The story of "Confucius" is not a biography of a saint. In the end, it is a story about self-identity. "The relationship between Confucius's disciples and Confucius" and "Zi Jian Nan Zi" are the two major parts of "Confucius". Both the students and the Nanzi are among the few Confucius "friends" at that time. The tragic is not only the confidant, but the ending of the confidant, the death of the dead, the injury of the injury, all of them end in sorrow. In the movie, Confucius has a great ambition and hopes to change the situation by himself. But what greeted him was the wind and food that followed, the displacement, the dog who was almost lost, and the idealism was to be hollowed out. The film seems to depict the discouragement and helplessness of an idealistic loser. In fact, it describes another "suddenly open and bright": to end his life with "preaching and teaching doubts" and to "do something" with "inaction". After the death of Confucius, Bao Dejun's lens was explored out of the window. A calm and calm picture is complementing this mentality. Always liked Chow Yun Fat, but this film is quite a failure. The image is a bit too fat, and there is always a hint of demon light between the eyebrows (not the light of wisdom).
