Copyright 3 August 1944 by Columbia Pictures Corp. New York opening at Loew's Criterion: 2 August 1944. U.S. release: 3 August 1944. Australian release: 15 February 1945. 7,315 feet. 80 minutes.
U.K. release title: ARMS AND THE WOMAN.
SYNOPSIS: Wife objects to her husband cutting a gate in his backyard fence so that he can reach his shop on the other side. She insists that he walk around the whole block.
NOTES: Robert Mitchum is in this movie as one of Winkle's instructors I believe, but you'll certainly have to be mighty quick to catch him. I've seen the movie at least three times and I've never spotted him.
VIEWER'S GUIDE: With a nagging wife constantly browbeating her meek little good-Joe hubby, the kids will think they're right at home with this one. Suitable for all.
COMMENT: It's odd to find a luminary like Edward G. Robinson starring in a B-grader - especially in a B-grader like this one. It's the sort of movie that gives old black-and-white films a bad name. Despite its very middling entertainment value, it does have remarkable staying power. It enjoyed a successful theatrical release (in Australia it was in continuous circulation until the mid-1950s, when almost all Columbia's other wartime product had disappeared) and has been frequently broadcast on Oz TV - as recently as April, 2001.
Perhaps its homely theme, its little guy rejecting books and making good with his hands, is what appeals to many audiences. Certainly Wilbert Winkle is a character with which many people can identify - and he is portrayed with ease, skill and sympathy by Edward G. Robinson.
But everything else about Mr Winkle Goes To War is second-rate. The cornball script not only runs a predictable course, but that course has quite a few unbelievable holes, and the running takes far too long. True, the central idea is promising, but it's resolved in a typically small-budget way with the producer making a virtue out of the necessity of bypassing the expensive "Welcome Home" parade.
Yes, the action climax and the training scenes are reasonably lively, but all the trivial domestic guff between Robinson and his insipid partner Ruth Warrick, and all that sentimental tosh with Ted Donaldson's helpful orphan could stand considerable trimming. The dialogue is often slow and tedious and most of the players have a hard time with it, particularly Robert Armstrong, though Lane registers okay as the sergeant.
Technically, Mr Winkle is equally undistinguished. Green's direction has occasional spurts of energy, but is mostly slow and mercilessly routine. The music score is strictly Mickey Mouse, aggressively underlining every "comic" and "dramatic" development. Even the photography is so flat and unattractive that for just this once we wouldn't object to "color enhancement". At least that would give the whole movie a much-needed lift from the "B" doldrums.
U.K. release title: ARMS AND THE WOMAN.
SYNOPSIS: Wife objects to her husband cutting a gate in his backyard fence so that he can reach his shop on the other side. She insists that he walk around the whole block.
NOTES: Robert Mitchum is in this movie as one of Winkle's instructors I believe, but you'll certainly have to be mighty quick to catch him. I've seen the movie at least three times and I've never spotted him.
VIEWER'S GUIDE: With a nagging wife constantly browbeating her meek little good-Joe hubby, the kids will think they're right at home with this one. Suitable for all.
COMMENT: It's odd to find a luminary like Edward G. Robinson starring in a B-grader - especially in a B-grader like this one. It's the sort of movie that gives old black-and-white films a bad name. Despite its very middling entertainment value, it does have remarkable staying power. It enjoyed a successful theatrical release (in Australia it was in continuous circulation until the mid-1950s, when almost all Columbia's other wartime product had disappeared) and has been frequently broadcast on Oz TV - as recently as April, 2001.
Perhaps its homely theme, its little guy rejecting books and making good with his hands, is what appeals to many audiences. Certainly Wilbert Winkle is a character with which many people can identify - and he is portrayed with ease, skill and sympathy by Edward G. Robinson.
But everything else about Mr Winkle Goes To War is second-rate. The cornball script not only runs a predictable course, but that course has quite a few unbelievable holes, and the running takes far too long. True, the central idea is promising, but it's resolved in a typically small-budget way with the producer making a virtue out of the necessity of bypassing the expensive "Welcome Home" parade.
Yes, the action climax and the training scenes are reasonably lively, but all the trivial domestic guff between Robinson and his insipid partner Ruth Warrick, and all that sentimental tosh with Ted Donaldson's helpful orphan could stand considerable trimming. The dialogue is often slow and tedious and most of the players have a hard time with it, particularly Robert Armstrong, though Lane registers okay as the sergeant.
Technically, Mr Winkle is equally undistinguished. Green's direction has occasional spurts of energy, but is mostly slow and mercilessly routine. The music score is strictly Mickey Mouse, aggressively underlining every "comic" and "dramatic" development. Even the photography is so flat and unattractive that for just this once we wouldn't object to "color enhancement". At least that would give the whole movie a much-needed lift from the "B" doldrums.