1/10
Why?
25 August 2019
Jay and Silent Bob star Jason Mewes makes his directorial debut with Madness in the Method, in which he stars as himself, forever typecast as the stoner but who desperately wants to gain respect by taking on more serious roles. Encouraged by his pal, director Kevin Smith, to seek out a one-of-a-kind book that will divulge the secrets of method acting, Jason finds himself descending slowly into a world of madness and murder.

Having just sat through this thoroughly abysmal movie, I know how Mewes feels: by the end of Madness in the Method, I felt my grip on sanity had gone and I wanted to kill somebody.

One thing this film makes abundantly clear is that Mewes isn't Kevin Smith (hell, even Kevin Smith isn't Kevin Smith as much these days): this woeful attempt at emulating his long-time chum's slacker comedy style is a diabolical wreck that sees Mewes not only embarrassing himself, but a whole load of his C-list industry pals as well. Vinnie Jones gets a pass, being a footballer who has somehow carved a new career in Hollywood, but Dean Cain, Judd Nelson, Casper Van Dien, Danny Trejo, Zach Galligan, Teri Hatcher, Brian O'Halloran, and the lovely Gina Carano (who deserves much better than this) give performances that are painful to watch.

Mind you, working from a cringe-worthy script by Dominic Burns and Chris Anastasi, what chance did they have? Nearly 100 minutes of mind-numbing dross that should have been shredded moments after it was written, Madness in the Method makes even the worst of Kevin Smith's movies look like pure genius.

1/10. Stan Lee's last movie appearance -- not the greatest way to bid farewell.
15 out of 37 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed