Because of a leaked sex tape, a teacher finds herself scrutinized and reviled by the system.
Rade Jude is an iconoclast but not a gratuitous director and writer. Halfway through he film he references Pasolini, and that makes perfect sense, the Bunuel from "le charme discret de la bourgeoisie", would have been at home too. This movie is an indictment of our moral hypocrisy, be it pertaining to sexual behavior, but also to social and political constructs, and in a very contemporary manner to all the lies and pretense surrounding our individual ways of handling the Covid pandemic.
This movie is graphic, VERY graphic! If you're easily shocked, see something else. But if you don't mind being provoked, being made uneasy, or even challenged in what you consider proper, as long as it is for a reason, go for it.
I don't want to go in spoiler mode, the movie deserves to be discovered as you see it. However it has three parts, each with its own cinematographic language and esthetics. Each part invites us to consider a different angle of the same issue: our relationship to images, their meaning, and the value, or infamy, we attach to them.
From the opening right in your face use of them, through a contemplative approach of the disconnect between what we see and what we're told we see or what we're told to watch, through an exploration of the lies or over-meaningfulness we create when we associate images and comments on these images, to the absolute hypocrisy of the morally woke and conservative puritans alike when it comes to confronting ourselves to the beyond the surface value of images.
And despite the content it is not at all a boring intellectual movie, it is fun, it is in your face, it is masterfully shot, and it solicits your eyes as much as your brain.
Rade Jude is an iconoclast but not a gratuitous director and writer. Halfway through he film he references Pasolini, and that makes perfect sense, the Bunuel from "le charme discret de la bourgeoisie", would have been at home too. This movie is an indictment of our moral hypocrisy, be it pertaining to sexual behavior, but also to social and political constructs, and in a very contemporary manner to all the lies and pretense surrounding our individual ways of handling the Covid pandemic.
This movie is graphic, VERY graphic! If you're easily shocked, see something else. But if you don't mind being provoked, being made uneasy, or even challenged in what you consider proper, as long as it is for a reason, go for it.
I don't want to go in spoiler mode, the movie deserves to be discovered as you see it. However it has three parts, each with its own cinematographic language and esthetics. Each part invites us to consider a different angle of the same issue: our relationship to images, their meaning, and the value, or infamy, we attach to them.
From the opening right in your face use of them, through a contemplative approach of the disconnect between what we see and what we're told we see or what we're told to watch, through an exploration of the lies or over-meaningfulness we create when we associate images and comments on these images, to the absolute hypocrisy of the morally woke and conservative puritans alike when it comes to confronting ourselves to the beyond the surface value of images.
And despite the content it is not at all a boring intellectual movie, it is fun, it is in your face, it is masterfully shot, and it solicits your eyes as much as your brain.