6/10
Prick up your ears
12 May 2018
Looking back at The Crying Game after a quarter of a century from its cinema release, it still is an intriguing film. It also looks increasingly quaint because within two years of its release there was a rapprochement between the IRA and the British government that would eventually lead to the peace process.

Jody (Forest Whitaker) is a British soldier in Northern Ireland who is befriended by Jude (Miranda Richardson) who is an IRA agent. She plans to lure him into a honey trap where he is kidnapped.

Jody angry and shocked befriends Fergus (Stephen Rea) one of his kidnappers. They tell stories to each other, Jody talks of his passion for cricket and his girlfriend Dil (Jaye Davidson.) Jody asks Fergus to look up Dil after he is dead.

When the times comes Fergus reluctantly takes up the task to shoot him but Jody runs away into the woods and is run over by an army van that was on its way to rescue him and engages in battle with some of the kidnappers.

Fergus escapes and arrives to London, gets a job in a building site and finds Dil who works as an hairdresser and performs at a nearby pub. They initially communicate via Col the barman (Jim Broadbent.)

Dil is being harassed by a bully called Dave and it is not long before Fergus's IRA comrades arrive. They are angry at him for escaping in the aftermath of the botched hit on Jody. Yet Fergus and Dil still manage to fall in love through all the obstacles that arise.

The film has an opening of a kidnap thriller with angry performances from Miranda Richardson and Adrian Dunbar as the IRA operatives. It then deviates to another kind of story, one involving a blossoming romance between essentially two outsiders, damaged in their own ways. Dil grieving over her boyfriend who has been killed but not knowing of Fergus's involvement in it.

There are now two Oscar winners in this film. Forest Whitaker's cockney accent makes Dick van Dyke's turn in Mary Poppins into a masterclass of accents. The more subtle performance is from Jim Broadbent as the knowing barman.

There is a precocious, vulnerable performance from Jaye Davidson whose hands betray a secret which Fergus failed to pick up on.

The film has characters that lacked depth and a third act which was clunky and disappointing as Fergus is lured to another job by his so called IRA friends.
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