The gorgeous, breath-taking landscape of Iceland is the ultimate source of energy that feeds the soul of Max Newsom's Iceland is Best. Against the incredible vistas of black-sand beaches, snow-filled valleys and jagged mountain ranges, the stirring majesty of the island both contrasts and complements the film's subtle meditation on love and relationships; on youthful existentialism; on innocence and experience.
Of course, the real lead role is held for Iceland itself. There is something ethereal and transcendental about this small volcanic outcrop of rock. This land of fire and ice famously inspired J. R. R. Tolkien's Middle Earth; and before him, Jules Verne chose Iceland as the gateway for his Journey to the centre of the earth (itself inspired by Icelandic sagas), as Verne's protagonists begin their journey via Iceland's Snæfellsjökull glacier. And while Newsom can't resist a sly reference to this final point of trivia - as one character reveals the fate of another - it's ultimately further proof of the love that the director has for this island. It's a love that is evident in every shot, the light of the ice and sun brilliantly captured on stunning 35mm. It combines to provide a meditative quality to the cinematography that perfectly matches the setting, and perhaps ultimately provides the evidence to support the film's central hypothesis: Iceland is best.
Of course, the real lead role is held for Iceland itself. There is something ethereal and transcendental about this small volcanic outcrop of rock. This land of fire and ice famously inspired J. R. R. Tolkien's Middle Earth; and before him, Jules Verne chose Iceland as the gateway for his Journey to the centre of the earth (itself inspired by Icelandic sagas), as Verne's protagonists begin their journey via Iceland's Snæfellsjökull glacier. And while Newsom can't resist a sly reference to this final point of trivia - as one character reveals the fate of another - it's ultimately further proof of the love that the director has for this island. It's a love that is evident in every shot, the light of the ice and sun brilliantly captured on stunning 35mm. It combines to provide a meditative quality to the cinematography that perfectly matches the setting, and perhaps ultimately provides the evidence to support the film's central hypothesis: Iceland is best.