After decades, I preserve the powerful impression, as child behind Iron Curtain, about it. At that time, it was a good support for motivation. A delightful occasion to discover the impeccable art of Jenny Seagrove, the elegance of Deborah Carr and a beautiful moral. Barbara Taylor Carter was an obscure name and , in that last years of communist regime, this film was just an opened window to a fairy tale world. Short, after decades, fascinating, yet.
Review of A Woman of Substance
