5/10
A Major (or perhaps General) disappointment
15 December 2017
This film could and really should have a masterpiece. There is a strong sense of period enhanced by what appears to be authentic 19th century barrack room slang and music from the period. It could be argued that the film is rather slow, but to my mind a lingering on the enormous wealth of detail, adds rather than detracts from the film's appeal. There are also many strong performances, in particular, Trevor Howard is imposing as the stubborn commanding officer.

Yet I find this film unsatisfying and somewhat boring to watch. The fault, I feel, is that the film's message is hammered home over and over again. A case in point: Howard instructs an inferior officer to spy on David Hemmings. The officer is reluctant and when pressed says he would have to inform Hemmings that he was instructed to spy. He then relates a touching tale of how he has worked his way up and been sober for many years. Howard is completely contemptuous and tells him his career is now in ruins. This scene is highly memorable and moving and had it been left at that, it would have been been effective. We understand the injustice and brutality of ruling elite.

However, we immediately see this officer becoming drunk followed by him being horse whipped, something that belabours the message. In another scene an officer is seen trying to subdue a horse through aggression. Hemmings shows up and subdues the horse "through kindness" as he says. Howard immediately flares up when he sees this. And in another, an anti-war protest is violently broken up. Yes we get the message: War is bad, and the military machine is ugly and inhuman. But it need not be repeated over and over again.
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