As a sport movie, the racing sequences in this Pegasus are ways worse than those in Ron Howard's Rush. But at the very least, this is more like a film, with convincing plot and editing, compared to Han Han's first two pieces. Han Han takes a scattershot approach on a very cliched subject. Surprisingly, he hits some of his targets and avoids the typical pitfalls. Shen Teng has the magic of turning every film into Shen Teng-esque, and here he does it again.