This syrupy effort from Ryan Murphy and Ian Brennan is, at best, pretty but hard to watch. I had to force myself through the first four episodes to get to a point where I cared enough to endure the bad writing and uneven direction and finish it. There's way too little plot, character development, or point to carry it. The cast did the best they could with some awful, preachy dialogue, overly sugary and convenient plot 'twists' and the shallowest characterisations.
The cast was a mixed bag of wonderful 'seniors', mid-ground familiar faces and inexperienced young over-actors.Patty Lupone, Holland Taylor and Joe Mantello shone in their roles and carried the show throughout. In the mid field, Queen Latifah, Dylan McDermott, Darren Criss and Jim Parsons did excellent work and obviously enjoyed their roles. Queen Latifah always has screen presence and as such, she was under-utilised. Dylan McDermott revelled in his silver fox rendition and Jim Parsons developed his character, as best as the script would allow, from vile to virtuous (too much so, but anyway). The young ones added the pretty and, possibly accidental, youthful naivete.
As to the point of the show, it was never clear what it was trying to do: just entertain? make a point about gays (as a gay person I am tired of the cliche way this is always depicted, find a new cause or at least a new angle) and coloureds? was it to show the 'true' Hollywood? (hardly). At times I wondered if it was trying to be a 1950's women's melodrama about the making of a 1950's melodrama, but that didn't really play out. The directing was extremely uneven. Though it was very heavily preachy (way too preachy) it didn't give any depth to the topic: it really only exploited the 'issues' to provide the little plot that there was. It even seemed to endorse the violence against the journalist/reporter that was going to expose something that was shown to be true.
It was mostly predictable, cliched and shallow and, therefore, very disappointing. It's a shame that all the effort put into recreating the era, ultimately amounted to very little: an opportunity missed (as others have said). Somewhat entertainingly disappointing: will just a little more, it could have been so much more.
The cast was a mixed bag of wonderful 'seniors', mid-ground familiar faces and inexperienced young over-actors.Patty Lupone, Holland Taylor and Joe Mantello shone in their roles and carried the show throughout. In the mid field, Queen Latifah, Dylan McDermott, Darren Criss and Jim Parsons did excellent work and obviously enjoyed their roles. Queen Latifah always has screen presence and as such, she was under-utilised. Dylan McDermott revelled in his silver fox rendition and Jim Parsons developed his character, as best as the script would allow, from vile to virtuous (too much so, but anyway). The young ones added the pretty and, possibly accidental, youthful naivete.
As to the point of the show, it was never clear what it was trying to do: just entertain? make a point about gays (as a gay person I am tired of the cliche way this is always depicted, find a new cause or at least a new angle) and coloureds? was it to show the 'true' Hollywood? (hardly). At times I wondered if it was trying to be a 1950's women's melodrama about the making of a 1950's melodrama, but that didn't really play out. The directing was extremely uneven. Though it was very heavily preachy (way too preachy) it didn't give any depth to the topic: it really only exploited the 'issues' to provide the little plot that there was. It even seemed to endorse the violence against the journalist/reporter that was going to expose something that was shown to be true.
It was mostly predictable, cliched and shallow and, therefore, very disappointing. It's a shame that all the effort put into recreating the era, ultimately amounted to very little: an opportunity missed (as others have said). Somewhat entertainingly disappointing: will just a little more, it could have been so much more.