Abby Mann, who also wrote 'Judgement at Nuremburg' for director Stanley Kramer, has here condensed the novel of Katherine Anne Porter to a little under two and a half hours but it still seems a wee bit on the long side. The weakest link is the on/off romance of the angst-ridden artist of George Segal and the insecure girlfriend of Elisabeth Ashley which becomes rather tiresome. The strongest link is the relationship between ship's doctor Schumann and La Condesa. Oskar Werner and Simone Signoret are simply stupendous and their chemistry is palpable. They are greatly aided by having beautifully written roles and the touching music of Ernest Gold. Werner received recognition for his performance from the New York Critic's Circle. At one point she asks him 'Are you happy?' His response 'Who is?' has a world of meaning.
Mention has to be made of Vivien Leigh who plays a lady 'entre deux ages' as the French diplomatically say. Kramer paid tribute to her courage in taking on the role despite her physical and mental problems. Needless to say her nuanced performance oozes class. She picked up a well-deserved 'L'Etoile de Cristal' before this award was renamed the César.
Among the uniformly excellent performances is that of Heinz Ruemann as Lowenthal, an incorrigible optimist who has chosen to go back to Germany in 1932! When asked about his fellow German Jews he asks: 'What are they going to do, kill us all?' Ruemann's presence in this film is fascinating for although he always asserted that he was a fervent anti-Nazi he certainly had a close association with Hitler and his circle. The fact that he was one of Germany's most popular actors and was married to actress Hertha Feile who was quarter Jewish no doubt enabled him to seemlessly continue his career after the war.
Despite its longeurs this is a piece that leaves a deep impression as we can all relate to the guilts and regrets of these characters. In response to Schumann's 'I haven't lived' the Captain asks 'Who has?'
Sorry to say the author disliked the finished product but in the world of film adaptations that is par for the course!
Mention has to be made of Vivien Leigh who plays a lady 'entre deux ages' as the French diplomatically say. Kramer paid tribute to her courage in taking on the role despite her physical and mental problems. Needless to say her nuanced performance oozes class. She picked up a well-deserved 'L'Etoile de Cristal' before this award was renamed the César.
Among the uniformly excellent performances is that of Heinz Ruemann as Lowenthal, an incorrigible optimist who has chosen to go back to Germany in 1932! When asked about his fellow German Jews he asks: 'What are they going to do, kill us all?' Ruemann's presence in this film is fascinating for although he always asserted that he was a fervent anti-Nazi he certainly had a close association with Hitler and his circle. The fact that he was one of Germany's most popular actors and was married to actress Hertha Feile who was quarter Jewish no doubt enabled him to seemlessly continue his career after the war.
Despite its longeurs this is a piece that leaves a deep impression as we can all relate to the guilts and regrets of these characters. In response to Schumann's 'I haven't lived' the Captain asks 'Who has?'
Sorry to say the author disliked the finished product but in the world of film adaptations that is par for the course!