongside Williamson, the movie is also the screenwriting debut of co-writer Katelyn Crabb who had worked as an assistant to Williamson on the 2022 Scream. Now debuting on Peacock, I'm happy to say that Sick is a solidly entertaining time with bloody fun and Williamson's trademark sense of humor.
The movie does a good job of setting itself up with an opening kill sequence featuring Joel Courtney's Tyler that establishes the early days of Covid going through a grocery store and despite plenty of people in the store it's a very isolating experience as Tyler walks through the aisles inundating with vaguely sinister text messages on his phone. While there've been plenty of Covid films only a few have really stuck out as legitimately good such as KIMI or Glass Onion while others such as Songbird or The Bubble were not, I'm happy to say that Sick is closer to the level of the former than the latter. Once the movie gets started it doesn't let up and John Hyams does a good job of putting the script to film with some intensely directed attack scenes using a handheld camera and during the lurking scenes Hyams doesn't use ANY orchestral stings or jump scares and instead opts for creeping dread to build fear and tension. In many ways I was reminded of that Mike Flanagan film Hush from a few years ago that much like Sick was a minimalist slasher film in an isolated countryside. I don't think Sick is quite on par with Hush as I wasn't all that hooked with the characters initially and thought the opening with them partying in the house dragged a little bit, but once the action kicked in I did feel like I got to know them a bit more and I was invested in the outcome.
Sick is fun, humorous, and quick slasher entertainment that will be a welcome viewing for fans of the genre. While some of the character setup drags a little bit, at 77 minutes not including credits Hyams and Williamson create an effective and efficient piece of horror entertainment and I hope to see them collaborate on another project together.
Sick is the latest film from Scream writer and creator Kevin Williamson and director John Hyams. Williamson's inspiration for Sick came about during the pandemic where noticing the isolation and effects thereof thought it could be put to good use for a horror film. Alongside Williamson, the movie is also the screenwriting debut of co-writer Katelyn Crabb who had worked as an assistant to Williamson on the 2022 Scream. Now debuting on Peacock, I'm happy to say that Sick is a solidly entertaining time with bloody fun and Williamson's trademark sense of humor.
The movie does a good job of setting itself up with an opening kill sequence featuring Joel Courtney's Tyler that establishes the early days of Covid going through a grocery store and despite plenty of people in the store it's a very isolating experience as Tyler walks through the aisles inundating with vaguely sinister text messages on his phone. While there've been plenty of Covid films only a few have really stuck out as legitimately good such as KIMI or Glass Onion while others such as Songbird or The Bubble were not, I'm happy to say that Sick is closer to the level of the former than the latter. Once the movie gets started it doesn't let up and John Hyams does a good job of putting the script to film with some intensely directed attack scenes using a handheld camera and during the lurking scenes Hyams doesn't use ANY orchestral stings or jump scares and instead opts for creeping dread to build fear and tension. In many ways I was reminded of that Mike Flanagan film Hush from a few years ago that much like Sick was a minimalist slasher film in an isolated countryside. I don't think Sick is quite on par with Hush as I wasn't all that hooked with the characters initially and thought the opening with them partying in the house dragged a little bit, but once the action kicked in I did feel like I got to know them a bit more and I was invested in the outcome.
Sick is fun, humorous, and quick slasher entertainment that will be a welcome viewing for fans of the genre. While some of the character setup drags a little bit, at 77 minutes not including credits Hyams and Williamson create an effective and efficient piece of horror entertainment and I hope to see them collaborate on another project together.