This movie is pretty much a shot-for-shot remake of the French film "La Femme Nikita" by Luc Besson. I'll say right off the bat that I strongly suggest watching that one instead, since they are virtually indistinguishable but this one is just a clone, a (not so cheap) imitation.
As with many foreign films that are remade for American audiences (like "Let the Right One In," "Funny Games," or "Infernal Affairs"), I'm often left feeling hollow after viewing both versions. The original was, well, original, which is why it gained international acclaim at the time, opening doors to Luc Besson for productions like "Leon" and "The Fifth Element." With this Americanized repeat, there's nothing added, no extra twist, no real reason to remake a perfectly good first film, other than the fact that Americans don't like to read subtitles. It's no wonder Luc Besson refused the offer to direct; seems pretty boring for an artist to make the exact same movie again within five years of the first.
Don't get me wrong, it's a perfectly watchable film, but I'm not liable to give it any credit beyond that since the whole thing was lifted from a movie made only a few years before this. Bridget Fonda is solid, and makes the transition from despicable junkie to government assassin pretty believable. Gabriel Byrne, of course, does well in his role, but I think this character has a very limited range compared to that of which he is capable. Dermot Mulroney is easy on the eyes but his character is not particularly memorable.
Good action, a little romance, and Bridget Fonda kicking ass. Plus a small role for Harvey Keitel at his peak, fresh off of "Reservoir Dogs" and "Bad Lieutenant." The shootouts are pretty par for the 90's, with squibs exploding everywhere and the usual shots of the protagonist diving through the air in slow motion. At the time, the role-reversal of having a female spy/assassin as the lead was pretty unique, but nowadays, of course, that is not so uncommon at all.
Summary: totally watchable, but totally unnecessary.
As with many foreign films that are remade for American audiences (like "Let the Right One In," "Funny Games," or "Infernal Affairs"), I'm often left feeling hollow after viewing both versions. The original was, well, original, which is why it gained international acclaim at the time, opening doors to Luc Besson for productions like "Leon" and "The Fifth Element." With this Americanized repeat, there's nothing added, no extra twist, no real reason to remake a perfectly good first film, other than the fact that Americans don't like to read subtitles. It's no wonder Luc Besson refused the offer to direct; seems pretty boring for an artist to make the exact same movie again within five years of the first.
Don't get me wrong, it's a perfectly watchable film, but I'm not liable to give it any credit beyond that since the whole thing was lifted from a movie made only a few years before this. Bridget Fonda is solid, and makes the transition from despicable junkie to government assassin pretty believable. Gabriel Byrne, of course, does well in his role, but I think this character has a very limited range compared to that of which he is capable. Dermot Mulroney is easy on the eyes but his character is not particularly memorable.
Good action, a little romance, and Bridget Fonda kicking ass. Plus a small role for Harvey Keitel at his peak, fresh off of "Reservoir Dogs" and "Bad Lieutenant." The shootouts are pretty par for the 90's, with squibs exploding everywhere and the usual shots of the protagonist diving through the air in slow motion. At the time, the role-reversal of having a female spy/assassin as the lead was pretty unique, but nowadays, of course, that is not so uncommon at all.
Summary: totally watchable, but totally unnecessary.