9/10
Human peril - human interest
4 August 2022
Despite the fact the we all know how things are going to turn out, Ron Howard pulls off the same trick he managed in Apollo 13, which is to keep us on the edge of our seats throughout.

The film is very deliberately shot from the point of view of the outside world. We learn very little about the boys, and none is introduced to us as an individual. Indeed, they vanish from the screen from the moment they enter the caves to the moment the first divers make contact - just as they vanished in real life. I was irked by this approach at first - the boys being reduced to mere ciphers, but then it dawned on me that that's what they were to the news-feeds of the time: twelve unknown boys (plus their coach) trapped in cave in a country a long way away.

The performances are excellent throughout, the direction first-class, and the sense of claustrophobia almost overwhelming at times. I admit to wondering whether there would be a side-swipe at Elon Musk for being a publicity-seeking nuisance, but there wasn't. This was probably the right decision.

Any time I turn on the news, I can hear about humanity at its worst. It's nice to hear the odd story about humanity at its best.
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