Summary
An adorable Christmas story, never sappy or sentimental, where the Dickensian meets the ineffably Italian. A medium-length film in which Alice Rohrwacher admirably combines humor, irony, tenderness, musicals, pictorials, and comics to once again deal with power, religion, and micropolitics.
Review
The story takes place in a Catholic religious boarding school for girls during Christmas Eve and Christmas. We are in Italy, during World War II.
Based on a letter that the Italian writer Elsa Morante wrote to a friend, Le pupille is a wonderful Christmas story. The director Alice Rohrwacher, in less than 40 minutes, offers us a sensitive, humorous and deep story about that boarding school, with a relentless mother superior (Alba Rohrwacher, most just) and the preparations for her living nativity scene so that the convent raises funds in that such a difficult time.
One of the offerings that one of the aristocrats of the place will make (a devastated and funny Valeria Bruni-Tedeschi) will generate an unexpected conflict in the convent. It is in this conflict where Rohrwacher ends up introducing his usual and acute (never obvious or pamphleteering) treatment of power, religion and micropolitics. The economy of resources and the originality with which the filmmaker expresses the conflicts and accumulated tension is remarkable, and she does it purely on film, combining the pictorial, humor, irony, musicals, and comics. As light as intense.
The film is adorable (like its childish cast), but never sappy, combining the Dickensian, the ineffably Italian and that fair tone suitable for all audiences but not childish, in line with the best and most classic exponents of the Disney universe.
An adorable Christmas story, never sappy or sentimental, where the Dickensian meets the ineffably Italian. A medium-length film in which Alice Rohrwacher admirably combines humor, irony, tenderness, musicals, pictorials, and comics to once again deal with power, religion, and micropolitics.
Review
The story takes place in a Catholic religious boarding school for girls during Christmas Eve and Christmas. We are in Italy, during World War II.
Based on a letter that the Italian writer Elsa Morante wrote to a friend, Le pupille is a wonderful Christmas story. The director Alice Rohrwacher, in less than 40 minutes, offers us a sensitive, humorous and deep story about that boarding school, with a relentless mother superior (Alba Rohrwacher, most just) and the preparations for her living nativity scene so that the convent raises funds in that such a difficult time.
One of the offerings that one of the aristocrats of the place will make (a devastated and funny Valeria Bruni-Tedeschi) will generate an unexpected conflict in the convent. It is in this conflict where Rohrwacher ends up introducing his usual and acute (never obvious or pamphleteering) treatment of power, religion and micropolitics. The economy of resources and the originality with which the filmmaker expresses the conflicts and accumulated tension is remarkable, and she does it purely on film, combining the pictorial, humor, irony, musicals, and comics. As light as intense.
The film is adorable (like its childish cast), but never sappy, combining the Dickensian, the ineffably Italian and that fair tone suitable for all audiences but not childish, in line with the best and most classic exponents of the Disney universe.