This is a very solid neo-western. Jiang Wen, once again, proves that he is the most talented filmmaker in China. The tension arises right from start, and does not end until finish. The length of this film is 137 minutes, but you never feel it that long, as it is rather compact, fast-paced and intense. The multi-angle, quick-cut editing, which used to be a trademark of Stanley Kubrick, appears frequently in this movie. The inherent strong violence is neutralized by the underlying sly humor to a large extent, and this characteristic was the signature of Quentin Tarantino.
Liao Fan, who had been underrated for a long time, proves again to be the best actor of his generation. His performances are just impeccable that he is simply unrecognizable for his particular role. The production design, I have to say, is unique, with many of the scenes set on the roof. The sound editing and cinematography are also noteworthy.
Liao Fan, who had been underrated for a long time, proves again to be the best actor of his generation. His performances are just impeccable that he is simply unrecognizable for his particular role. The production design, I have to say, is unique, with many of the scenes set on the roof. The sound editing and cinematography are also noteworthy.