RELEASED IN 2016 and directed by Bette Gordon, "The Drowning" focuses on a child psychologist (Josh Charles) whose life is disrupted by the release of a young man from reformatory (Avan Jogia). The doctor's analysis helped confine the kid a dozen years earlier and now the youth seems to show up everywhere and it's irritating; worse, his wife seems smitten with him (Julia Stiles). John C. McGinley plays the lawyer who prosecuted the kid while Robert Clohessy appears as the aloof, irate father.
This is a melancholy psychological drama with crime thriller elements. The focus is on the drama and the remorseful reflections thereof. All aspects of filmmaking are top-notch, including the convincing acting and well-scripted dialogues. The story's unpredictable: Just when you think something's going to happen, it doesn't (and vice versa). Some people refer to the unexpected climax as a "twist," but it's really more of a desperate solution.
The problem viewers have with this movie (besides the lack of thrills and explosions) is that not everything's spelled out; you have to read in between the lines. It's a study on the nature of good and evil within the context of human nature. Can a person be "evil" as a kid? If so, can he be reformed? Can a "good" therapist have elements of evil in his psyche? Did he have to deal with the same evil when he was a kid? What's the secret of overcoming it? The movie even throws in the enigmatic female attraction to "bad boys."
My title blurb reveals that there are similarities to "Good Will Hunting" (1997), but I'd watch this one over that overrated flick any day. Yet the script needed fine-tuned to drive home the movie's points. As it is, they're elusive; and this frustrates some viewers. But post-reflection reveals a lot.
THE FILM RUNS 95 minutes and was shot on the coast of Connecticut (New London, I'm guessing), as well as New York City. WRITER: Stephen Molton & Frank Pugliese wrote the screenplay based on Pat Barker's novel.
GRADE: B-/C+
This is a melancholy psychological drama with crime thriller elements. The focus is on the drama and the remorseful reflections thereof. All aspects of filmmaking are top-notch, including the convincing acting and well-scripted dialogues. The story's unpredictable: Just when you think something's going to happen, it doesn't (and vice versa). Some people refer to the unexpected climax as a "twist," but it's really more of a desperate solution.
The problem viewers have with this movie (besides the lack of thrills and explosions) is that not everything's spelled out; you have to read in between the lines. It's a study on the nature of good and evil within the context of human nature. Can a person be "evil" as a kid? If so, can he be reformed? Can a "good" therapist have elements of evil in his psyche? Did he have to deal with the same evil when he was a kid? What's the secret of overcoming it? The movie even throws in the enigmatic female attraction to "bad boys."
My title blurb reveals that there are similarities to "Good Will Hunting" (1997), but I'd watch this one over that overrated flick any day. Yet the script needed fine-tuned to drive home the movie's points. As it is, they're elusive; and this frustrates some viewers. But post-reflection reveals a lot.
THE FILM RUNS 95 minutes and was shot on the coast of Connecticut (New London, I'm guessing), as well as New York City. WRITER: Stephen Molton & Frank Pugliese wrote the screenplay based on Pat Barker's novel.
GRADE: B-/C+