Whilst The Forgiven definitely feels its length it's still a really good drama that skillfully critiques many of the worst tendencies of the upper class whilst wisely humanising those who are often depicted as stereotypes.
Ralph Fiennes gives a great lead performance that's unafraid to be unlikable and buoyed by his solid chemistry with Saïd Taghmaoui, whose one of the most human, earnest and likeable characters in the whole film. Ismael Kanater is also great, equally human and full of heartbreaking pain and anguish.
John Michael McDonagh's direction is really good, prioritising nice framing and some clever transitions over mobility. The old Hollywood style credits are a nice touch too. The music by Lorne Balfe is really evocative and memorable if a little overused.
Ralph Fiennes gives a great lead performance that's unafraid to be unlikable and buoyed by his solid chemistry with Saïd Taghmaoui, whose one of the most human, earnest and likeable characters in the whole film. Ismael Kanater is also great, equally human and full of heartbreaking pain and anguish.
John Michael McDonagh's direction is really good, prioritising nice framing and some clever transitions over mobility. The old Hollywood style credits are a nice touch too. The music by Lorne Balfe is really evocative and memorable if a little overused.