"Scenes from a Marriage" (1974) directed by Ingmar Bergman is yet another of his numerous masterpieces, having directed more than 40 feature films in his career.
The film follows two characters, Marianne and Johan, and in typical Bergman style, he examines ontological questions of love, loneliness, being and what it means to be 'fulfilled' through the two protagonists. As with all of Bergman's films, 'Scenes From a Marriage' is not simply a plot narrative, in this case about a married couple and their 'ups and downs'. Rather, with his usual finesse and intellect, Bergman successfully probes into what it means and feels like to need the love, security, and validation of another person and the consequences of life-changing decisions that can happen in a marriage.
"Scenes from a Marriage" is a seminal masterpiece from one of the greatest directors in film history, and on par with many of his other films, and in my opinion only bested by two of his films "Winter Light" (1963) and "Persona" (1966).
The film follows two characters, Marianne and Johan, and in typical Bergman style, he examines ontological questions of love, loneliness, being and what it means to be 'fulfilled' through the two protagonists. As with all of Bergman's films, 'Scenes From a Marriage' is not simply a plot narrative, in this case about a married couple and their 'ups and downs'. Rather, with his usual finesse and intellect, Bergman successfully probes into what it means and feels like to need the love, security, and validation of another person and the consequences of life-changing decisions that can happen in a marriage.
"Scenes from a Marriage" is a seminal masterpiece from one of the greatest directors in film history, and on par with many of his other films, and in my opinion only bested by two of his films "Winter Light" (1963) and "Persona" (1966).