I got tossed right out of this early on, and never recovered - John Lunn's spare score has a theme running through it, used as much for Ann as anything, that sounds like a direct lift from the score for PHANTASM, progressions and all (though it's missing the bass counter line, I think.) Given the story, I can't help but think this is deliberate, an attempt at homage to a spooky, weird classic.
Review of The Turn of the Screw
