7/10
Serviceable crime drama
3 March 2019
All the elements are here but some things are not working. The actors give their all, but are a little cliched. I got the sense there was too much dialogue. The story itself is exciting enough, but I guess I've been spoiled by movies about Baader Meinhof and Gomorrah, where the leads were charismatic and the danger more pronounced, and the vision of Europe had more depth and colour. Call me crazy but I thought the lighting and the film stock used were running counter to the intrigue. It all seemed a little too high contrast indoors, and not enough contrast for the night scenes. And the film stock used seemed to lack a little definition and could have been, well, less ordinary, more big screen. There were plenty of locations, but I still got the sense that all the action was taking place in a rather dull, single suburb. Then again, maybe in reality it did. On the plus side, I did think the depiction of the early 1980s was pretty good. I also thought the use of Sir Anthony Hopkins to be a redeeming stroke of genius. Of all the actors his sparse yet crucial use was a joy to behold, and lifted the entire movie. I thought Sam Worthington good too, and to be fair he somehow outshone his immediate friend and unofficial leader of the group, being a darker character and definitely better groomed. That's what I found frustrating about the movie, little things like the lead's uncombed hair. I also don't remember the soundtrack at all, so maybe that was an opportunity that went begging. Kidnapping is an interesting ride and worth a watch, especially as it is all true, but I do believe it could have had a lot more clout.
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