Like Charles Foster Kane, Jonas Cord is far more dashing and virile than the fellow this film carefully avoids claiming he was actually based on.
Harold Robbins' trashy 1961 bestseller cashing in on the late fifties fascination with the Roaring Twenties erupted into this Technicolor nonsense with a once in a lifetime cast (it was the debut of Elizabeth Ashley and the posthumous swansong of Alan Ladd). George Peppard is a much more rugged adventurer than the man it's not based on (who's actual story just continued to get weirder and weirder for another ten years after this version abruptly ends).
Harold Robbins' trashy 1961 bestseller cashing in on the late fifties fascination with the Roaring Twenties erupted into this Technicolor nonsense with a once in a lifetime cast (it was the debut of Elizabeth Ashley and the posthumous swansong of Alan Ladd). George Peppard is a much more rugged adventurer than the man it's not based on (who's actual story just continued to get weirder and weirder for another ten years after this version abruptly ends).